Meta-Impressionism / other exhibitions

International impressionist exhibitions

1882 onwards

an overview

 

Introduction:
The ‘impressionist’ expositions held from 1874-86 mostly weren’t called that way (see link). But there were several exhibitions held outside of France (and some in France) that explicitly were called “impressionist” exhibitions. On this page you will find a chronological overview of these exhibitions. It is interesting to see what artists with what works exhibited at these exhibitions. In other words: what artists and what art-works were presented as “impressionist” and influenced the picturisation (outside of France) of what Impressionism looks like and who were impressionist artists.
This page starts with some exhibited paintings. Then you will find some preliminary conclusions and a summary. Obvious is that (in the early years) the art-dealer Durand-Ruel played a dominant role in these expositions. Then you will find the chronological overview.
Note: This page needs further development. Additional info and pictures will be added.
Note: of many exhibitions I have only indirect information, which is not representative.

 

Some exhibited pictures:
Here below you will find some of the exhibited pictures at the (international) “impressionist” exhibitions*. The emphasize is on works of the partakers of the ‘impressionist’ expositions**. The works will be shown in alphabetical order of the artist and then in a chronological order.
Are these all impressionist pictures?
Note*: for the works shown in London (1882-1884), New York (1886), Brussels / La Libre Esthetique ( ), see seperate pages.
Note**: These are just some examples and are not representative for these expositions.

 

Some (preliminary) conclusions:
At first I was thrilled by finding out that there have been expositions that were explictly called “impressionist”. I wanted to know which artists were involved and what art-works were shown. And I wanted to represent this on seperate pages. I was namely thrilled by the fact that the first of these expositions were held around the last ‘impressionist’ expositions in Paris, namely in 1882 +1883 +1884 in London and in 1886 in New York. While the 7th ‘impressionist’ exposition of 1882* in Paris was called ‘exposition des artistes independants’, the exposition in London of 1882 was called  “exhibition of impressionists paintings lent by Durand-Ruel”. And while some of the key-impressionists** were absent at the 8th ‘impressionist’ exposition in 1886 in Paris, they were all present at the “Works in Oil and Pastel by the Impressionists of Paris“ in 1886 in New York.***
But, after some research*4 I found out that the term “impressionist” was namely used by the art-dealer Durand-Ruel to present the works he had bought from the key-impressionists*5 and others. Often he was invited by other galleries or art-associations to present his works at expositions that often had the sub-title ‘loans by Durand-Ruel’*6. At other “impressionist” expositions, we see that he submitted many works or was involved in submissions by other art-dealers or art-collectors. It seems there hasn’t been one “impressionist” exposition in which Durand-Ruel wasn’t largely involved. It also seems that Durand-Ruel used the term “impressionists” as a marketing name.

Were these really “impressionist” expositions?
Yes, in the sense that many works of key-impressionists were exhibited. No, in the sense that many paintings shown were hardly made in an impressionist style*7. No, in the sense that the artists themselves were hardly involved*8 (also because several contributions were done posthumously, see). These expositions were no independent group exhibitions, which is one of the main characteristics of Impressionism as an art-movement. The 8 ‘impressionist’ expositions held from 1874-86 were organised independent of the Salon. Most of the (international) “impressionist” expositions were dependent of the art-dealer Durand-Ruel. It was not without reason that the 8th ‘impressionist’ exposition in 1886 in Paris wasn’t only independent of the Salon, but also of the art-dealers who controlled the art-market.

Note*: Durand-Ruel largely organised this exposition.
Note**: Namely Monet, Renoir and Sisley were absent. The same year Monet and Renoir were present at 3rd exhibition of Les XX and at the 5th Exposition Internationale de peinture et de sculpture at the gallery of Georges Petit.
Note***: At first I was also thrilled with the exposition of the Murer collection in Rouen called “Magnifique collection d’impressionnistes”. Wildenstein indicates it was held in 1884, which makes it very interesting (R22IV,p1016;R181,no98). But, more likely it was only held in 1896 (R31,p316; M20), a time when the term “impressionists” was more common. I was also thrilled with the expositions in Berlin at the Kunstsalon of Fritz Gurlitt in 1883 called “Ausstellung der Impressionnisten”. But, probably this was a quite small exposition.
Note*4: Of most expositions I haven’t got a catalogue, so more research is nessessary for more well-founded conclusions. But, that is outside the scope of this website.
Note*5: Around 1880/81 Durand-Ruel made a gentleman’s agreement with Monet, Pissarro, Renoir and Sisley, and bought many of their works (R2,p377). In the early 1870s he had also had purchased many of their works and also works of Degas and Manet (who are strictly no impressionists). In 1881 he bought many works of Boudin (R161,p70), who was more a pre-impressionst.
Note*6: See the loan-expositions.
Note*7: Even more post-impressionist paintings were shown.
Note*8: Pissarro and Monet weren’t very pleased with the 1886 exposition in New York (R2,p422). It is interesting to explore in what degree the impressionist artists were involved in these (international) “impressionist” expositions. The correspondence between Durand-Ruel and these artists may give more light. But, that is outside the scope of this website. A quick reading suggests that mostly they weren’t involved.

 

1882-1886:
From 1882 till 1886 there were 5 expositions held which explicitly were called “impressionist”; 3 in London, 1 in Berlin and 1 in New York. Most of these works were send in by the art-dealer Durand-Ruel. I could only one catalogue, so the conclusions are quite presumptuous. The following artists were (surely) present in all 5 expositions: Monet +Sisley. The following artists joined 4x: Degas +Pissarro +Renoir; 3x: Boudin +Morisot; 2x: Cassatt +; 1x: Caillebotte +Desboutin +Forain +Guillaumin +Lépine +Seurat +Signac. This means that (probably) Cézanne +Gauguin +Lebourg +Vignon +Zandomeneghi are not presented as “impressionists” by Durand-Ruel.
At the exposition in New York in 1886 the following artists showed more than 20 works: Boudin, Degas, Monet, Pissarro, Renoir. The following artists showed (probably) more than 10 works: Caillebotte, Seurat and Sisley. At this same exposition 15 other artists were presented, of which only J.L. Brown and Manet presented more than 10 art-works.

