Introduction: On this page you will find an impression of 93 works that Georges Seurat exhibited at the Salon de la Société des Artistes Français (=SdAF) (and that were rejected). Then you will find an impression of the works that Georges Seurat exhibited at the Salon des Indépendants (=SdI) and it’s predecessor of the Groupe des Artistes Indépendants (=GdAI-1884/05), at the exhibition in New York in 1886 (=NY-AAG-1886), at regional exhibitions (in Nantes 1886), at Les XX in Brussels (=XX), at the Revue Indépendante (=RI1888). And also the retrospectives that were shown at the Salon des Indépendants in 1892 and 1905, at Les XX in 1892, at Association pour l’Art in Antwerp in 1892 (=Anvers-ApA-1892), and at La Revue Blanche in 1900 (=RB1900). And also the works that were posthumously exhibited at the Exposition Universelle in 1900 + 1940, at Centennial exhibitions (in Saint-Petersbourg in 1912), at La Libre Esthetique in Brussels in 1904+10 (=LE). The works that were only shown at the retrospectives you will find at the end of this page and also some groups of studies. The pictures will be rendered by form. Note: If you double click on the first picture (of a serie) and then click on full screen, you can create a slideshow. Enjoy!
Georges Seurat: 1882-83, dH588, Portrait of Aman-Jean, dr, 62×48, Metropolitan (M23;R297,p19;R183,pXL;R207,p122;R40,p93;M23) =SdAF-1883-3189, Broderie (sic) = 1SdI-1884/12-243
Georges Seurat: 1882-84ca, dH582, Embroidery (The Artist’s Mother), conté, 32×24, Metropolitan (M23;iR10;R183,pXLI;R40,p93) =? SdAF-1883-R, Broderie
Georges Seurat: 1882/07, Dbr, Woman Knitting (sewing), dr, 32×35, Harvard AM (iR6;M32;R229,p1584;R40,p93) =? SdAF-1883-R =8SdI-1892-1118, Broderie
Georges Seurat: 1883-84 (+1887), DR98 dH92, Bathing at Asnières, 201×300, NG London (iR6;iR2;R3,p254;R183,no98;R40,p93;R207,p122;M61) =SdAF-1884-R =GdAI-1884/05-261 =NY-AAG-1886-170 =8SdI-1892-1081 =RB1900-7 =21SdI-1905-4
Georges Seurat: 1884 (+188?), DR116 +dH131, Île de la Grande Jatte (study), 65×82, private (iR6;R3,p258;R183,no116;R229;iR283;iR19;R207,p122/3) =1SdI-1884/12-241 =NY-AAG-1886-112 =6XX-1889-2
Georges Seurat: 8IE-1886-175, Un dimanche à la Grande-Jatte
Now: 1884-86, DR139, A Sunday Afternoon 206×306, AI Chicago (iR2;R2,p420;R90II,p252+275;R207,p123;R183,no139) =2SdI-1886-353 =4XX-1887-1 =8SdI-1892-1082 =RB1900-18
Georges Seurat: 8IE-1886-176, Le bec du Hoc (Grand-Camp) =1885, DR153 dH159, Le Bec du Hoc, Grandcamp, 66×82, Tate London (iR2;iR6;iR11;R3,p271;R183,no153;R2,p446;R90II,p252+275;R207,p122-7;M62) =2SdI-1886-354 =4XX-1887-2 =RI1888/02 =9XX-1892-4 =1LE-1904-145
Georges Seurat: 8IE-1886-178, La rade de Grand-Camp =1885, DR154, La rade de Grandcamp, 64×80, A2018/05/08 (iR11;iR15;iR6;R183,no154;R207,p122-6;R90II,p252+275;R2,p446+465) =2SdI-1886-355 =4XX-1887-3 =RI1888/01 =9XX-1892-3 =8SdI-1892-1092 =RB1900-18 =EU-C-1900-610 =1LE-1904-144
Georges Seurat: 1885, DR155, Grandcamp, Evening, 66×83, MoMa New York (iR2;iR6;R2,p467;R183,no155;M41) =2SdI-1886-358 =RI-1888/01 =8SdI-1892-1093
Georges Seurat: 1885-86ca, DR159, La Luzerne, Saint-Denis, 65×81, SNG Edinburgh (iR6;R183,no159;R207,p125;M63) =2SdI-1886-359
Georges Seurat: 1885, DR151 PC155, Boats at low tide at Grandcamp, 66×82, PMA Hakone (iR10;iR335;iR7;iR6;R229,p1582;R207,p124;R183,no151) =2SdI-1886-360, Bateaux
Georges Seurat: 1884-86ca, DR158, Women by the water, on wood, 16×25, private (iR10;iR174;iR6;aR7;R207,p124;R183,no158;R229,p1582-4) =!? 1SdI-1886/12-361, Croqueton (Courbevoie) =8SdI-1892-1114, A la Grande Jatte =RB1900-14 =? 21SdI-1905-19, étude pour Un Dimanche à la Grande Jatte.
