Monet Catalogue Raisonné

 

 

Impressionism, a historical reconstruction:

Claude Monet

(1840-1926)

Catalogue Raisonné

of his paintings

 

Introduction:
On this page you will find the numbers of the Catalogue Raisonné (=CR) of Wildenstein on the works of Claude Monet (1996=R22). The Catalogue Raisonné renders all the known paintings of Monet, rendering information an the work, including the provenance, the bibliography and the exhibition history. They will be listed per year and when possible links will be given to internal pages with pictures that were exhibited at the Salon, or at the ‘impressionist’ expositions of 1874, 1876, 1877, 1879 or 1882, regional exhibitions or other exhibitions. When possible links will be given to external websites of Musea, auction sites, namely Christie’s (=iR15) and Sotheby’s (=iR14), the list of paintings on WikiPedia (=iR3), WikiMedia (=iR6), ArtsandCulture (=iR8), Joconde (=iR23), art.rmngp.fr (=iR127), PubHist (=iR135), art-monet.com (=iR51) or other pages. There also will be links to the online version of the catalogue raisonné published by the Wildenstein/Platter Institute (= wpi.art/monet =iR182). See also the overview of 300+ pictures of Monet on this website.
Note: I stopped with more extended references after CR238 and less extended references after CR472. Of the upgoing numbers I only render a more general overview.
Many works were once in the collection of Durand-Ruel (=DR).
Many works were once auctioned, namely at Hôtel Drouot (=HD), at Georges Petit (=GP) or Durand-Ruel (=DR). There are references to (early) owners (see art-collectors).
The following Musea have many paintings of Monet:
Musée d’Orsay in Paris (=M1)
Musée Marmottan in Paris (=M2)
Art Institute Chicago (=M20)
National Gallery of Art in Washington (=M21)
MFA Boston (=M22)
Metropolitan in New York (=M23)
Note1: the works indicated in red with – are destroyed or lost.
Note 2: some works have two catalogue numbers, but are identified as being the same; the second one is rendered in orange.
Note 3: Other sources may render other years of creation.

 

1858-1861:
Note: for the numbers CR1-968 see link to the 2nd volume of the second CR: R22II =iR182II =iR19vII.
Note: for the works made between 1858 -1881 =CR1-705, see link to the 1st volume of the first CR: R127I =iR187I =iR19tI.
Note: for the works made between 1858-71, see the overview on WikiPedia (iR3).
CR1 (Le Havre-1858-380; iR135; iR3); CR2– (Le Havre-1858-R); CR3-; CR4– ; CR5 (HD1925/02/23-112; iR4; iR135; iR14,1994/11/30); CR5a (iR4; iR135);

1861:
CR6 (M1);

1861-1862:
CR7 (M12; M1); CR8– (DR);

1862:
CR9 (iR4); CR10 (M1; M14);

1862-1863:
CR10a (iR4); CR11 (iR4); CR12 (HD1925/02/23-113; iR4; iR135); CR13 (iR4; iR14,1981/05/20); CR14 (=HD1898/04/30-84; M1; iR23; iR135); CR15 (M2; iR4; iR135);

1863:
CR16 (=HD1898/04/30-77; M1; iR23; iR135);

1864:
Fontainebleau forest: CR17 (iR4; iR135); CR18 (M22; iR135); CR19 (=S1866-1387; DR1872; =AAG-NY-1886-183; letter 55 to Bazille 1868 Décember);
CR20 (=M27; =? Rouen-1864/10/01-hc; iR8); CR21 (HD1900/05/29-17;M87);
Sainte-Adresse, Étretat, Normandy coast: CR22 (DR1873/02;M155); CR22a (iR4); CR22b (iR4); CR22c (=CR97); CR23 (M73);
Honfleur / Saint-Siméon farm: CR24 (iR4); CR25 (iR4); CR26 (iR4); CR27 (iR15; iR4; iR135); CR28 (iR4); CR29 (M127; iR8); CR30 (Gaudibert 1864/10; HD1894/12/14-3; iR4); CR31 (iR4); CR32 (iR4); CR33 (HD1897/03/08-102; M22; iR8); CR34 (M51); CR35 (iR14; iR4);  CR36 (iR387; Orlando MA; iR4); CR37 (MAG New York; iR4); CR38 (HD1901/04/25-33; M86; iR4; iR8);
Sainte-Adresse: CR39 (DR1872; DR-solo-1883-2; =?GP-1889-1; Faure DR1906-1; M61; iR135; iR8); CR39a (=?GP-1889-1; iR94; iR135; iR4); CR40 ( iR14; iR4);
namely Honfleur: CR41 (M49; iR135);
portraits: CR42 (iR15; iR4); CR43 (M23; iR135); CR44 (iR4); CR45=53a; CR46=297a;
Still lifes: CR47=10a;
Honfleur?: CR48– (DR1873/04); CR49– (DR1873/02);

1865:
Honfleur / Saint-Siméon farm: CR50 (HD1901/05/06-5; M1;iR127; iR23); CR51 (=S1865-1524; M43);
Sainte-Adresse: CR52 (=S1865-1525; M224; iR135; iR8);
portraits: CR53 (iR4); CR53a=45 (iR4); CR54 (M86);
Chailly / forest of Fontainebleau: CR55 (HD1892/05/06-28; HD1909/03/11-45; iR4; iR7); CR55a (M223; iR64); CR56 (=HD1898/04/30-79; M1; iR23); CR57 (DR1873; Faure 1873; DR; Rouart; MJ1912/12/09-255; iR165; iR6; letter 55 to Bazille 1868/12); CR58 (iR4); CR59 (M87); CR60 (DR1872; M23); CR60a (iR14; iR4); CR61 (M21; iR8); CR62 (=Vienna-1903-44; M96); CR63-; CR63/1 (M1; iR23); CR63/2 (M1; iR23);
dated 1865: CR73 (=4IE-1879-140; M23);