 

1907-1913:
From 1907 till 1913 there were 8 expositions held in European cities which were explicitly called “impressionist”*. The catalogues** render (almost) full information of the partakers and number of works shown. Note: many works were shown posthumously.
We see just 4 artists that joined 7 or 8 times and in total showed more than 20 art-works, namely Monet, Pissarro, Renoir and Sisley. Of the partakers of the ‘impressionist’ expositions Boudin, Cézanne, Degas and Gauguin joined 5x and showed between 10 and 19 art-works. Cassatt, Guillaumin and Morisot joined 4x. Forain and Signac 3x. Lebourg and J.F. Raffaëlli 2x. Lépine and Redon 1x. So, Caillebotte, Lucien Pissarro, Rouart, Seurat, Vignon +Zandomeneghi never were included and not presented as “impressionists”.
63 other artists also were included. A few more frequently: Manet (6x), Bonnard (5x), Cross, Denis, Matisse, Roussel, Van Gogh and Vuillard (3x).
Note*: Sometimes there is a smaller “impressionist” exposition within a larger exposition; in that case I only look at the “impressionist” part. Sometimes there is a distinction between a group of elder and a group of newer and newest (Zurich 1908); I will count both.
Note**: all these catalogues can be found at the Database of Modern Exhibitions; European Paintings and Drawings 1905-1915 (=iR261).

 

Conclusions:
We can see that Monet, Pissarro, Renoir and Sisley are most often present at “impressionist” expositions, with often a larger number of art-works. Quite often presented are Boudin, Cassatt, Degas and Morisot. Cézanne and Gauguin were often presented in later years, but not by Durand-Ruel. Manet also quite often was presented at “impressionist” expositions. Many artists that mostly painted in an impressionist painting style were not or hardly presented, like Caillebotte +Lebourg +Vignon +Zandomeneghi. On the other hand, many artists that worked in a more Realist, Neo-Impressionist, Symbolist or Post-Impressionist style, more than once were presented.
So, commercial interests of Durand-Ruel and the popularity of artists were more important in the selection of these expositions, than the style in which they painted. Impressionism is presented as a broader avant-garde movement of French artists.

 

 

a chronological overview

 

 

1882, London, England, Durand-Ruel:
In the Summer of 1882 (in June and July*) there was an “Exposition impressionniste organisée par Durand-Ruel” at 13, King Street, St. James (R22IV,p1016) in the Langham Hotel (R166,p293), also called “exhibition of impressionists paintings lent by Durand-Ruel” (R31,p315).
See seperate page.

1882??, Berlin, Germany, Gurlitt:
Wildenstein mentions that in Autumn 1882 there was the first “Exposition impressionniste” at the Kunstsalon of Fritz Gurlitt in Berlin (R22I,p1016). But, when we look at the catalogue of his 3rd exhibition (iR481) it was called “Herbst-Ausstellung in der Kunst-Handlung von Fritz Gurlitt, Berlin W., Behren-Strasse no.29.” (iR481). In his preface (iR481) there is no reference to impressionists and none of them is listed in the catalogue (iR481). There is no reference that other artists did exhibit here; not Pissarro (R116I,p362); not Sisley (R166,p40;R396,p528); not Renoir (R31,p301+315). The two works of Monet that should have been exhibited, were the same that were shown in 1883↓. So, I doubt if the assumption of Wildenstein is correct. Caroline Durand-Ruel Godfroy explicitly mentions that in (September) 1883 it was the first time in Germany that paintings sent by Durand-Ruel were shown at Gurlitt (R166,p42).
Monet:
??Berlin-Gurlitt-1882-?1, =CR377 =Berlin-Gurlitt-1883-?1. Provenance: Ernest Chesneau, Durand-Ruel (1881), Charles Ephrussi (1882/Summer), Berstein, Berlin (1882ca).
??Berlin-Gurlitt-1882-?2, =? CR464 =? Berlin-Gurlitt-1883-?2. Provenance: probably Carl Bernstein (1882ca).
Note: by lack of a catalogue the information is only indirect and not representative.

 

1883, London, England, Durand-Ruel:
From April till July there was a small exhibition at the gallery of Dowdeswell and Dowdeswell, New Bond Street 133 in London. It was called “Paintings, drawings and pastels by Members of La Société des impressionnistes“. It was co-organised by Durand-Ruel.
See seperate page.

