Intro: On this page you will an overview of 315 pictures of Claude Monet that are used on this website. The emphasize is on the works shown at the ‘impressionist’ expositions (in 1874, 1876, 1877, 1879 and 1882), at the Salon and at other exhibitions. The works will be shown in a chronological order.
Mostly there will be referred to the second version of the Catalogue Raisonné of Wildenstein of 1996 (=R22); see online version at WPI (=iR182). This has the same numbers as the first version of 1874-91 (=R127) and some additional numbers (5a etc.). You can find the number after the ‘CR’ code. See also the subscriptions of the pictures.
At the bottom of this page you will find some of his pastels and other art-works.
See also the overview given by WikiPedia, divided in 10 periods (iR3).
Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. Enjoy!
Claude Monet: 1858, CR1, View from Rouelles (near Le Havre), 46×65, Marunuma AP (iR112;R22IV,p1016+no1;R51,p17) = Le Havre-1858-380
Claude Monet, S1866-1387 Forêt de Fontainebleau. Now: CR19, 1864, Le pavé de Chailly, 98x130cm, private Switzerland (iR2;iR1;R22,no19). Also: DRNY-1886-183.
Claude Monet: 1864, CR20, spring flowers, 91×116, Cleveland MA (iR51;R22,no20;M27) =? Rouen-1864-hc
Claude Monet, S1865-1524, L’embouchure de la Seine à Honfleur. Now: CR51, 1865, Mouth of the Seine at Honfleur, 90×150, NSM Pasadena (iR51;iR1;R22,no51)
Claude Monet, S1865-1525, La Pointe de la Hève à marée basse. Now: CR52, 1865, The Pointe de la Hève at Low Tide, 90×150, KAM Fort Worth (iR2;iR1;R22,no52)
Claude Monet, 1865, CR53, portrait of a man, Adolphe Monet, 53x45cm, SUNJ New Brunswick (iR135;R22,no53)
Claude Monet: 1865, Sbr, CR55, Farmyard at Chailly, 54×80, private (iR2;R22,no55) Provenance: Brunswick; sale HD1892/03/06-28; Oppenheimer; sale HD1909/03/11-45.
Claude Monet: 1865, Sbl, CR58, Path in the forest, 79×58, private (iRx;R22,no58)
Claude Monet: 1865, Sbr, CR59, Forest of Fontainebleau, 50x65cm, Km Winterthur (iR2;R22,no59;M87)
Claude Monet: 1865, CR60, Fontainebleau, the Bodmer oak, 96×129, Metropolitan (iRx;M23;R22,no60) Provenance: 1872 Durand-Ruel (600fr). Location: Bas-Bréau.
Claude Monet: 1865, Sbr, CR60a, The Bodmer Oak (in Bas-Bréau), 54x40cm, private collection (iR2;R22,no60a)
Claude Monet: 1865-66, compilation CR63, Le dejeurner sur l’herbe, 460×600/640; left: CR63/1, 418×150, Orsay; middle: CR63/2, 248×217, Orsay; right: 1866, CR62, SDbl, study, 130×81, Pushkin (iRx;R5,p35;R22,I,p58-61+no62+63;M1;M96). Intended for the Salon of 1866; painted in Chailly and the studio using several studies; partly destroyed and cut up.
Claude Monet, 1866, CR64, Camille with a small dog, 73x54cm, private (iRx;R22,no64)
Claude Monet: S1866-1386, Camille =1866, CR65, Camille (The woman with a green dress), 231×151, Kh Bremen (iR2;R22,no65;M58) =Le Havre-1868-856 -> médaille d’argent
Claude Monet: S1867-R1 = CR67, 1866, Women in the garden, 256×208, Orsay (iR2;iR1;R22,no67;M1) =1867, Latouche expo. Provenance: Bazille (1867/05; =2.500fr); Edouard Manet (1876); Monet (1876).
Claude Monet, 4IE-1879-155, Un jardin (1867) = CR68, 1867 (or 1866), Jeanne-Marguerite Lecadre in the garden, 80×99, Hermitage (iR51;R22+R127,CR68;R90II,p135;R2,p269;R15,p165;M95,no.6505)
Claude Monet: 4IE-1879-140, Marine (1875), appartient à M. Duret =!? CR73, 1865, The Green Wave, 49×65, Metropolitan (iR2;R2,p265;R90II,p133;R22+R127,no73;M23,no.29.100.111) In 1882 shortly owned by Mary Cassatt.
Claude Monet: 1866, S-/Sbl, CR76, fishing boats (study), 45×55, A2023/05/17 (iR2;iR14;R22+R127,CR76) Provenance: Duranty; sale HD1881/01/28-67 (72fr); Chocquet; sale GP1899/07/01-80. Expos: =? 2IE-1876-165, Bateaux de pêche (etude).
Claude Monet: CR77, 1866, CR77, SDbr, Port of Honfleur, 148×226, destroyed WWII (iR10;iR94;R22,no77) Provenance: 1868/69 Gaudibert; 1874-89ca Faure; 1901 Cassirer; destroyed WWII. Expos: S1867-R2; 1867 Hagerman; Le Havre-1868-854 (-> medaille d’argent); GP1889-4; Berlin-3BS-183. Compare: compilation CR77 +CR77a +CR76.
Claude Monet: CR77a, 1866, Sbr, Boats in the Port of Honfleur, 49×65, A2022/10/20 (iRx;iR15;R22,no77a) Mary Cassatt purchased CR77a for her family.
Claude Monet, 1867, CR83, Quai-du-Louvre, 65×92, Km The Hague (iR51;R22,no83;M71) Probably bought by Latouche in 1867.
Claude Monet: 1867, CR84, The Church of Saint-Germain-l’Auxerrois, 79×98, NG Berlin (iRx;R22,no84;M52) Provenance: Astruc; Durand-Ruel (1872/06); Hoschedé (sale 1878/06/05, 505fr); Faure (1889ca). =London-5SFA-1872-9 =GP1889-2
Claude Monet, S1868-1787 (=CR89=disappeared). Compare: 1867, CR87, The entrance to the port of Honfleur, 50×61, NSM Pasadena (iR7;iR1;R22,no87+89;M43)
Claude Monet: 1867, CR88, SDbr 1870, The jetty at Le Havre in rough weather, 50×61, private (iR6;iR64;R22,no88) Dedicated and given in 1870 to the journalist Lafont.
Claude Monet: S1868-1787, Navires sortant des jetées du Havre =CR89, 1867, Boats coming out of the Port of Le Havre, ?cm, disappeared (R22II,p48;iR7;iR1;R22,CR89+88+87;M43). Compare CR87 +CR88 + caricatures.
Claude Monet, 2IE-1876-151, La plage à Sainte-Adresse = CR92, 1867, The beach at Sainte-Adresse, 75×101, AI Chicago (iR2;R2,p180;R90II,p57;R22+R127,CR92;M20,no.33.439)
Claude Monet: 3IE-1877-110, Marine (Sainte-Adresse) =!? 1867, CR94, A hut at Sainte-Adresse, (the Cabin), 52×62, MAH Geneva (iR2;R22+R127,CR94;R2,p205;R90II,p95;M141,no.1990-45) =Le Havre-1868-852 =LVM-1880-15 =GP-1889-6.
Claude Monet: 4IE-1879-157, Jardin à Sainte-Adresse (1867), appartient à M. Frat = CR95, 1867, Garden at Sainte-Adresse, 98×130, Metropolitan (iR2;R22+R127,CR95;R2,p286;R90II,p135;R14,p159;M23,no.67.241)
Claude Monet: S1868-Refusé =CR109, 1868, La Jetée du Havre (The Jetty at Le Havre), 147×226, private (iRx;R22,no109) =Le Havre-1868-855
Claude Monet, 4IE-1879-163, Étude de Mer. Maybe: CR112, 1868, The Sea at Sainte-Adresse, 60×82, CMA Pittsburgh (iR2;R90II,p136;R2,p269;R22+R127,CR112;M35,no.53.22)
Claude Monet: S1869-R1 = CR126, 1868-69, Fishing Boats at Sea, 96×130, HSM Farmington (iRx;R22,no126;M39) Painted in the presence of Astruc. Wrongly suggested for 1IE-1874-96, Le Havre, Bateaux de pêche sortant du port (R87,p243;R2,p121)
Claude Monet: 1868-69, CR129, The Dinner (Étretat), 52×65, Bührle Zurich (iRx;R22,no129;M85) =? LVM-1880-16. Provenance: Durand-Ruel (1873/02); Depeaux sale BJ1906/05/31
Claude Monet: 1868-69, CR130, An interior after dinner (Étretat), 50×65, NGA Washington (iR6;R22,no130;M21) =? LVM-1880-16. Bought by Durand-Ruel 1873/02.
Claude Monet, 1IE-1874-103, Déjeuner = S1870-R =1868, CR132, The luncheon (The breakfast), 230×150, Städel Frankfurt (iR51;R87,p243;R2,p121;R90II,p24;R22+R127,CR132;R21,no39;M54,no170)
Claude Monet, S1869-R2. Now: 1869, CR133, The Magpie, 89×130, Orsay (iR2;R22,no133;M1)
Claude Monet, 2IE-1876-164, Les bains de la Grenouillère =S1870-R2. Compare: 1869/09, CR134, La Grenouillère, 75×100, Metropolitan (M23,no.29.100.112;iR5;R2,p163;R90II,p59;R22+R127,CR134)
Claude Monet, 2IE-1876-164, Les bains de la Grenouillière =S1870-R2. Compare: CR135, 1869, Bathers at La Grenouillère, 73×92, NG London (iRx;R22+R127,CR136;M61,no6456)
Claude Monet: 2IE-1876-164 = S1870-R2 =!? CR136, 1869/09, La Grenouillère, xx, destroyed WWII (iR10;iR135;R22+R127,CR136)
Claude Monet: 2IE-1876-164 = S1870-R2 =!? CR136, 1869/09, La Grenouillère, xx, destroyed WWII; compare compilation of CR136+134+135 (HW;iR10;iR135;R22+R127,CR136+134+135;M23;M61)
Claude Monet: 4IE-1879-142 Fleurs (1869), appartient à M.R. (=Henri Rouart) =!? CR139, 1869, still life with flowers and Fruit, 100×81, PGM Malibu (iR2;R22+R127,CR139;R2,p283;R90II,p133+294;M31,no.83.PA.215)
Claude Monet: 1869/12, CR145, Sbl, Route, effet d’hiver, soleil couchant (Louveciennes), 43×65, MBA Rouen (iR10;iR94;R22,no145;M12) Provenance: Armand Gautier; 1889 Boussod, Valadon & Cie; 1889/12 Gustave Goupy; sale HD1898/03/30-26; 1898 François Depeaux; sale GP1906/05/31-30; Durand-Ruel. Expos: Prague-FI-1907-24.
