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Eugène Boudin (1824-1898)

Account

Introduction:

On this page you will find an extended account of the works that Eugène Boudin exhibited at the first ‘impressionist’ exposition in 1874. You will also find a more brief account of the works Boudin exhibited at the Salon, the Société des Artiste Français (SdAF) and the Société National des Beaux-Arts (SNBA), where he exhibited very frequently. For general information about Boudin and the used sources see the main page. For the exhibited pictures in 1874 see. For an impression of some works he exhibited at the Salon, see.

The first ‘impressionist’ exposition 1874:

catalogue numbers 17-22
No. 20 en 22 consisted of 4 works and no. 21 of 2 works
so in total Boudin exhibited 13 works, 3x oil paintings, 4x watercolours, 6x pastels
- 7x indication of place
- 0x indication of time, season or weather
- 6x a study
- 0x loans (appartient à…).
See for the suggestions of Moffett (R2,p119). Moffett refers to an exhibition catalogue in Galerie Schmidt in 1973 made by Robert Schmidt (R2,p498). See for the suggestions of Adhémar (R87,p230). See for the suggestions of Berson (R90II,p3).

The catalogue (R2,p119;R87,p230;R90I,p4;iR1):

1IE-1874-17 Le Toulinguet, côtes de Camaret (Finistère)
Le Toulinguet is in the far west of the Brittany peninsula, see link for location (iR9). Dayez/Adhémar suggests with a ‘probably’ 1872, Camaret, Le Toulinguet (Finistère), from the old collection of Durand-Ruel. Moffett suggests with a perhaps: Schmidt 808 or 809. Berson leaves it unidentified and she points out that Schmidt no.809 is the same as Adhémar suggests. Berson refers to a review of De Montifaud (1874/05/01), but he just mentions the work.

1IE-1874-18 Rivage de Portrieux (Côtes-du-Nord)
1IE-1874-19 Rivage de Portrieux (Côtes-du-Nord)
Eng.: the shoreline at (Saint-Quay-)Portrieux, see map (iR9). Moffett suggests with a perhaps for no.18: 1874, Environs de Portrieux (The coast near Portrieux, Brittany), 85×148 in a private collection in England = Schmidt no. 964 (R2,p125). Berson remarks that this option is also applyable to no.19. Berson refers to a review of De Montifaud (1874/05/01), but he just mentions the work. Adhémar doesn’t give a suggestion. Selz suggests the following work to be exhibited ‘1874, Surroundings of Portrieux’ and describes it as ‘a range of colors with its brown earth and glowering stormy sky’ (R161,p65); I could not identify this work. For no.19 I render to compare a work that is made a year later: 1875, The Shore and the Sea at Portrieux, 54×90, private (iR2;R2,p119;R90II,p3).

1IE-1874-20 4 Cadres (même numéro). Études de ciel (pastels)
Moffett doesn’t give a suggestion; see also no. 22. Berson omits this work, which also means there was no review (R90II,p3). Adhémar doesn’t give a suggestion. I render 4 uncertain options: 1860, Seascape with Large Sky, pastel, xx, private (iR2;R2,p119); and: 1854-59ca, White Clouds, xx, MEB Honfleur (iR2;R2,p119); and: 1854-59ca, Boudin white clouds over the Estuary, pastel, MEB Honfleur (iR2;R2,p119); and: 1859ca, Fine Weather, White Clouds, xx, MEB Honfleur (iR2;R2,p119).

1IE-1874-21 2 Cadres (même numéro). Études diverses (pastels)
Moffett doesn’t give a suggestion. Berson omits this work, which also means there was no review (R90II,p3). Adhémar doesn’t give a suggestion. I render two very uncertain options: 1855-60, Honfleur, the lighthouse, pastel, private (iR2;R2,p119); and: 1860, The Saint-Simeon Farm, pastel, xx, private (iR2;R2,p119).

