Intro: On this page you will find an overview of 350+ pictures of Claude Monet that are used on this website. The emphasize is on the works shown at the ‘impressionist’ expositions (in 1874, 1876, 1877, 1879 and 1882), at the Salon, at other exhibitions and at specific locations. The works will be shown in a chronological order.
Mostly there will be referred to the second version of the Catalogue Raisonné of Wildenstein of 1996 (=R22); see online version at WPI (=iR182). This has the same numbers as the first version of 1874-91 (=R127) and some additional numbers (5a etc.). You can find the number after the ‘CR’ code. See also the overview given by WikiPedia, divided in 10 periods (iR3). See also the subscriptions of the pictures.
You will notice that in most of his paintings in the landscape is prominent. At a seperate page you will find (again) other themes: portraits and figure paintings; (prominent) figures in a landscape and still lifes. On this page you will also find works done with other techniques, like pastels. See other themes and techniques. Note: additional pictures (made after 1882) will be added.
Note: If you double click on the first picture and then click on full screen, you can create a slideshow. In about 30 minutes you will see an extended overview of the paintings Monet made. Enjoy!
Claude Monet: 1858, CR1, View from Rouelles (near Le Havre), 46×65, Marunuma AP (iR112;R22IV,p1016+no1;R51,p17) = Le Havre-1858-380
Claude Monet: CR6, 1861, SDbr, Corner of a Studio, 182×127, Orsay (iRx;R22,no6;M1)
Claude Monet: S1866-1387, Forêt de Fontainebleau =CR19, 1864, Le pavé de Chailly, 98x130cm, private Switzerland (iR2;iR1;R22,no19). Provenance: ?O’Doard; Durand-Ruel (1872; 500fr); Kingman (1886); Durand-Ruel (1895). Expo: New York-1886-183; Pittsburgh-1908-FI-51; NYDR-1923-1.
Claude Monet: 1864, CR20, SDtr, Spring flowers, 91×116, Cleveland MA (iR3;iR51;R31,p183;M27) Expo: ?Rouen-1864/10/01-hc. Provenance: Léon Monet, Rouen.
Claude Monet: 1864-67, CR24 +CR25 +CR79, The road from Honfleur to Trouville with to the right the Saint-Siméon farm (iR3;iR51;R22).
Claude Monet: 1864-67, CR28-CR82, The road from Trouville to Honfleur with to the left the Saint-Siméon farm (iR3;iR155;iR14;R22).
Claude Monet: 1864, CR29, Road by Saint-Siméon Farm, 82×46, Tokyo NMWA (iR3;iR8;M127). See Bazille Atelier 1865/66. Expos: GP1924-29; Vienna-1925-XIX-35
Claude Monet: 1864, CR32, La Lieutenance de Honfleur, 53×73, private USA (iR51;R22,no32)
Claude Monet: 1864, CR33, La rue de La Bavolle, à Honfleur, 56×61, MFA Boston (iRx;M22) ?Diot (HD1897/03/08-102); Tooth (1901ca); Durand-Ruel (1902). Compare Bazille Atelier 1867.
Claude Monet: 1864, CR35, La Chapelle Notre-Dame de Grâce, Honfleur, 52×68, A2009/11/04 (iR51;iR14) Compare: Jongkind 1864/09/14.
Claude Monet: 1864, CR36, SDbl, Farm near Honfleur (Saint-Siméon), 38×46, Orlando MA (iR387;iR10;R22,no36) Provenance: Louveau, Honfleur
Claude Monet: S1865-1524, L’embouchure de la Seine à Honfleur =CR51, 1865, SDbr, Mouth of the Seine at Honfleur, 90×150, NSM Pasadena (iR51;iR1;R22,no51;M43) Compare CR38=study.
Claude Monet: S1865-1525, La Pointe de la Hève à marée basse =CR52, 1865, The Pointe de la Hève at low tide, 90×150, KAM Fort Worth (iR2;iR1;R22,no52;M224) Compare CR40=study.