1883, Berlin, Germany, Gurlitt:
Starting the 8th of October till December 1883 there was again an exhibition at the Kunstsalon of Fritz Gurlitt in Berlin. It was called “Die Pariser Impressionisten” (R116I,p362), ‘Ausstellung der Impressionnisten’ (R166,p292; stating it was held in September); ‘Les Impressionnistes parisiens’ (R22IV,p1016). A German newspaper mentions: ‘Fritz Gurlitt. Kunstsalon. 29, Behrenstrasse. Opening Autumn exhibition Monday the 8th of October. Works of Böcklin, Angely, G. Richter, Lenbach, Scherres v. Klever, Max and others. Paintings “der französischen Impressionisten”.’ (iR477).
There is no catalogue known and the amount of works shown stays unclear. The exhibited works came from the private collection of Carl and Felice Bernstein, who had been inspired by Charles Ephrussi to create their collection, and from the collection of Paul Durand-Ruel (see German WikiPedia page). An article from 1883 mentions there were 16 art-works exhibited, namely of Boudin, Degas, Manet, Monet, Morisot and Renoir (iR467). Another source mentions 24 paintings sent in by Durand-Ruel, including 3 of Sisley (R166,p42+269). Another source (on Pissarro) mentions there were 4 paintings lent by Durand-Ruel (R116I,p362).
Works were shown of Boudin, Degas, Manet, Monet (2x?), Morisot, Pissarro (2x?), Renoir and Sisley (3x).
Manet:
Showed RW207* (M21).
Monet:
Berlin-Gurlitt-1883-?1 =CR377* =Berlin-Gurlitt-1882-?1. Provenance: Ernest Chesneau, Durand-Ruel (1881), Charles Ephrussi (1882/Summer), Berstein, Berlin (1882ca).
Berlin-Gurlitt-1883-?2 =? CR464@ =? Berlin-Gurlitt-1882-?2,. Provenance: probably Carl Bernstein (1882ca).
Pissarro:
Berlin-Gurlitt-1883-?1 =CCP721*. Bought by Durand-Ruel before 1891, sold 1937/10/16. Oil painting first listed as gouache and détrempes.
Berlin-Gurlitt-1883-?2 = ??
Sources: R22IV,p1016;R116I,p362;R5,p215;R31,p315;R166,p269+292.
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1884, London, England, loans Durand-Ruel:
In 1884 at the Egyptian Hall of the Dudley Gallery in Piccadilly there was an exhibition held that was called “Exposition de tableaux impressionnistes appartenant à Durand-Ruel”. So the works were lent by Durand-Ruel.
See seperate page.

1884, Rouen, France, collection Murer:
According to Wildenstein there was from June till August (in July) 1884* an exhibition of the collection of Murer (and his half-sister) in his Hôtel du Dauphin et de l’Espagne called “Magnifique collection d’impressionnistes“. But more likely is that it was held in 1896*.
In the represented collection works were shown of Pissarro** (9x), Sisley (4x), Guillaumin (several), Cézanne (1x) Monet (3x) and Gauguin (1x).
Note*: 1896/05 there seems to have been an exhibition with the same title, which included 30 works of Renoir (R31,p316; M20).
Note**: The CCP on Pissarro doesn’t refer to these expositions (R116I,p362-4).
Sources: R166,p270; R22IV,p1016@+CR304 +338@ +415@; (R181,no98)
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors, namely Murer; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1886, New York, USA, loans Durand-Ruel:
From the 10th of  April there was an exhibition at the American Art Galleries and from the 25th of May till June at the National Academy of Design. It was called “Works in Oil and Pastel by the Impressionists of Paris“. All the works were lent by Durand-Ruel. (=NY-AAG+NAD-1886 or New York-1886) See the separate page.

1889, Copenhagen, Denmark:
1889/10/31 – 11/11 there was an exhibition held in the Kunstforeningen that was called “Impressionnistes nordiques et français“. Partakers were Cassatt, Cézanne, Degas, Guillaumin, Pissarro (7x?) and Sisley (R5,p170), probably also Forain (aR4). Gauguin was a co-organiser (R49). Note: Denvir mentions it started the 30th of October (R5,p170).
Pissarro:
1889-INF-Copenhagen-1? =CCP423@
1889-INF-Copenhagen-2? =CCP561@
1889-INF-Copenhagen-3? =CCP579@
1889-INF-Copenhagen-4? =CCP605@
1889-INF-Copenhagen-5? =CCP651@
1889-INF-Copenhagen-6? =CCP700@
1889-INF-Copenhagen-7? =? CCP739@
(R116I,p363).
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors, namely Gauguin and his wife; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1891, Boston, USA, loans Durand-Ruel:
From 17 till 28 March there was an exhibition at the J. Eastman Chase’s Gallery held called “Paintings by the Impressionists of Paris: Claude Monet, Camille Pissarro, Alfred Sisley, from the galleries of Durand-Ruel, Paris and New York”. All works were lent by Durand-Ruel. 24 paintings were exhibited; 13 of Monet; 5 of Pissarro; 6 of Sisley.
Sources: R166,p47+53,note97.
Catalogue: ia800903.us.archive.org =iR19.
Works of Monet (R22IV,p1017): CR564* +639* +644* +652* +678* +719*@? +729* +743* +818@ +839* +975?or986* +1230* +1252*;
Works of Pissarro (R116I,p363): CCP444@or645* +656* +701@* +?756@ +830*.
Works of Sisley, see account.
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.

1892, Montréal, Canada:
In April 1892 there had been an exhibition called ‘Impressionist and Post-Impressionist Paintings” at F. Scott and Sons in Montréal. Note: maybe this was the first time that the term Post-Impressionist was used. The paintings were lent by Durand-Ruel. Works were exhibited of Monet (?x), Pissarro (2x?).
Sources: R22IV,p1017; R116I,p363+CCP322#+385*.
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1894, New York:
1894/01: at the Delmonico gallery in New York called ‘Impressionist Exhibition’, including works of Sisley. (R166,p294)
Note: by lack of a catalogue the information is only indirect and not representative.