Claude Monet: 1869-70, CR148, Road at Louveciennes, Melting Snow, Sunset (Route de Versailles; detail), 40×54, A2017/05/15 (iR15;R22,no148) Provenance: Michel Lévy 1873?; B. Mancini; Boussod & Valadon 1888; =GP1889-8
Claude Monet: 1870, CR149, Infantryguards wandering along the river (at Bougival), 54×65, A1993/11/02 (iR10;iR64;iR15;R22IV,p1016+CR149) Reims-1873, lent by Durand-Ruel
Claude Monet: 4IE-1879-147, Estacade de Trouville, marée basse, appartient à M. Duez = CR154, 1870, Entrance to the Port of Trouville, 54×66, SM Budapest (iR2;R22+R127,CR154;R2,p285;R90II,p134;M142,no.367B) =London-1SFA-1870-36
Claude Monet: 1870, CR157, The Beach at Trouville, 48×74, A2008/06/25 (iR7;iR14;iR4;R22,CR157) =New York-AAG+NAD-1886-278; Provenance: Durand-Ruel (1871/06); Hoschedé (1877/01); sale HD1878/06/05-47; Cassatt family; Durand-Ruel (1883/11/30ca)
Claude Monet: 1871, CR163, Meditation, Mme Monet sitting on a sofa, 48×75, Orsay (iRx;R22IV,p1016+CR163;M1) =South-Kensington-1871-1273, Repose (lent by Durand-Ruel) =Rouen-1872-163 (lent by Durand-Ruel?)
Claude Monet: 1871, CR165, Green Park in London, 34×72, Philadelphia MA (iR51;R22,no165;M28) Provenance: Durand-Ruel (1872/05); Alexander J. Cassatt. =London-5SFA-1872-131
Claude Monet: 1871, CR166, The Thames below Westminster, 47×73, NG London (iR51;iR2;R22,no166;M61) Provenance: Durand-Ruel (1872/11); Hoschedé (sale 1878/06/05 250fr); Faure. =London-6SFA-1873-114 =GP1889-12
Claude Monet: 1871, CR172, The Zaan at Zaandam, 42×73, private (iR4;iRx;R22,CR172) =DR-solo-1883-8; =GP1889-13; provenance: Durand-Ruel (1872/05); HD1873/01/18-45; Daubigny 1873/01; sale 1878/05 (50fr) -> Duret; GP1894/03/19-27; Durand-Ruel; Edmond Decap; HD1901/04/15-17
Claude Monet: 1871, Sbl, CR183, Zaandam, 47×73, Orsay (iR5;iR10;R22+R127,no183;R231-1) Provenance: =!? 1872/09 Durand-Ruel; Goupy; sale HD1898/03/30-23; 1900ca Moreau-Nélaton. Expo: EU-1900-C477, Canal en Hollande, appartient à M. Moreau-Nélaton.
Claude Monet, 4IE-1879-138, Habitation bourgeoise, à Zaandam (Hollande) = 1871, CR184, The Blue House at Zaandam, 45×61, private (iR2;R2+R127,CR184;R2,p268;R90II,p132)
Claude Monet, 1871, CR190, The Dam at Zaandam, Evening, 45×73, private (iR2;R22,no190). Probably bought by Latouche in 1872.
Claude Monet: 1871-72, CR194, Argenteuil, the bridge under repair, 60×81, private (iR6;R22IV,p1016+,no194) Provenance: Millot (1872); Fréret; Durand-Ruel (1882/05); Mary Cassatt (1884/07). =? London-7SFA-1873-130
Claude Monet: 1872, CR198, The Seine at Argenteuil, 50×61, Orsay (iR51;iR7;iR23;R22IV,p1017+CR198;M1) =Saint-Brieuc-1891. Provenance: Durand-Ruel (1872), Clapisson (1882/07), Durand-Ruel (1891)
Claude Monet: 1872, CR200, Sailing boat on the small branch of the Seine at Argenteuil, 51×64, 51×64, A2009/05/05 (iR51;iR14;iR7;R22,no200) Bought by Durand-Ruel 1873/02/28 (?). =London-6SFA-1873-120; =GP1889-30
Claude Monet, 2IE-1876-163, Le printemps = CR201, 1872, Apple trees in blossom, 58×70, ULCC Chicago (iR2;R2,p163;R90II,p58;R22+R127,no201)
Claude Monet: 1872, CR202, SDbr, The garden, 64×81, private (iR51;R22,no202) Provenance: 1872 Durand-Ruel (Lilas en fleurs); 1877/01 Hoschedé; HD1878/06/05-52. Expos: New York-1895-34; Boston-1895-21.
Claude Monet, 3IE-1877-113, Un Jardin. Maybe?: 1872, CR203, Lilacs, grey weather, 48×64, Orsay (iR10;R2,p205;R22+R127,CR203;M1,RF1680)
Claude Monet: 1873, CR204, SDbl, Lilacs in the sun, 50×65, Pushkin (iR10;R2,p205;R22+R127,CR204;M96,no.3311) Provenance: 1873/02 Durand-Ruel. Expos: =?? 3IE-1877-113; =DR1899-3.
Claude Monet: 2IE-1876-165+hc, Springtime = CR205, 1872, The reader (figure en rose), 50×65, WAM Baltimore (iR2;R2,p163;R90II,p59;R90I,p113;R22+R127,CR205;M48,no.37.11) Provenance: !?1872/11/23, Durand-Ruel; 1873/04/28, Ernest Hoschedé; sale HD1878/06/05+06-54; Lussac; 1889ca Mary Cassatt. Expo: GP1889-23.
Claude Monet: 1872, CR206=214, The Stream of Robec (Factories at Déville, near Rouen), 60×65, Orsay (iR51;iR10;iR94;iR5;R22,no206+214;M1) Provenance: Durand-Ruel (1872/11?); Duret (1878/03/28); Personnaz. =London-7SFA-1873-114
Claude Monet: 1872, CR210, The Seine at Rouen, 38×46, NGA Washington (iR2;R22,no210;M21). Provenance: Latouche (1872); Durand-Ruel (1872/04); Hoschedé (1877/01/22); HD1878/06/05-48 -> Dachery; HD1899/05/30.
Claude Monet: 1872, Sbl, CR213, The goods train (Valley of Déville), 48×76, private Japan (iR10;iR94;iR6;iR51;R22IV,p1016+no213) Provenance: 1872/09 Durand-Ruel; 1877/01 Hoschedé; Clapisson; 1892 Durand-Ruel. Expos: =Vienna-EU?-1873; =London-9SFA-1874-119, The railway
Claude Monet: 1872, CR216, Le Mont Riboudet à Rouen au printemps, 56×74, Axx (iR10;iR6;iR13;R22,no216) Provenance: 1873/02 Durand-Ruel; 1876 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet, 1872, CR224, Argenteuil, late afternoon, 60x81cm, private (iR2;R22)
Claude Monet: 2IE-1876-157, La Berge d’Argenteuil =? 1872, CR225, (Le Bassin) The port at Argenteuil, 60×81, Orsay (iR51;R90II,p41;R22+R127,CR225;M1,RF2010)
Claude Monet: 1872, CR227, Boats moored at Le Petit-Gennevilliers, 54×65, FAM San Francisco (iR51;R22+R127,CR227;M30-2,no.1962.23) =?? 2IE-1876-165, Bateaux de pêche (etude).
Claude Monet: 1872ca, CR229, Sbl, Yachts (pleasure boats), 47×65, Orsay (iR10;iR135;R231-1;R22+R127,no229;M1,FR2437) Provenance: 1873/02 Durand-Ruel; 1882/05 Ernest May; sale GP1890/06/04-47 (withdrawn). Expo: EU-1900-C-478, Bateaux de plaisance, appartient à M. Ernest May; Paris-100-1922-120.
Claude Monet: 1872, Sbr, CR233, Regatta at Argenteuil, 48×75, Orsay (iRx;R22,no233;M1) =1894, Caillebotte bequest. Expo: Geneva-1918=103.
Claude Monet: 1872, Sbr, CR239, Argenteuil, the old rue de la Chaussee, 55×73, private (iR2;R22,no239).
Claude Monet: 1872, CR241, Sbr, Festival at Argenteuil, 60×81, private (iR51;R22) Provenance: Rouart; sale MJ1912/12/09-256
Claude Monet: 1872, Sbr, CR247, The Boulevard Héloïse at Argenteuil, 35×59, YUAG New Haven (iR2;R22,no247;M33) Provenance: ?1873/04 Dubourg.
Claude Monet: 1872, CR249, Fog effect, 48×76, private (iR51;R22,no249) =? London-8SFA-1874-137, A misty morning near Paris
Claude Monet: 1873ca, CR260, Sbl, Ships under repair, 71×54, NGS Edinburgh (iR10;iR94;iR6;iR7;iR40;M63;R22,no260) Provenance: HD1875/03/24-17, Navires en réparation (71x54cm) -> bought back for 190fr; Berthe Morisot. Location: Le Havre.
Claude Monet: 1872-73, Sbl, CR262, Sunrise (seascape), 49×60, Getty Los Angeles (iR10;iR166;iR8;iR40;R22,no262;M31) Provenance: sale HD1875/03/24-8, Soleil levant (marine; 50x61cm) -> Rouart (75fr.); sale MJ1912/12/09-252. Expos: =?? 1IE-1874-98, Impression, soleil levant (R1,p339+316); =LE-PI-1904-92; =? Berlin-PC-1905-14.
Claude Monet: 1872, CR263, SDbl, Le Havre, Impression, soleil levant, 48×63, Marmottan (iR2;R87,p243;R2,p92;R90II,p24;R22+R127,CR263;R1,p339;M2,no4014) Expos: =!? 1IE-1874-98, Impression, soleil levant; =4IE-1879-146, Effet de brouillard, Impression.
Claude Monet: 1873, CR264, Le Havre, The harbour, night effect, 60×81, A1988/11/15 (iRx;iR15;R22,no264) =Le Havre-1906-68. Provenance: Charpentier (1876/05 or 1877/01); Durand-Ruel (1897 + 1901-15)
Claude Monet: 1873, CR266, La falaise de Sainte-Adresse, 54×71, private Japan (iR10;iR7;R22,no266;R22IV,p1016) =? London-8SFA-1874-142
Claude Monet: 1873ca, CR269, Sbr, La Seine à Asnières, 55×74, Hermitage (iR6;iR10;iR7;iR40;R22,no269;R88II,p451;M95) Provenance: =? HD1875/03/24-7 -> Manet (325fr); Victor Desfossés; sale 1899/04/26-45.
Claude Monet: 1873, Sbr, CR270, Barges at Asnières, 55×74, A2010/05/05 (iR14;R22,no270) Provenance: 1875/06? Meixmoron de Dombasle; Comte Armand Doria; sale GP1899/05/04-193, Bateaux sur un fleuve (7.000fr) -> Bernheim-Jeune (R455).