1866:
portraits: CR64 (iR4); CR65 (=S1866-1386; =Le Havre-1868-856; GP1899-60; Berlin-1901-181; Brussels-1902-122; Weimar-1904-22; Bremen-1906-241; M58; iR8); CR66 (South-Kensington-1871-1382; ?HD1876/05/12-35; de Bellio; iR4); CR67 (=S1867-R; =? Latouche-1867; Bazille; M1; iR23);
namely Sainte-Adresse: CR68 (Lecadre; =4IE-1879-155; M95); CR68a=96 (iR4); CR69 (?Guillemet (1868); Latouche (1872); M1);
Still lifes: CR70 (DR1890ca; The Hague-1893; St.-Petersbourg-1899-242; M226; iR4; iR8);
namely Honfleur: CR71 (DR1872-1877ca; M63; iR8); CR72 (Chocquet (1878); GP1899/07/01-83; =GP1889-3; =HD1899/07/01-83; =GP1906/06/01-213; Viau; M93; iR165; iR64; iR4); CR73 (dated 1865; DR1873; Cassatt (1883/10; =?4IE-1879-140; M23); CR74 (Edmond Maître; DR1899; M267; iR4); CR75 (=HD1899/06/07-17; iR4); CR76  (=HD1881/01/28-67; =GP1899/07/01-80; iR14; iR4); CR77– (=S1867-R; =?Hagerman-1867; =Le Havre-1868-854; GP1889-MR-4; Berlin-1901-183; iR6; iR4); CR77a (iR15;iR4); CR78– (see letter 1893/06/03);

1867:
Honfleur / Saint-Siméon farm: CR79 (M5;iR6; iR4; iR23); CR80 (GP1918/02/23-21; M32; iR8); CR81 (=HD1903/02/11-9; iR6; iR14); CR82 (iR6);
Paris: CR83 (Latouche (1867/05); Faure (DR1906-3); M71); CR84 (Astruc; DR1872/06; =London-5SFA-1872-9; =HD1878/06/05-50; =GP1889-MR-2; Faure (DR1906-2); M52; iR8); CR85 (de Bériot (1873); HD1901/03/11-76; M225; iR6);
Honfleur: CR86 (DR1906; Saint-Petersbourg-1912-C-440; M26); CR87 (à Lafont; M43); CR87a (iR4;);
Le Havre + Sainte-Adresse: CR88 (à Lafont; iR4); CR89– (=S1868-1787); CR90 (iR4); CR91 (=Bordeaux-1868-449; ?Hecht (1873); =? London-8SFA-1874-142; HD1884/04/05-25; M23); CR92 (DR (1873/02/28); Faure (1876ca); =2IE-1876-151; =GP1889-5; GP1897/02/01-79; M20); CR93 (Faure (1874/09); =GP1900/03/06-58; M21); CR93a (iR4); CR94 (=Le Havre-1868-852; Duret (1873/05); =3IE-1877-110; =LVM-1880-15; =GP-1889-6; GP1894/03/19-26; M141); CR95 (Frat; 4IE-1879-157; M23); CR96=68a; CR97=22c; CR98 (M26);
Portraits / figure paintings: CR99 (iR4); CR100 (M32); CR101 (?de Bellio; M21; iR8);
still lifes: CR102 (DR1908-5; iR4); CR103 (Lejosne (1868/01); iR7; iR4); CR104 (iR4);

1867/68:
Bougival: CR105 (=GP1927/05/20-112; M5; iR23); CR106 (iR4);
CR107– (letter 55 to Bazille 1868 Décember);
figure painting: CR108 (iR4; M90; iR165);
Le Havre: CR109 (=S1868-R; =Le Havre-1868-855; Gaudibert (1868/69); Faure (1874/05); DR1901; Berlin-1901-182);

1868:
Bennecourt: CR110 (Clapisson (1889ca); =GP-1889-7; DR1892; M20);
namely Sainte-Adresse, Honfleur, Fécamp: CR111– (Astruc 1877); CR112 (M35); CR113 (DR1873/02; iR4; iR15); CR114 (iR135; iR4); CR115 (M152); CR116 (iR8; iR4); CR117 (Manet; DR1886; iR4; iR64); CR118 (à Dubois (1870/06/28); =HD1883/11/28-31; DR; M87); CR119 (Morisot; iR4; iR64);
Portraits: CR120– (Gaudibert 1868); CR121 (Gaudibert 1868; M1; iR23); CR122-; CR123 (Gaudibert 1868/69; iR4);

1868/1869:
namely Étretat: CR124 (Duret; iR15; iR6; iR4); CR125 (DR (1892); Renoir (1892); M149; iR4); CR126 (=S1869-R; Faure; iR8); CR127 (M1; iR23); CR128 (M; iR4);
interiors + figure paintings: CR129 (DR (1873/02); =? LVM-1880-16; GP1906/05/31-19; M86); CR130 (DR (1873/02); =? LVM-1880-16; =DR1899-4; M21; iR8); CR131 (iR4); CR132 (=S1870-R =1IE-1874-103; Fromenthal (1875); =GP1899-43 =Vienna-1903-40; iR8);
near Etretat: CR133 (=S1869-R; M1);

1869:
La Grenouillère / Île de Croissy: CR134 (Manet; DR (1886); =M23); CR135 (? Ephrussi (1881); =?GP1889-9; M61; iR8); CR136– (=? S1870-R; DR (1873/02; Hoschedé (1877/01); =? 2IE-1876-164); CR137 (M58);
Zaandam 1871: CR138 (=?HD1874/01/13-46; iR14; iR4); CR138a– (Morisot; iR4);
Still lifes + portrait: CR139 (?Rouart (1878/12); =?4IE-1879-142; M31; iR8); CR140 (Edmond Maître; DR (1889); (=Vienna-1913-23; M32; iR8); CR141 (DR (inv. 1881-1273); iR4); CR142 (M211; iR4);
namely Bougival + Louveciennes: CR143 (=HD1883/11/28-32; =HD1898/03/23-5; HD1901/05/11-46; iR14; iR4); CR144 (Chabrier (1878ca); =HD1896/03/26-17; iR4); CR145 (Gautier; …; GP1906/05/31-30; DR (1906); Prague-XIX-1907; M1; M12);

Still life: CR146 (=HD1894/06/08-43; ?Faure; M135; iR6);

