almost finished

Camille Pissarro (1830-1903)

Account

 

Introduction:

On this page you will find an account of the paintings that Camille Pissarro exhibited at the 8 ‘impressionist’ expositions and at the Salon. There will be references to the Catalogue Raisonné of 1939 (=R126) and the Critical Catalogue of Paintings of 2005 (=R116). For the correspondance between these numbers see R116,III,p953-5.

 

The first ‘impressionist’ exposition 1874:

• catalogue numbers 136-140
• in total Pissarro (Camille) exhibited 5 works, all oil paintings
  • 2x indication of place
  • 2x indication of time, season or weather
  • 0x a study
  • 0x loans (appartient à…).
• See for the suggestions of Moffett (R2,p122); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR.
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP.
• See link for the pictures.

1874 catalogue: (R2,p122; iR1)

1874-136        Le Verger
Moffett suggests with a perhaps CR153 (R2,p137) = CCP248. The CCP suggests no.294, because and Leroy and Castagnary refer to cabbages (choux) (R116,CCP294;R2,p137). Leroy mentioning ‘les Choux’  suggests this was the title of the work exhibited (R87,p260), which could suggests a work exhibited outside the catalogue. But Castagnary explicitly refers to the title ‘les terres maraîchères (le Verger)’ which means ‘market garden land (the orchard)’ (R87,p265). (Leroy more often made his own title, see ‘champs labouré’ for ‘Gelée blanche’; R87,p259). So maybe ‘le verger’ wasn’t such a good title, more referring to fruit trees. It’s probably because of the title that Moffett suggested CR153=CCP248. Now: 1873, CCP294, The Cabbage Field, Pontoise, 60×80, MTB Madrid (iR2,R116).

1874-137        Gelée blanche
Moffett suggests CR203 (R2,p138) = CCP285. The CCP also suggests no.285. Now: 1873, CCP285, hoarfrost at Ennery, 65×93, Orsay (iR2;iR59;R2,p138;R116). Castagnary (1874/04/29) marks the ‘trees that are placed outside the frame’ and also writes: ‘His synthesising gaze embraces the whole at a glance.’ (R116II,p226;R2,p138). The painting depicts the old road to Ennery (R2,p138). This work was bought by Fauré 1874/10/02 R116II,p226;R2,p138).

1874-138        Les Châtaigners à Osny
Moffett suggests CR236 (R2,p139) = CCP313. The CCP also suggests no.313. Now: 1873ca, CCP313, Chestnut Trees at Osny, 65×81,private, (iR2;iR59;R2,p139;R116). Also exhibited as no. 64 in 1883 at the solo exhibition organised by Durand-Ruel (R116II,p247).

1874-139        Jardin de la ville de Pontoise
Moffett suggests with a perhaps CR257 in a private collection in Honolulu (R2,p122) = CCP347. The CCP suggests no.309. I follow the suggestion of the CCP. Now: 1873, CCP309, The Municipal Garden, Pontoise, 60×73, Hermitage (iR2;iR59;R116). Pissarro lived close by at 16, rue Malebranche (now: 18, rue Revert). Maybe the suggestion of Moffett was painted after the 1st ‘impressionist’ exposition. 

1874-140        Une Matinée du mois de juin
Moffett suggests CR224 in the Staatliche Kunsthalle in Karlsruhe (R2,p122) = CCP312. The CCP also suggests no.312. Now: 1873, CCP312, Morning in June, Saint-Ouen-l’Aumône, 55×91, SKh Karlsruhe, (iR2;iR59;R116). It was also exhibited in 1877 in Pau (no.358) (R116I,p362). André Gorse then wrote: ‘Seldom have I seen s deeper, more harmonious sky… it has a naïve simplicity’. The painting depicts the only remaining corner tower of the former 13th century abbey and later estate of Maubuisson at Saint-Ouen-l’Aumône. (R116II,p246).

 

The second ‘impressionist’ exposition 1876:

• catalogue numbers 197-208
• in total  Pissarro exhibited 12 works, all oil paintings
  • 8x indication of place 
  • 5x indication of time, season or weather
  • 0x a study
  • 1x loan (appartient à…): no.199 à M. Chocquet
• See for the suggestions of Moffett (R2,p164); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR.
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP.
• See link for the pictures.

1876 catalogue: (R2,p164; iR1)

1876-197        Printemps, soleil couchant
Moffett suggests with a perhaps CR336 = CCP437, now: 1876, CCP437, Sunset effect, L’Hermitage, Pontoise, 46×55, private (iR10;iR48;R116). The CCP doesn’t give a suggestion.

1876-198        Un étang à Montfoucault (Mayenne)
Moffett suggests with a perhaps CR268 in a private collection in Switzerland (R2,p183) = CCP371, now: 1874, CCP371, The Pond at sunset,  Montfoucault, 54×66, private Switzerland (iR59;iR2;R2,p183;R116). The CCP doesn’t give a suggestion.

1876-199        Gelée blanche avec Brouillard ; appartient à M. Choquet (sic)
Moffett suggests CR246 = CCP331. The CCP suggests no.331. Now: 1874, CCP331, Brouillard (Fog), 54×65, private (iR10;iR94;R116) Chocquet collection. 

1876-200        Neige, coteaux de l’Hermitage (Pontoise)
Moffett suggests CR238 in a private collection (R2,p156) = CCP327. The CCP also suggests no.327. Now: 1874, CCP327, Effect of snow at the L’Hermitage, Pontoise, 55×66, private, (iR2;iR59;R2,p156;R116). 

1876-201        Fermes à Montfoucault
Moffett suggests CR274 in Musée d’Art et d’Histoire in Geneva = CCP377. The CCP also suggests no.337. Now: 1874, CCP377, Farm at Montfoucault, 60×74, MAH Geneva, (iR2;iR59;R116). 

1876-202        Les coteaux du Choux
Eng.: les coteaux means the hillside. Choux can refer to Chou a Hamlet close to Pontoise, but also means cabbages, see also 1874-136. Moffett suggests with a perhaps CR370 in the Metropolitan = CCP474, but this work never has been in the Metropolitan and it doesn’t depict the ‘sente du Chou’. Maybe Moffett refers to: 1874, CCP354=CR260, Woman herking a cow, View of the Côte du Valhermeil, Auvers-sur-Oise, 55×92, Metropolitan (iR2;iR59;R116). This work was known as a landscape on the road to Chou, which seems to be incorrect. The CCP doesn’t give a suggestion. The CCP writes that Gène-Mur minutely described this picture in La Correspondance française (1876/04/16) in a review titled ‘revue artistique: les impressionnistes’. I haven’t found this review yet. When Chou refers to the Hamlet CCP 290 is an option. When it refers to cabbages CCP301 can be an option. 