Claude Monet, 1IE-1874-95, Coquelicots = CR274, 1873, Poppies at Argenteuil, 50×65, Orsay (iRx;R87,p243;R2,p121;R90II,p24;R22+R127,CR274;M1,RF1676)
Claude Monet: 2IE-1876-152, Le pont de chemin de fer (Argenteuil) =? CR279, 1873, The railway bridge at Argenteuil, 60x99cm, A2008/05/06 (iR2;iR15;R2,p162;R90II57;R22+R127,CR279). Provenance: Faure (1874/06?); sale HD1878/04/29.
Claude Monet: 1873, Sbr, CR284, The artist’s house at Argenteuil, 60x73cm, AI Chicago (iR2;R22,no284;M20) Provenance: Durand-Ruel (alternating with other owners). Expos: DR1883-hc; Boston-1883-11; London-DG-1884.
Claude Monet: 2IE-1876-162, Panneau décoratif = 1873, CR285, Le Déjeuner, (Monet’s garden in Argenteuil), 162×203, Orsay (iRx;R2,p163;R90II,p58;R22+R127,CR285;M1,RF2774) =1894, Caillebotte bequest. Expo: Geneva-1918-105.
Claude Monet: 2IE-1876-159, Les Dahlias =? CR286, 1873, Monet’s Garden at Argenteuil (The Dahlias), 61×83, NGA Washington (iR10;iR6;R22+R127,CR286;M21,no1991.27.1) Provenance: Durand-Ruel (1873/12). Expo: =DR-1899-2; London-Grafton-1905-149.
Claude Monet: 1873, Sbl, CR287, Camille Monet at the window, Argenteuil, 60×50, VMFA Richmond (iR2;R22,no287;M220)
Claude Monet: 1873, SDbl, CR288, The sheltered path (Chemin creux), 54×65, Philadelphia MA (iR51;R22IV,p1018+CR288;M28) Provenance: 1873/12 Durand-Ruel; Expos: =Périgueux-1898; =London-HG-FI-1901-49; =Vienna-Mk-FI-1913-26.
Claude Monet: 1873, Sbr, CR289, Duck pond in autumn, 54×65, private (iR2;R22,no289) Provenance: 1873/12 Durand-Ruel. Expo: DR1883-35; New York-AAG+NAD-1886-135.
Claude Monet: 2IE-1876-148, Le petit bras, Argenteuil =? CR290, 1873, SDbr, Autumn effect at Argenteuil, 55×75, Courtauld London (M60,H.H.19;R22=R127,no290;R90I,p83;R2,p163;R88II,p452;iR40) Provenance: =??? HD1875/03/24-18, Paysage d’automne (55×74) -> Vacquerie (205fr); Oudard; 1882 Durand-Ruel; 1886 Davis, 1901 Durand-Ruel. Expo’s: =? London-EI-1882-1; =DR1883-7 or 50; =London-DD-SdI-1883-16; =? London-DG-ETI-1884-2; =New York-AAG+NAD-1886-282; =New York-ULC-1891-68.
Claude Monet, 2IE-1876-158, Effet d’automne. Probably: 1873, CR291, Autumn on the Seine at Argenteuil, 54×73, HMA Atlanta (M150,no.2000.205;R2,p162;R90II,p57;R22+R127,CR291)
Claude Monet: 1IE-1874-97, Boulevard des Capucines =!? CR292, 1873, Boulevard des Capucines, 61×80, Pushkin (iRx;R22+R127,CR292;R90I,p18;R2,p121;R90II,p24;R87,p163;M96,no3397) Info: painted from the Nadar studio where the 1st ‘impressionist’ exposition was held. Expos: =solo DR1883-31 =GP1889-19.
Claude Monet: 1873-74, CR293, Sbr, Boulevard des Capucines, 59×79, Kansas NAMA (iR51;R87,p243;R2,p130+121;R90II,p24+9;M42) =??? 1IE-1874-97, Boulevard des Capucines
Claude Monet: 1874ca, CR294, Sbl, Bassin du Commerce in the Port of Le Havre, 37×45, MAM Liège (iR6;iR10;iR40;R22,no294;M83) Provenance: =HD1875/03/24-3 ->Henri Rouart (200fr); Eugène Dumont. Expo: Brussels-MRBA-MI-1922-23.
Claude Monet, 3IE-1877-111, Le grand quai au Hâvre (esquisse) = 1872, CR295, The Grand Quai at Le Havre, 61×81, Hermitage (iR51;R22+R127,CR295;R2,p205;r90II,p96;M95,no.3KP523)
Claude Monet, 1IE-1874-96, Le Havre, Bateaux de pêche sortant du port = CR296, 1874, Fishing Boats Leaving the Port of Le Havre, 60×101, Los Angeles CMA (iRx;R2,p121;R90II,p24;R22+R127,CR296;M49)
Claude Monet: 1874, CR297, View of the old outer harbour at Le Havre, 60×102, Philadelphia MA (iR4;iR8;R22,CR297;M28) Provenance: ?1878, G. de Nittis
Claude Monet: 2IE-1876-156, Le Pont d’Argenteuil (app. à M. Faure) = CR311, 1874, SDbr, The bridge at Argenteuil, 60×80, Orsay (iR2;R2,p152;R90II,p57;R22=R127,no311;R231-1;M1,RF1937-41) Provenance: 1874 Faure; 1906 Personnaz. Expos: =3XX-1886-5; =GP1889-M+R-24; =EU-1900-C-490, Argenteuil (à M. Faure); DR1906-9; MJ1912-132.
Claude Monet: 1874, SDbr, CR313, The bridge at Argenteuil, 58×80, NP Munich (iRx;R22=R127,no313;R231-1;M53) Provenance: 1900ca Auguste Pellerin; Expos: EU-1900-C-482, Le Pont d’Argenteuil (appartient à M. Pellerin); Berlin-PC-1910-175; Stuttgart-1913-310.
Claude Monet: 1874, CR317, The Banks of the Seine near the Bridge at Argenteuil, 54×73, private (iRx;R22,no317) Provenance: 1876/02 Caillebotte; HD1927/12/03-33 sale Mme D…
Claude Monet: 1874ca, Sbr, CR318, Railway bridge at Argenteuil, 54×73, Philadelphia MA (iR51;R22,no318M28) Provenance: 1873/12 Durand-Ruel; 1883 Georges Petit; 1887 Johnson.
Claude Monet: 1874ca, Sbr, CR319, The Railway bridge at Argenteuil, 55×72, Orsay (M1;iR2;R22,no319) Provenance: 1875/10 Blémont; 1886 Mme Alphonse Moreau; Moreau-Nélaton.
Claude Monet: 1874, Sbl, CR323, The studio boat, 50×64, KMM Otterlo (iR2;iR51;R22,no323;M72). Provenance: 1876 Dr. de Bellio.
Claude Monet: 1874, Sbl, CR324, Boaters at Argenteuil, 60×81, private (iR2;R22,no324;R460,p144;R31,p205) Provenance: 1875ca Durand-Ruel. Expo: DR1883-12; DR1908-16.
Claude Monet: 3IE-1877-103, La maison du passeur à Argenteuil = CR329 = destroyed ca1950. Compare: 1874, CR325, Le Bassin d’Argenteuil, 55×74, Rhode Island SD (iRx;R22+R127,CR325;M152,no42.219) =11LE-1904-93
Claude Monet: CR327, 1874, SDbr, The Seine near Argenteuil, 55×66, private (iR2;R2,p205;R90II,p77+292;R22+R127,CR327) Provenance: april 1876 Gustave Manet. Expo: =? 3IE-1877-104, Marine, appartient à M. (Gustave) Manet
Claude Monet: 1874ca, Sbl, CR328, Sunset on the Seine, 49×65, MA Philadelphia (iR51;R22,CR328;M28) Provenance: =HD1875/03/24, no.1 (bought back 255fr) or no.13 (bought by Dallot 190fr); 1881ca Durand-Ruel; 1883 Cassatt. Expo: =New York-NAD-1886-300.
Claude Monet, 3IE-1877-103, La maison du passeur à Argenteuil = CR329, 1874, River banks at Argenteuil (The ferryman’s house), 55×65, destroyed 1950ca (R22II,p138=CR329;R2,p329;R90II,p95)
Claude Monet: 1874, SDbl, CR330, The Seine at Argenteuil, 54×65, A1988/11/11 (iR10;iR299;iR14;iR40;R22,no330;R88II,p452) Provenance: =??? HD1875/03/24-9, Bords de la Seine (55×65) -> Chesnau (95fr); Hermann.
Claude Monet: 1874, SDbl, CR340, Regatta at Argenteuil, 59×99, private (iR2;R22,no340)
Claude Monet: 2IE-1876-154, La prairie = CR341, 1874, SDbr, Meadow at Bezons, 57×80, NG Berlin (iR2;R2,p153;R90II,p57;R22=R127,CR341;R435II,p201;M52,no1146/AI1013) Provenance: =? HD1875/03/24-6, Paysage (60x81cm) (bought back 190fr); 1876ca Faure; 1906 Durand-Ruel. Expos: GP1889-22; DR1906-10.
Claude Monet: 1874, CR343, Sbr, Woman seated on a bench (Femme assise sur un banc), 74×50, NG London (M61;iR2;R22) Provenance: 1877? Pascal; sale HD1897/05/29-48; Marczell de Nemes; sale MJ1913/06/18-112; Expo: =Budapest-FI-1910-23.
Claude Monet: 1874, CR346, Sbl, The Promenade at Argenteuil, soleil couchant, 60×81, private (iR51;R22) Provenance: 1891ca Durand-Ruel. Expo: DR1908-12.
Claude Monet, 4IE-1879-159, effet de neige (1875) à Argenteuil. Maybe?: CR348, 1874, Snow at Argenteuil, 51×65, MFA Boston (iR51;R22+R127,CR348;R2,p269;M22,no.21.1329)
Claude Monet: 4IE-1879-160, La mare, effet de neige, appartient à M. Durand Ruel =CR350, 1874-75, Sbl, The pond, snow effect, 60×81, MB Potsdam (iR10;iR64;iR15;iR8;R90II,p136;R2,p269;R22=R127,no350;R88II,p452;M268). Provenance: HD1875/03/24-15, La mare (effet de neige; 60×81) -> Durand-Ruel (250fr); 1893 Henri Vever, sale GP1897/02/01-85.
Claude Monet: 1875, SDbr, CR353, Winter effect at Argenteuil, 59×80, private (iR10;iR64;R22,no353) Provenance: 1875/01 Rouart; MJ1912/12/09-254 (R45,p105+32+++). Expo: =11LE-1904-353
Claude Monet: 4IE-1879-165, Paysage d’hiver, appartient à M. de Bellio =!? 1875, SDbr, CR356, The train engine in the snow, 59×78, Marmottan (iR59;iR51;R90II,p136;R2,p269;R22+R127,CR356;M2,no4017) Provenance: 1876/11 Dr. de Bellio. Expos: DR1883-11; GP1889-26.