1869/70:
namely Bougival + Louveciennes: CR147 (?Michel Lévy (1873); iR6; iR4); CR148 (?Michel Lévy (1873); =GP1889-MR-8; GP1898/03/30-27; iR15; iR6; iR4); CR149 (Linder; DR (1872/06);=Reims-1873; iR4; iR6);

1870:
Bougival +Île de Croissy + Chatou: CR150 (iR15; iR4); CR151 (=HD1901/04/25-34; M226; iR4); CR152 (Firmin Martin (1870ca); HD1880/02/02-58; M188; iR6; iR4); CR153 (Hoschedé (1876/77ca), HD1878/06/05-53; M1; iR8);
Trouville: CR154 (=London-1SFA-1870-36; Duez (1879ca); =4IE-1879-147; =GP1889-MR-10; Faure, DR1906-4; M142; iR8); CR155 (M1; iR8; iR23); CR156 (?DR (1871ca); M162; iR4); CR157 (DR (1871/06); Hoschedé 1877/01, =HD-1878/06/05-47; Cassatt; DR (1883); =New York-AAG+NAD-1886-278; =Chicago-Armory-1913-496; iR14; iR7; iR4; iR13); CR157a (DR (inv.1882-2435); iR4);
Trouville / figures: CR158 (M61; iR8); CR158a– (DR (inv.1871-825); =London-2SFA-1871-hc); CR159 (Petit-Didier (1875); iR15; iR4); CR160 (Martin (1874/75); M33; iR4); CR161 (M2; iR4); CR162 (M2; iR4);

1871:
London / figure: CR163 (=South-Kensington-1871-1273; =Rouen-1872/04; ?DR (1873-1989); =GP1899/07/01-78; Paris-1922-C-119; M1; iR23);
London: CR164 (DR (1872/05); Hoschedé (1877/01/27); M152; iR8); CR165 (DR (1872/05); 5SFA-London-1872-131; M28); CR166 (DR (=1872/11); 6SFA-London-1873-114; =HD1878/06/05-49; =GP1889-MR-12; Faure, DR1906-5; DR (1907); =St. Petersbourg-1912-438; M61; iR8); CR167 (Hecht (1873/01); iR4); CR168 (DR (1872/09); M64); CR169 (?DR (1872/05); iR15; iR4);
Zaandam (1869): CR138 (=?HD1874/01/13-46; iR4); CR138a– (iR4);
Zaandam: CR170 (M48; iR8; iR4); CR171 (=GP1906/05/31-25; DR; Frankfurt-1912-XIX); iR14; iR4); CR172 (DR (1872/05); =HD1873/01/18-45; =GP1894/03/19-27; =HD1901/04/15-17; iR4); CR173 (iR4); CR174 (?DR (1873/02/28);=? New York-NAD-1886-301; iR4); CR175 (iR4); CR176 (M2; iR4); CR177 (Faure (1874); =DR-solo-1883-4; GP1889-MR-14; DR1906/03-6; M90; iR165; iR4); CR178 (DR (1872); M66; iR4); CR179 (DR (1873/02); GP1900/06/11-57; M91; iR4); CR180 (iR4); CR181 (DR (1872/09 or 1873/02); M73; iR8; iR4); CR182 (DR (1872/09 or 1873/02); iR4); CR183 (DR (1872/09); =GP1898/03/30-23; Moreau-Nélaton; =EU-1900-C-477; M1; iR4; iR23); CR184; (DR (1872/04; Hoschedé (1873/04), HD1874/01/13-45); Baudry; =4IE-1879-138; DR1883-solo-hc; St.-Petersbourg-1899-237; London-1905-GG-9; iR4);  CR185 (DR (1872/03); BJ1903-EI-38; M54;iR4); CR186 (M23); CR187 (Faure (1874); iR4); CR188 (DR (1872/03); M268; iR14; iR8); CR189 (DR; =GP1890/06/04-45; iR8); CR190 (?Latouche (1872); iR15); CR191 (iR4; M150);  CR191a (M; iR4; iR23);
Portrait: CR192 (M72;iR4);

1871/72:
Note: for the works made between 1872-78 (CR193-472), see the overview on WikiPedia (iR3).
Paris: CR193 (Du Fresnay (1877/10); M36; iR4);

1872:
Argenteuil: CR194 (?Millot (1872); M32; iR4); CR195 (Manet (1872); …; HD1901/04/15-15; iR14); CR196 (DR (1873/02); =GP1905/05/08-10; M61); CR197 (Nunès (1873/04); HD1894/04/16-36;iR4); CR198 (DR (1872); Clapisson (1882/07); DR (1891); =Saint-Brieuc-1891; M1; M198; iR23); CR199 (?DR (1872); Ernest May (1882/05); M; iR4); CR200 (DR (1872); =London-6SFA-1873-120; =GP1889-MR-30; iR14); CR201 (DR (1872); =2IE-1876-163; iR4); CR202 (DR (1872); HD1878/06/05-52; HD1894/04/16-35; iR4); CR203 (DR (1873/02) HD1876/05/27; M1; iR23); CR204 (DR (1873/02); =DR-1899-3; M96); CR205 (DR (1872/11/23); Hoschedé (1873/04/28); =2IE-1876-hc; =HD1878/06/05-54; Cassatt; GP1889-MR-23; M48);
Rouen: CR206 (=CR214; DR (1872/11); =7SFA-London-1873-114; Duret (1878/03/28); M1; iR23); CR207 (=HD1901/04/25-31; M1; iR23); CR208 (iR4); CR209 (iR14/1996/06/24; iR7;iR132); CR210 (Latouche (1872); DR (1872/04); =HD1878/06/05-48; HD1899/05/30-40; M21); CR211 (?DR (1873/02); HD1909/02/27-32; iR4;M95); CR212 (Gustave Manet (1875/06); Manet; iR4); CR213 (DR (1872/09); Vienna-EU-1873; =?London-9SFA-1874-119; Hoschedé (1877/01); Clapisson; DR (1892); St.-Petersbourg-1899-236; M126; iR4); CR214 (=CR206); CR215– (DR (1873/02); iR4); CR216 (DR (1873/02); Caillebotte (1876); rejected Caillebotte bequest; iR14); CR217 (Michel Lévy (1873/01); DR1883-solo-30; HD1892/04/07-12; iR4); CR218 (M; iR8);
namely Argenteuil + Petit-Gennevilliers: CR219 (DR (1872/11); iR3); CR220 (DR (1872/11); M1); CR221 (?DR (1872);Hoschedé (1873); HD1880/02/02-57; Rouart, MJ1912/12/09-253; iR14; iR4); CR222 (DR (1872/09/30); iR3); CR223 (?DR (1872);M21); CR224 (?DR (1872);M268; iR15; iR14; iR8); CR225 (Duez; HD1901/04/15-14; M1; iR23; iR3); CR226 (iR3); CR227 (HD1903/04/04-35; M30; iR8); CR228 (iR14); CR229 (DR (18723/02); Ernest May (GP1890/06/04-47); =EU-1900-C-478; M1; iR23); CR230 (M1; iR23); CR231 (Deudon (1877); iR3); CR232 (iR3); CR233 (=Caillebotte legacy (1876/04); M1; iR23); CR234 (Hecht (1878/10); iR3); CR235 (DR (1873/02? or 1891); iR14); CR236 (iR3); CR237 (M1; iR23);
figure painting: CR238 (M23);
namely Argenteuil + Petit-Gennevilliers: CR239 (Fayette (1877/01);iR3); CR240 (DR (1872/09); iR7;iR94;iR13); CR241 (Foinard; Rouart (MJ1912/12/09-256); iR3); CR242 (DR (1872); de Bellio (1876/06); M173; iR3); CR243 (M160;iR8; iR3);
Still lifes: CR244 (DR (1872/11); HD1873/02/17-58; New York-1886-283; M36; iR3); CR245 ( ; iR3); CR246 (; iR3);
namely Argenteuil + Petit-Gennevilliers: CR247 (; iR3); CR248 (; iR3); CR249 (; iR3); CR250 (; iR3);