1876-203        Le berger
Moffett suggests with a perhaps CR366 = CCP426. The CCP suggests also no.426. Now: 1875-6, CCP426, The shepherd at Montfoucault, sunset, 58×72, A1993/11/29 (iR10;R116).

1876-204        Effet de neige à Pontoise
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Options are CCP 279, 280, 284, 323, 328.

1876-205        Effet de neige, coteaux d’Osny
Moffett doesn’t give a suggestion. The CCP suggests no.286. 

1876-206        Les jardins de l’Hermitage
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Options are CCP 321, 342, 449 (= also 4IE-1879-182).

1876-207        Paysanne
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Options are CCP 337, 355, 369, 420, 480.

1876-208        Village d’Hermitage
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion. Options are CCP 348, 356, 410, 411, 412. 

 

The third ‘impressionist’  exposition 1877:

• catalogue numbers 163 – 184
• so in total  Pissarro (Camille) exhibited 22 works
  • 18x indication of place
  • 4x indication of time, season or weather
  • 0x a study
  • 8x loans (appartient à…): 3xM. C… (no.163+180+181), probably Caillebotte; 4xM.H… (no.170+171+175+176); 1xM.Ch… (no.172)
• See for the suggestions of Moffett (R2,p206); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR; he also refers to Brettell: a day in the country (=R17).
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP.
• See link for the pictures.

1877 catalogue: (R2,p206; iR1)

1877-163        Côte Saint-Denis à Pontoise, appartient à M.C…
Moffett suggests with a perhaps CR384 in the Musée d’Orsay in Paris, referring to Brettell and part of the Caillebotte bequest (R2,p199) = CCP489. The CCP suggests no.489. Now: 1877, CCP489, Red roofs, côte Saint-Denis, Pontoise, winter effect, 55×66, Orsay (iR2;iR59;R2,p199;R116), Part of the Caillebotte inheritance.

1877-164        Le verger, côte Saint-Denis, à Pontoise
Moffett suggests with a perhaps CR380 in the National Gallery in London, referring to Brettell (R2,p193) = CCP488. The CCP suggests no.488. Now: 1877, CCP488, Côte des Boeufs, Pontoise, 115×88, NG London, (iR2;iR59;R2,p193;R116).

1877-165        Sous-bois, côte Saint-Denis, à Pontoise
Moffett suggests CR371 in a private collection in Paris = CCP451. This work doesn’t depict a hillside more just a forest. The CCP suggests no.490.

1877-166        Jardin des Mathurins, à Pontoise
Moffett suggests CR349 in the Nelson-Atkins Museum of Art in Kansas City (R2,p231) = CCP448. The CCP suggests no.448. Now: 1876, CCP448, Garden at Les Mathurins, 113×165, NAMA Kansas City, (iR59;iR2;R2,p231;R116). The garden belonged to the Deraismes Sisters. Part of the De Bellio collection. 

1877-167        Coin du Jardin des Mathurins, à Pontoise
Moffett suggests CR394 or 396, referring to Brettell = CCP503 or 504 . The CCP suggests no.503. Now: 1877, CCP503, In the Garden at Les Mathurins, 165×125, private (iR2;R116). 

1877-168        Sentier près les Mathurins, à Pontoise
Moffett suggests with a perhaps CR310 in the Kunstmuseum in Basel = CCP407. Now: 1875, CCP407, View of the Côte des Gratte-Coqs, Pontoise, 39×56, Km Basel (iR10;R116). On the left is the footpath to what is now Rue Maria-Deraismes, so probably it is close to the (garden or estate) les Mathurins. The CCP doesn’t give a suggestion.

1877-169        Verger de Montbuisson, à Pontoise
Moffett suggests with a perhaps CR342 or 345, referring to Brettell = CCP440 or 442. The CCP suggests no.442, referring also to some sketches (R116,II,p352). Now: 1876, CCP442, The orchard at Maubuisson, Pontoise, 38×46, private (iR10;R116) Part of the Murer collection.

1877-170        Vue de Saint-Ouen-l’Aumône, appartient à M. H…
Moffett suggests CR344 = CCP441. The CCP suggests no.441. Now: 1876, CCP441, Saint-Ouen-L’Aumône viewed from the Côte des Gratte-Coqs, 58×80, Yale New Haven (iR59;R116). Part of the Hoschedé and later the Fauré collection.

1877-171        La plaine d’Épluches (Arc-en-ciel), appartient à M. H…
Moffett suggests CR409 in Rijksmuseum Kröller-Müller in Otterlo (R2,p232) = CCP495. The CCP suggests no.495. Now: 1877, CCP495, The Rainbow, Pontoise, 53×82, KMM Otterlo, (iR2;iR59;R2,p232;R116). Part of the Hoschedé and later the Fauré collection. 

1877-172        Bord de l’Oise en automne, appartient à M. Ch…
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1877-173        Bord de l’Oise, route d’Auvers
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1877-174        Place de l’Hermitage à Pontoise
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1877-175        Grand poirier, à Montbuisson, appartient à M. H…
Moffett suggests CR383, referring to Brettell = CCP493. (This work is not in the catalogue, the reference is unclear; R17). The CCP suggests no.492. Now: 1877, CCP492, Pear Trees in bloom, orchard at Pontoise, 61×72, private (iR10;iR94;R116) Part of the Hoschedé collection.

1877-176        Paysage avec ruine (automne), appartient à M. H…
Moffett doesn’t give a suggestion. The CCP suggests no.335. Now: 1874, CCP335, Fog, Pontoise, 46×56, xx (iR94;iR10;R116) Was part of the Hoschedé collection.

1877-177        Bord de l’Oise, marine
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1877-178        Basse-cour, pluie
Moffett doesn’t give a suggestion. The CCP suggests no.497. Now: 1877, CCP497, The hens, barnyard at the Red house, Pontoise, 33×41, private (iR10;iR94;R116). Note: This painting depicts more sunlight than rain.

1877-179        Vue de l’Hermitage
Moffett suggests with a perhaps CR350 in a private collection in Paris, referring to Brettell = CCP449. The CCP doesn’t give a suggestion.

1877-180        La Moisson, appartient à M. C…
Moffett suggests CR364 in Musée d’Orsay, part of the Caillebotte bequest (R2,p233) = CCP465. The CCP suggests no.465. Now: 1876, CCP465, Harvest at Montfoucault, 65×93, Orsay, (iR2;iR59;R2,p233;R116).