1901, London, England:
In January and February at the Hannover Gallery there was an exhition held called “Pictures by French Impressionists: Monet, Sisley, Pissarro, Renoir and other masters”. In total 52 paintings, including works of Monet (9x, nos.3, 4, 6, 16, 19, 24, 25, 43, 49); Pissarro (10x, nos 9, 11, 12, 13, 28, 31, 33, 36, 40, 42), Renoir (9x, 8, 17, 20, 23, 27, 37, 41, 51, 52), Sisley (9x, nos 2, 7, 14, 18, 26, 32, 38, 48, 50) and also d’Espagnat (3x, nos 1, 35, 47), Loiseau (3x, nos 10, 22, 29), Maufra (3x, nos 15, 45, 46), Moret (3x, nos 21, 30, 39), Zandomeneghi (3x, nos 5, 34, 44).
Works of Monet (R22IV,p1018): CR288*+511*+545?+681*+738? +796* +803# +819*+1130*;
Works of Pissarro (R116I,p365): CCP673*+757* +773* +805* +813* +907* +946* +1207* +1210*.
Works by Sisley (posthumously) (R396,p528): CCPP ? +527 +558.
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Catalogue: iR19//ia800700. 

1903, Vienna, Austria:
In January and February 1903 there was an exhibition held at the Wiener Secession called “Entwicklung des Impressionismus in Malerei und Plastik”. Among the partakers were Monet (7x?; cat.nos.38-44), Pissarro (4x?; cat.nos65-69).
Works by Monet (R22IV,p1019): CR62#+132*+273*+744*@?+745@?+826*;
Works by Pissarro (R116I,p365): CCP375*.
Works by Renoir: 1CR110* (M21);
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1903, Paris, France, Bernheim-Jeune:
From 2 till 25 April Bernheim-Jeune held an exhibition called “Oeuvres de l’école impressionniste“. Among the partakers were Monet (6x;cat.nos.37-42); Pissarro (5x;cat.nos46-50).
Works by Monet (R22IV,p1018): CR185*@?+387@+?534@+569@+1177?+1186?;
Works by Pissarro (R116I,p366): CCP199?+?347*+510@+824♥).
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1903, Weimar, Germany, Harry Kesler:
Weimar, 1903/08, Musée grand-ducal “Deutsche und französische Impressionisten und Neo-impressionisten“, organised by Harry Kesler. Works were exhibited of Signac; (R106,p420).
Note: by lack of a catalogue the information is only indirect and not representative.

1904, Krefeld:
1904/02/16 – 28, at the Kaiser Wilhelm Museum “Der Französischen Impressionismus“. (The exhibition first took place in Weimar.) Note: the difference in naming. Works were exhibited of Signac; (R106,p420).
Note: by lack of a catalogue the information is only indirect and not representative.

1904, La Libre Esthétique, Brussels, Belgium:
From the 25th of February till the 29th of March there was an exhibition held at La Libre Esthétique in Brussels called “Peintres Impressionnistes“. (see seperate page)

1904, Dresden, Germany, Ernst Arnold:
At the Kunst-Salon of Ernst Arnold in Dresden there was an exhibition held in 1904 that was called “Deutsche und Französische Impressionisten und Neo-Impressionisten“. Namely there were works exhibited of Pissarro (posthumous) (1x) (R116I,p366+CCP1038).
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: this is not only called an “impressionist” expo, but also a neo-impressionist expo. That makes it less suitable to compare.
Note: by lack of a catalogue the information is only indirect and not representative.

1906, Montreal, Canada:
From 12 till 28 February 1906 there was an exhibition held at the Art Gallery in Montreal called “Some French Impressionists“. Namely there were works exhibited of Monet (;cat.nos.5-7), Pissarro (posthumous) (3x; cat.nos11-13).
Works of Monet (R22IV,p1019): CR757*+841*+1604*;
Works of Pissarro (R116I,p367): CCP160*+792*+1143*.
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1906, Posen, Germany / Poznan, Poland:
From April the 16th till May the 13th there was an exhibition held in the Kaiser-Friedrich Museum in Posen called “Ausstellung von Werken französischer Impressionisten; Courbet, Monet, Pissarro, Sisley, Cézanne, Renoir, Degas.” So there were works exhibited of Cézanne, Degas, Monet (1x?),  Pissarro (posthumous), Renoir, Sisley and also of Courbet. (R22IV,p1019+CR807*#, owned by Durand-Ruel or Cassirer; R116I,p367).
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1906, London, England, Grafton Galleries:
1906/01 + 02: At the Grafton Galleries there was an exhibition held called “Impressionists“.
Among the partakers were Monet (1x); Sisley (R396,p528). (R22IV,p1019+CR81#, owned by Rosenberg).
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1907, Prague, Czech Republic:
In October and November 1907 (28 September – 15 November) there was an exhibition held by the Cercle Mánes in Prague called “Triadvacaté výsavy spolku výtvarných umelcu Mánes: Francouzsti impressionisté” (Twenty-third anniversary of the Mánes Association of Visual Artists: the French Impressionists)**. There were 156 oil paintings exhibited by 40 artists, many works seem to have been for sale (I assume in Tjech Kronen). It was not indicated who owned the works.
There were works exhibited of the partakers of the ‘impressionist’ expositions (1874-86): Boudin (8x), Cassatt (1x), Cézanne (4x), Degas (3 oils and 3 pastels), Forain (2 oils + 2 drawings), Gauguin (6x), Guillaumin (3x), Leboug (5x), Monet (8x), Morisot (2x), Pissarro (6x), Raffaëlli (3 oils + 2 coloured etchings), Renoir (7x), Signac (4x, including 2 watercolours), Sisley (9x).
There also were works of Para-Impressionist: Albert André (2x), Auguste Bréal (2x), Daumier (4 paintings), Maxime Dethomas (3 drawings), Georges d’Espagnat (3x), Pierre Laprade (2x), Louis Legrand (5x pastel), Gustave Loiseau (2x), Adolphe Monticelli (7x), Manet (5x), Maxime Maufra (3x), Henry Moret (2x); works of Néo-Impressionists: Cross (3x), Luce (4x), Théo van Rysselberghe (3x); and works of Post-Impressionists: Anquetin (2 oils + 1 pastel), Bernard (3x), Bonnard (2x),  Ibels (1 oil + 1 gouache), Albert Marquet (2x), George Manzana Pissarro (2x), Roussel (2x), Valtat (3x), Van Gogh (6x), Vuillard (3x).
Monet**:
Prague-1907-24, Sunset in the snow (12.000Kr) =CR145*
Prague-1907-25, Snow at Argenteuil (21.600Kr)
Prague-1907-26, On the high seas (18.000Kr)
Prague-1907-27, Customs officer’s cabin (19.200Kr) =CR737*
Prague-1907-28, Morning sun (21.600Kr)
Prague-1907-29, Rocks at Pourville (20.000Kr) =CR1422*
Prague-1907-30, Customs officer’s hut (18.000Kr)
Prague-1907-31, Waterloo bridge in London, in fog (21.600Kr)
Pissarro:
Prague-1907-38, Village path (7.000Kr)
Prague-1907-39, Road in Emery (7.200Kr) =CCP553*
Prague-1907-40, Bazincourt (8.000Kr) =CCP667*
Prague-1907-41, Windmill (6.000Kr)
Prague-1907-42, Paris. Mint (5.000Kr) =CCPP1344*
Prague-1907-43, Rest in a forest (7.000Kr) =CCPP573*.
Note*: all these works were (probably) owned and send in by Durand-Ruel.
Note**: Wildenstein renders this information on the exposition: 1907/09/28 – 11/15, Société Manes: “Peinture française au XIXe siècle”, (R22IV,p1020), which would indicate a centennial exposition, but this is not confirmed by other sources.
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors; ?=the provenance is unclear.
Catalogue: In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Aug 3, 2020. http://exhibitions.univie.ac.at/exhibition/128. Note: probably works done in other techniques are left out.