1872/73:
namely Argenteuil: CR251 (; iR3); CR252 (; iR3); CR253 (; iR3); CR254 (; iR3); CR255 (; iR3); CR256 (; iR3); CR257 (M27);

1873:
Étretat, Le Havre, Sainte-Adresse, Rouen, Normandie: CR258 (; iR4); CR259 (M22); CR260 (; iR4); CR261 (M61; iR8); CR262 (=HD1875/03/24-8; =LE-1904-92; =MJ1912/12/09-252; M31; iR8); CR263; CR264 (M268; iR8); CR265 (iR15); CR266 (; iR4); CR267 (; iR4); CR268 (M; iR8);
namely Argenteuil: CR269 (; iR4); CR270 (=1899/05/04-193; iR14); CR271 (M23); CR272 (; iR4); CR273 (; iR4); CR274 (=1IE-1874-95; M1; iR23); CR275 (; iR4); CR276 (=USA-1907-09; M152); CR277 (; iR4); CR278 (; iR4); CR279 (=2IE-1876-152; iR15);
figure paintings: CR280 (; iR4); CR281 (=Berlin-Cassirer-1900-25; M23); CR282 (; iR4); CR283 (; iR4);
namely Argenteuil: CR284 (=DR-solo-1883-hc; =Boston-1883-11; =London-ETI-1884-1; M20); CR285 (=2IE-1876-162; Caillebotte bequest; M1; iR23); CR286 (=? 2IE-1876-159; =DR1899-2; M21); CR287 (; iR4); CR288 (=Périgueux-1898; =London-1901-49; Vienna-1913-26; M28); CR289 (; iR4); CR290 (=? 2IE-1876-148; =? London-1882; =DR-solo-1883-7 or 50; London-Dowdeswell-1883-16; =? London-Duddley-1884; =New-York-AAg-1886-282; M; iR8); CR291 (=? 2IE-1876-158; M; iR8;
Paris: CR292 (=!? 1IE-1874-97; =DR-solo-1883-31; =GP1889-19; M96); CR293 (=? 1IE-1874-97; M23);

1874:
Le Havre: CR294; CR295; CR296; CR297 (M28; iR4);
Figrue painting: CR297a;
Amsterdam: CR298; CR299; CR300; CR301; CR302 (M; iR8); CR303; CR304 (=Rouen-1884; M; iR8); CR305 (iR14); CR306; CR307 (iR14); CR308; CR309 (M28);
namely Argenteuil: CR310; CR311 (=2IE-1876-156; =XX-1886-5; =GP1889-24; =EU-C-1900-490; M1; iR23); CR312 (=GP1897/02/01-78 -> 21.500fr; =Paris-MdL-1904-40; M21; iR8); CR313; CR314; CR315; CR316 (M21); CR317; CR318 (M28); CR319 (=?? 2IE-1876-152; M1; iR23); CR320; CR321; CR321; CR323 (M; iR8); CR324; CR325 (=LE1904-93; M152); CR326 (=DR-1899-8; iR15); CR327; CR328 (=HD1875/03/24-1 or 13; =New York-1886-300; M28); CR329; CR330; CR331; CR332; CR333; CR334 (M; iR8); CR335; CR336; CR337 (=GP1899/07/01-77; iR15); CR338; CR339 (M1; iR23); CR340; CR341 (=2IE-1876-154; M52; iR8); CR342; CR343 (=HD1897/05/29-48; =Budapest-1910-23; M61); CR344; CR345; CR346; CR347;

1874/75:
namely Argenteuil: CR348 (M22); CR349 (M; iR8);

1875:
namely Argenteuil: CR350 (=HD1875/03/24-15; =4IE-1879-160; M268; iR15; iR8); CR351; CR352 (M61; iR8); CR353 (=LE1904-94; =MJ1912/12/09-254; iR14); CR354; CR355; CR356; CR357; CR357a (M22); CR358; CR359; CR360; CR361; CR362; CR363 (M268; iR8; iR15); CR364 (=HD-1875/03/24-16; =4IE-1879-158; M1; iR23); CR365 (=3IE-1877-115; =GP-6EIPS-1887-72; M1; iR23); CR366; CR367 (M; iR8); CR368; CR369 (=? 2IE-1876-160; =? GP1889-27; M32; iR8); CR370; CR371; CR372; CR373 (=2IE-1876-149; =DR-solo-1883-13; =GP1889-28; DR1899-5; =London-Grafton-1905-126; iR14); CR374 (iR15); CR375 (iR15); CR376; CR377; CR378 (M22); CR379; CR379a; CR380 (M23); CR381 (=2IE-1876-161; M21); CR382 (M22); CR383 (M; iR8); CR384; CR385; CR386 (iR15); CR387 (=2IE-1876-153; =HD1876/04/14-37 (2000fr); =HD1877/04/19-48; M22);