Claude Monet: 1875, SDbr, CR357a, Boulevard Saint-Denis, snow effect, 66×81, MFA Boston (iR51;R22,no357a;M22) Expo: Boston-1892-3
Claude Monet: 1875ca, CR359, Sbl, The Boulevard de Pontoise at Argenteuil, snow effect, 60×81, Km Basel (iR51;iR40;R22,no359;R88II,p452;M145) Provenance: =?? HD1875/03/24-11, La neige (Argenteuil; 60×81) -> Durand-Ruel (265fr); 1891ca-98? Durand-Ruel.
Claude Monet: 1875, Sbr, CR361, White frost, 55×73, private (iR2;R22,no361). Provenance: ?1876 De Nittis; Paul Bérard; GP1905/05/08-9.
Claude Monet: 4IE-1879-164, Coucher du soleil, appartient à M. de Bellio =!? CR362, 1875, Sbr, Snow Effect, sunset, 53×64, Marmottan (iR51;R90II,p136;R2,p269;R22+R127,CR362;M2,no.4019). Provenance: Hoschedé; HD1878/06/05-51 (60fr by Petit for Monet); 1878/06/19 Dr. de Bellio (till 1894).
Claude Monet: 4IE-1879-158, Les Charbonniers (1875), appartient à M. Hayem = CR364, 1875ca, Sbr, The Coal-Dockers, 55×66, Orsay (iR2;iR23;R22+R127,CR364;R2,p269;R90II,p135;M1,RF1993.21) Provenance: HD1875/03/24-16, Les Charbonniers (55×65) -> Hecht (255fr); Hayem (1879ca); …; Victor Desfossés (1894), sale DR1899/04/26-47; Durand-Ruel. Expo: =London-Grafton-1905-138. Location: Asnières road bridge with view on the Clichy bridge.
Claude Monet: 3IE-1877-115, Intérieur d’appartement; appartient à M.G.C. = CR365, 1875, SDbl, A corner of the appartement, 80×60, Orsay (iR2;iR40;R22=R127,no365;R2,p228;R90II,p96;M1,RF2776) Provenance: HD1875/03/24-14, un coin d’appartement (81x60cm) -> bought back by Monet for 325fr; 1876 Caillebotte; 1894 bequest -> 1896 Musée du Luxembourg. Expos: =GP-6EIPS-1887-72; =? DR-1899-4;
Claude Monet: 1875, SDbr, CR366, Camille embroidering, 65×55, Barnes Merion (iR2;iR40;R22=R127,no366;R194,p97;M25,no197) Provenance: HD1875/03/24-12, La femme au métier (65×55) -> Debrousse (290fr).
Claude Monet, 2IE-1876-155, Le petit Genevilliers. Maybe?: 1875, CR368, Yachts at Argenteuil, 54×65, Cologne Gallery Abels (iR51;R2,p163;R90II,p58;R22+R127,CR368). Also option for no.160.
Claude Monet: 2IE-1876-160, Les bateaux d’Argenteuil. Option out of two: 1875, CR369, Red boats, Argenteuil, 60×81, FAM Cambridge (iR51;R2,p163;R90II,p58;R22+R127,CR369;M32,no1951.54) Provenance: ?Faure (1875/09), ?Durand-Ruel (1893). Expo: =? GP1889-27
Claude Monet: 2IE-1876-149, La Seine à Argenteuil =!? CR373, 1875, SDbr, The Seine at Argenteuil, 60×80, A2014/06/23 (former FAM San Francisco) (iR2;iR14;R2,p179;R90II,p56;R22+R127,CR373;M30) Provenance: Faure (1875/09); Durand-Ruel (1893/01); Expos: =DR1883-13; =GP1889-28; =DR1899-5; London-GG-1905-126; New York-DR1926-12.
Claude Monet: 1875, CR376, Les coteaux d’Orgemont (Landscape with windmill), 51×66, A1977/10/19 (iR64;iR14;R22IV,p1018+no376) =Mulhouse-1899-249, (lent by Durand-Ruel?) =Le Havre-1906-69 =DR1914-28
Claude Monet: 1875, Sbl, CR377, Poppy field, summertime, 60×81, private (iR51;R22,no377) Provenance: =? Ernest Chesnau; 1881 Durand-Ruel; 1882 Ephrussi; 1882ca Bernstein; 1908 Max Liebermann. Expos: =Berlin-Gurlitt-IP-1883-24 (loan by Bernstein).
Claude Monet, 3IE-1877-90, La prairie. Maybe??: CR378, 1875, Meadow with Poplars near Argenteuil, 55×66, MFA Boston (iRx;R22+R127,CR377;R90II,p75;M22,no.23.505)
Claude Monet: 2IE-1876-161, La promenade = 1875, CR381, The walk (Woman with a parasol), 100×81, NGA Washington (iR2;R2,p181;R90II,p58;R22+R127,CR381;M21,no1983.1.29) Provenance: G. de Bellio (1876/11/17)
Claude Monet: 1875, SDbl, CR382, Camille Monet and a child in the artist’s garden in Argenteuil,
55x65cm, MFA Boston (iR2;R22,no382;M22)
Claude Monet: 2IE-1876-159, Les Dahlias =!? 1875, Sbr, CR383, Young girls in a bed of dahlias, 54×66, NG Prague (iR3;iR8;R2,p163;R90II,p58;R22+R127,CR383;M140,no3196) Provenance: Hoschedé (1877/03?), sale HD1878/06/05-56 (62fr); Chocquet, sale GP1899/07/01-82.
Claude Monet: 1875, SDbr, CR385, Woman with a parasol in the garden in Argenteuil, 75×100, private (iR10;iR64;R22,no385) Provenance: Caillebotte (1876/04); Bongniat.
Claude Monet: 2IE-1876-153, Japonnerie = 1876, SDbl, CR387, Camille Monet in Japanese costume, 232×142, MFA Boston (M22,no.56.147;iR2;R2,p144;R90II,p557;R22+R127,CR387) Provenance: Monet sale HD1876/04/14-37 (2.000fr); M. L. ; sale HD1877/04/19-48; Comte Jean de Rasti; 1918 Paul Rosenberg. Expos: BJ1903-37.
Claude Monet: 2IE-1876-153, Japonnerie = 1875, CR387, Camille Monet in Japanese costume (detail), 232×142, MFA Boston (iR10;iR2;R2,p144;R90II,p557;R22+R127,CR387;M22,no.56.147) Provenance: sale HD1876/04/14-37 (2000fr); sale Jean de Rasti HD1877/04/19-48; Paul Rosenberg; Expo: =BJ1903-37
Claude Monet: 2IE-1876-150, Le chemin d’Epinay, effet de neige. Option 2 of 2: 1875, Sbr, CR388, The lane in epinay, snow effect, 61×100, A2015/05/05 (iR6;iR14;R22+R127,CR388;R2,p163;R90II,p40) Provenance: =? Monet sale HD1876/04/14-38; 1917ca Goiran.
Claude Monet: 2IE-1876-150, Le chemin d’Epinay, effet de neige. Option 1 of 2: 1875, Sbr, CR389, The Lane in Epinay, snow effect, 60×105, AKAG Buffalo (iR51;R2,p162;R90II,p56;R22+R127,CR389;M34,no.19.8). Provenance: =? sale Monet HD1876/04/14-38; Hiltbrunner; 1882/06 Durand-Ruel.
Claude Monet: 1875-76, Sbr, CR390, The studio boat, 72×60, Barnes Merion (iR10;iR6;R22,no390;M25) Provenance: =? HD1876/04/16-39, La Barque (72×56); Hoentschel.
Claude Monet: 3IE-1877-96, Paysage, Le parc Monceau (app. à M. Bellio) = CR398, 1876, The Parc Monceau, Paris, 60×81, Metropolitan (iR2;R22+R127,CR398;R2,p221;R90II,p94;M23,no.59.206) Provenance: G. de Bellio (1876/06/25)
Claude Monet, 3IE-1877-95 Les Tuileries, app. M. Bellio = CR401, 1876, The Tuileries, 54×73, Marmottan (iR2;R22+R127,CR401;R2,p205;R90II,p93;M2,no.4016)
Claude Monet, 3IE-1877-119, Le jardin des Tuilleries = CR402, 1876, The Tuileries garden, 60×80, private (R22+R127,CR402;R2,p205;R90II,p96)
Claude Monet: 3IE-1877-105 Tuileries, esquisse = CR403, 1875-76, The Tuileries (study), 50×74, Orsay (iR2;R22+R127,CR403;R2,p205;R90II,p95;M1,RF2705) Provenance: 1877/05 Caillebotte; 1896 Musée de Luxembourg
Claude Monet: 3IE-1877-94, Prairie, appartient à M. Duret = 1876, CR405, In the Meadow, 60×82, A2009/02/04 (iR51;iR15;R22+R127,CR405;R2,p205;R90II,p93). Provenance: Duret (1877ca); sale: GP1894/03/19-28.
Claude Monet, 1876, CR413, Camille with a green umbrella, 81×60, private (iRx;R22,no413)
Claude Monet: 3IE-1877-101, Les dindons (décoration non terminée), appartient à M. H. = CR416, 1877, Turkeys (at the Château de Rottembourg at Montgeron), 172×175, Orsay (M1,RF1944.18;iR2;R2,p225;R90II,p94;R22+R127,CR416) =GP1889-31; =17LE-1910-147; Provenance: Hoschedé (1 of 4 decorative panels); de Nittis (1878?); Duret (1884); =GP1894/03/13-24; Depeaux (1903ca); =GP1906/06/01-27
Claude Monet: 3IE-1877-93, Les Dahlias, Montgeron, appartient à M H… =? 1876, CR417, The Rose bushes in the Garden at Montgeron, 60×81, MB Potsdam (iR2;iR8;R22+R127,CR417;R90II,p93;R2,p205). Provenance: Hoschedé (1876/12), sale HD1878/06/05-58 (130fr), Faure.
Claude Monet: 3IE-1877-112, Un jardin, appartient à M. H…. =? 1877, CR418, A Corner of the Garden at Montgeron, 172×193, Hermitage (iR51;R2,p205;R22+R127,CR418;M95,no.9152) Commissioned by Hoschedé.
