General introduction: Here you will find an impression of the 29+3hc=32 pictures that were shown by Claude Monet at the fourth ‘impressionist’ exposition of 1879 (catalogue numbers 138-166+hc3). Partly it was a retrospective of some older paintings. But most of his paintings he exhibited, he had recently painted in Vétheuil and Lavacourt. Monet had moved to Vétheuil in 1878. Probably during the exhibition two extra pictures of Vétheuil were hung by Caillebotte on behalf of Monet. It is a feast of bright, vibrant colours! Note: If you double click on the first picture and then click on full screen, you can create a slideshow. Enjoy!
Claude Monet, 4IE-1879-155, Un jardin (1867) = CR68, 1867 (or 1866), Jeanne-Marguerite Lecadre in the garden, 80×99, Hermitage (iR51;R22+R127,CR68;R90II,p135;R2,p269;R15,p165;M95,no.6505)
Claude Monet, 4IE-1879-157, Jardin à Sainte-Adresse (1867) = CR95, 1867, Garden at Sainte-Adresse, 98×130, Metropolitan (iR2;R22+R127,CR95;R2,p286;R90II,p135;R14,p159;M23,no.67.241)
Claude Monet, 4IE-1879-140 Marine (1875). Probably: CR73, 1865, The Green Wave, 49×65, Metropolitan (iR2;R2,p265;R90II,p133;R22+R127,no73;M23,no.29.100.111)
Claude Monet, 4IE-1879-163, Étude de Mer. Maybe: CR112, 1868, The Sea at Sainte-Adresse, 60×82, CMA Pittsburgh (iR2;R90II,p136;R2,p269;R22+R127,CR112;M35,no.53.22)
Claude Monet, 4IE-1879-147 Estacade de Trouville, marée basse (1870) = CR154, 1870, Entrance to the Port of Trouville, 54×66, SM Budapest (iR2;R22+R127,CR154;R2,p285;R90II,p134;M142,no.367B)
Claude Monet, 4IE-1879-138, Habitation bourgeoise, à Zaandam (Hollande) = 1871, CR184, The Blue House at Zaandam, 45×61, private (iR2;R2+R127,CR184;R2,p268;R90II,p132)
Claude Monet, 4IE-1879-146, Effet de brouillard, Impression = CR263, 1872-73, Le Havre, Impression, sunrise, 48×63, Paris, Marmottan (iR2;R90II,p134;R2,p269;R22+R127,CR263;M2,no.4014) =1IE-1874-98, Impression, soleil levant.
Claude Monet, 4IE-1879-158 Les Charbonniers (1875) = CR364, 1875, The Coal-Dockers, 55×66, Orsay (iR2;R22+R127,CR364;R2,p269;R90II,p135;M1,RF1993.21)
Claude Monet, 4IE-1879-165, Paysage d’hiver. Probably: 1875, CR356, the train engine in the snow, 59×78, Marmottan (iR59;iR51;R90II,p136;R2,p269;R22+R127,CR356;M2,no4017)
Claude Monet, 4IE-1879-164, Coucher du soleil. Probably: CR362, 1875, Snow Effect, sunset, 53×64, Marmottan (iR51;R90II,p136;R2,p269;R22+R127,CR362;M2,no.4019)
Claude Monet, 4IE-1879-159, effet de neige (1875) à Argenteuil. Maybe?: CR348, 1874, Snow at Argenteuil, 51×65, MFA Boston (iR51;R22+R127,CR348;R2,p269;M22,no.21.1329)
Claude Monet, 4IE-1879-160, La mare, effet de neige =CR350, 1874-75, The Pond, snow effect, 60×81, xx (iR10;iR64;R90II,p136;R2,p269;R22+R127,CR350)
Claude Monet, 4IE-1879-139, Paysage à Courbevoie =CR457, 1878, banks of the Seine at Courbevoie, 50×61, xx (iR10;iR94;R90II,p133;R2,p268;R22+R127,CR457)
Claude Monet, 4IE-1879-153, Bords de la Seine, environs de Paris = CR456, 1878, Île de la Grande Jatte, 54×65, private (iR51;R22+R127,CR456;R90II,p135;R2,p269)
Claude Monet, 4IE-1879-145 La rue Montergeuil, fête du 30 juin = CR469, 1878, The Rue Montorgeuil, 30th of June 1878, 80×50, Orsay (iR2;R22+R127,CR469;R2,p245;R90II,p134;M1,RF1982.71)
Claude Monet, 4IE-1879-154 La rue Saint-Denis, fête du 30 juin = CR470, 1878, The Rue Saint Denis, 30th of June 1878, 76×52, MBA Rouen (iR2;R22+R127,CR470;R2,p245;R90II,p135;M12,no.09.1.34)