Claude Monet: 1865, CR53, Portrait of a man: Adolphe Monet (his father; 1800-1871), 53x45cm, SUNJ New Brunswick (iR135;iR3;R22,no53)
Claude Monet: 1865, Sbr, CR55, Farmyard at Chailly, 54×80, private (iR2;R22,no55) Provenance: Brunswick; sale HD1892/03/06-28; Oppenheimer; sale HD1909/03/11-45.
Claude Monet: 1865, CR57, Le Pavé de Chailly in the forest of Fontainebleau, 97x130cm, Og Copenhagen (iR6;R22,no57;M93) Provenance: Durand-Ruel (1873; 700fr); Faure (1873); ?Durand-Ruel; Rouart; MJ1912/12/09-255. See letters 45-48.
Claude Monet: 1865, CR60, Fontainebleau, the Bodmer oak, 96×129, Metropolitan (iRx;M23;R22,no60) Location: Bas-Bréau. Provenance: Durand-Ruel (1872; 600fr). Expo: DRNY-1907-23.
Claude Monet: 1865, Sbr, CR60a, The Bodmer Oak, 54x40cm, private collection (iR2;R22,no60a) Info: in Bas-Bréau, Fontainebleau forest. Provenance: Léon Monet, Rouen.
Claude Monet: 1865-66, compilation CR63, Le dejeurner sur l’herbe, 460×600/640; left: CR63/1, 418×150, Orsay; middle: CR63/2, 248×217, Orsay; right: 1866, CR62, SDbl, study, 130×81, Pushkin (iRx;R5,p35;R22,I,p58-61+no62+63;M1;M96). Intended for the Salon of 1866; painted in Chailly and the studio using several studies; partly destroyed and cut up.
Claude Monet: 1866, CR64, SDtr, Camille with a small dog, 73x54cm, private (iRx;R22,no64;R22I,p61+146) Info: Camille Doncieux (1847-1879), his later wife.
Claude Monet: S1866-1386, Camille =1866, CR65, SDbr, Camille (The woman with a green dress), 231×151, Kh Bremen (iR2;R22,no65;M58) Expo: =Le Havre-1868-856 (-> médaille d’argent). Provenance: Arsène Houssaye (1868/10; 800fr); HD1896/05/22-158; Durand-Ruel (1898); Cassirer (1902).
Claude Monet: CR67, 1866, Women in the garden, 256×208, Orsay (iR2;iR1;R22,no67;M1) Expos: =S1867-R1; =?1867, Latouche expo; GP1924-solo-1. Provenance: Bazille (1867/05; =2.500fr); Renoir; Edouard Manet (1876); Monet (1876); Durand-Ruel (deposition 1882-87); 1921 acquired by the State (200.000fr). Lettes 32+39. Info: started at Ville-d’Avray; Camille 3x on the left.
Claude Monet: 4IE-1879-155, Un jardin (1867) = CR68, 1867 (or 1866), Jeanne-Marguerite Lecadre in the garden, 80×99, Hermitage (iR51;R22+R127,CR68;R90II,p135;R2,p269;R15,p165;M95,no.6505) Location: ‘Le Coteau’, Sainte-Adresse. Provenance: Lecadre; Meunier (1880s); Lebas; Durand-Ruel (1893); Shchukin (1899).
Claude Monet: 1864, CR71, Seascape, night effect (Shipping by moonlight), 60×73, NGS Edinburgh (iR6;iR8;M63) Provenance: ?Durand-Ruel (1872-77ca). Info: entrance harbour Honfleur.
Claude Monet: 4IE-1879-140, Marine (1875), appartient à M. Duret =? CR73, 1865, SDbr, The Green Wave, 49×65, Metropolitan (iR2;R2,p265;R90II,p133;R22+R127,no73;M23,no.29.100.111) Provenance: ?Oudard; ?Durand-Ruel (1873); Cassatt (1883/10); Durand-Ruel (1898); Havemeyer (1898).