Claude Monet, 3IE-1877-91, La mare à Montgeron. Probably: 1876, CR419, The Pond at Montgeron (study), 60×82, private (iR51;R2,p205;R90II,p93;R22+R127,CR419)
Claude Monet, 3IE-1877-109, Le châlet. Maybe: CR422, 1876, the house at Yerres, 80×61, private (iRx;R22+R127,CR422;R2,p205)
79-164 coucher du soleil,
very uncertain: CR429, 1876, Argenteuil, evening, 50×65, private
Claude Monet: 3IE-1877-108, Effet d’Automne à Montgeron, appartient à M. H… = 1876, CR431, Sous-bois (Wood Lane), 73×54, private (iR51;R22;R90II,p95;R2,p205) Provenance: Hoschedé.
Claude Monet, 3IE-1877-92, Paysage d’automne= CR432, 1876, Wood lane, autumn, 72×60, xx (R22II,p175=CR432;R90II,p93;R2,p205)
Claude Monet, 3IE-1877-92, paysage d’automne. Compare: 1876, CR433, Hunting (La Chasse), 173×140, Hôtel Guénéaud, Paris (iR51;R22+R127,CR433;R90II,p75)
Claude Monet, 3IE-1877-99 portrait d’enfant (app. M. H.) = CR434, 1876-77, Germaine Hoschedé with her doll, 81×60, private (iR51;R22+R127,CR434;R2,p205;R90,p94)
Claude Monet, 3IE-1877-114, Portrait. Probably: 1877, CR436, Camille holding a Posy of Violets, 116×88, private (iR10;iR94;R22+R127,CR435;R2,p205;R90II,p96)
Claude Monet: 3IE-1877-107, La plaine de Gennevilliers = CR437, 1876-77, The plain at Gennevilliers, 50×61, A2017/11/14 (iR2;iR15;R22+R127,CR437;R2,p205;R90II,p95) =Caillebotte bequest, rejected
Claude Monet: 3IE-1877-102, Vue Intérieur de la Gare St-Lazare, à Paris = CR438, 1877, Saint-Lazare station (view of the interior), 75×100, Orsay (iR2;R90I,p169+181;R22+R127,CR438;R2,p227;R90II,p95;M1,RF2775) =NY-AAG+NAD-1886-203. Provenance: 1878 Caillebotte, 1894 bequest
Claude Monet: 3IE-1877-97, Arrivée du train de Normandie, gare St-Lazare, appartient à M. H… =? CR439, 1876, Arrival at Saint-Lazare Station, 82×101, FAM Cambridge (iR2;M32,no.1951.53). Mostly suggested for no.100 (R22,CR439;R2,p222;R90II,p94) Provenance: Ernest Hoschedé.
Claude Monet: CR440, 1877, SDbl, Saint-Lazare station, the Normandy train, 60×80, AI Chicago (iR2;R90I,p130+180;R231-1;M20,no.1933.1158) Provenance: 1877/03 Ernest Hoschedé; 1878 G. de Bellio; 1894 Donop de Monchy; 1899ca Bernheim-Jeune; Paul Rosenberg; 1911 Durand-Ruel. Expos: -? 3IE-1877-100, La gare St-Lazare, arrivée d’un train, app M. H… (note: mostly suggested for no.97, see R22,CR440;R2,p222;R90II,p94;M20) Expos: =6EIPS-1887-hc; =GP1889-M+R-33; =EU-1900-C-484, Le Train de Normandie (appartient à M. Alexandre Bernheim jeune); =LE-1904-PI-98; NYDR1911-8.
Claude Monet: 3IE-1877-117, Intérieur de la gare St-Lazare, à Paris =? CR441, 1877, Saint-Lazare Station, 54×73, NG London (iR2;R90I,p139;R22,CR441;R2,p205;M61,no.6479)
Claude Monet: 3IE-1877-98, Le pont de Rome (Gare St-Lazare) =!? CR442, 1877, Le Pont de l’Europe, Saint-Lazare Station, 64×81, Marmottan (iR2;R22=R127,no442;R2,p224;R90II,p94;R321-1;M2,no.4015) Provenance: 1877/03 de Bellio; 1894 Donop de Monchy. Expos: DR1883-17; GP1889-M+R-34; EU-1900-C-480, Le Pont de l’Europe (appartient à M. Donop de Monchy); PR-XIX-1922-58.
Claude Monet: CR445, 1877, Tracks coming out of Saint-Lazare Station, 60×80, Pola MA Kanagawa (iR2;R22,no445;R90I,p181+164) =? 3IE-1877-119+hc2, La gare Saint-Lazare à l’exterieur
Claude Monet: CR446, 1877, Exterior view of Saint-Lazare Station (the Western Region Goods Sheds), 60×80, A2018/06/20 (iR2;iR15;R22,CR446;R90I,p181+187+164) =? 3IE-1877-119+hc3, La gare Saint-Lazare à l’exterieur.
Claude Monet: CR447, 1877, Exterior View of the Saint-Lazare Station, 64×81, private (iR7;R22,no447) Provenance: 1878/03/10 Gustave Caillebotte; 1896, Martial Caillebotte.
Claude Monet: 3IE-1877-119+hc1, La gare Saint-Lazare à l’exterieur =!? CR448, 1877, Exterior of Saint-Lazare Station (The Signal), 65×82, NLm Hanover (iR2;R90I,p139+187;R90II,p96;R2,p205;R22+R127,CR448;M56,no.PNM941) Provenance: 1878/03/10, Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet: CR449, 1877, The tracks at Batignolles, xx, xx (iR10;iR64;R22,CR449;R90I,p181)
Claude Monet, 4IE-1879-166+hc, Foreground with Dahlias. Maybe: 1877, CR453, Argenteuil, Flowered Riverbank, 54×65, PMA Hakone (iR51;R22+R127,CR453;R90II,p137;R2,p269;M126)
Claude Monet: 4IE-1879-153, Bords de la Seine, environs de Paris, appartient à M. Chabrier = CR456, 1878, Île de la Grande Jatte, 54×65, private (iR51;R22+R127,CR456;R90II,p135;R2,p269) =HD1896/03/26,no.20
Claude Monet, 4IE-1879-139, Paysage à Courbevoie =CR457, 1878, banks of the Seine at Courbevoie, 50×61, xx (iR10;iR94;R90II,p133;R2,p268;R22+R127,CR457)
Claude Monet: 1878, CR464, L’Allée (Der Waldweg), 73×55, private (iR10;iR295;iR7;R22,no464) =? Berlin-Gurlitt-1882 +1883 (loan by Bernstein?)
Claude Monet: 4IE-1879-152, Parc Monceaux, appartient à M. de Bellio =!? CR468, 1878, The Parc Monceau, 54×65, private (iR2;R22+R127,CR468;R90II,p134;R2,p269;R90II,p115+134) Purchased by Georges de Bellio 1878/06/02.
Claude Monet: 4IE-1879-145, La rue Montergeuil, fête du 30 juin, appartient à M. de Bellio = CR469, 1878, The Rue Montorgeuil, 30th of June 1878, 80×50, Orsay (iR2;iR23;R22+R127,CR469;R2,p245;R90II,p134;M1,RF1982.71) Bought by Georges de Bellio 1878/07. Expos: =LVM-1880-6; =GP-1889-38
Claude Monet: 4IE-1879-154, La rue Saint-Denis, fête du 30 juin = CR470, 1878, The Rue Saint Denis, 30th of June 1878, 76×52, MBA Rouen (iR2;iR23;R22+R127,CR470;R2,p245;R90II,p135;M12,no.09.1.34). Provenance: Hoschedé (1878/07), Emanuel Chabrier (1878/08), sale HD1896/03/26-21; Durand-Ruel; François Depeaux (1896), sale GP1906/05/31-31.
Claude Monet, 4IE-1879-156, Eglise de Vétheuil = CR474, 1878, The Church at Vetheuil, 65×55, NGS Edinburgh (iR2;R22+R127,CR474;R2,p269;R90II,p135;M63,NG2385)
Claude Monet, 7IE-1882-65, Église de Vétheuil =1881, CR473, The Church at Vétheuil, 61×81, private (iR6;R22,no473;R90II,p205+220;R2,p395)
Claude Monet, 4IE-1879-149 Lavacourt. Maybe: CR475, 1878, The Seine at Lavacourt, 56×75, private (iR2;R2,p269;R90II,p134;R22+R127,CR475)
Claude Monet, 4IE-1879-161, Lavacourt, temps gris. Probably: CR476, 1878, Morning fog at Lavacourt, 59×80, xx (iR10;iR64;R90,p136;R2,p269)
Claude Monet, 4IE-1879-166, Le petit bras à Vétheuil. Maybe: CR481, 1878, Small arm of the Seine at Vétheuil, 50×61, MuMa Le Havre (HW;M15;R90II,p137;R2,p269)
Claude Monet: 4IE-1879-143, Pommiers; appartient à M.C. =CR490, 1878, Apple trees, Vétheuil, 55×60, private (iR10;R90II,p133;R2,p269;R22+R127,CR490) Provenance: 1879/04ca Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet, 3IE-1877-106, Corbeille de fleurs. Compare: 1878, CR492a, Chrysanthemums, 54×61, private (iR2;R22,CR492a)
Claude Monet, 4IE-1879-162 Chemin de halage à Lavacourt = CR496, 1878, Towpath at Lavacourt, 60×74, private (iR2;R22+R127,CR496;R2,p269;R90II,p136)
Claude Monet: 4IE-1879-144, Effet de neige à Vétheuil; appartient à M.C. = CR506, 1878-79, the church at Vétheuil, winter, 53×71, Orsay (iR2;R22+R127,CR506;R2,p284;R90II,p133;M1,RF3755) Provenance: 1879/01 Caillebotte; 1896 Musée du Luxembourg
Claude Monet, 7IE-1882-68, Vétheuil, effet de neige. Maybe: CR508, 1879, The Road coming into Vetheuil, Snow Effect, 61×82, MFA St. Petersburg, Florida (iR2;R22,no508;R90II,p205)
Claude Monet, 1879, CR510, The Road leading into Vétheuil, Winter, 53×72, Göteborg Km (iR2;R22,no510) cp7IE-1882-68.
Claude Monet: 1879, SDbr, CR511, Lavacourt, sun and snow, 60×81, MGMA Dublin (iR7;iR235;R22IV,p1018+CR511) Provenance: 1881 Durand-Ruel (till 1905); Expos: =London-DG-NEAC-1900-114; London-HG-FI-1901-3; = Montauban-1901.
Claude Monet, 7IE-1882-72, Vétheuil, effet de neige. Maybe?: 1879, CR513, the Seine at Lavacourt, effect of snow, 55×74, private (iR7;R22,no513;R2,p394)
Claude Monet, 4IE-1879-166+hc2, unknown title (Vétheuil, temps gris). Maybe?: CR518, 1879, Vétheuil in the Fog, 60×71, Marmottan (iRx;R22+R127,CR518;R2,p265;M2,no.5024)
Claude Monet: 1879, CR519, Plum trees in blossom, 65×54, Axx (iR10;iR64;iR13;iR7;R22,no519) Provenance: 1880/04 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet: 1879, CR522, Pear trees in blossom, 60×100, private (iR10;iR64;R22,no522) =? Le Havre-1880-330, Le Printemps.