1IE-1874-22 4 Cadres (même numéro). Plage de Trouville (aquarelles)
Dayez/Adhémar suggests with a ‘probably’ 1874, Plage de Trouville, watercolour. Moffett refers to this suggestion, wrongly noting no.20. I could not find a picture of this one. Berson omits this work, which also means there was no review (R90II,p3). I render 4 uncertain options: 1868, Trouville, wc, 17×27, private (iR2;R2,p119); and: 1865ca, Crinolines and Cabanas on the Beach at Trouville, watercolour, 16×27, private (iR2;R2,p119); and: 1872-73, Crinolines on the Beach, wc, xx, private (iR2;R2,p119); and: 1865, Crinolines on the Beach at Trouville, watercolour, 14×26, private (iR2;R2,p119).

Boudin at the Salon, the SdAF and the SNBA:

General overview:

27x indication of place
0x indication of time, season or weather
0x a study
0x loans (appartient à…).

Boudin at the Salon (=S):

S1859-330 Le Pardon de Sainte-Anne-Palud au fond de la baie de Douarnenez (Finistère)
Debut at the Salon (iR1;R116)

S1864-214 *Plage aux environs de Trouville
x

S1865-252 *Un concert au casino de Deauville
x

S1865-253 *La plage de Trouville, à l’heure du bain
x

S1866-223 *La plage de Trouville
x

S1866-224 *Réunion sur la plage
x

S1867- 179 *La jetée
Eng.: the jetty. Nl.: de pier.

S1867- 180 *La plage
x

S1868-298 Le départ pour le pardon (Finistère)
x

S1868-299 La jetée du Havre
x

S1869-286 La plage, à marée basse
x

S1869-287 La plage ; marée montante
x

S1870-328 La rade de Brest
Eng.: the harbour / the bay of Brest.

S1870-329 Pêcheuses de Kérhor (Finistère)
x

S1872-179 Au rivage
Eng.: at the shoreline / waterfront.

S1872-180 Une rade
Eng.: the harbour / the bay

S1873-153 Port de Camaret (Finistère)
x

S1873-154 Rade de Camaret
Eng.: the harbour / the bay of Camaret.

S1874-229 Quai du Portrieux (Côtes-du-Nord)
Eng.: the dock / platform of Portrieux.

S1874-230 Rivage du Portrieux
Eng.: at the shoreline / waterfront of Portrieux.

S1875-266 Le port de Bordeaux
Eng.: the harbour of Bordeaux.

S1875-267 Le port de Bordeaux, vu du quai des Chartrons
Eng.: the harbour of Bordeaux, view of the dock / platform of Chartrons.

S1876-236 *La plage de Berck (Pas-de-Calais)
x

S1876-237 *L’Escaut, à Anvers (Belgique)
Eng.: the scout at Antwerp. Nl.: het zwenkwiel.

S1877-266 Rotterdam (Pays-Bas)
x

S1878-304 Portrieux (Cotes-du-Nord)
x

S1878-305 Piege de Berck (Pas-de-Calais)
Eng.: pitfall at Berck.

S 1879-367 La plage
x

Boudin at the Salon des Sociéte des Artistes Français =SdAF:

SdAF-1880- 433 La pêche
Additional info: H. 0m,85.- L. 1m,50. ([salle] 28.) Les non exempts dans les salles 12, 13, 15, 17, 19, 23, 26, 27, 28, 29 et à la galerie.

SdAF-1881-260 La Meuse, à Rotterdam
x

SdAF-1882-336 Sur la Meuse ; environs de Rotterdam
x

SdAF-1883-320 L’entrée
Eng.: the entrance

SdAF-1883-321 La sortie
Eng.: the departure.

SdAF-1884-316 Marée basse
Eng.: low tide.

SdAF-1884-317 Marée haute
Eng.: high tide.

SdAF-1885- 327 *L’appareillage
Eng.: the equipment.

SdAF-1885- 328 *La Meuse devant Dordrecht ; Hollande
x

SdAF-1886- 302 Un grain
Eng.: a granule / seed.

SdAF-1886- 303 Marée basse
Eng.: low tide. Compare S1884-316.