Georges Seurat: 1884-85, DR107 dH132, Printemps à la Grande Jatte, on wood, 15×25, A2023/05/16 (iR10;iR14;R183,no107;R207,p124) =1SdI-1886/12-362, Bords de la Seine (Croqueton)
Georges Seurat: 1882-83, dH536, Factories by moonlight (Courbevoie), dr, 24×31, Metropolitan (M23;iR295;iR10;iR48;R207,p124) =1SdI-1884/12-hc –
Georges Seurat: 1886, DR168 dH173, The Hospice and Lighthouse of Honfleur, 65×82, NGA Washington (iR2;iR6;R3,p272;R2,p468;R183,no168;R207,p124/5;M21) =Nantes-1886-968 =4XX-1887-5 =3SdI-1887-439 =Anvers-ApA-1892-2 =9XX-1892-6 =8SdI-1892-1095 =11LE-1904-146 =21SdI-1905-37 =Saint-Petersbourg-1912-593
Georges Seurat: 1886, DR165 dH169, The beach, Le Bas-Butin at Honfleur, 67×78, MBA Tournai (iR6;R3,p271;R183,no165;R207,p124/5) =Nantes-1886-969 =4XX-1887-6 =3SdI-1887-440 =17LE-1910-169
Georges Seurat: 1886, DR171, Embouchure de la Seine à Honfleur, soir, 78×94, MoMa New York (iR6;iR8;R183,no171;R207,p124-7;M41) =4XX-1887-7 =3SdI-1887-441 =RI1888/01 =Anvers-ApA-1892-3 =9XX-1892-8 =Brussels-1935-75 =EU-New York-1940-367
Georges Seurat: 1886-87, DR172, Bridge at Courbevoie, 46×55, Courtauld (iR6;iR11;iR2;R183,no172;R207,no125;M60) =3SdI-1887-442 =8SdI-1892-1090 =RB1900-25
Georges Seurat: 1886, DR162, Entrance to the Port of Honfleur, 54×64, Barnes Philadelphia (iR2;R207,p125;R183,no162;M25) =3SdI-1887-443 =9XX-1892-7 =8SdI-1892-1096
Georges Seurat: 1886, DR169 dH164, La Maria, Honfleur, 53×64, NG Prague (iR6;R3,p273;R207,p444;R183,no169;M140) =3SdI-1887-444 =9XX-1892-9 =8SdI-1892-1097 =? Saint-Petersbourg-1912-592
Georges Seurat: 1886, DR163 PC171, Bout de la jetée à Honfleur (Harbour Entrance at Honfleur), 46×55, KMM Otterlo (iR2;iR6;R183,no171,R207,p125;M72) =!? 3SdI-1887-445 =RB1900-26
Georges Seurat: 1886-88, DR178, The models (Poseuses), 200×250, Barnes Merion (iR6;R174,p175;R3,p301;R183,no178;M25) =4SdI-1888-163 =6XX-1889-1 =Anvers-ApA-1892-4 =9XX-1892-11
Georges Seurat: 1887-88, DR181 dH187, La Parade de cirque (Circus Sideshow), 100×150, Metropolitan (iR6;R3,p300;R183,no181;R207,p87+126;M23) =4SdI-1888-614 =9XX-1892-10 =8SdI-1892-1084 =RB1900-32 =EU-New York-1940-366
Georges Seurat: 1888, DR183, The Seine at La Grande-Jatte, Spring, 65×82, MRBA Brussels (iR6;R183,no183;R207,p128M80) =6SdI-1890-734 =9XX-1892-15 =11LE-1904-147 =17LE-1910-168
Georges Seurat: 1888, DR190, Gray weather, Grande Jatte, 70×84, Metropolitan (iR6;R183,no190;R207,p128/9;M23) =6XX-1889-3 =6SdI-1890-733 =8SdI-1892-1091 =11LE-1904-148 =21SdI-1905-41