1877-181        Allée sous-bois, à Montfoucault, appartient à M. C…
Moffett suggests with a perhaps CR282 in a private collection in Paris, referring to Brettell = CCP383. The CCP suggests no.383. Now: 1874, CCP383, Landscape with Rocks, Montfoucault, 66×93, A20001109 (iR2;iR14;R116) Caillebotte collection.

1877-182        Un friche, à Montfoucault
Moffett doesn’t give a suggestion. The CCP suggests no.374 with a ? Now: 1874, CCP374, Piette’s Home on Montfoucault, 46×55, private (iR2;R116). Friche means waste land.

1877-183        Paysage
Moffett doesn’t give a suggestion. The CCP suggests no.496 with a ? Now: 1877, CCP496, Gust of wind, Auvers-sur-Oise, 38×46, A19960430 (iR10;iR94;iR15;R116).

1877-184        La plaine, à Pontoise
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

 

The fourth ‘impressionist’ exposition 1879:

• catalogue numbers 167-204
• one work was exhibited outside the catalogue (=hors catalogue=hc)
• in total  Pissarro (Camille) exhibited 39 works;  23x oil paintings, 4x pastel (no.201-4), 12x fans no.189-200;
  • 12x indication of place
  • 17x indication of time, season or weather
  • 1x a study
  • 23x loans (appartient à…): 6x M. M… (no.174+175+176+177+187+203); 3x M. G… (no.178+179+189); 1x Mlle T… (no.180); 7x M.G.C… (no.181+182+183+184+185+186+192); 3x Mlle L… (no.190+191+195); 1x M. Ch… (no.199), 1x Mlle C… (no.200), probably Mary Cassatt; 1x M. C (no.204).
• See for the suggestions of Moffett (R2,p269/270); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR.
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP.
• See link for the pictures.

1879 catalogue: (R2,p270; iR1)

1879-167        Le pont de Pontoise
Moffett suggests CR443 = CCP551. The CCP suggests no.551. Now: 1878, CCP551, Pontoise bridge, 61×73, Yamagata MA (iR10;iR64;R116)

1879-168        Lisière d’un bois
Moffett suggests CR489 in the Cleveland Museum of Art or CR455 in a private collection in Paris (R2,p287) = CCP597 or 564. Now: 1879, CCP597, In the woods at l’Hermitage, Pontoise, 125×163, Cleveland MA, (iR2;iR59;R2,p287;R116) and: 1878, CCP564, Lisière de bois (edge of the wood), 63×83, A20080624 (iR11;R116) Caillebotte collection. Compare: 1879-173. The CCP doesn’t give a suggestion, but suggests this work for 1879-173.

1879-169        Chemin sous bois
Moffett suggests CR416 in Musée d’Orsay (R2,p288) = CCP520. The CCP suggests no.520 with a ?. Now: 1877, CCP520, Path through the woods, Summer, 81×66, Orsay, (iR2;iR59;R2,p288;R116) Caillebotte collection.

1879-170        effet de neige (côté du Palais-Royal)
Moffett doesn’t give a suggestion. The CCP suggests no.394. Now: 1875, CCP394, La Maison Rondest sous la neige, Pontoise, 46×39, private (iR2;R116).

1879-171        Effet de neige et glace (effet de soleil)
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1879-172        Effet de soleil, Boulevard Clichy (esquisse)
Moffett doesn’t give a suggestion. The CCP suggests no.619 or 618 with a ?. 1879, CCP618, The Outer Boulevards, Snow Effect, 54×65, Marmottan (iR2;R116). 

1879-173        Sous-bois en été
Moffett suggests CR489 in the Cleveland Museum of Art or CR455 in a private collection in Paris (R2,p287) = CCP597 or 564. Compare: 1879-168. The CCP suggests no.597.

1879-174        Le verger de Maubuisson ; appartient à M. M…
Moffett suggests CR345 = CCP442. The CCP suggests no.442. Now: 1876, CCP442, The orchard at Maubuisson, Pontoise, 38×46, private (iR10;R116) Murer collection.

1879-175        Château des Mathurins, soleil couchant ; appartient à M. M…
Moffett suggests CR397 = CCP507. The CCP suggests no.507. Now: 1877, CCP507, Les Mathurins, Pontoise, 73×59, A20061109 (iR11) Murer collection.

1879-176        Automne, soleil couchant ; appartient à M. M…
Moffett doesn’t give a suggestion. The CCP suggests no.535. Now: 1877, CCP535, Le vieux chemin en automne, Pontoise, 73×59, private (iR10;iR64;R116). Murer collection. 

1879-177        Les peupliers, matinée d´été ; appartient à M. M…
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1879-178        paysage en février, femme revenant de la Fontaine ; appartient à M. G…
Moffett suggests with a perhaps CR480 in the Ny Carlsberg Glyptotek in Copenhagen = CCP579. The CCP suggests no.579. Now: 1878, CCP579, Landscape with tall trees, 73×54, NCG Copenhagen (iR10;iR94;R116) Gauguin collection.

1879-179        Les meules ; appartient à M. G…
Moffett doesn’t give a suggestion. The CCP suggests no.574. Now: 1878, CCP574, Peasants and haystacks in a field, 54×65, private (iR10;iR94;R116) Gauguin collection. 

1879-180        Le potage ; appartient à Mlle T.
Moffett doesn’t give a suggestion. The CCP suggests no.577 with a ?. Now: 1878, CCP577, Kitchen garden at the Jardin de Maubuisson, Pontoise, 55×46, Tokyo BMA (iR10;R116).

1879-181        L’Hermitage, Vue de ma fenêtre ; appartient à M. G. C…
Moffett doesn’t give a suggestion. The CCP suggests no.489. Now: 1877, CCP489, The red roofs, Côte Saint-Denis, Pontoise, winter effect, 55×66, Orsay (iR2;R116). Gustave Caillebotte collection.

1879-182        Vue de l’Hermitage ;  appartient à M. G.C…
Moffett doesn’t give a suggestion. The CCP suggests no.449. Now: 1876, CCP449, Jardin en fleurs, L’Hermitage, vu depuis la côte Saint-Denis, 39×556, private (iR10;iR94;R116). Gustave Caillebotte collection.