1875/76:
namely Argenteuil: CR388 (=? 2IE-1876-150; =? HD1876/04/14-38; iR14); CR389; CR390; CR391; CR392; CR393;

1876:
namely Argenteuil: CR394; CR395; CR396; CR397 (M268; iR8; iR15);
Paris: CR398 (=3IE-1877-96; M23); CR399; CR400; CR401; CR402; CR403 (=HD1875/03/24-14; =3IE-1877-105; Caillebotte bequest; M1; iR23); CR404;
namely Argenteuil: CR405 (=3IE-1877-94; iR15); CR406; CR407; CR408; CR409; CR410 (M23); CR411; CR412; CR413 (iR14); CR414; CR415;
Montgeron + Yerres, see Hoschedé: CR416 (dated 1877; =3IE-1877-101; GP1889-31; LE-1910-147; M1; iR23); CR417 (=3IE-1877-93; =HD1878/06/05-58 (130fr.); M; iR8); CR418; CR419; CR420; CR421; CR422; CR423; CR424; CR425;
namely Argenteuil: CR426 (=HD18990607-16; iR14); CR427; CR428; CR429; CR430 (iR14);
Montgeron: CR431; CR432; CR433; CR434;

1876/77:
CR435; CR436; CR437 (=3IE-1877-107; rejected Caillebotte bequest; iR15);

1877:
Paris, Saint-Lazare station: CR438 (=3IE-1877-102 or 97; =? LVM-1880; =New York-AAG-1886-203; Caillebotte bequest; M1; iR23); CR439 (=3IE-1877-97 or 100; M32; iR8); CR440 (=3IE-1877-100 or 97; M20); CR441 (=? 3IE-1877-117; M61; iR8); CR442; CR443 (=DR1899-7; =London-Grafton-1905-145; iR15); CR444; CR445; CR446 (iR15); CR447; CR448; CR449;
namely Argenteuil: CR450; CR451; CR452 (=London-Grafton-1905-128; iR14); CR453;

1878:
La Grande Jatte: CR454; CR455; CR456; CR457; CR458 (iR15; iR8); CR459; CR460; CR461;
CR462; CR463; CR464; CR465;
Paris: CR466 (M23); CR467; CR468; CR469 (=4IE-1879-145; =LVM-1880-6; =GP1889-38; M1; iR23); CR470 (=4IE-1879-154; M12; iR23); CR471 (iR14); CR472;
Note: for the works made between 1878-81 (CR473-705), see the overview on WikiPedia (iR3).
namely Vétheuil and Lavacourt, Moussaux, Chantemesle: CR473-491;
still-lifes: CR492; CR492a;
namely Vétheuil and Lavacourt: CR493-502;
portraits: CR503; CR504;

1878/9:
namely Vétheuil and Lavacourt: CR505-507

1879:
namely Vétheuil and Lavacourt: CR508-541
portraits and still lifes: CR542-551

1879/80:
namely Vétheuil and Lavacourt: CR552-558

1880:
namely Vétheuil and Lavacourt, La Roche-Guyon, Chantemesle, Haut-Isle, Ile-Saint-Martin: CR559-616
portraits: CR617; CR618; CR1619; CR620;
Les Petites-Dalles: CR621-624;

1880/81:
Still-lifes + portraits: CR625-637;

1881:
Note: for the works made between 1881-83, see the overview on WikiPedia (iR3).
namely Vétheuil and Lavacourt: CR638-642
La Roche-Guyon: CR643;
Fécamp, Grainval and Les Petites-Dalles: CR644-665b;
namely Vétheuil and Lavacourt, including Chantemesle and La Roche-Guyon: CR666-685;
Trouville, Sainte-Adresse: CR686-689;
namely Vétheuil and Lavacourt: CR690-693;
Still lifes: CR694 +CR695;
namely Vétheuil and Lavacourt, including Chantemesle and La Roche-Guyon: CR696-704;
Figure painting: CR705;

1882:
Note: for the works made between 1881-83 (CR706-849), see the overview on WikiPedia (iR3).
Note: for the works made between 1882 -1886 =CR706-1122, see link to the 2nd volume of the first CR: R127I =iR187II =iR19tII.
Dieppe, Pourville, Varengeville: CR706-746;
Poissy (Monet moved here 1881/12): CR747; CR748;
other locations: CR749; CR750;
Pourville: CR751-808

1882/83:
Still-lifes: CR809-814

1883:
Le Havre: CR815
Étretat: CR816-833
Giverny, Port-Villez, Vernon (Monet moved to Giverny 1883/04): CR834-846;
Portraits and still lifes: CR847-849:

1883/84:
Note: for the works made in 1883/84 (CR850-898) in Bordighera, see the overview on WikiPedia (iR3).
Bordighera and surroundings: CR850-897;

1884:
Note: for the works made between 1884-88 (CR899-1157), see the overview on WikiPedia (iR3).
Giverny and surroundings: 898-902;
Les Petites-Dalles: CR903-906;
Étretat: CR907 +CR908;
Giverny, Jeufosse: CR909-918

1882-1885:
Still lifes: doorpanels, commission for Durand-Ruel: CR919-960;

1885:
Giverny, Port-Villez: CR961-968
Note: for the numbers CR969-1595 see link to the 3th volume of the second CR: R22III =iR182III =iR19vIII.
Giverny, la Falaise, l’Epte, Bennecourt, Port-Villez: CR969-1008; (CR22III)
Étretat: 1009-1053;

1886:
Giverny, la Falaise, Vernon: CR1054-1066;
Holland: CR1067-1071
Giverny: CR1072-1074
figure paintings: CR1075-1078;
Givery: CR1079-1083;
Belle-Île: CR1084-1121;
figure painting, Kervilahouen: CR1122;