Georges Seurat: 1888, DR189, Sunday in Port-en-Bessin, 66×82, KMM Otterlo (iR6;R183,no189;R207,p128;M72) =6XX-1889-4 =6SdI-1890-728 =8SdI-1892-1098
Georges Seurat: 1888, DR187, Le Pont et les quais à Port-en-Bessin, 65×82, Minneapolis IA (iR6;iR11;R183,no187;R207,p128/9;M155) =6XX-1889-5 =5SdI-1889-243 =8SdI-1892-1099
Georges Seurat: 1888, DR188, Port-en-Bessin, The outer harbour, high tide, 65×81, Orsay (iR2;iR6;R183,no188;R207,p129;M1) =6XX-1889-6 =6SdI-1890-730 =9XX-1892-12 =8SdI-1892-1100 RB1900-30
Georges Seurat: 1888, DR184, Port-en-Bessin, The Outer Harbor (Low Tide), 54×66, Saint Louis AM (iR6;iR11;R356;R183,no184;R207,p128/9;M157) =6XX-1889-7 =6SdI-1890-729 =9XX-1892-13 =8SdI-1892-1101 =21SdI-1905-38 =SdI-R-1926-3219
Georges Seurat: 1888, DR186, Port-en-Bessin, Entrance to the outer Harbor, 55×65, MoMa New York (iR6;R183,no186;R207,p129;M41) =6XX-1889-8 =RB1900-31 =EU-New York-1940-368
Georges Seurat: 1888, DR185, Seascape at Port-en-Bessin, Normandy (Les grues et la percée), 65×81, NGA Washington (iR6;R40,p74;R183,no185;R207,p129;M21) =6SdI-1890-732 =8SdI-1892-1102 =SdI-R-1926-3218
Georges Seurat: 1889, DR192, Le Crotoy, Downstream (morning), 71×86, private (iR6;iR2;R207,p129;R183,no192) =5SdI-1889-241 =8XX-1891-3 =Anvers-ApA-1892-5 =9XX-1892-16 =8SdI-1892-1103 =Grafton-1910-54 =Brussels-1935-76
Georges Seurat: 1889, DR193, View of Le Crotoy from Upstream (afternoon), 70×86, Detroit IA (iR6;R183,no193;R207,p129) =5SdI-1889-242 =8XX-1891-2 =8SdI-1892-1104 =RB1900-33 =21SdI-1905-1
Georges Seurat: 1890, DR206, The Channel of Gravelines, Grand Fort-Philippe, 65×81, NGA Washington (iR6;R183,no206;R207129+130;M21) =8XX-1892-4 =7SdI-1891-1103 =RB1900-36 =21SdI-1905-3
Georges Seurat: 1890, DR207, The canal of Gravelines, in the direction of the sea, 73×93, KMM Otterlo (iR6;R183,no207;R207,p129+130;M72) =8XX-1891-5 =7SdI-1891-1104 =9XX-1892-18 =11LE-1904-149 =21SdI-1905-40
Georges Seurat: 1890, DR205, The channel of Gravelines, petit Fort Philippe, 73×93, Indianapolis MA (iR6;R183,no205;R207,p130;M165) =8XX-1891-1105 =8SdI-1892-1105 =37SdI-1926-3217
Georges Seurat: 1890, DR203, The Channel at Gravelines, Evening, 65×82, MuMa Le Havre (iR6;iR8;R183,no203;M15) =8XX-1891-7 =7SdI-1891-1106 =Anvers-ApA-1892-6 =9XX-1892-17 =8SdI-1892-1107 =11LE-1904-150 -21SdI-1905-3
Georges Seurat: 8IE-1886-179, La Seine, à Courbevoie =1885, DR161, The Seine at Courbevoie, 81×65, private (iR6;iR11;R183,no161;R207,p122-5;R2,p446;R90II,p252+275) =2SdI-1886-356 =9XX-1892-2 =8SdI-1892-1089 =21SdI-1905-21. Provenance: Signac.