1907-1909, USA, traveling exhibition, loans by Durand-Ruel:
From 1907 till 1909 there was a traveling exhibition called “Paintings by the French Impressionists“. It was held in Buffalo, Saint-Louis, Pittsburgh, Cincinnati, Minneapolis, St. Paul, Milwaukee and maybe also in Cleveland and Worcester. The works were lent by Durand-Ruel. The catalogue numbers varied in the catalogues and not all works were exhibited in all the cities. Among them were works of Monet (12x); Pissarro (7x).
Works of Monet shown (R22IV,p1019): CR19*+276*+372*+508*+638*+719*+869*+1155*+1461*+1539*+1611*@+1638*.
Works of Pissarro shown (R116I,p367): CCP160*+732*@+741*+1073*+1089*+1124*+1166@.
Works of Sisley shown (R396,p528): CCPP481;
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1908, Zurich, Swiss:
From the 1st of October till the 1st of November 1908 there was an exhibition held at the Kunsthaus in Zurich called “Französische Impressionisten“. It was divided in two groups: the elder showing 31 works and the new and newest group showing 71 works. There were 24+4=28 loans by Durand-Ruel and 2+28=30 by Bernheim-Jeune. The other 5+39=44 works came from private collections. So, most works of the elder group were loans by Durand-Ruel.
Gruppe der Ältern:
Namely partakers of the ‘impressionist’ expositions: Boudin (no.1*); Cézanne (3x; no.2*+3*+4@); Dégas (1x; no5*); Gauguin (1x; no.6#); Guillaumin (3x; nos.7* +8* +9@); Constantin Guys (2x@; no.10 +11); Jongkind (1x; no12*); Lépine (1x; no.13*); Manet (2x; no.14* +15@); Maufra (1x; no.16*); Monet (3x*; cat.nos.17-19); Pissarro (posthumous) (3x; no.20* +21* +22*); Redon (1x; no.23*); Renoir (4x; no.24* +25* +26* +27*); Sisley (3x; no.28* +29* +30*); Toulouse-Lautrec (1x; no.31#);
Works of Monet (R22IV,p1020): 17* =CR717@*?; 18* =CR819*; 19* =CR1632*.
Works of Pissarro (R116I,p368): CCP453*+446*+573*.
Gruppe der Neuern und Neuesten:
Albert André (2x; no.32*+33@); Bonnard (3x#; no.34+35+36); Braque (2x; no.37@ +38@); Charles Camoin (3x@; 39+40+41); Lucie Cousturier (2x#; no.42+43); Cross (3x; no.44+45#; no.46@); Denis (4x; no.47@; no.48+49#; no.50@); Dufy (3x@; no.51+52+53); Espagnat (1x, no.54*); Jules Leon Flandrin (2x@; no.55+56); Friesz (1x@; no.57); Pierre Paul Girieud (1x@; no.58); Vincent van Gogh (2x@; no.59+60); CFP Guérin (2x#; no.61+62); Auguste Herbin (6x@; nos.63-66); Thomas Jean (2x@; no.69+70); Gustave Loiseau (1x*; no.71); Luce (2x#; no.72+73); Pierre Laprade (1x#; no.74); Aristide Maillol (1x@; no.75); Manguin (2x#; no.76+77); Marquet (2x@; no.78+79); Matisse (2x#; no.80+81);  Jean Metzinger (2x@; no.82+83); Henry Moret (1x*; no.84); Picasso (2x@; no.85+86); Jean Puy (2x@; no.87+88); Paul Elie Ranson (1x@; no.89); Hyacinthe Rigaud (1x@; no.90); Roussel (2x#; no.91+92), Théo van Rysselberghe (1x#; no.93); Signac (3x#; no.94+95+96); Nicolas Alexandrovitch Tarkhoff (1x@; no.97);  Valloton (2x; no.98#; no.99@); Vuillard (3x#; no.100+101+102).
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by other art-dealers, namely Bernheim-Jeune; @= loans by art-collectors or musea; ?=the provenance is unclear.
Catalogue: “VIII. Serie Französische Impressionisten.” In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Jul 27,  2020. http://exhibitions.univie.ac.at/exhibition/1465. (iR261;M86/47891).