Claude Monet, 4IE-1879-148, Paysage de Vétheuil. Maybe?: CR526, 1879, Landscape, Vétheuil, 60×73, Orsay (iR51;R2,p269;R22+R127,CR526;M1,RF2639)
Claude Monet, 4IE-1879-141, Vétheuil, vu de Lavacourt =CR528, 1879, Vétheuil seen from Lavacourt, 60×81, Orsay (iR10;iR94;R90II,p133;R2,p268;R22+R127,CR528;M1,RF1998)
Claude Monet, 4IE-1879-166+hc3, unknown title (Vétheuil). Maybe?: CR529, 1879, The Seine at Vetheuil, 54×73, private (iRx;R22+R127,CR529;R2,p265)
Claude Monet: CR534, 1879, SDbr, Vétheuil in summer, 68×90, AGO Toronto (iRx;R22=R127,CR535;R2,p269;R231-1;M111,no.1354) Provenance: 1879 or 1880 de Bellio; 1894 Donop de Monchy; 1926ca Paul Rosenberg. Expos: compare: 4IE-1879-151, Vétheuil; =EU-1900-C-479, Vétheuil en été (appartient à M. Donop de Mouchy); =? BJ1903-EI-40.
Claude Monet: 7IE-1882-86, Les coquelicots =? 1879, CR535, The Meadow, 79×98, JAM Omaha (iR10;i64;R22,no535;R2,p395) =? LVM-1880-5 =GP-1889-42 =GP1899/07/01 Chocquet sale
Claude Monet, 4IE-1879-150, La Seine à Lavacourt, (soleil couchant). Probably: CR538, 1879, The Banks of the Seine, Lavacourt, 60×81, Frick Pittsburgh (iR10;M38,no.1984_61;R2,p269;R90II,p134;R22+R127,CR538)
Claude Monet, 4IE-1879-150, La Seine à Lavacourt, (soleil couchant). Second option: CR538a, 1879, The Seine at Lavacourt (study), 44×59, A1994/03/25 (iR10;iR64;iR85;iR13;R22,CR538a;R2,p269)
Claude Monet, 1879, CR543, Camille Monet on her deathbed, 90x68cm, Orsay (iRx;R22,no543;M1)
Claude Monet, 7IE-1882-82, Gibiers, nature morte. Option 2 of 2: CR549, 1879, Pheasants, 68×90, private (iR10;iR94;R22,no549;R90II,p206+223;R2,p395)
Claude Monet, 7IE-1882-82, Gibiers, nature morte. Option 1 of 2: CR550, 1879, Pheasants and Lapwings, 68×90, Minneapolis IA (iR2;iR8;R22,no550;R90II,p206+222;R2,p395+381)
Claude Monet: 1880, CR555, Le givre (frost), 61×100, Orsay (iR10;iR6;R22,no555;M1) Expo: =LVM1880-7 Provenance: 1880 Caillebotte; 1896 Musée du Luxembourg
Claude Monet: 1880, CR560, SDbr, Breakup of ice, grey weather, 68×90, MCG Lisbon (iR10;iRx;R22+R127,no560;R231-1;M103) Provenance: Pellerin; 1900/01 Bernheim-Jeune; 1900 Jules Strauss; sale HD1902/05/03-42; Hoentschel. Expos: EU-1900-C-483, La Débâcle, appartient à M. Jules Strauss; MdL-1904-38; GKn-XIX-1924-29.
Claude Monet: 7IE-1882-58, Les glaçons, appartient à M. Charpentier =SdAF-1880-R. = CR568, 1880, Floating Ice, 97×151, Shelburn M. Vermont (iR2;R22,no568;R90II,p204+219;R2,p395+402;M153). =GP1889-46.
Claude Monet, 7IE-1882-85, Les glaçons. Maybe: CR569, 1880, Breakup of ice, 59×99, SOR Winterthur (iR6;R22,no569;R90II,p206+223;R2,p395;M87)
Claude Monet: 7IE-1882-62, Soleil couchant, sur la Seine, effet d’hivier =CR576, 1880, SDbl, Sunset on the Seine (at Lavacourt), winter effect, 100×152, MPP Paris (iR2;iR51;R22,no576;R90II,p204+219;R2,p395+403;M4)
Claude Monet: SdAF-1880-2681, Lavacourt = CR578, 1880, (The Seine at) Lavacourt, 100×150, Dallas MA (iR2;iR1;R22,no578;M36) =Le Havre-1880-328 =New York AAG+NAD-1886-151 =Pittsburgh-1908-57 =Boston-1913-25 =Durand-Ruel collection (1881-86 + 1895-1938)
Claude Monet: CR582, 1880 Road of La Roche-Guyon, 60×73, MWA Tokyo (iRx;R22,no582;R2,p394;M127) =LVM-1880-4; compare 7IE-1882-75.
Claude Monet, 7IE-1882-89, Sentier dans l’île St-Martin. Maybe?: CR592, 1880, Lane in the Poppy Field, Ile Saint-Martin, 80×60, Metropolitan (iR2;iR51;R22,no592;R2,p395+406;M23)
Claude Monet, 7IE-1882-79, Vétheuil. Maybe: 1880, CR598, The Island of flowers, 65×81, Metropolitan (iR10;iR6;iR59;R22,no598;R90II,p206+222;R2,p395;M23)
Claude Monet, 7IE-1882-59, entrée du petit bras de la Seine à Vétheuil. Now: CR601, 1880, The Small Arm of the Seine at Vétheuil, 69×100, private (iR2;R22,no601;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-79, Vétheuil. Maybe?: CR605, 1880, Vétheuil in summer, 60×100, Metropolitan (iR2;R22,no605;R90II,p206;R2,p395)
Claude Monet: 7IE-1882-91, Les saules, appartient à M. Cahuzac. Option 1 of 2: CR611, 1880, The willows, 66×82, CGA Washington (iR2;iR51;R22,no611;R90II,p207+224;R2,p395;M21)
Claude Monet, 7IE-1882-91, Les saules. Option 2 of 2: CR612, 1880, The willows at Vétheuil, 60×74, private (iR10;iR64;R22,no612;R90II,p207;R2,p395)
Claude Monet, 7IE-1882-73, Falaises des petites dalles. Option 1 of 2: CR621, 1880, The Cliffs of Les Petites-Dalles, 59×75, MFA Boston (iR51;iR2;R22,no621;R90II,p205+221;R2,p395+384)
Claude Monet: 7IE-1882-78, Bouquet de soleils. Now: CR628, 1881, SDtr, Bouquet of Sunflowers, 101×82, Metropolitan (iR51;R22,no628;R90II,p206+222;R2,p395+405;M23) Provenance: 1881/10 Durand-Ruel; Expos: =DR1883-14; =3XX-1886-7; =NY-NAD-1886-293.
Claude Monet: 7IE-1882-57, Fleurs de topinambour, appartient à M. Cahuzac = CR629, 1880, Jerusalem Artichoke Flowers, 100×73, NGA Washington (iR2;iR51;R22,no629;R90II,p204+219;R2,p395+401;M21)
Claude Monet: CR634, 1882, SDbl, Chrysanthemums, 100×81, Metropolitan (iR2;R22,no634;M23) Provenance: 1882/12 Durand-Ruel. Expos: =DR1883-18; =3XX-1886-6; =New York-NAD-1886-294. Compare: 7IE-1882-69, Chrysanthèmes, appartient à M. C. (=Gustave Caillebotte).
Claude Monet: 7IE-1882-69, Chrysanthèmes; appartient à M. C. =1880, CR635, Red Chrysanthemums, 82×65, private (iR10;iR94;R22,no635;R90II,p205+220;R2,p395) Provenance: ca1882 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet, 7IE-1882-71, Inondation =1881, CR642, The flood, 60×100, Rau Zurich (iR10;iR64;R22,no642;R90II,p205+221;R2,p395)
Claude Monet, 7IE-1882-75, Château de la Roche-Guyon. Now: CR643, 1881, The chateau of La Roche-Guyon, 60×80, private (R22.no75;R90II,p206+221;R2,p395)
Claude Monet, 7IE-1882-64, Bateau échoué. Option: 1881, CR644, Boat lying at Low Tide (at Fécamp), 80×60, Tokyo FAM (iR2;iR8;R22,no644;R2,p394)
Claude Monet, 7IE-1882-64, Bateau échoué. Now: CR645, 1881, Boats Lying at Low Tide at Fecamp, 80×66, private (iRx;R22,no645;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-76, Étude de mer vue des hauteurs. Maybe?: CR647, 1881, Seascape near Fécamp, 60×81, private (iR2;R22,no647;R2,p394)
Claude Monet, 7IE-1882-67, La mer du haut des falaises. Now: CR648, 1881, The Sea seen from the Cliffs, 60×75, private (iR2;iR51;R22,no648;R90II,p205+220;R2,p395+385)
Claude Monet, 7IE-1882-76, Etude de mer vue des hauteurs =1881, CR649, sea study seen from the cliffs, 60×81, private (iR10;iR135;R22,no649;R90II,p206+221;R2,p395)
Claude Monet, 7IE-1882-66. Marée basse, vue prise sur les falaises. Probably: CR650, Calm Weather, Fécamp, 60×74, Km Basel (iR2;iR51;R22,no650;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-83, Le matin au bord de la mer. Now: CR651, 1881, Morning by the Sea, 61×81, private (iR51;iR2;R22,no651;R90II,p206+223;R2,p395)
Claude Monet: 7IE-1882-77, À Grainval, près de Fécamps. Now: CR653, 1881, SDbr, At Grainval near Fécamps, 61×80, private (iR51;iR2;R22,no653;R90II,p206+222;R2,p395+404) Provenance: 1881/04 Durand-Ruel. Expos: =4EIP-1885-74; =3XX-1886-8; =NY-NAD-1886-297.
Claude Monet, 7IE-1882-61, sur falaise à Grainval. Perhaps: CR655, 1881, View Taken from Grainval, 61×81, private (iR2;iR51;R22,no655;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-87, du haut des falaises à Fécamp. Perhaps: CR656, 1881, The Cliff at Fécamp, 64×80, Aberdeen AGM (iR51;iR2;R22,no656;R2,p394)
Claude Monet, 7IE-1882-73, Falaises des petites dalles. Option 2 of 2: CR665, 1880, Cliffs of Les Petites-Dalles, 60×81, unknown (iR10;iR94;R22,no665;R90II,p205+221;R2,p395)
Claude Monet: 1881, CR674, The Seine between Vétheuil and La Roche-Guyon (iR10;iR94;R22,no674) =1896 Caillebotte bequest, rejected
Claude Monet, 7IE-1882-88, Sentier dans les blés =!? CR676, 1881, Field of Corn, 66×82, MB Potsdam (former Cleveland MA) (iR2;iR51;iR59;R22,no676;R90II,p207+223;R2,p395;M27) =?? NY-AAG-1886-158, A wheat field.