1879-183        Printemps, pruniers en fleurs ;  appartient à M. G.C…
Moffett suggests CR387 in Musée d’Orsay (R2,p247) = CCP494. The CCP suggests no.494. Now: 1877, CCP494, Kitchen Garden de Maubuisson (Trees in Blossom, Spring), 65×81, Orsay, (iR2;iR59;R2,p247;R116). Gustave Caillebotte collection.

1879-184        Petit bois de peupliers en plein été ; appartient à M. G.C…
Moffett doesn’t give a suggestion. The CCP suggests no.564. Now: 1878, CCP564, Lisière de bois (edge of the wood), 63×83, A20080624 (iR11;R116) Caillebotte collection. Moffett suggests this work for 1879-168. 

1879-185        Planteurs de choux ; appartient à M. G.C…
Moffett doesn’t give a suggestion. The CCP suggests no.399. Now: 1875, CCP399, The cabbage harvest, L’Hermitage, 54×65, Cincinnati AM (iR10;iR94;R116). Gustave Caillebotte collection. Note the difference between planting and harvesting in the titles. 

1879-186        Port-Marly ; appartient à M. G.C…
Moffett doesn’t give a suggestion. The CCP suggests no.229. Now: 1872, CCP229, La Seine à Port-Marly, le lavoir, 47×56, Orsay (iR10;iR64) Caillebotte collection. 

1879-187        Petit bois, poules et canards ; appartient à M. M…
Moffett suggests CR441 = CCP578. The CCP suggests no.578. Now: 1878, CCP578, The path to Les Pouilleux, Pontoise, 73×60, private (iR10;iR6;iR64;R116). Murer collection.

1879-188        Côte des Brouettes, temps gris
Moffett suggests CR314 = CCP414. The CCP suggests no.414. Now: 1875, CCP414, Landscape at Pontoise, overcast sky, 54×65, private (iR2;R116). Formerly thought to be the ‘Côte des Grouettes’.

Fans / éventails:

1879-189        L’Hiver, retour de la foire, Éventail ; appartient à M. M.G…
Eng.: Winter, return from the fair, Fan. Moffett suggests CR1626 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-190        L’Hiver, environs de Lower Norwood, Londres, éventail ; appartient à Mlle L…
Moffett suggests a work in the Museum of Fine Arts in Springfield (R2,p249). The CCP doesn’t give a suggestion.

1879-191        Laveuses, Éventail ; appartient à Mlle L…
Moffett suggests with a perhaps CR1617, referring to Gerstein: Degas’s fans, 1982 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-192        Soleil couchant, Éventail, appartient à M. G. C…
Moffett suggests CR1625 in a private collection in Paris, referring to Gerstein: Degas’s fans, 1982 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-193        Meule, semeur, Éventail
Eng.: Millstone, Sower, Fan. Moffett suggests CR1614 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-194        Clair de lune, Éventail
Moffett suggests CR1611 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-195        Vue de Pontoise, Éventail, appartient à Mlle L…
Moffett suggests CR1610 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-196        La grande route, printemps, Éventail
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1879-197        Pommiers en fleurs, Éventail
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1879-198        La toilette du matin, Éventail
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1879-199        L’étang de Montfoucault, Éventail ; appartient à M. Ch…
Moffett suggests CR1609 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-200        Cueillette de petits pois ; Éventail ; appartient à Mlle C…
Moffett suggests Shapiro: Mary Cassatt at home. Boston, 1978, no.66. The CCP doesn’t give a suggestion.

Pastels:

1879-201        Portrait de Mlle E. E… ; (pastel)
Moffett suggests CR1536 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-202        Portrait de Mlle M… ; (pastel)
Moffett suggests CR1537 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-203        Le Pâtissier ; (pastel)
Moffett suggests CR1538 (there is no corresponding CCP number). The CCP doesn’t give a suggestion.

1879-204        Intérieur campagnard (pastel); appartient à M. C…
Eng.: Countryside interior. Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1879-204+hc Saules inondés en hiver
Moffett suggests CR477 (R2,p260) = CCP586. The CCP suggests no.586. Now: 1879, CCP586, Banks of the Oise at Pontoise, effect of snow, 54×65, private (iR6;iR10;R116).

 

The fifth ‘impressionist’ exposition 1880:

• catalogue numbers 128-143.
• Number 139+140+141 contained of 4 engravings and number 142 of 5.
• So in total Pissarro (Camille) exhibited 29 works, including 10 oil paintings, 1 fan and18 engravings.
  • 6x indication of place
  • 4x indication of time, season or weather
  • 0x a study
  • 2x loans (appartient à…): M. Gauguin (no.128); M. Doucet (no.138)
• See for the suggestions of Moffett (R2,p312/3); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR. Moffett refers for the etchings to Delteil: Le peintre-graveur illustré (XIX-siècle). Vol.17. Paris, 1923.
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP. Note: the CCP doesn’t give suggestions for the etchings.
• See link for the pictures.

1880 catalogue: (R2,p312/3; iR1)

1880-128        Le scieur de bois; appartient à M. Gauguin
Moffett suggests CR499 in the Robert Holmes à Court collection in Perth (R2,p329) = CCP610. The CCP suggests no.610. Now: 1879, CCP610, Père Melon Sawing Wood, 89×116, private (iR2;iR59;R2,p329;R116).

1880-129        Jardin
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1880-130        Récolte des petits pois
Moffett suggests CR519 = CCP627. The CCP suggests no.627. Now: 1880, CCP627, Harvesting peas, 60×73, private (iR59;R116).

1880-131        Automne, chemin sous bois
Moffett suggests CR505 (R2,p330) = CCP575. The CCP suggests no.575. Now: 1878, CCP575, (A path) in the woods in Autumn, Pontoise, 81×66, A20010205 (iR2;iR14;R116).

1880-132        Paysage, route d’Ennery
Moffett doesn’t give a suggestion. The CCP suggests no.408. Now: 1875, CCP408, View of the Maison des Mathurins (The Saint-Antoine Road at l’Hermitage), 52×81, Km Basel (iR2;R116).

1880-133        Récureuse de casserole
Moffett suggests CR473 = CCP590. The CCP suggests no.590. Now: 1879, CCP590, Woman Washing a Saucepan, 73×60, private (iR2;R116).

1880-134        Jardin potager
Moffett suggests with a perhaps CR448 or CR451 (Galleria d’Arte Moderna, Florence) or CR496 (Musée d’Orsay) or CR514 = CCP554 or 558 or 607 or 644. The CCP suggests no.607. Now: 1879, CCP607, Vegetable Garden at l’Hermitage, Pontoise, 55×66, Orsay (iR2;R116).