1909, London, England, Patterson:
At 5, Old Bond Street in London W.B. Patterson organised an exhibition called “Pictures by the French Impressionists: Boudin, Courbet, Degas, Manet, Monet, Pissarro, Puvis de Chavannes, Renoir, Sisley, Vollon”.
Monet exhibited, but it is unclear with how many and what works.
Posthumous 1 work of Pissarro was exhibited (R22IV,p1020;R116I,p367+CCP903*or1467♥).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1909/November, Munich, Germany, loans Durand-Ruel:
In November 1909 there was an Opening exhibition at the ‘Moderne Galerie’ in Munich. There was a small sub-exhibition called “Impressionisten-Ausstellung” in the Oberlichtsaal. I will indicate these works with an *. The paintings were lent by Durand-Ruel. Works were exhibited of Cassatt (1x; cat.no.6); Guillaumin (1x; cat.no.11*+12*+13+14+15*); Monet (5x; cat.nos.23, 24*, 25, 26, 27); Renoir (7x; cat.nos.44+45*+46+47+48+49+50+51); Sisley (4x; cat.nos.52*+53+54+55). All works of Degas (3x; cat.nos.8-10), Gauguin (cat.no.203), Morisot (2x; cat.nos.36+37), Pissarro (6x; cat.nos.38-43+142), Redon (cat.no.157+167) were exhibited in other rooms. And also of Bonnard (1x), Courbet (1x), Jongkind (1x), Manet (4x), Monticelli. (iR261;R22IV,p1020+CR642+851+1130#?+1156*+1536*;R116I,p368+CCP551).
♥= owned by the artist; *= loans by Durand-Ruel; #= loans by Georges Petit; @= loans by art-collectors.
Catalogue: “Eröffnungs-Ausstellung November 1909. Moderne Galerie München.” In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Jul 27, 2020. http://exhibitions.univie.ac.at/exhibition/1451. (iR261;iR276).

1910, Budapest, Hungary:
From April till May in the Müvészház (House of arts) there was an exhitibion held called “nemzetközi impresszionista kiállitása” (international impressionist exhibition). 150 works were exhibited by 70 artists, including Boudin, Cassatt, Cézanne, Degas, Gauguin, Monet (1x; cat.nos.23), Pissarro (2x;cat.nos24+hc), Raffaëlli, Renoir, Sisley.
Works by Monet (R22IV,p1020): no23 =CR343@.
Works by Pissarro (R116I,p368):.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Catalogue: 1910/04/27-06/19, in Budapest  “Nemzetközi Impresszionista kiállítás.” In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Mar 3, 2021. http://exhibitions.univie.ac.at/exhibition/283 =iR261;

1910, Florence, Italy:
From the 20th of April till the 15th of May there was an exhibition held at the Lyceum Club in Florence called “Prima mostra italiana dell’Impressionismo” (First Italian Exhibition of Impressionism). Among the partakers were Paul Cézanne, Edgar Degas, Jean-Louis Forain, Paul Gauguin, Henri Matisse, Claude Monet (2x; cat.nos.40+41), Camille Pissarro, Pierre-Auguste Renoir, Medardo Rosso, Henri Toulouse-Lautrec, Vincent Van Gogh. (R22IV,p1020+CR681+851).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Catalogue: “Prima Mostra italiana dell’Impressionismo, opere di Paul Cézanne, Edgar Degas, Jean-Louis Forain, Paul Gauguin, Henri Matisse, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, Medardo Rosso, Henri Toulouse-Lautrec, Vincent Van Gogh.” In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified May 11, 2025. http://exhibitions.univie.ac.at/exhibition/286 (iR261)
Note: some parts of the catalogue are missing, namely Forain and Toulouse-Lautrec.

1911, Vienna, Austria:
In October and November 1911 there was an exhibition at the Galerie Arnot in Vienna called “Französische Impressionisten“. 28 works were exhibited by 5 artists: Manet (3x); Monet (8x); Pissarro (12x;cat.nos12-23); Renoir (1x); Sisley (4x).
Sources: R22IV,p1021+CR520@*#?+793#+1088*+1419a*+1673@;
R116I,p369+CCP?412*#+573*#+822*or827*+1178*+1205#or1207*+?1262#+?1351*+?1370#).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers, namely Paul Cassirer; @= loans by art-collectors or musea; ?=the provenance is unclear.
Catalogue: “Französische Impressionisten.” In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Dec 17, 2020. http://exhibitions.univie.ac.at/exhibition/1453.

1912, Basel, Swiss:
January 1912 there was an exhibition held in the Kunsthalle in Basel which called “Französischen Impressionisten“.
Works were exhibited of Pissarro (18x;cat.nos90-107).
Works of Pissarro (R116I,p369): CCP?128* +?294* +471* +553* +559* +629*# +805# +?847* +850# +925* +1184* +1250# +1253# +1262# +1326# +1335@.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers, namely Paul Cassirer; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1913, Boston, USA, St. Botolph Club:
From the 20th (or 21th) till the 31th of January 1913 there was an exhibition held at the St. Botolph Club in Boston called “Impressionist Paintings“.
Among the partakers were Monet (4x?; cat.nos.2+8+10+25); Pissarro (3x?; cat.nos.6+16+19); Sisley (R396,p529).
The paintings were lend by Durand-Ruel.
Works of Monet (R22IV,p1021): CR578*+1302?+1514*+1639*.
Works of Pissarro (R116I,p369): CCP157*+726*+1124*.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1913, Vienna, Austria, Miethke, loans Durand-Ruel:
In March 1913 there was an exhibition held at Miethke in Vienna called “Französische Impressionisten“. The paintings were lent by Durand-Ruel. 34 works were exhibited by 14 aritist, including Boudin, Cassatt, Cézanne, Monet (2x?; cat.nos.23+26), Morisot, Pissarro (5x?), Renoir, Sisley.
Works of Monet (R22IV,p1021): CR140*+288*;
Works of Pissarro (R116I,p369): CCP471*+946*+1023*+1208*+1220*.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Catalogue: 1913/03/01, in Vienna: “Französische Impressionisten.” In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Jul 27, 2020. http://exhibitions.univie.ac.at/exhibition/538 =iR261;