Claude Monet, 7IE-1882-86, Les coquelicots. Probably: CR677, 1881, Poppy Field, 58×79, MBB Rotterdam (iR2;iR51;iR8;R22,no677;R90II,p206+223;R2,p395)
Claude Monet, 7IE-1882-89, Sentier dans l’Île St. Martin Probably: 1881, CR678, Lane in Ile Saint-Martin, 73×60, Philadelphia MA (iR51;iR6;iR64;R22,no678;R90II,p207+224;R2,p395;M28)
Claude Monet, 7IE-1882-90, Paysage d’été, île St-Martin. Perhaps: CR679, 1881, landscape in Ile Saint-Martin, 73x60cm, private (iR51;iR2;R22,no679;R90II,p207+224;R2,p395)
Claude Monet, 7IE-1882-63, Femme lisant dans un jardin =CR681, 1881, The terrace at Vétheuil, 81×65, private (iR10;iR64;iR59;R22,no681;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-70, Un coin du jardin à Vétheuil. Option 1 of 2: 1881, CR683, The Artist’s Garden at Vétheuil, 100×81, NSM Pasadena (M43;iR10;iR6;R22,no683;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-70, Un coin de jardin à Vétheuil. Option 2 of 2: CR684, 1881, The Artist’s Garden at Vétheuil, 100×80, private (iR2;iR51;R22,no684;R90II,p205+221;R2,p395)
Claude Monet, 7IE-1882-84, Sur la côte à Trouville. Now: CR687, 1881, On the Coast at Trouville, 60×81, MFA Boston (iR2;iR51;R22,no687;R90II,p206+223;R2,p395;M22)
Claude Monet: 7IE-1882-80, Glaïeuls = CR694, 1881, Sbl, Gladioli, 99×42, PAM Kanagawa (iR51;iR59;R22,no694;R90II,p206+222;R2,p395) Bought by Durand-Ruel 1881/10. = solo DR1883-55.
Claude Monet: 7IE-1882-81, Glaïeuls = CR695, 1881, Sbr, Gladioli, 99×42, PAM Kanagawa (iR51;iR59;R22,no695;R90II,p206+222;R2,p395) Bought by Durand-Ruel 1881/10 =solo DR1883-54
Claude Monet, 7IE-1882-74, Marine. Very uncertain: 1882, CR708, Falaise près de Dieppe, 59×79, private (iR51;iR142;R22,no708;R2,p395)
Claude Monet: 1882, CR717, SDbl, Pourville près Dieppe, 60×81, A1992/11/13 (iR6;iR94;iR10;iR7;R22,no717) Provenance: 1892 Boussoud, Valadon & Cie; 1892 Viau; sale DR1907/03/04-40; Durand-Ruel?; Expos: Zurich-Kh-FI-1908-17; New York-DR1915/12-6.
Claude Monet: 1882, CR725, The church at Varengeville, grey weather, 65×81, SAM Louisville (iR10;iR4;R22IV,p1018+CR725) =Reims-1896 (lent by Durand-Ruel?)
Claude Monet: 1882, CR726, SDbr, The church at Varengeville, sunset, 65×81, private (iR10;iR482;R22,no726;R22IV,p1017) Provenance: 1882/04 Durand-Ruel; 1883 Georges Petit; 1885? Herz; Henri Vever; sale GP1897/02/02-81; Montaignac. Expos: =DR1883-28; =? 4EIP-1885-72; =? 3XX-1886-1; =? GP1899-47.
Claude Monet: 1882, CR727, SDbr, The church at Varengeville, against the Sunlight, 65×81, Birmingham BIFA (iRx;R231-1;R22=R127,no727;M189) Provenance: ?1882/04 Durand-Ruel; 1883/08 G. Petit; 1889ca, Pr. de Polignac; 1897 Durand-Ruel. Expos: GP1889-M+R-61; DR1889-19; =? EU-1900-C-487, L’Église de Varengeville, 1882 (appartient à M. Claude Monet); London-GG-1905-147.
Claude Monet: 1882, CR731, SDbr, The customs house (Le Petit Ailly), 60×81, Metropolitan (M23;iR10;R22,no731) Provenance: 1882/04? Durand-Ruel; 1883 Petit; Leroux; 1888 Andrews; Avery; 1892 Seney; 1894/02/07? Durand-Ruel; 1895 Carey; 1927ca Payson Call. Expos: =? London-EI-1882-3; =? 4EIP-1885-69; New York-DR1895-13; Boston-1911-42.
Claude Monet: 1882, CR734, SDbr, The fisherman’s house, overcast weather, 60×73, private (iR10;iR64;iR94;R22,no734) Provenance: 1882/04 Durand-Ruel. Expos: =? London-EI-1882-4; DR1883-3 or 27; DR1899/04-16; London-GG-1905-144.
Claude Monet: 1882, CR735, The customs house at Dieppe, 58×70, Metropolitan (iR10;iR209;R22IV,p1016+CR735;M23) =Tours-1882, lent by Durand-Ruel =Boston-1883-10
Claude Monet: 1882, CR737, Sbl, Cabane des douaniers, effet d’après-midi, 58×81, Md Douaniers Bordeaux (iR6;iR10;iR155;R22,no737) Provenance: F. Roux; sale HD1898/11/25-51; Durand-Ruel; Expos: Mulhouse-1905-318; Prague-FI-1907-27.
Claude Monet: 1882, CR741, SDbr, The fisherman’s house at Le Petit Ailly, 65×81, private (iR10;iR154;R231-1;R22=R127,no741) Provenance: ?1882/10 Durand-Ruel; sale Charles Leroux HD1888/02/28-58; Chocquet; sale GP1899/07/01-76; Monet; 1907-1909 Durand-Ruel. Expos: GP-1889-M+R-53; EU-1900-C-488, Cabane à Pourville (appartient à M. Claude Monet).
Claude Monet: 1882, CR751, SDbl, Edge of the cliffs at Pourville, 61×100, private (iR6;iR10;iR7;R22,no751) Provenance: 1882/10 Durand-Ruel; 1883 Clapisson; 1891 Durand-Ruel. Expos: DR1883-10; London-D&D-SdI-1883-1; =? GP1889-58; DR1899/04-20; London-GG-1905-141; DR1908-p-36.
Claude Monet: 1882, SDbr, CR752, Bords de falaise à Pourville, 60×81, MB Postdam (formerly Metropolitan) (iR10;iR94;R22,no752;M23;M268) Provenance: 1883/12? Durand-Ruel; 1886-1903 W.H. Fuller. Expos: =3XX-1886-9; =New York-NAD-1886-295; New York-ULC-1891-54; New York-LC-1899-20.
Claude Monet: 1882, CR758, SDbr, Walk on the cliff at Pourville, 65×81, Chicago AI (M20;iR6;iR8;iR10;R22,no758) Provenance: 1882/10 Durand-Ruel. Expos: London-SdI-1883-32; DR1883-20; 11LE-1904-109; London-GG-1905-157; DR1914/03-30.
Claude Monet: 1882, CR762, SDbr, Chemin de la Cavée, Pourville, 60×81, MFA Boston (iR6;iR8;iR10;M22) Provenance: Durand-Ruel 1882/10 -1888 + 1900-1903; Loring. Expos: =? DR1883-24; London-D&D-SdI-1883-34; New York-DR-1902-13; Boston-CH-1905-35.
Claude Monet, 7IE-1882-60 Marine. Very uncertain: 1882, CR771, Sunset on the sea, off Pourville, 54×73, private (iRx;R22,no771;R2,p395)
Claude Monet: 1882, CR797, SDbr, Les Fonds de Varengeville, 65×81, private (iR10;iR423;iR6;iR7;R22,no797) Provenance: 1882/10 Durenad-Ruel; 1883 Georges Petit; 1889ca Guillemard; Clapisson; sale HD1894/04/28-21; Montaignac; 1912ca Doucet. Expos: DR1883-34; 3XX-1886-3; GP1889-59; Saint-Petersbourg-Centennial-1912-441.
Claude Monet, 1882, CR805, Fishermans Cottage at Varengeville,
61×88, MFA Boston (iR51;R22;M22)
Claude Monet: 1883, CR817, SDbl, Etretat, sunset, 55×81, NCMA Raleigh (iR422;R22,no817) =? New York-AAG+NAD-1886-287; New York-1899-16; New York-1910-17
Claude Monet: 1883, CR818, SDbl, Sunset at Etretat, 60×73, MBA Nancy (iR422;R22,no818;M218) Provenance: 1883/12 Durand-Ruel; 1892 Thomson; Expos: Boston-CG-IoP-1891-22; Boston-CH-1905/03-4.
Claude Monet: 1883, CR819, SDbr, The Needle Rock and the Port d’Aval (rough sea), 60×81, private (iR422;R22,no819) Provenance: 1892/12 Durand-Ruel; Expos: London-HG-1901-43; Le Havre-1902; Zurich-Kh-FI-1908-18.
Claude Monet: 1883, CR821, SDbl, Etretat, rough sea, 81×100, MBA Lyon (iR422;iR10;M16) Provenance: 1883/12 Durand-Ruel (till 1902); Expos: London-DG-EtI-1884; Stutgart-1901-27;
Claude Monet: 1883, CR828, SDbr, Beach at Etretat, 65×81, Orsay (iR10;iR7;R22,no828;M1) Provenance: 1883/12 Durand-Ruel; 1893 Camentron; Personnaz; Expo: London-DG-EtI-1884.
Claude Monet: 1883, CR832, SDbl, The Manneport, 65×81, Metropolitan (iR422;iR10;R22,no832;M23) Provenance: 1883/07/28 Durand-Ruel (600fr); 1883/08/09 Georges Petit; Expos: 4EIP-1885-66; =? XX1886-4 (lent by M. Georges Petit); =? New York-AAG+NAD-1886-123; New York-1899-21; Boston-1905-20.
Claude Monet: 1884, CR853, SDbl, View of Bordighera, 65×81, Hammer M. Los Angeles (iR6;iR10;R22,no853) Provenance: 1884/05? Durand-Ruel; 1884/06 Georges Petit; 1889 Montaignac. Expos: =? 3XX-1886-2; =? GP1889-67.
Claude Monet: 1884, CR874, SDbl, Un coin de ferme à Bordighera, 73×92, JAM Omaha (M230;iR6;iR10;R22,no874) Provenance: 1884/06 Durand-Ruel; Expos: 3XX-1886-10; New York-NAD-1886-296.