Georges Seurat: 1886, DR166 dH163, Corner of the Harbour of Honfleur, 80×63, KMM Otterlo (iR2;iR6;R3,p273;R207,p125R183,no166;M72) =2SdI-1886-357 =4XX-1887-4 =Anvers-ApA-1892-1 =9XX-1892-5 =8SdI-1892-1094 =RB1900-27 =21SdI-1905-36 =? 17LE-1910-167
Georges Seurat: 1886-87, DR174 dH183, Poseuse de face, debout (study for the models), 26×17, Orsay (iR6;R3,p299;R183,no174;M1) =3SdI-1887-446 =8SdI-1892-1116 =RB1900-29 =21SdI-1905-11
Georges Seurat: 1886-87ca, Eden Concert, conté, 31×24, VGM Amsterdam (iR10;iR376;iR6;R207,p35+126;R40,p61;M73) =3SdI-1887-448
Georges Seurat: 1886-88, At the Concert Européen, conté, 31×24, MoMA New York (iR10;iRx;iR6;aR6;R207,p35+127+128;R40,p63;R162,p64;M41) =4SdI-1888-615 =6XX-1889-11
Georges Seurat: 1887-88, Café-Concert (A la Gaîté Rochechouart), conté, 31×24, RISD Providence (formely HAM Cambridge) (M152;iR6;iR10;aR6;R207,p33+127+128;R162,p63;R40,p62;M32) =4SdI-1888-616 =6XX-1889-12
Georges Seurat: 1887-88ca (1889-90ca), DR197a dH690, Au divan japonais (study for Le Chahut), dr, 32×24, A2008/12/03 (or Metropolitan) (iR10;iR6;iR14;iR183,no197a;R207,p127;R229,p1882+1584;M23) =!? 4SdI-1888-617, Au divan japonais =!? 8SdI-1892-1125, Café-concert
Georges Seurat: 1883-84, Man dining (The artist’s father), dr, 31×22, MoMA New York (aR6;M41;iR10;iR64;R207,p126) =4SdI-1888-619, Dîneur
Georges Seurat: 1880s, La lecture, dr, xx, xx (iR10;iRx;R207,p620) =4SdI-1888-620
Georges Seurat: 1887-88ca, The Garbage Picker, dr, 31×24, MCC Rio de Janeiro (iR6;R207,p126) =SdI-1888-621, Balayeur
Georges Seurat: 1884-88ca, Woman with a drawing pad, conté, 29×22, Harvard Cambridge (iR6;R40,p35;R207,p126;M32) =!? 4SdI-1888-622, Jeune fille
Georges Seurat: 1888, Portrait of Paul Alexis, dr, published in La Vie Moderne no.17 (1888) (iR99;iR10;R207,p45+128) =6XX-1889-10 =6SdI-1890-735-1
Georges Seurat: 1888-90, DR195 dH200, Young woman powdering herself, 95×79, Courtauld London (iR6;R3,p319;R183,p195;M60) =6SdI-1890-727 =9XX-1892-14 =8SdI-1892-1085 =RB1900-35
Georges Seurat: 1889-90, DR199, Le Chahut (Singers), 169×141, KMM Otterlo (iR2;R183,no199;R207,p128;M72) =8SdI-1890-726 =8XX-1891-1
Georges Seurat: 1889-90, dH694, Portrait of Paul Signac, conté, 35×28, private (iR6;R3,p320;R183,pLVII;R207,p42+128;R162,p95) =6SdI-1890-735-2
Georges Seurat: 1890-91, DR211 dH213, Le Cirque (The Circus), 186×151, Orsay (iR6;R3,p329;R207,p94+130;R183,no211;M1) =7SdI-1891-1102 =9XX-1892-19 =8SdI-1892-1087 =RB1900-39 =21SdI-1905-1087 =Venice-1920-53 =Brussels-1935-74
Georges Seurat: 1889-90, DR198 dH199 PC201, Final study for Le Chahut, 67×58 (55×47), AKAG Buffalo (iR6;R3,p318;R183,no198;M34) =8SdI-1892-1086 =RB1900-34
Georges Seurat: 1886-87, DR175 dH182, Poseuse assise de profil (study for the models), 25×16, Orsay (iR6;iR23;R3,p298;R183,no175;M1) =RB1900-28
Georges Seurat: 1883, DR63, Pierrot, 25×17, private (iR6;R183,no63) former Signac collection =37SdI-1926-3216
Georges Seurat: 1882ca, DR44, Le petit paysan en bleu (Le jockey), 46×38, Orsay (iR6;R183,no44;M1) Fénéon collection =RB1900-4
Georges Seurat: 1881-82ca, DR9, Little man Leaning on a Parapet (L’invalide), 25×17, private New York (iR6;R183,no9) =RB1900-2
Studies and retrospectives: At several exhibitions Seurat had shown drawings and studies, see above. But he also showed some groups of studies. In December 1884 at the first Salon des Independants he showed 9 studies, maybe all of the Grande Jatte (R162,p95). In 1886 he showed in New York 12 studies and probably partly the same studies at the 3rd exhibition of the Salon des Indépendants in 1887 (R207,p122-127+138). Here you will find uncertain suggestions.