Claude Monet, 4IE-1879-142 Fleurs (1869). Maybe: CR139, 1869, still life with flowers and Fruit, 100×81, PGM Malibu (iR2;R22+R127,CR139;R2,p283;R90II,p133;M31,no.83.PA.215)
Claude Monet, 4IE-1879-156, Eglise de Vétheuil = CR474, 1878, The Church at Vetheuil, 65×55, NGS Edinburgh (iR2;R22+R127,CR474;R2,p269;R90II,p135;M63,NG2385)
Claude Monet, 4IE-1879-152 Parc Monceaux. Probably: CR468, 1878, The Parc Monceau, 54×65, private (iR2;R22+R127,CR468;R90II,p134;R2,p269)
Claude Monet, 4IE-1879-144 Effet de neige à Vétheuil = CR506, 1878-79, the church at Vétheuil, winter, 53×71, Orsay (iR2;R22+R127,CR506;R2,p284;R90II,p133;M1,RF3755)
Claude Monet, 4IE-1879-143, Pommiers =CR490, 1878, Apple trees, Vétheuil, 55×60, private (iR10;R90II,p133;R2,p269;R22+R127,CR490)
Claude Monet, 4IE-1879-162 Chemin de halage à Lavacourt = CR496, 1878, Towpath at Lavacourt, 60×74, private (iR2;R22+R127,CR496;R2,p269;R90II,p136)
Claude Monet, 4IE-1879-148, Paysage de Vétheuil. Maybe?: CR526, 1879, Landscape, Vétheuil, 60×73, Orsay (iR51;R2,p269;R22+R127,CR526;M1,RF2639)
Claude Monet, 4IE-1879-151, Vétheuil. Maybe?: CR534, 1879, Vétheuil in Summer, 68×90, AGO Toronto (iRx;R22+R127,CR535;R2,p269;M111,no.1354)
Claude Monet, 4IE-1879-141, Vétheuil, vu de Lavacourt =CR528, 1879, Vétheuil seen from Lavacourt, 60×81, Orsay (iR10;iR94;R90II,p133;R2,p268;R22+R127,CR528;M1,RF1998)
Claude Monet, 4IE-1879-166, Le petit bras à Vétheuil. Maybe: CR481, 1878, Small arm of the Seine at Vétheuil, 50×61, MuMa Le Havre (HW;M15;R90II,p137;R2,p269)
Claude Monet, 4IE-1879-149 Lavacourt. Maybe: CR475, 1878, The Seine at Lavacourt, 56×75, private (iR2;R2,p269;R90II,p134;R22+R127,CR475)
Claude Monet, 4IE-1879-161, Lavacourt, temps gris. Probably: CR476, 1878, Morning fog at Lavacourt, 59×80, xx (iR10;iR64;R90,p136;R2,p269)
Claude Monet, 4IE-1879-150, La Seine à Lavacourt, (soleil couchant). Probably: CR538, 1879, The Banks of the Seine, Lavacourt, 60×81, Frick Pittsburgh (iR10;M38,no.1984_61;R2,p269;R90II,p134;R22+R127,CR538)
Claude Monet, 4IE-1879-150, La Seine à Lavacourt, (soleil couchant). Second option: CR538a, 1879, The Seine at Lavacourt (study), 44×59, A1994/03/25 (iR10;iR64;iR85;iR13;R22,CR538a;R2,p269)
Claude Monet, 4IE-1879-166+hc, Foreground with Dahlias. Maybe: 1877, CR453, Argenteuil, Flowered Riverbank, 54×65, PMA Hakone (iR51;R22+R127,CR453;R90II,p137;R2,p269;M126)
Claude Monet, 4IE-1879-166+hc2, unknown title (Vétheuil, temps gris). Maybe?: CR518, 1879, Vétheuil in the Fog, 60×71, Marmottan (iRx;R22+R127,CR518;R2,p265;M2,no.5024)
Claude Monet, 4IE-1879-166+hc3, unknown title (Vétheuil). Maybe?: CR529, 1879, The Seine at Vetheuil, 54×73, private (iRx;R22+R127,CR529;R2,p265)
Sources:
For an account of my suggestions (with references, info, discussion, locations on Google-maps) see here. My main sources are Moffett (=R2) and Wildenstein (R22). Often the indentification of a painting is ‘uncertain’. Sometimes to ‘compare’ another picture is given that is (probably) similar to the painting that was exhibited. For explanation of the subscriptions, see here. My main sources for the pictures are the-athenaeum.org (=iR2) and art-monet.com (=iR51).
Recommanded citation: “Monet, an impression of his paintings exhibited at the 4th ‘impressionist’ exposition in 1879”. Last modified 2021/04/22. https://www.impressionism.nl/monet-1879-expo/