Claude Monet: 1866, CR74, Fishing boats at Honfleur, 38×46, MNAR Bucharest (iR3;R22;M267) Expos: =? 2IE-1876-165, Bateaux de pêche (etude). Provenance: Maître; DurandRuel (1899/03). Compare: Bazille Atelier 1870
Claude Monet: 1866, S-/Sbl, CR76, Fishing boats (study), 45×55, A2023/05/17 (iR2;iR14;R22+R127,CR76) Provenance: Duranty; sale HD1881/01/28-67 (72fr); Chocquet; sale GP1899/07/01-80; HD1924/02/11-21. Expos: =?? 2IE-1876-165, Bateaux de pêche (etude).
Claude Monet: CR77, 1866, SDbr, Port of Honfleur, 148×226, destroyed WWII (iR10;iR94;R22,no77) Provenance: 1868/69 Gaudibert; 1874-89ca Faure; 1901 Cassirer; destroyed WWII. Expos: S1867-R2; 1867 Hagerman; Le Havre-1868-854 (-> medaille d’argent); GP1889-MR-4; Berlin-3BS-183. Compare: compilation CR77 +CR77a +CR76.
Claude Monet: CR77a, 1866, Sbr, Boats in the Port of Honfleur, 49×65, A2022/10/20 (iRx;iR15;R22,no77a) Mary Cassatt purchased CR77a for her family.
Claude Monet: 1867, CR83, Quai-du-Louvre, 65×92, Km The Hague (iR51;R22,no83;M71) Provenance: Latouche (1867/05ca?); Jaquette; BVcie (1893); Faure (1894); Durand-Ruel (1907-09). Expos: DR1906/03-3.
Claude Monet: 1867, CR84, The Church of Saint-Germain-l’Auxerrois, 79×98, NG Berlin (iRx;R22,no84;M52) Provenance: Astruc; Durand-Ruel (1872/06); Hoschedé; HD1878/06/05-50 (505fr); Luq); Faure (1889ca); Durand-Ruel (1906). Expos: =London-5SFA-1872-9; =GP1889-2; DR1906/03-2.
Claude Monet, S1868-1787 (=CR89=disappeared). Compare: 1867, CR87, The entrance to the port of Honfleur, 50×61, NSM Pasadena (iR7;iR1;R22,no87+89;M43)
Claude Monet: 1867, CR88, SDbr 1870, The jetty at Le Havre in rough weather, 50×61, private (iR6;iR64;R22,no88) Dedicated and given in 1870 to the journalist Lafont.
Claude Monet: S1868-1787, Navires sortant des jetées du Havre =CR89, 1867, Boats coming out of the Port of Le Havre, ?cm, disappeared (R22II,p48;iR7;iR1;R22,CR89+88+87;M43). Compare CR87 +CR88 + caricatures.
Claude Monet: 1867, CR91, Regatta at Sainte-Adresse, 76×102, Metropolitan (iR51;iR3;M23) Expo: =Bordeaux-1868-449. Provenance: ?Hecht (1873); HD1884/04/05-25; Durand-Ruel (1888ca); Wildener (1891); Durand-Ruel (1907); Osborn (1907). Letter 33.
Claude Monet: 2IE-1876-151, La plage à Sainte-Adresse, à M. Faure =CR92, 1867, The beach at Sainte-Adresse, 75×101, AI Chicago (iR2;R2,p180;R90II,p57;R22+R127,CR92;M20,no.33.439) Other expos: GP1889-5. Provenance: Durand-Ruel (?1873/02/28); Faure (1876ca); Durand-Ruel (1893/01); Vever (1893; GP1897/02/01-79.
Claude Monet: 1867, CR93, Sainte-Adresse, 57×80, NGA Washington (iR3;M21) Info: Cap de la Hève in the background. Provenance: Faure (1874/09); Tavernier; GP1900/03/06-58.
Claude Monet: 3IE-1877-110, Marine (Ste-Adresse) à Duret =!? 1867, CR94, A hut at Sainte-Adresse, (the Cabin), 52×62, MAH Geneva (iR2;R22+R127,CR94;R2,p205;R90II,p95;M141,no.1990-45) Provenance: Duret (1873/05; GP1894/03/19-26; withdrawn); HD1905/12/16. Expos: =Le Havre-1868-852; =LVM-1880-15; =GP-1889-MR-6.