Claude Monet, 1885, CR1004, The Banks of the Seine at Port-Villez, 65×81, A1995/06/27 (iR51; iR14; R22)
Claude Monet: 1885, CR1024, Sbr, Boats on the beach at Étretat, 66×81, AI Chicago (M20;iR10;iR6;iR422;R22,no1024) Provenance: Bernaert; 1907ca Georges Bernheim; 1911 de Nemes.
Claude Monet: 1885, CR1029, Three Fishing Boats, 73×92, SM Budapest (iR6;iR8;R22,no1029;M142) =Mulhouse-1911-256
Claude Monet: 1885, SDbr, CR1032, Sailing boats behind the Rock needle (L’Aiguille), 65×81, private (iR422;iR10;iR64;R231-1;R22=R127,no1032) Provenance: 1887/10? Georges Petit; 1889ca Albert Cahen d’Anvers; sale GP1920/05/14-19; 1924ca Lucien Sauphar. Expos: =? 5EIPS-1886; =GP1889-69; =GP1899-M+R-48; =EU-1900-C-481, Falaise d’Étretat, 1885 (appartient à M. Albert Cahen); =GP1924-4; =BJ1925-89.
Claude Monet: 1885, SDbl, CR1035, Étratat, the Manneport at high tide, 65x81cm, private collection (iR2;R22,no1035) Provenance: 1885/12? Durand-Ruel (till 1905ca). Expos: New York-AAG+NAD-1886-123; New York-AAG-1886/87-6; =? GP1889-70; Boston-1905-92.
Claude Monet: 1886, CR1053, SDbr, The Manneport, 92×73, private (iR10;iR135;R22,no1053) Provenance: 1887/01 Durand-Ruel; Expos: =? 3XX-1886-4; =5EIP-1886; =LE-1904-101.
Claude Monet: 1886, CR1070, SDbl, Field of Tulips in Sassenheim near Haarlem, 60×73, CAI Williamstown (iR10;iR6;R22=CR127,no1070;R231-1;M26) Provenance: 1886 Clapisson; 1900ca Mlle Lefébure; 1905ca Durand-Ruel. Expos: 5IEPS-1886; GP1889-M+R-84; DR1899-25; =EU-1900-C-485, Champs de tulipes à Sassenheim, Hollande 1886 (appartient à Mlle Lefébure); Berlin-PC-1905-36; London-GG-1905-130; Zurich-1917-130; GP1924-44.
Claude Monet: 1886, CR1084, SDbr, Pyramids at Port-Coton, rough sea, 65×81, Pushkin (iR155;iR10;iR6;M96) Provenance: 1887 Georges Petit; Expos: 6EIP-1887-74or75; GP1889-91.
Claude Monet: 1886, CR1087, Pyramids at Port-Coton, 66×66, private (iR155;iR10;iR7) Provenance: 1887/05 Boussoud, Valadon & Cie; Expos: =? 6XX-1889-1.
Claude Monet: 1886, CR1088, SDbl, The Pyramids at Port-Coton, effet de soleil, 64×64, private (iR6;iR10) Provenance: 1890 Durand-Ruel. Expos: London-GG-1905-103; Vienna-FI-1911-4.
Claude Monet: 1886, CR1090, Rocky coast and the Lion rock at Belle-Île, 66×81, MAC Des Moines (Iowa) (iR10;iR326;R22IV,p1017+no1090) =? Nantes-1891-111
Claude Monet: 1886, CR1093, SDbr, Entrée de Port-Goulphar, Belle-Île, 65×81, A1977/06/27 (iR386;iR10;iR14;R22,no1093) =?GP-EIP-1887-83 =GP-1889-79 =Reims-1901
Claude Monet: 1886, CR1100, La Côte Sauvage, 65×81, Orsay (iR10;iRx;iR155;R22,no1100) =? GP-6EIP-1887-74 Provenance: 1891ca Gustave Caillebotte
Claude Monet: 1886, CR1112, Belle-Île, Rain Effect, 60×73, BMA Tokyo (iR6;iR10;R22,no1112;M125) =Saint-Brieuc-1891
Claude Monet: 1888, CR1163, Antibes, the Castle, 81×116, private (iRx;R22,no1163) =20LE-1913-148
Claude Monet: 1888, CR1168, SDbr, Antibes seen from La Salis (gardens), 73×92, Toledo MA (iR6;iR10;R231-1;R22=R127,no1168;M102) Provenance: ? 1889/02 Boussod, Valadon & Cie; 1889 Taconet; 1890 Durand-Ruel; 1900ca Charles Cotinaud; 1904ca Durand-Ruel. Expos: =? GP1889-M+R-102; =EU-1900-C-489, Antibes 1888 (appartient à M. Ch. Cotinaud); LE-PI-1904-103; London-GG-1905-155; GP1924-45; DR1925-33.
Claude Monet: 1888, CR1175, SDbl, View of Cap d’Antibes, 64×79, HSM Farmington (iR10;iR94;R22,no1175;M39) Provenance: 1888/06 Boussoud, Valadon & Cie; 1889 Pope; Expos: BV&C-1888; 6XX-1889-2.
Claude Monet: 1888, SDbl, CR1179, The (Mediterranean) sea and the Alps, 59×84, private (iR10;iR433;iR7;R22,no1179) Provenance: 1888/06 Boussoud, Valadon & Cie; 1889 Th. Keller. Expos: =BV&C-1888; =6XX-1889-3; =GP1889-115; =20LE-1913-151.
Claude Monet: 1888, CR1191, SDbl, Under the pine trees at the end of the day, 73×92, private (iR10;iR94;R231-1;R22=R127,no1191) Provenance: 1888/06 Boussod, Valadon & Cie; 1888; P.A. Aubry; sale GP1897/05/10-18; Durand-Ruel + Montaignac; 1900 Mme Lebeau. Expos: BVc1888; EU-1900-C-486, Les pins parasols, 1888 (appartient à Mme Lebeau); Berlin-PC-1905-40; London-GG-1905-156; GP1924-46; DR1925-13.
Claude Monet, 1888, CR1204, Landscape with figures, Giverny, 80×80, Chicago AI (iRx;R22;M20). At the background Suzanne Hoschedé and Jean Monet; in front Germaine, Jean-Pierre and Michel. Expo: BVC1889 + GP1889-111.
Claude Monet: 1891, CR1253, Poppy field, 61×97, AI Chicago (iR10;M20;R22IV,p1017+,no1253) =? Nantes-1891-110
Claude Monet: 1890, CR1258, Oat and poppy field, 65×92, MBA Strasbourg (iR10;iR7;R22IV,p1017+no1258;M212) =? Nantes-1891-110
Claude Monet, CR1273, 1891, grainstacks, 73×92, private (iR51;R22,no1273)
Claude Monet, 1891, CR1312, Poplars on the banks of the river Epte, seen from the marsh, 88×93, private (iR51;R22,no1322). =DR1892-2 + DR1899-34
Claude Monet: 1896, CR1422, SDbl, Falaise de Pourville, 65×92, A1872/10/25 (iR341;iR10;iR14;R22,no1422) Provenance: Ad Tavenier; sale GP1900/03/06-55; M. Tavenier; sale HD1907/04/15-33; Durand-Ruel. Expos: =? GP1898-18; Prague-FI-1907-29; DR1914-35.
Claude Monet: 1897, Sbr, CR1451, The coastguards cabin at Varengeville, 65×81, Axx (iR13;iR10;R22,no1451) Provenance: 1899/12 Bernheim-Jeune a.o.; 1906 Durand-Ruel. Expos: =17LE-1910-148; =Strasbourg-1912
Claude Monet: 1903, CR1656, SDbr, Water lily pond; the clouds, 73x100cm, private collection (iRx;R22,no1656) Expo: NYDR-1924-10.
Claude Monet, 1908, CR1764, Palazzo da Mula, 62×81, NGA Washington (iR2;iR8;iR51;R22,no1764;M21). =BJ912-25 + DR1913-4.
Claude Monet: 1908, CR1768, SDbr, San Giorgio Maggiore, at dusk, 65×92, NMW Cardiff (iR51;R22;M64) Expo: BJ1912-29; Cardiff-1913-27.
Claude Monet: 1908, CR1769, SDbr, Venice at Dusk (San Maggiore Giorgio), 73x92cm, BMA Tokyo (iR2;R22,no1769;M125)
Claude Monet: 1920-1922, Water lilies, sunset, 200x600cm, l’Orangerie (iRx;R22IV,p972;M3)
Claude Monet (1840-1926): 1917, CR1843, Self-Portrait, 70×55, Orsay (iR51;R22I,p397+no1843;M1) =retrospective 1831-118
Pastels and other techniques: The pastels, drawings and caricatures of Claude Monet are not very known. Here below you will find some. (Some more will be added in the future.)
See also the online version of the first Catalogue Raisonné by Wildenstein. And also the former exhibition (catalogue) at the Clark:
view.publitas.com/Monet,drawings (online publication of Volume 5 of the older Catalogue Raisonné on Monet by Daniel Wildenstein of 1991, p57-131 drawings, D1-D447=R127V)
view.publitas.com/Monet,caricatures (online publication of Volume 5 of the older Catalogue Raisonné on Monet by Daniel Wildenstein of 1991, p132-151, D451-D515;=R127V)
view.publitas.com/Monet,pastels (online publication of Volume 5 of the older Catalogue Raisonné on Monet by Daniel Wildenstein of 1991, p517-175, P1-P108 =R127V)
Claude Monet: 1IE-1874-101, Deux croquis (pastel) =?? 1862-64ca, Sunset over the Sea, 17×33, Ashmolean Oxford (iR2;R2,p121;M66)
Claude Monet: 1IE-1874-101, Deux croquis (pastel) =?? 1862-64ca, View of the Sea at Sunset, 15×40, MFA Boston (iR2;R2,p121;M22)
Claude Monet, 1IE-1874-99, Deux croquis, pastel. Maybe??: 1864-66 ca., Broad landscape, 17×36, MFA Boston (iRx;R2,p121;M22)
Claude Monet, 1IE-1874-99 Deux croquis (pastel). Maybe??: 1864-66 ca, Landscape with Houses, 17×36, Metropolitan (iRx;R2,p121;M23)
Claude Monet: 1IE-1874-100 Deux croquis (pastel) =?? 1865-70ca, Sunset on the Plain, 21×32, private (iR2;R2,p121)
Claude Monet: 1IE-1874-100, Deux croquis (pastel) =?? 1865ca, Twilight, 19×31, MBA Nantes (iR2;R2,p121;M16)
Claude Monet: 1IE-1874-102, Un croquis (pastel) =?? 1868ca, Caloges and Boat at Étretat (or: Près d’Étretat), 21×41, IMJ Jerusalem (iR2;R2,p121;M130)
Sources: See for the used sources at the bottom of the main page about Claude Monet. See also the overview of the Catalogue Raisonné numbers (still in development). See the link for explanation of the subscriptions.