1880-135        Printemps
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1880-136        Gardeuse d’oies (Mayenne) ; peinture sur ciment
Moffett suggests CR525 in the Tate Gallery in London = CCP628. The CCP suggests no.628. Now:

1880-137        paysage d’été
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1880-138        Éventail; appartient à M. Doucet
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

Eaux-fortes :

1880-139        Un cadre :
-Quatre états, du paysage
faisant partie de la première livraison de la publication « le Jour et la Nuit » 
Moffett suggests Delteil 16. 

1880-140        Un cadre :
1880-140-1,2,3 -Trois états, de la foire de la Saint-Martin
Moffett suggests Delteil 21.
1880-140-4 -Un état, pointe sèche, marchande de marrons
Moffett suggests Delteil 15.

1880-141        Un cadre :
1880-141-1 Un état, paysage, route et côteaux près Laroche-Guyon
Moffett suggests Delteil 27 or 5 (per Loyd GBA).
1880-141-2 Un état, effet de pluie
Moffett suggests Delteil 24.
1880-141-3 -Un état, vache et figure
Moffett suggests Delteil 58.
1880-141-4 -Un état, pointe sèche,  côteaux de l’Hermitage, Pontoise
Moffett suggests Delteil 28.

1880-142        Un cadre:
1880-142-1,2,3-trois états, paysage, masure
Eng.: three states, landscape, hovel. Nl.: landschap, krot. Moffett suggests Delteil 20.
1880-142-4,5 -Deux états, paysage, arbres et coteaux
Moffett suggests with a perhaps Delteil 19.

1880-143        Un cadre :
 -Un état, petit bois à l’Hermitage, Pontoise
Moffett suggests with a perhaps Delteil 17.

 

The sixth ‘impressionist’ exposition 1881:

• catalogue numbers 63-90
• in total Pissarro (Camille) exhibited 28 works: 11 oil paintings; 15 gouaches; 2 pastels
  • 13x indication of place
  • 5x indication of time, season or weather
  • 1x a study;
  • 14x loans (appartient à…): M. J.P. (no.63+64); M.P (no.65+66+67); M. Clapisson (no.74); Mlle Cassatt (no.75+77); M. Dreyfus (no. 76);  M. May (no.78); M. Bérard (no.79); M. Ch. Ephrussi (no.80); M. Rouart (no.81); M. Gauguin (no.82)
• See for the suggestions of Moffett (R2,p355); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR.
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP. The CCP doesn’t give suggestions for the gouaches and the pastels.
• See link for the pictures.

1881 catalogue: (R2,p354/5; iR1)

1881-63          La Sente du choux en mars; appartient à M. J.P.
Moffett suggests CR452 in Musée de la Chartreuse, Douai (R2,p347) = CCP542. The CCP suggests no.542. Now: 1878, CCP542, The Path to Le Chou, Pontoise (in March), 57×92 (or57x92), MC Douai, (iR2;iR59;R2,p347;R116).

1881-64          Le clos du choux, le matin; appartient à M. J. P.
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1881-65          La côte des Grouettes, automne; appartient à M. P.
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1881-66          Une cour à l’Hermitage, étude, appartient à M. P.
Moffett doesn’t give a suggestion. The CCP suggests no.634 or 635 with a ?. Now: 1880, CCP634, La cour de la maison Rondest, Pontoise, 35×27, A20101104 (iR10;iR15;iR11;R116). 

1881-67          Paysage d’été avec figures; appartient à M. P.
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1881-68          Chaumières au Val Hermé
The CCP suggests no.632. Now: 1880, CCP632, Rue des Roches at Le Valhermeil, (Thatched Cottages and a Cow), 60×73, private (iR2;R116). Moffett suggests with a perhaps for no. 68 and 69 CR506 in a private collection or CR511 (R2,p367) = CCP639 or 631. Now: 1880, CCP639, La Valhermeil, Auvers-sur-Oise, 54×65, private, (iR2;R2,p367;R116).

1881-69          Chaumières au Val Hermé
The CCP suggests no.631. Now: 1880, CCP631, Cottages at le Valhermeil, Auvers-sur-Oise, 59×73, private (iR59;R116). Moffett suggests with a perhaps for no. 68 and 69 CR506 in a private collection or CR511 (R2,p367) = CCP639 or 631. Now: 1880, CCP639, La Valhermeil, Auvers-sur-Oise, 54×65, private, (iR2;R2,p367;R116).

1881-70          La maison du passeur au Choux
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1881-71          Soleil couchant, la plaine du Choux
Moffett doesn’t give a suggestion. The CCP suggests no.621. Now: 1880, CCP621, Soleil couchant au Valhermeil, Aurvers-sur-Oise, 54×65, A20110208 (iR11;R116).

1881-72          Paysage pris sur le vieux chemin d’Ennery, près Pontoise
Moffett doesn’t give a suggestion. The CCP suggests no.595. Now: 1880, CCP595, View from the road to Ennery, 54×65, Kanagawa PMA (iR10;iR94;R116).

1881-73          Temps gris, automne au Val Hermé
Moffett doesn’t give a suggestion. The CCP suggests no.639 with a ?. Now: 1880, CCP639, La Valhermeil, Auvers-sur-Oise, 54×65, private, (iR2;R2,p367;R116). Note: Moffett had suggested this work as an option for no.68 or 69.

gouaches:

1881-74          La Moisson, gouache ; appartient à M. Clapisson
Eng.: the harvest. Moffett doesn’t give a suggestion.

1881-75          Village de la Mayenne, gouache ; appartient à Mlle Cassatt
Moffett doesn’t give a suggestion.

1881-76          La récolte des pommes de terre, gouache ; appartient à M. Dreyfus
Moffett doesn’t give a suggestion.

1881-77          La récolte des pommes de terre, gouache ; appartient à Mlle Cassatt
Moffett suggests CR1338 (R2,p345) (there is no corresponding CCP number).

1881-78          Fendeur de bois, gouache ; appartient à M. May
Eng.: Wood splitter. Moffett suggests CR1336 (there is no corresponding CCP number).

1881-79          Paysanne bêchant, gouache ; appartient à M. Bérard
Eng.: Peasant woman digging. Moffett suggests with a perhaps CR1349 (there is no corresponding CCP number).

1881-80          La gardeuse de chèvres, gouache ; appartient à M. Ch. Ephrussi
Moffett doesn’t give a suggestion.

1881-81          Une rue à Lower Norwood, environs de Londres, gouache ; appartient à M. Rouart
Moffett doesn’t give a suggestion.