1913, Rome:
1913, March till June, Palazzo dell’Esposizone: “Prima Esposizione Internazionale d’Arte della “Secessione”.” Exhibition of 644 works by 195 artists. There also was a “Sala degli Impressionisti Francesi”, including works of the partakers of the ‘impressionist’ exposition from 1874-86: Forain (no.8), Guillaumin (9+17), Lebourg (18+19), Monet (26+29+39), Morisot (31), Pissarro (10+28), Renoir (16+21), Signac (37+41), Sisley (15). And of Para-Impressionists like Carrière (no.33+40), Guérin (36+45), Jovenau (48+50), Laprade (27), Manet (32), Morrice (11), Peské (35), Puy (22), Simon (23). And of Néo-Impressionists like Cross (5), Luce (24+30) Théo van Rysselberghe (14+38). And of Post-Impressionists like Bernard (46), Bonnard (1+34), Denis (25); Ker-Xavier Roussel (7+43), Vallotton (2+6), Vuillard (42+47). And of Fauves like Kees van Dongen (3+4+49), Manguin (12+20), Matisse (13+44).
Works of Monet: 26 =CR?; 29 =CR?; 39 =CR1587* (R22IV,p1021).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Catalogue: In Database of Modern Exhibitions (DoME). European Paintings and Drawings 1905-1915. Last modified Mar 17,  2021. http://exhibitions.univie.ac.at/exhibition/542 (=iR216).

1915-1918, USA, traveling exhibition:
From 1915 till 1918 there was a traveling exhibition called “French Impressionists” / tableaux Durand-Ruel.
It was held in Detroit, Kansas City, Cleveland, Buffalo, etc.
Note: by lack of a catalogue the information is only indirect and not representative.

1915, Detroit:
At the Museum of Art in Detroit there was an exhibition held called “French Impressionists“.
Including works of
Monet (7x; cat.nos.26-32), including R22IV,p1022+CR611@+1101@?+1208#?+1373*+1514*+1657*#+1753*;
Pissarro (5x;cat.nos35-39), including R116I,p370,CCP249*+909*+1199*+1346@+1405*;
Sisley including R396,CCPP 699.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1916, Columbus, Ohio, USA:
From the 5th till the 31th of January an exhibition was held at the Gallery of Fine Arts in Columbus called “French Impressionist Paintings”. It was probably part of a traveling exhibition. The paintings were lent by Durand-Ruel. Works were exhibited of Monet (CR177*+499@*?+1217*+1442*+1755), Pissarro (6x;cat.nos23-28). (R116I,p370,CCP726*+797*+1013*+1150*+1307*+1389*).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1916, St.Louis, USA:
In May and June there was an exhibition held in the City Art Museum with paintings lent by Durand-Ruel. Maybe it was part of the travelling exhibition. Works were exhibited of Pissarro (3x?). (R116I,p370,CCP726+1124+1405).
In November there was an exhibition held at the Noonan-Kocian Galley with “tableux Durand-Ruel”. Maybe it was part of the travelling exhibition. It included works of Monet (CR593*+601@+610*+761*+1002*?+1373*).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1916-17, Baltimore, USA:
From November 1916 till January 1917 an exhibition was held at the Bendann Art Gallery with paintings lent by Durand-Ruel. Probably it was part of the travelling exhibition. Works were exhibited of Pissarro (2x?). (R116I,p370,CCP730*+1207).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1916-17, Boston, USA:
From December 1916 till January 1917 an exhibition was held at the Brooks Reed Gallery with paintings lent by Durand-Ruel. Probably it was part of the travelling exhibition. Works were exhibited of Pissarro (15x). (R116I,p370,CCP249*+398*+677*+726*+727*+823+973+1013+1021+1074+1140+1124+1175+1199+1257)
According to Wildenstein this exhibition was held March 1916, with works of Monet (CR738@*? +850*+1083+1217+1514+1538+1601+1755) and also in October again with works of Monet (CR761*+909*+1002*?+1012*+1324*#+1369*).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1917, New York, USA:
In January 1917 an exhibition was held atthe Union League Club with paintings lent by Durand-Ruel. Probably it was part of the travelling exhibition. Works were exhibited of Pissarro (4x;cat.nos1435-1438). (R116I,p371,CCP229@+494@+654#)
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea, namely Musée du Luxembourg; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1917, Chicago, USA:
From 9-21 April there was an exhibition held at O’Brien & Son in Chicago. It was called “Paintings by Manet, Renoir, Monet, Degas, Pissarro, Sisley from the Durand-Ruel Collection”. So not explicitly “impressionist”, but maybe it was part of the travelling exhibition. Works were exhibited of Monet (8x; CR613*+645*+719*+738@*?+1373*+1673*+1740*+1755*#), Pissarro.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1917, Worcester, USA:
From 2-30 December there was an exhibition held at the Worcester Art Museum with paintings lent by Durand-Ruel called “Paintings by Modern French Masters”. So not explicitly “impressionist”, but maybe it was part of the travelling exhibition. Works were exhibited of Monet (cat.nos.6-12, including CR147*+719*+738@*?+1174*+1324*+1373*+1755*#) Pissarro (4x;cat.nos13-16). (R116I,p371+CCP157*+1074+1124+1207).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.