SdAF-1887-306 Etaples ; marée basse
x

SdAF-1887-307 Un rivage
x

SdAF-1888-321 Le “bateau pilote”
x

SdAF-1888-322 Une corvette russe dans le bassin de l’Eure ; le Havre
The Russian Corvette in the Eure Docks was bought by the state (R116)

SdAF-1889-324 Retour des barques de pêche ; Trouville
x

SdAF-1889-325 L’avant-port du Havre
x

Boudin at the Salon des Société Nationale des Beaux-Arts =SNBA:

SNBA 1890:

SNBA-1890-107 Bassin de l’Eure au Havre (effet de brouillard)

SNBA-1890-108 La Plage de Scheveninghe (Hollande)

SNBA-1890-109 Berck (le départ des barques)

SNBA-1890-110 Berck (le retour des barques)

SNBA-1890-111 Dunkerque (le fond du port)
(Appartient à Mme la baronne Nathaniel de Rothschild)

SNBA-1890-112 Dunkerque (l’entrée du port)
(Appartient à Mme la baronne Nathaniel de Rothschild)

SNBA-1890-113 Vue de Caudebec-en-Caux

SNBA-1890-114 Coin de ferme (environs de Dunkerque)

SNBA-1890-115 La maison du fermier (environs de Dunkerque)

SNBA-1890-116 La plage de Berneville

SNBA 1891:

SNBA-1891-113 Etretat (falaise d’amont)

SNBA-1891-114 Etretat (falaise d’aval)

SNBA-1891-115 Marée montante (Deauville)

SNBA-1891-116 Marée basse (Trouville)

SNBA-1891-117 Saint-Valery-sur-Somme

SNBA-1891-118 Le Vieux port de Touques

SNBA-1891-119 Le Quai au Crotoy (Somme)

SNBA-1891-120 La Plage de Berk (Pas-de-Calais)

SNBA-1891-121 L’Eglise d’Etaples (Pas-de-Calais)

SNBA-1891-122 Le Rivage d’Etretat (Brouillard)

SNBA 1892:

SNBA-1892-140 Beaulieu ; La Baie ; effet du matin

SNBA-1892-141 Beaulieu ; La Baie des Fourmis

SNBA-1892-142 Beaulieu ; Baie de Saint-Jean

SNBA-1892-143 Villefranche ; La Rade
Villefranche, the bay bought by the state (R116)

SNBA-1892-144 Villefranche ; Le Lazaret

SNBA-1892-145 Villefranche ; Le Quai

SNBA-1892-146 Villefranche ; Vue de la ville

SNBA-1892-147 Villefranche ; Le Fort

SNBA 1893:

SNBA-1893-130 Vue générale d’Antibes

SNBA-1893-131 Juan-les-Pins (Alpes-Maritimes)

SNBA-1893-132 Le golfe Juan

SNBA-1893-133 Le Port à Antibes

SNBA-1893-134 Les récifs à Antibes

SNBA-1893-135 Le quai à Vïllefranche

SNBA-1893-136 La rue de la Mer à Saint-Vaast (Manche)

SNBA 1894:

SNBA-1894-153 Le rivage de Deauville

SNBA-1894-154 La rentrée des barques (Trouville)

SNBA-1894-155 Marée haute à Deauville

SNBA-1894-156 Coucher de soleil

SNBA-1894-157 Rochers de l’Ilette à Antibes

SNBA-1894-158 Fortifications d’Antibes

SNBA-1894-159 Un coup de mistral à Antibes

SNBA-1894-160 Le rivage de Juan-les-Pins

SNBA 1895:

SNBA-1895-172 Les fortifications d’Antibes

SNBA-1895-173 Le fort carré à Antibes

SNBA-1895-174 Le bassin de la Barre au Havre

SNBA-1895-175 Le bourg de Touques

SNBA-1895-176 La place Courbet à Abbeville

SNBA-1895-177 Marée montante à Deauville (octobre)

SNBA 1897:

SNBA-1897-143 Le rivage de Deauville (octobre)

SNBA-1897-144 Le marais à Deauville

SNBA1897-145 Coup de vent devant Frascati (Havre)

SNBA-1897-146 Un grain de Nord-Ouest

SNBA-1897-147 Venise (huit études dans le même cadre)