Berthe Morisot almost yearly exhibited at the Salon: On this page you will find an impression of the pictures that Berthe Morisot submitted to the Paris Salon from 1864 – 1873, where she exhibited almost yearly. In 1869 Berthe Morisot didn’t submit (R5,p55). So it seems as if she was never rejected at the Salon. It is unclear what motivated her to join the ‘impressionist’ expositions in 1874. The paintings that she exhibited at the Salon had a lively brushstroke and were rather colourful. Note: If you double click on the first picture and then click on full screen, you can create a slideshow. Enjoy!
Berthe Morisot, S1864-1394, Souvenirs des bords de L’Oise. Probably: 1863, CR5, Remembrance of the Oise Edges, 33×46, private (iR2;iR1;R100,p23)
Berthe Morisot, S1864-1395, Vieux chemin à Auvers =1863, CR6, Vieux chemin à Auvers, 46×32, A2013/11/07 (iR11;iR2;iR1;R100,p23;R42,p13)
Berthe Morisot, S1865-1552, Nature Morte =1864, CR7, Chaudron, 55×46, xx (R100,p23;iR1). Compare: Bonvin, 1879, Nature morte au chaudron (iR10;iR15)
Berthe Morisot, S1866-1411, Bermondière, Orne =1865, CR9, (le chateau de) la Brémondière, xx, disappeared (iR10;iR1;R100,p23) Compare old photo of Le Château de la Bermondière (iR10).
Berthe Morisot, S1866-1412, Chaumière de Normandie =1865, CR10, Thatched Cottage in Normandy, 46×55, private (iR2;iR6;iR1;R100,p23;R42,p6)
Berthe Morisot, S1867-1100, Vue prise en aval du pont d’Iéna =1866, CR11, The Seine below the Pont d’Lena, 51×73, private (iR2;iR6;iR1;R100,p23)
Berthe Morisot, S1868-1819, Ros-Bras (Finistère) =1866, CR12, Rivière de Pont-Aven à Rosbras, 55×73, A2006/05/04 (iR2;iR13;iR6;iR1;R100,p23)
Berthe Morisot: S1870-2039, Portrait de Mmes =1869-70, CR20, Mother and Sister of the Artist (the reading) 101×82, NGA Washington (iR2;iR8;iR1;R3,p88;R100,p24). Note: this work was incorrectly suggested for 1IE-1874-105, La Lecture (R2,p121;R87,p245).
Berthe Morisot: S1870-2040, Jeune femme à sa fenêtre =1869, CR18, Edma Pontillon at a window, 55×46, NGA Washington (M21;iR2;iR6;iR1;R42,p7;R398,no8;R100,p24+no18;R186,no18;R88II,p451) Provenance: Edma Pontillon. Compare: HD1875/03/24-22, Intérieur (56×47) -> Hoschedé (480fr).
Berthe Morisot: 1871, CR419, Portrait of Madame Edma Pontillon, pastel, 81×65, Orsay (iR10;iR92;iR2;iR1;R90I,p32;R42,p17;R3,p88;R90II,p26+11;R100,no419;M1) =!? S1872-1142, Portrait de Mlle E. P…; pastel; =1IE-1874-112+hc, Torso of a woman (pastel)
Berthe Morisot: 1872, Sbl, CR422, Blanche Pontillon as a baby (born 1871), pastel, 33×25, xx (iR157;iR10;iR169;iR6;iR1;iR40;R100,p51+no422;R88II,p452) Expos: =? S1873-1090, Blanche; pastel. Compare: HD1875/03/24-26, Blanche (pastel) (61×51) -> Thomas (255fr).
Clarification: Sometimes the identification of a painting is ‘uncertain’, see. Sometimes to ‘compare’ another picture is given that is (probably) similar to the painting that was exhibited and even a photograph of the location she did paint. For explanation of the subscriptions, see. See here for an account (references, translations, info, discussion, locations on Google-maps). For info on the sources see at the bottom of the main page about Morisot.
Recommanded citation: “Impressionism: Berthe Morisot, an impression of her paintings submitted to the Salon. Last modified 2024/11/25. https://www.impressionism.nl/morisot-salon/.”