1881-82          Paysage, gouache ; appartient à M. Gauguin
Moffett suggests CR1331 in the Ny Carlsberg Glyptotek in Copenhagen (there is no corresponding CCP number).

1881-83          Enfants dessinant, gouache
Moffett suggests CR1334 (there is no corresponding CCP number).

1881-84          Paysan émondant, gouache
Eng.: Peasant pruning. Nl.: boer aan het snoeien. Moffett suggests CR1340 (there is no corresponding CCP number).

1881-85          Le retour à la ferme, gouache
Moffett suggests CR1350 (there is no corresponding CCP number).

1881-86          La foire de la Saint-Martin à Pontoise, gouache
Moffett suggests CR1618 (there is no corresponding CCP number).

1881-87          Paysages du Val Hermé causant dans la rue, gouache
Eng.:  Landscapes of the Val Hermé; talking in the street. Moffett suggests CR1344 (there is no corresponding CCP number).

1881-88          La ravaudeuse, gouache
Moffett suggests CR1355 or 1356 (R2,p345) (there is no corresponding CCP number).

Pastel:

1881-89          Paysage, pastel
Moffett doesn’t give a suggestion.

1881-90          Boulevard Rochechouart, pastel
Moffett suggests CR1545 (R2,p346) (there is no corresponding CCP number).

 

The 7th ‘impressionist’ exposition 1882:

• catalogue numbers 101-136
• no.123+124 are left out in the catalogue and there were 2 works exhibited outside the catalogue (=hors catalogue = hc). Moffett and the CCP (following Isaacson (1980) change the titles of no.122-4. I stick to the original titles.
• So in total Pissarro exhibited 36 works: 25 oil paintings; 10 gouaches (no.126-135); 1 détrempe (=tempera; soaked wet) (no.136)
  • 4x indication of place
  • 7x indication of time, season or weather
  • 4x a study
  • 0x loans (appartient à…)
• See for the suggestions of Moffett (R2,p395); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR.
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 362 and the numbers of the CCP. The CCP doesn’t give suggestions for the gouaches no.126-135.
• See link for the pictures.

1882 catalogue: (R2,p394; iR1)

1882-101        Causerie, Étude
Moffett suggests CR530 in a private collection in Copenhagen = CCP651. Now: 1881ca, CCP651, Peasant woman chatting, 35×27, private (iR10;iR48;R116). The CCP doesn’t give a suggestion and gives arguments against Moffett his choice and says it is not possible to identify this work exhibited. Still I will give Moffett his suggestion to compare.  

1882-102        Route de Pontoise à Auvers
Moffett doesn’t give a suggestion. The CCP suggests no.645. Now: 1881, CCP645, Côte du Valhermeil, Auvers-sur-Oise, 56×92, IM Jerusalem (iR2;R116).

1882-103        Étude de figure en plein air, temps gris
Moffett suggests CR541 in a private collection in Oslo = CCP654. The CCP suggests no.654. Now: 1881, CCP654, Two young peasant girls chatting under Trees, 81×65, private (iR59;R116).

1882-104        Étude de figure en plein air, effet de soleil
Moffett suggests CR542 in the Toledo Museum of Art (R2,p407) = CCP655. The CCP suggests no.655. Now: 1881, CCP655, Peasant women Resting, 81×65, Toledo MA, (iR2;iR59;R2,p407;R116)

1882-105        Paysage soleil couchant à Pontoise
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1882-106        Jardin potager à l’Hermitage
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1882-107        Laveuse, Étude
Moffett suggests CR513 in the Metropolitan (R2,p408) = CCP640. The CCP suggests no.640. Now: 1880, CCP640, Washerwoman Study (La Mère Larchevêque), 73×59, Metropolitan, (iR2;iR59;R2,p408;R116).

1882-108        Le berger et les laveuses
Moffett suggests CR535 = CCP665. The CCP suggests no.665. Now: 1881, CCP665, Shephard and women washing clothes at Montfoucault, 65×80, KM Giza Egypt (iR10;R116).

1882-109        Effet de neige
Moffett doesn’t give a suggestion. The CCP suggests no.669. Now: 1882, CCP669, Effect of snow with cows at Montfoucault, 46×55, A19990512 (iR13;iR10;iR15;R116).

1882-110        Jeune fille faisant de l’herbe
Moffett suggests CR543 in a private collection in Oslo = CCP657. The CCP suggests no.657. Now: 1881, CCP657, Peasant Woman Gathering Grass, 116×90, private (iR2;R116).

1882-111        Jeune paysanne prenant son café
Moffett suggests CR549 in the Art Institute in Chicago (R2,p409) = CCP662. The CCP suggests no.662. Now: 1881, CCP662, Café au lait (the breakfast), 64×54, AI Chicago, (iR2;iR59;R2,p409;R116).

1882-112        Les sarcleuses
Moffett suggests CR563 with a perhaps = CCP671. The CCP suggests no.671. Now: 1882, CCP671, Peasant women weeding, Pontoise, 63×77, private (iR10;iR94;R116).

1882-113        La moisson
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1882-114        La bergère
Moffett suggests CR540 in Musée d’Orsay (R2,p372) = CCP653. The CCP suggests no.653.

1882-115        Chemin montant
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1882-116        Sentier au bois d’Ennery
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1882-117        Paysanne et enfants revenant des champs
Moffett suggests CR564 = CCP692. The CCP suggests no.649 and argues why the quite similar painting CCP692 was not exhibited. Now: 1881, CCP649, Peasant woman and child returning from the fields, Auvers, 46×55, NG Prague (iR10;iR6;R116).

1882-118        Jeune paysanne au chapeau
Moffett suggests CR548 in the National Gallery of Art in Washington (R2,p410) = CCP661. The CCP suggests no.661. Now 1881, CCP661, young peasant girl wearing a straw hat, 73×60, NGA Washington (iR2;iR59;R2,p410;R116).

1882-119        Paysanne bêchant la terre
Moffett suggests CR573 with a perhaps = CCP677. The CCP suggests no.646. Now: 1881, CCP646, Peasant woman digging (Jardin de Maubuisson), 46×55, private (iR10;iR94;R116).

1882-120        La gardeuse de chèvres
Moffett suggests CR546 = CCP656. The CCP suggests no.656.

1882-121        Vue de la prison de Pontoise
Moffett doesn’t give a suggestion. The CCP suggests no.641. Now: 1881, CCP641, View of the new prison (peasant woman in a field), 40×26, private (iR10;iR64;R116).