1887:
Note: for the works made between 1887 -1898 =CR1123-1500, see link to the 3rd volume of the first CR: R127III =iR19tIII.
Giverny, Bennecourt, l’Epte: CR1123-1130a;
Figures in a landscape, Giverny: CR1131-1136;
Giverny: CR1137-1139;
Still lifes: CR1140-1145;
Giverny: CR1146; CR1147;
Figures in a landscape, Giverny: CR1148-1154;
Giverny: CR1155-1157;

1888:
Note: for the works made in 1888 in Antibes (CR1158-1193), see the overview on WikiPedia (iR3).
Antibes: CR1158-1193;
Note: for the works made between 1888-98 (CR1194-1520), see the overview on WikiPedia (iR3).
Giverny and surroundings: CR1194-1211;
Including figures in a landscape: CR1203; CR1204; CR1206; CR1207;
Still-life: CR1212;

1888/ 89:
Haystacks, Giverny: CR1213-1217a;

1889:

Fresselines: 1218-1240;

1889/ 90:
Giverny CR1241-1248;

1890:
Figures in a landscape, Giverny: CR1249; CR1250;
Giverny, l’Epte: CR1251-1260;
Figure painting: CR1261;
Port-Villez: CR1262-1265;

1890/91:
Haystacks, Giverny: CR1266 – 1290;

1891:
Poplars, Villez, near Giverny: CR1291-1313

1892:
Rouen + Cathedrale: CR1314-1329;
figure painting: CR1330;

1892/93:
Giverny, Jeufosse, Bennecourt, Port-Villez: CR1331-1344;

1893:
Rouen Cathedrale: CR1345-1361;
Giverny: CR1362-1365;

1894:
Monet finished (and dated) many paintings started in Rouen.
Giverny, Port-Villez, Vernon: CR1366-1391;

1895:
Japanese bridge: CR1392 (iR3);
Norway: CR1393-1418;
Japanese bridge: CR1419 (iR3; M28); CR1419a (iR3);
Monet his garden, with figure: CR1420;

1896:
Pourville: CR1421-1434;
Misty morning, Arm of the Seine, near Giverny: CR1435-1437;
Givery: CR1438; CR1439;

1897:
Note: for the waterlily paintings made between 1897-1926 (CR1501-1993), see the overview on WikiPedia (iR3).
Pourville: 1440-1871;
Misty morning, Arm of the Seine, near Giverny: CR1472-1488;
L’Île aux Orties + the Seine near Giverny: CR1489-1494;

1897-99:
Still lifes / flowers: CR1495-1498;
Morning, Arm of the Seine, near Giverny: CR1499;
The Seine: CR1500;
Water-Lilies / Nymphéas : CR1501-1508; CR1504 (iR3; M2); CR1505 (iR3);
Giverny, pond, Japanese bridge: CR1509-1520; CR1509 (iR3; M?); CR1511 (iR3; M126); CR1512 (iR3;M28); CR1517 (iR3; M21)

1899-1904:
Note: for the works made between 1899 -1926 =CR1501-1883+, see link to the 4th volume of the first CR: R127IV =iR19tIV.
Note: for the works made between 1899-1904 in London (CR1521-1617), see the overview on WikiPedia (iR3).
London, Charing Cross bridge: CR1521-1554.
London, Waterloo bridge: CR1555-1595;

1900-1904:
Note: for the numbers CR1596-1993+ see link to the 4th volume of the 2nd CR: R22IV =iR182IV =iR19vIV.
London, Houses of Parliament: CR1596-1614.
London, Leicester Square: CR1615-1617;
Note: for the works made between 1900-1907 (CR1618-1735), see the overview on WikiPedia (iR3).

1899-1900:
Giverny: CR1618-1620;
Monet his garden, Giverny: CR1621-1627;

1900:
Japanese bridge: CR1628-1633;
Giverny: CR1634;

1901:
Vétheuil: CR1635-1649; CR1636 (iR3); CR1637 (iR3); CR1638 (iR3); CR1639 (iR3;iR182); CR1643 (iR3; M20); CR1645 (iR3; M20).

1900-1902:
Monet his garden (path), Giverny: CR1650 (1902; iR155; iR3); CR1651 (1900; iR3); CR1652 (1902; iR155); CR1653 (=photograph of painting);

1902/03:
The Pond, Giverny: CR1654; CR1655;

1903:
Water-lelies, Giverny: CR1654-1661

1904:
Water-lelies, Giverny: CR1662-1667; CR1662 (iR3)

1904/05:
Japanese bridge: CR1668-1670;

1905:
Water-lelies, Giverny: CR1671-1681; CR1673 (iR3)

1906/07:
Water-lelies, Giverny: CR1682-1691; CR1691 (iR3;M128)

1907:
Still-lifes: CR1692; CR1693;
Water-lelies, Giverny: CR1694-1715; CR1708 (iR3);

1907/08:
Water-lelies, Giverny: CR1716-1723; CR1714 (iR3; M2); CR1716 (iR3); CR1719 (iR3);

1908:
Water-lelies, Giverny: CR1724-1735;
Note: for the works made in 1908 in Venice (CR1736-1772), see the overview on WikiPedia (iR3).
Venice: CR1736-1772; CR1738 (iR3; M22); CR1740 (iR3; iR14); CR1744 (iR3; iR14); CR1748 (iR3); CR1757 (iR3; M20); CR1764 (iR3);

1908/12:
Note: for the works made between 1908-26 (CR1773-1963), see the overview on WikiPedia (iR3).
Giverny, Port-Villez: CR1773-1776;

1912:
Giverny, the house of Monet: CR1777; CR1778;

1913:
Giverny, rose arch: CR1779; CR1780; CR1781

1914/17:
Water-lelies, Giverny: CR1782-1817; CR1811 (iR3; M2)
Giverny, (water)flowers: CR1818-1842;

1917:
Self-portraits: CR1843; CR1844;
Honfleur: CR1845-1847;

1916-19:
Giverny, pond, willows: CR1848-1851
Giverny, pond, water-lelies: CR1852-1865; CR1852 (iR3; M2)