Here you will also find works, mostly studies, that were only exhibited at posthumous retrospectives. See also the intro.
Georges Seurat: 1884, DR116a dH619, Trees (study for La Grande Jatte, section centrale), dr, 62×48, AI Chicago (M20;iR6;R183,no116a;R162,p95) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1884-85, DR116b, Homme debout près d’un arbre, dr, 61×46, private (iR10;iR403;R183,no116b;R162,p95) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1884-85, DR138b, Child in white, dr, 31×23, xx (iR10;iR64;R183,no138b;R162,p95) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1884-85, DR131a dH635, A Woman Fishing (study), crayon, 31×24, Metropolitan (M23;iR2;R183,no131a;R162,p95) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1884, DR133b, dH625, Woman Walking with a Parasol (study for La Grande Jatte), dr, 32×34, AI Chicago (M20;iR10;R183,no133b;R162,p95) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1884-85, DR138f dH629, Seated Woman with a Parasol (study for La Grande Jatte), dr, 48×32, AI Chicago (M20;iR6;R183,no138f;R162,p95) =? 1SdI-1884/12-242, 9 croquetons =21SdI-1905-6
Georges Seurat: 1884-85, DR133 dH153, Woman with umbrella (La grande Jatte study), 25×16, Bührle Zurich (iR6;R3,p259;R183,no133;R162,p95;M85) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1884-85, DR134, Woman with a Monkey (Study for La Grande Jatte), on wood, 25×16, SCMA Northampton (iR6;iR10;aR5;R115,no138;R183,no134;R162,p95) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1884-85, DR136 dH138, Couple se promenant (study), 81×65, private (iR10;R3,p259;R183,no138;R162,p95) =? 1SdI-1884/12-242, 9 croquetons
Georges Seurat: 1881-82ca, DR10, Haymakers at Montfermeil, 16×25, NGA Washington (iR6;R183,no10;R207,p122+127;M21) =former Redon collection =? NY-AAG-1886-133, 12 studies =? 3SdI-1887-447, douze croquis
Georges Seurat: 1882, DR49, The Stone Breaker (with wheelbarrow), 6×10, Phillips Washington (iR6;iR8;R207,p123;R183,no49;M29) =? NY-AAG-1886-133, 12 studies
Georges Seurat: 1883-84, DR84, The two riverbanks (study for Une Baignade), on wood, 15×25, Kelvingrove AGM (iR6;R183,no84;R207,p122+126) =? NY-AAG-1886-133, 12 studies =? 3SdI-1887-447, douze croquis
Georges Seurat: 1883-84, DR90, Vêtements et chapeau (study for Un baignade), on wood, 18×26, private (iR10;iR174;R183,no90;R207,p122+127) =? NY-AAG-1886-133, 12 studies =? 3SdI-1887-447, douze croquis
Georges Seurat: 1883-84, DR92, The Rainbow (Study for Bathers at Asnières), on wood, 16×25, NG London (iR6;R183,no96;R207,p123+127;M61) =!? NY-AAG-1886-133, 12 studies =!? 3SdI-1887-447, douze croquis
Georges Seurat: 1883-84, DR96 PC96, Baigneur asis (study for bathers at Asnières), on wood, 18×26, NAMA Kansas City (iR6;iR10;R3,p254;R183,no96;R207,p123+126;M42) =!? NY-AAG-1886-133, 12 studies =!? 3SdI-1887-447, douze croquis
Georges Seurat: 1884-85, DR120 PC119, Sections du centre et de gauche (la fillette blanc), ow, 15×25, Barnes Merion (iR6;R183,no120;R207,p48+122;M25) =? NY-AAG-1886-133, 12 studies. Former collection of Camille Pissarro.