1882-122        La conversation
Moffett refers to Isaacson (1980): the crisis of Impressionism and gives this number 123. He suggests CR544 in a private collection in Kobe = CCP658. The CCP probably follows this number and renders CCP no.658. Now: 1881ca, CCP658,  The Conversation, 65×54, NMWA Tokyo (iR2;iR59;R116). Moffett and the CCP render 1882-122 as ‘Sentier sous-bois à l’Hermitage’, see 1882-136+hc1.

(1882-123       left out)
See 1882-122.

(1882-124       left out)
See 1882-136+hc2. 

1882-125        Vue de la nouvelle prison à Pontoise
Moffett suggests CR532 = CCP643. The CCP suggests no.643. Now: 1881, CCP643, View of the new prison, Pontoise, Spring, 60×74, private (iR10;iR64;iR132;R116).

Gouaches:

1882-126        Paysan bêchant de terre, gouache
Moffett suggests CR1349 (there is no corresponding CCP number).

1882-127        Récolte de betteraves, gouache
Eng.: Beet harvest; Nl.: bietenoogst. Moffett doesn’t give a suggestion.

1882-128        Le marché des fossés, gouache
Eng.: The market for ditches; Nl.: de slotenmarkt. Probably ment is: the market on the (Boulevard des) Fossés.  Moffett suggests CR1346 in a private collection in the USA (there is no corresponding CCP number). Maybe: 1882, Potato Market, Boulevard des Fosses, Pontoise, gouache, xx, private (iR2).

1882-129        Paysanne cousant, gouache
Eng.: Peasant woman sewing. Moffett doesn’t give a suggestion.

1882-130        Marché aux légumes, gouache
Eng.: the vegetable market. Moffett doesn’t give a suggestion. As an uncertain suggestion I render: 1883ca, The Market, gouache, xx, A2002/05/08 (iR2;iR11). 

1882-131        Marché à la volaille, gouache
Eng.: Poultry market. Moffett doesn’t give a suggestion. Maybe: 1882, The Poultry Market, Pontois, pastel gouache, 81×65, private (iR2).

1882-132        Les laveuses, gouache
Eng.: washer women. Moffett doesn’t give a suggestion.

1882-133        La récolte des haricots verts, gouache
Eng.: Harvesting green beans. Moffett doesn’t give a suggestion.

1882-134        Paysanne couchée sur l’herbe, gouache
Eng.: Peasant woman lying on the grass. Moffett suggests CR1351 (there is no corresponding CCP number).

1882-135        La gardeuse de chèvres, gouache
Eng.: The (female) goat keeper. Moffett doesn’t give a suggestion.

1882-136        La moisson, détrempe
Eng.: the harvest. Moffett suggests CR1358 (there is no corresponding CCP number). The CCP doesn’t give a suggestion. Maybe: 1882, La moisson, tempera, 67×120, NMWA Tokyo (iR10;iR6;iR59). 

1882-136+hc1 Sentier sous-bois à l’Hermitage
Moffett refers to Isaacson (1980): the crisis of Impressionism and gives this number 122. He doesn’t give a suggestion for an actual work. The CCP also gives it no.122, but doesn’t give a suggestion.

1882-136+hc2 Repos dans les bois
Moffett refers to Isaacson (1980): the crisis of Impressionism and gives this number 124, which is left out in the catalogue. Moffett suggests CR466 = CCP573. The CCP suggests for no.124 CCP no.573.

 

The eight ‘impressionist’ exposition 1886:

• catalogue numbers 93-113.
• no.102 also has a bis
• no. 107 contained of 6 pastels
• no. 110 + 112 + 113 contained of 2 etchings.
• so in total Pissarro exhibited 28 works, including 9 oil paintings (no.95-102bis); 4 gouaches (no.103-6); 7 pastels (no.107+8); 8 etchings (no.109-113)
  • 8x indication of place (3x Bazincourt; 4x Rouen; 1x Osny)
  • 9x indication of time, season or weather
  • 7x a study (all the pastels)
  • 0x loans (appartient à…),
• See for the suggestions of Moffett (R2,p445/6); Moffett refers to the Catalogue Raisonné of Ludovic Pissarro and Lionello Venturi of 1939, referred to as CR. For the etchings Moffett refers to Delteil : Le peintre-graveur illustré (XIXe  siècle). Vol.17. Paris, 1923.
• See for the suggestions of Volume I of the Critical Catalogue of Paintings of Joachim Pissarro & Claire Durand-Ruel Snollaerts of 2005, page 363 and the numbers of the CCP. The CCP only does suggestions for the oil paintings, so nothing for no.103-113.
• See link for the pictures.

1886 catalogue: (R2,p405; iR1)

1886-95                Vue de ma fenêtre par temps gris
Moffett suggests CR721 in the Ashmolean museum in Oxford (R2,p461) = CCP825.The CCP suggests no.825. Now: 1886-88, CCP825, View from My Window, Eragny-sur-Epte, 65×81, Ashmolean Oxford, (iR2;iR59;R2,p461). Pissarro reworked and dated this painting later.

1886-96                Prairies de Bazincourt, le matin
Moffett suggests CR664 = CCP792. The CCP suggests no.792. Now: 1885, CCP792, Prairie à Éragny, pommier en fleur, 54×65, private (iR10;iR94;R116). 

1886-97                Coteaux de Bazincourt, l’après-midi
Moffett suggests CR698 = CCP821. The CCP suggests no.821. Now: 1886, CCP821, View of the Hills at Bazincourt, afternoon, 54×65, private (iR10;iR94;R116).

1886-98                Poiriers en fleurs, matin
Moffett suggests CR697 = CCP823. The CCP suggests no.823.

1886-99                Automne
Moffett doesn’t give a suggestion. The CCP doesn’t give a suggestion.

1886-100             La cueillette de pommes
Moffett suggests CR695 in the Ohara Museum of Art in Kurashiki (R2,p462) =CCP824. The CCP suggests no.824. Now: 1881-6, CCP824, Apple Picking, 125×125, OMA Kurashiki (iR2;iR59;R2,p462;R116).

1886-101             Marais de Bazincourt, en automne
Moffett suggests CR660 = CCP813. The CCP suggests no.813. Now: 1885, CCP813, The marsh at Éragny, 54×65, xx (iR10;iR94;R116). Compare: 1886, CCP820, Printemps à Éragny, 53×65, Memphis MA (iR10;iR94;R116).