1918-19:
Giverny, pond, willows: CR1866-1877; CR1868 (iR3; M); CR1875 (iR3; M2); CR1877 (iR3; M2)
Giverny, pond: CR1878-1882; CR1878 (iR3; M198); CR1879 (iR3; M141)

1917-19:
Giverny, pond, water-lelies: CR1883-1899; CR1887 (iR3); CR1889 (iR3; M20)

1917-20:
Giverny, pond, water-lelies: CR1900-1902;
Giverny, pond, trees, Wisteria: CR1903-1910; CR1908 (iR3; M71)

1918-1924:
Giverny, pond, Japanese bridge: CR1911-1933; CR1916 (iR3; M145); CR1923 (iR3);
Giverny, Allée de rosiers: CR1934-1940; CR1935 (iR3); CR1940 (iR3);

1920-1922:
Giverny, willows: CR1941; CR1942 (iR3; M1); CR1943 (iR3; M2);

1922-1924:
Giverny, house, garden: CR1944-1952;

1925:
Giverny, house, garden, roses: CR1953-1963

1920-1926:
Giverny, pond, waterlelies: Les Grandes Décorations (R22IV,p944-947)
Note: these panels were all 2 meter high. Several works formed a diptych or a triptych (but are now at seperate locations).
3 meter panels: CR1964+1965 (iR3; M86); CR1966+1967; CR1968+1969+1970;
425cm panels: CR1971; CR1972+1973+1974; CR1975+1976+1977; CR1978; CR1979;
6 meter panels: CR1980-1983.
Donation to the Orangerie: CR1984-1991* (R22IV,p969)
Room 1: CR1984: a 600cm panel; CR1985: a triptych of 1275cm; CR1986: a diptych of 850cm; CR1987: a polytych of 1275cm (iR3);
Room 2: CR1988: a diptych of 850cm; CR1989: a triptych of 1275cm (iR3); CR1990: a polytych of 1700cm; CR1991: a triptych of 1275cm (iR3);
Note*: the numbers of the Orangerie paintings are not sequentially numbered in the catalogue raisonné of Wildenstein; I took the liberty to do so and to render them the numbers CR1984-CR1991 (R22IV,p972-979).

 

 

Themes:
Monet namely painted landscapes at different locations, which are indicated above. Sometimes Monet depicted still lifes, interiors or portraits / figure paintings. These works will be repeated here below.

Still lifes:

1860s:
CR6 (M1); CR7 (M12; M1); CR9 (iR4); CR10 (M1; M14); CR10a (iR4); CR11 (iR4); CR12 (HD1925/02/23-113; iR4; iR135); CR13 (iR4; iR14,1981/05/20); CR14 (=HD1898/04/30-84; M1; iR23; iR135); CR47=10a; CR70 (DR1890ca; The Hague-1893; St.-Petersbourg-1899-242; M226; iR4; iR8); CR102 (DR1908-5; iR4); CR103 (Lejosne (1868/01); iR7; iR4); CR104 (iR4); CR139 (?Rouart (1878/12); =?4IE-1879-142; M31; iR8); CR140 (Edmond Maître; DR (1889); (=Vienna-1913-23; M32; iR8); CR141 (DR (inv. 1881-1273); iR4); CR146 (=HD1894/06/08-43; ?Faure; M135; iR6);

1870s:
CR244 (DR (1872/11); HD1873/02/17-58; New York-1886-283; M36; iR3); CR245 ( ; iR3); CR246 (; iR3);

Interiors:

1860s:
CR129 (DR (1873/02); =? LVM-1880-16; GP1906/05/31-19; M86); CR130 (DR (1873/02); =? LVM-1880-16; =DR1899-4; M21; iR8); CR132 (=S1870-R =1IE-1874-103; Fromenthal (1875); =GP1899-43 =Vienna-1903-40; iR8);

1870s:

 

Portraits / figure paintings:

1860s:
CR15 (M2; iR4; iR135); CR42 (iR15; iR4); CR43 (M23; iR135); CR44 (iR4); CR45=53a; CR46=297a; CR53 (iR4); CR53a=45 (iR4); CR54 (M86); CR64 (iR4); CR65 (=S1866-1386; =Le Havre-1868-856; GP1899-60; Berlin-1901-181; Brussels-1902-122; Weimar-1904-22; Bremen-1906-241; M58; iR8); CR66 (South-Kensington-1871-1382; ?HD1876/05/12-35; de Bellio; iR4); CR67 (=S1867-R; =? Latouche-1867; Bazille; M1; iR23); CR99 (iR4); CR100 (M32); CR101 (?de Bellio; M21; iR8); CR108 (iR4; M90; iR165); CR120– (Gaudibert 1868); CR121 (Gaudibert 1868; M1; iR23); CR122-; CR123 (Gaudibert 1868/69; iR4); CR131 (iR4); CR142 (M211; iR4);

1870s:
CR158 (M61; iR8); CR158a– (DR (inv.1871-825); =London-2SFA-1871-hc); CR159 (Petit-Didier (1875); iR15; iR4); CR160 (Martin (1874/75); M33; iR4); CR161 (M2; iR4); CR162 (M2; iR4); CR163 (=South-Kensington-1871-1273; =Rouen-1872/04; ?DR (1873-1989); =GP1899/07/01-78; Paris-1922-C-119; M1; iR23); CR192 (M72;iR4); CR238 (M23);

 