1918, Baltimore, USA:
From March till June there was an exhibition held at the Bendann Art Gallery with paintings lent by Durand-Ruel. Probably it was part of the travelling exhibition. Works were exhibited of Pissarro. (R116I,p372,CCP1307).
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1920, Paris, France:
1920/02/16 -03/14: there was an exhibition held at the Galerie Bernheim-Jeune called “Paysages Impressionnistes“.
Works were exhibited of Monet (6x), Pissarro (4x), Cézanne (1x; iR194).
Monet: 
Paris-BJ1902-19 =? CR1376*#
Paris-BJ1902-20 =? CR373*
Paris-BJ1902-21+22 =CR1722@ + 1731#
Paris-BJ1902-23 =? CR1620*#
Paris-BJ1902-24 =? CR1534*
Pissarro:
Cat.nos. 26-29 including CCP470*#+?533#.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers, namely Berheim-Jeune; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1921, New York, USA:
In February 1921 there was an exhibition held at Wildenstein in New York called “Paintings by the Great French Impressionists from the collection of Monsieur Paul Rosenberg of Paris”.
Works were exhibited of Pissarro (3x;cat.nos26-28). (R116I,p372,CCP1388@?) and of Seurat↓.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1922, Baltimore, Maryland, USA:
From 1-30 April there was an exhibition held at the Maryland Institute and the Municipal Art Society called “French Impressionist Paintings”. Works were exhibited of Monet (5x?), Pissarro (3x?).
Monet: 
Including CR837*# +1219* +1329*# +1512* +1551*.
Pissarro:
Including CCP823*+1093*+1124*.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1922, Brussels, Belgium:
From the 25th of July 1922 there was an exhibition at the Musée Royal des Beaux-Arts that was called “Art français: les Maîtres de l’Impressionnisme et leur temps”. Works were exhibited of Monet (2x); Pissarro (3x), Signac.  (R116I,p372,CCP1363;R106,p421).
Monet:
Brussels-1922-23 =CR294@
Brussels-1922-24 =? CR778@
Pissarro:
Cat.nos. 27-29, including CCP294# +? 778@.
Signac:
Brussels-1922-35 =1891, CR220
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1922, Grand Rapids, Michigan, USA:
From 4-30 October there was an exhibition at the Grand Rapids Art Association with paintings lent by Durand-Ruel called “Paintings by the French Impressionists”. Works were exhibited of Monet (3x), Pissarro (1x?).
Monet:
CR823*
CR1219@?
CR1369*
Pissarro:
Including CCP304*#
Signac:
=1891, CR220, Concarneau, pêche à la sardine, Opus 221 (adagio), 62×78, MuMA New York.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1923, Minneapolis, USA:
From 1-31 March there was an exhibition at the Minneapolis Institute of Arts called “French Impressionist paintings”.  Works were exhibited of Pissarro (3x). (R116I,p373).
Monet:
Minneapolis-1923-20 =CR369@?
Minneapolis-1923-21 =CR1324*
Minneapolis-1923-22 =CR1643
Minneapolis-1923-23 =CR1554@?
Minneapolis-1923-24 =CR1740@
Pissarro:
cat.nos 27-29 =CCP157*+1013*+1127*#
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1924, Germany, Berlin and Frankfurt:
1924/04/10 – 05/07, Berlin, Galerie Alfred Flechtheim in Berlin +
1924/05/10 – 06/01, Frankfurt Galerie Alfred Flechtheim: “Französische Impressionisten“. Works were exhibited of Monet (cat.no.16), Pissarro (4x).
Pissarro:
cat.nos 18-21, including CCP1374#
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

1925, Berlin:
1925, September + October, Paul Cassirer: Exposition impressionniste d’automne”, with Monet.
Monet:
Berlin-1925-38 =? CR1193@ or 1177@.
♥= owned by the artist or its decendents; *= loans by Durand-Ruel; #= loans by other art-dealers; @= loans by art-collectors or musea; ?=the provenance is unclear.
Note: by lack of a catalogue the information is only indirect and not representative.

 

Sources:
The following Catalogues Raisonnés (or extended catalogues):
of Cézanne by Pissarro & Venturi (1936 =PV=R189); by Rewald, Feilchenfeldt & Warman (1996; =RFW=R118); Feilchenfeldt, Warman & Nash (online: cezannecatalogue; =FWN=iR194)
Gauguin by Wildenstein (1964 =W=1CR=R128); Crussard (2002 =2CR=R181)
Guillaumin by Serret & Fabiani (1971 =CR=SF=R124);
of Monet by Wildenstein (1996 =CR=R22=R127)
of Morisot by Bataille (1960 =1CR=R100); Clairet, Rouart & Montlant (1997 =2CR=CRM=R186)
of Pissarro by Venturi (1939 =V=R126); by Pissarro and Durand-Ruel (2005 =CCP =R116)
of Renoir by Daulte (1971 =1CR=R108); by Fezzi (1968 =1F=R193=R30); by Fezzi (1985 =2F=R190); by Dauberville (2007-14 =2CR=2D=R185)
of Sisley by Daulte (1959 =CR=R129); by Brame & Lorenceau (2021 =CCPP=R396)
Other important sources:
the Salon database (iR1) and other catalogues (R250;iR261); Denvir (R5).

 

Recommanded citation: “Meta-Impressionism / other exhibitions: International impressionist exhibitions; 1882 onwards. Last modified, 2026/07/17. https://www.impressionism.nl/international-impressionist-exhibitions/”

 

Note: additional info and pictures will be added.