1886-102             Plein soleil, paysage aux champs
Moffett doesn’t give a suggestion. The CCP suggests no.830. Now: 1886, CCP830, Peasant women picking herbs, Éragny, 38×46, private (iR13;iR10;R116).

1886-102bis        Mère et enfant
Moffett suggests CR691 in a private collection in Paris = CCP818. The CCP suggests no.818. Now: 1886, CCP818, In the garden, mother and child, 39×32, private (iR10;iR94;R116). 

gouaches:

1886-103             Vaches et paysannes (gouache)
Moffett doesn’t give a suggestion.

1886-104             Paysannes au soleil (gouache)
Moffett doesn’t give a suggestion.

1886-105             Gardeuse d’oies (gouache)
Moffett doesn’t give a suggestion.

1886-106             Éventail, paysannes (gouache)
Moffett suggests with a perhaps CR1630 owned by Joh and Marcia Price in Salt Lake City (R2,p463) (there is no corresponding CCP number).

Pastels:

1886-107             6 Études de paysannes (pastel)
Moffett doesn’t give a suggestion.

1886-108             1 Étude d’enfant (pastel)
Moffett doesn’t give a suggestion.

Etchings: 

1886-109             Récolte de pommes de terre (eau-forte)
Moffett suggests Delteil no.63.

1886-110-1         Rue de l’Epicerie, à Rouen, (eau-forte)
Moffett suggests Delteil no.64.

1886-110-2         Rue Malpalue, à Rouen (eau-forte)
Moffett suggests Delteil no.53.

1886-111             Vaches et paysage (eau-forte)
Moffett suggests Delteil no.59.

1886-112-1         Port de Rouen, effet de pluie (eau-forte)
Moffett suggests Delteil no.44 or 65.

1886-112-2         (et) paysage (eau-forte)
Moffett doesn’t discern 2 works.

1886-113-1         Paysage à Rouen (eau-forte)
Moffett suggests Delteil no.44 or 65.

1886-113-2         paysage à Osny (eau-forte)
Moffett suggests Delteil no.61 or 62.

 

 

Camille Pissarro at the Salon:

My main sources are the Salon database (=iR1) and the Critical Catalogue of Paintings (=CCP=R116). See link for the pictures.
The Salon database indicates that Pissarro was born at Saint-Thomas (Antilles), a Danish colony. (Also called a french colony).
Pissarro was a pupil of A. Melbye and Corot (iR1).
1864: Pissarro lived 57, rue de Vanves, Paris (iR1)
1865: Pissarro lived at La Varenne (iR1)
1866: Pissarro lived rue du Fond-de-l’Ermitage, Pontoise (iR1)
1868: Pissarro lived 108, boulevard Rochechouart, Paris (iR1)
1870: Louveciennes (Seine-et-Oise) (iR1)

Given correspondence addresses:
1865+66: M. Guillemet, 20, Grande-Rue, Paris (Batignolles)
1869: M. Carpentier, 8, boulevard Montmartre, Paris
1870: M. Marin, 52, rue Lafitte, Paris

 

 

S1859-2472 Paysage à Montmorency
Debut of Pissarro at the Salon with a view on Montmorency (near Pontoise) (R6,p40;R3). Almost certainly now: 1858ca, CCP37, Donkey in front of a farm, Montmorency, 22×27, Orsay (R116) (this was not in the CR of 1939). Note: signed as ‘C. Pizarro’. Two critics positively mention the work (R116,I,p111).

SdR1863-468 Paysage
A very uncertain suggestion: 1862, CCP57, donkeys at pasture, 32×75, A2015/11/13 (iR2;iR11;R116) = CR19.

SdR1863-469 Etude
A very uncertain suggestion: 1862, CCP59, white horse and tipcart, 24×33, private (iR2;R116) =CR21.

SdR1863-470 Village
A very uncertain suggestion: 1863, CCP70, village corner, women chatting, 40×52, A2002/11/06 (iR2;iR14;R116) =CR27.

S1864- 1558 Bords de la Marne
Now: 1864, CCP90, Banks of the Marne, 82×108 AGM Glasgow (iR2;R116) (this was not in the CR of 1939) .

S1864- 1559 Route de Cachalas, à La Ruche-Guyon
Probably ment to be: Route de Clachalôze à La Roche-Guyon, see map. Maybe: 1862, CCP55, Promenade sur un chemin (La Roche Guyon), 37×28, private (R116) (this was not in the CR of 1939). Compare: 1865ca, CCP105, Donkey ride at La Roche-Guyon, 37×52, private (iR2;R116) =CR45.

S1865-1723 Chennevières, au bord de la Marne
Now: 1865ca, CCP103, Banks of the Marne at Chennevières, 92×146, SNG Edinburgh (iR2;R116) =CR46.

S1865-1724 Le bord de l’eau
A very uncertain option: 1863-5ca, CCP80, River bank and Barge (at le Roche-Guyon), 10×19 (or 46×72), A2000/06/27 (or MCP Pontoise) (iR112;iR2;iR15;R116) (this was not in the CR of 1939).

S1866- 1564 Bords de la Marne en hiver
Now: 1866, CCP107, banks of the Marne in winter, 92×150, AI Chicago (iR2;R116) =CR47.

S1868-2015 La côte de Jallais
Now: 1867, CCP116, Côte des Jalais, Pontoise, 87×115, Metropolitan = CR55. Compare: 1867ca, CCP120, View of the L’Hermitage, Côte des Gratte-Coqs, 70×100, Unicef Cologne. This view was seen from the Rue de la Côte-du-Jalet (now: Rue Victor-Hugo). Maybe ‘Jallais’ and ‘Jalet’ are the same.

S1868-2016 L’hermitage
Now: 1867ca, CCP115, Le Jardin de Maubuisson, Pontoise (The Gardens of l’Hermitage), 82×100, NGP Prague (iR2;R116) =CR52.

S1869-1950 L’ermitage
An uncertain suggestion: 1867ca, CCP121, The hills at L’Hermitage, Pontoise, 151×206, Guggenheim NY (iR112;iR2;R116) =CR58.

S1870-2290 Automne
Likely: 1870, CCP157, Houses at Bougival (landscape at Louveciennes), 89×116, PGM Los Angeles (iR2;R116) = CR87.

S1870-2291 Paysage
A very uncertain suggestion: 1869ca, CCP136, Louveciennes, the brook at Montbuisson, 46×56, private (iR2;R116) (this was not in the CR of 1939).

Other exhibitions:

Pissarro also exhibited in Toulouse in 1862 (iR1).
And in Carcassonne in 1876 (iR1).