Overview online publications:
The first Catalogue Raisonné of Wildenstein on Monet was published between 1974 – 1991 (=R127). It contains 5 volumes.
The online versions can be found on the site of the Wildenstein Plattner Institute (=WPI=iR187) and on archive.org (=iR19).
The second Catalogue Raisonné of Wildenstein on Monet was published 1996 (=R22). It containes 4 volumes.
The numbering is the same. Additional numbers are added with letters: CR5a, etc.
The online versions also can be found on the site of the Wildenstein Plattner Institute (=WPI=iR182) and on archive.org (=iR19).
Here below I render an overview (see also the additional references (=aR) on the main page on Claude Monet).
I will also refer to the list of paintings on the English WikiPedia site (=iR3).
Note: For the pages on the Wildenstein Plattner Institute you have to log in for full access.
Second Catalogue Raisonné 1996:
Biography ‘Monet or the Triump of Impressionism’ (=R22I; =iR182I; =iR19vI; =aR6)
Volume II; CR1-968 (=R22II; =iR182II; =iR19vII; =aR5)
Volume III: CR969-1595 (R22III; =iR182III; =iR19vIII; =aR5)
Volume IV: CR1596-1983+* (R22IV; =iR182IV; =iR19vIV; =aR5)
Note*: the numbers of the Orangerie paintings are not sequentially numbered in the catalogue raisonné of Wildenstein; I took the liberty to do so and to render them the numbers CR1984-CR1991 (R22IV,p972-979).
First Catalogue Raisonné 1974 -1991:
Note: Every volume starts with a biography on the noted years. The link will start at the first painting.
Later on in the volume the letters from that period are rendered and an index is given.
Tome I, 1974: 1840-81; CR1-705 (=R127I; =iR187I; =iR19tI=aR19)
Tome II, 1979: 1882-86; CR706-1122 (=R127II; =iR187II; =iR19tII=aR19)
Tome III, 1979: 1887-98; CR1123-1500 (=R127III; =iR187III; =iR19tIII=aR19)
Tome IV, 1985: 1899-1926; CR1501-1983 (=R127IV; =iR187IV; =iR19tIV=aR19)
Tome V, 1991: supplement paintings, drawings, pastels + index (=R127V; =iR187V; =iR19tV=aR19)
Note: in the supplement the paintings receive a sequential number (CR1984-2042) and (mostly) also a bis number, referring to an earlier number.
List of paintings on the English WikiPedia site (=iR3=aR18):
1858-71; =CR1-CR192
1872-78; (Argenteuil) =CR193 – CR472
1878-81; (Vétheuil) =CR473 – CR705
1881-83; (Poissy) =CR706 – CR849; note: CR834-849 were made in the surroundings of Giverny;
1884 Bordighera; CR850 – CR898
1884-88; (Giverny) CR899 – CR1157
1888 Antibes; CR1158 -1193
1888-98; (Giverny) CR1194-1500
1899-1904 London; 1521-1617
1900-07; (Giverny) CR1618-1627 +1634-1652 +1692+93
1908 Venice; CR1736-1772
1908-26; (Giverny) CR1773-1780 +CR1818-51 +CR1866-1877 +CR1903-1963;
serie waterlelies (1897-1926); CR1501-1520 +CR1628-33 +CR1656-1691 +CR1694-1735 +CR1781-1817 +CR1852-1865 +CR1879-1802 +CR1964-1992.
Other techniques:
Monet also used other techniques than oil paintings.
These are rendered in Tome V of the first Catalogue Raisonné of Wildenstein (1991 =R127V).
Here below the links will start at the first page of this techniques and some additonal references.
view.publitas.com/Monet, drawings (online publication of Volume 5 of the older Catalogue Raisonné on Monet by Daniel Wildenstein of 1991, p57-131 drawings, D1-D447=R127V =iR187Vd=aR7; iR19tVd=aR19)
view.publitas.com/Monet, caricatures (online publication of Volume 5 of the older Catalogue Raisonné on Monet by Daniel Wildenstein of 1991, p132-151, D451-D515;=R127V =iR187Vc=aR8; iR19tVc=aR19).
Note: there also is an extended blog on his caricatures: aR14.
view.publitas.com/Monet, pastels (online publication of Volume 5 of the older Catalogue Raisonné on Monet by Daniel Wildenstein of 1991, p154-175, P1-P108 =R127V =iR187Vp=aR9; iR19tVp=aR19)
Note: the WPI has an additional catalogue on the pastels of Monet: iR182p=aR16.
See also: clarkart.edu//unknown_monet (Exposition: the unknown Monet; pastels and drawings, 2008. =M26)
References to letters:
The first Catalogue Raisonné of Wildenstein also renders the letters Monet wrote in a certain period.
Here below the links will start at the first page on these letters.
Tome I, 1974: 1859-81; page 419-443; letters 1-226; (=R127I; =iR19tIl=aR19)
Tome II, 1979: 1882-86; page 213-292; letters 227-766 (=R127II; =iR19tIIl=aR19)
Tome III, 1979: 1887-98; page 221-298; letters 767-1433 (=R127III; =iR19tIIIl=aR19)
Tome IV, 1985: 1899-1926; page 337-426; letters 1434-2685 (=R127IV; =iR19tIVl=aR19)
Tome V, 1991: 1882-1914; page 183-218; letters no.252-3106 (note: part of the letters from the earlier volumes); (=R127V; =iR187Vl=aR10; =iR19tVl=aR19)
References to documents:
The first Catalogue Raisonné of Wildenstein also renders some documents on Monet.
Here below the links will start at the first page on these documents.
Tome I, 1974: 1859-81; page 444-448; doc.1-84 (=R127I; =iR19tIdoc=aR19)
Tome II, 1979: 1882-86; page 293-295; doc.85-112 (=R127II; =iR19tIIdoc=aR19)
Tome III, 1979: 1887-98; page 299-302; doc.113-150 (=R127III; =iR19tIIIdoc=aR19)
Tome IV, 1985: 1900-1944; page 427-433; doc.151-344 (=R127IV; =iR19tIVdoc=aR19)
Tome V, 1991: 1907-1946; page 219; doc.345-362 (=R127V; =iR19tVdoc=aR19)
Other references:
Tome V, 1991: info on the collection of Monet; p218+ (=R127V; =iR187Vcol=aR11)
Tome V, 1991: index of names provenance art-works; page 327+ (=R127V; =iR19tVi=aR19)

 

Sources:
My main sources is the Catalogue Raisonné of Wildenstein (1996=R22=iR182). See for more sources the main page on Claude Monet.
For other general references (=R) see. For other references to internet sites (=iR) see. For other additional references (=aR) see below. See links for practical hints and abbreviations and for the subscription of the paintings.

 

Recommanded citation: “Impressionism: Claude Monet, catalogue raisonné, an overview with locations and themes. Last modified 2026/06/02. https://www.impressionism.nl/monet-catalogue-raisonne/”

 

Note: additional info will follow.