Georges Seurat: 1884-85, DR127, Rose-Colored Skirt (Study for La Grande Jatte), on wood, 16×25, A2021/05/11 (iR10;iR15;aR5;R183,no127;R207,p122+126) =!? NY-AAG-1886-133, 12 studies =!? 3SdI-1887-447, douze croquis
Georges Seurat: 1885, DR150 PC153, Trois bateaux et un marin (study for l’échouage à Grandcamp),16×24, A2012/06/20 (iR6;iR14;iR11;R183,no150;R207,p122) =? NY-AAG-1886-133, 12 studies
Georges Seurat: 1885, DR152, Study for Le Bec du Hoc, Grandcamp, 16×25, NGA Canberra (iR6;iR8;R183,no152;R207,p123+127;M120) =!? NY-AAG-1886-133, 12 studies =!? 3SdI-1887-447, douze croquis
Georges Seurat: 1888, DR179 dH-184, Les Poseuses (small version), 39×49, private or NG London (iR6;R3,p301;R183,no179) =8SdI-1892-1083 =Armory-show-1913-455 =Copenhagen-1914-192
Georges Seurat: 1884-85, DR138 dH142, A Sunday Afternoon at l’Ile de la Grande Jatte (final tudy), 71×104, Metropolitan (iR2;R207,p123;R3,p259;R183,no138;R229;M23) =? NY-AAG-1886-hc =8SdI-1892-1088 =RB1900-16 =? 21SdI-1905-5 =New York-1921-113
Georges Seurat: 8IE-1886-180, Les pêcheurs =1883, DR80, Fishermen (study for la Grande Jatte), 16×25, MAM Troyes (iR2;iR6;iR23;R2,p446;R183,no80) =8SdI-1892-1108
Georges Seurat: 1883-84, DR88 dH84, (White and black) horses in the river, on wood, 15×25, Courtauld London (iR6;R3,p254;R183,no88;M60) =RB1900-6
Georges Seurat: 1882ca, DR22, Le tas de pierres, 34×42, private (iR6;R183,no22) former Signac collection =RB1900-9
Georges Seurat: 1882-83ca, DR59, Dans la rue, 16×25, WRM Cologne (iR6;R183,no59;M55) =RB1900-19
Georges Seurat: 1883, DR72, Summer Landscape, 16×25, NGA Washington (iR6;R183,no72;M21) =RB1900-21
Georges Seurat: 1885, DR147, L’échouage à Grandcamp, on wood, 16×25, Axx (iR6;iR13;R183,no147) =21SdI-1905-14
Georges Seurat: 1885, DR142, (Étude) Le mouillage à Grandcamp (The anchorage), on wood, 16×25, A2018/03/23 (iR11;iR6;iR2;R229,p1584;R183,no142) =21SdI-1905-15
1884ca, DR103, The Bridge at Bineau, 15×24, Nm Sweden (iR6;R183,no103;M91) =21SdI-1905-16
Georges Seurat: 1885, DR156, Fort Samson in Grandcamp (study), 15×24, private (iR6;R183,no156;R207,p47;R229,p1584) =? 21SdI-1905-24, Étude: Grandcamp (1885). Former Signac collection.
Georges Seurat: 1890, DR202, Gravelines, an evening, study, on wood, 16×25, MA Saint-Tropez (iR6;R183,no202;M219) =21SdI-1905-25
Georges Seurat: 1890, DR204 PC208, The Channel at Gravelines, Petit-Fort-Philippe, 16×25, NAMA Kansas (iR6;R183,no204;M42) =21SdI-1905-43
Georges Seurat: 1884-85, DR123, The White Dog (study for La Grande Jatte), 20×30, Rc Luzern (iR6;R183,no123) =21-SdI-1905-44
Sources:
My main sources are the suggestions given by Berger (R207,p122-130), the suggestions given by Dorra & Rewald (=DR=R183) and information found on the websites of Musea and of auction houses. See for the used sources at the bottom of the main page on Georges Seurat. See the links for an explanation of the subscriptions and for an account.