Claude Monet: 4IE-1879-157, Jardin à Sainte-Adresse (1867), appartient à M. Frat =CR95, 1867, Garden at Sainte-Adresse, 98×130, Metropolitan (iR2;R22+R127,CR95;R2,p286;R90II,p135;R14,p159;M23,no.67.241) Provenance: Frat (before 1870?); Durand-Ruel (1913). Expo: DRNY-1914-1.
Claude Monet: 1867, CR98, Street in Saint-Adresse, 80×60, CAI Williamstown (M26;iR10;R22,no98) Info: former church near Chemin des Phares.
Claude Monet: 1867-68, CR108, Jean Monet sleeping, 42×50 NCG Copenhagen (iR10;iR64;R22;M90) Jean Monet was born 1867/08/08 (R464p11).
Claude Monet: S1868-Refusé =CR109, 1868, La Jetée du Havre (The Jetty at Le Havre), 147×226, private (iRx;R22,no109) Expos: =Le Havre-1868-855; Dresden-1914-XIX-76. Provenance: Gaudibert; ?Faure (1874/05); Durand-Ruel 1899; Cassirer (1901). Info: former Sémaphore pier.
Claude Monet: 1868, CR110, On the Bank of the Seine, Bennecourt, 81×100, AI Chicago (M20;R22,no110) Info: Claude and Camille spent some time in Gloton, recommended by Zola. Expos: GP1889-MR-7. Provenance: Clapisson (1889ca); Durand-Ruel (1892); Potter Palmer (1892)
Claude Monet, 4IE-1879-163, Étude de Mer. Maybe: CR112, 1868, The Sea at Sainte-Adresse, 60×82, CMA Pittsburgh (iR2;R90II,p136;R2,p269;R22+R127,CR112;M35,no.53.22)
Claude Monet: 1868, CR121, SDbr, Portrait de madame Gaudibert, 216×138, Orsay (iR51;R22,no121;M1) Info: Bought for 130fr. Letters 42+44. The Gaudibert family commissioned and supported Monet (see CR120-123).
Claude Monet: S1869-R1 =CR126, 1868-69, Fishing boats at sea, 96×130, HSM Farmington (iRx;R22,no126;M39) Painted in the presence of Astruc. Provenance: Faure; Durand-Ruel (1894). Letter no.44. Wrongly suggested for 1IE-1874-96, Le Havre, Bateaux de pêche sortant du port (R87,p243;R2,p121)
Claude Monet: 1868-69, CR129, The Dinner (Étretat), 52×65, Bührle Zurich (iRx;R22,no129;M85) Expos: LVM-1880-16 (=CR129 or CR130). Provenance: Durand-Ruel (1873/02); Depeaux (GP1906/05/31-19).
Claude Monet: 1868-69, CR130, An interior after dinner (Étretat), 50×65, NGA Washington (iR6;R22,no130;M21) Expos: LVM-1880-16 (=CR129 or CR130); DR1899-4. Provenance: Durand-Ruel (1873/02); Deudon; Durand-ruel (1899-1919). Letter 2440.
Claude Monet: 1IE-1874-103, Déjeuner =S1870-R =1868, CR132, The luncheon (The breakfast), 230×150, Städel Frankfurt (iR51;R87,p243;R2,p121;R90II,p24;R22+R127,CR132;R21,no39;M54,no170) Expos: GP1899-43; Vienna-1903-EI-176. Provenance: Fromenthal (1875); …; Durand-Ruel (1899-1906 +1908-10). Letter: no.44.
Claude Monet: S1869-R2 =1869, CR133, The Magpie, 89×130, Orsay (iR2;R22,no133;M1) Info: near Étretat; in 1918 called ‘Le verger’. Letter: no.44.
Claude Monet: 1869/09, CR134, La Grenouillère, 75×100, Metropolitan (M23,no.29.100.112;iR5;R2,p163;R90II,p59;R22+R127,CR134) Provenance: ?Manet; Durand-ruel (1886). Compare: 2IE-1876-164, Les bains de la Grenouillère; =S1870-R2. Letter: no.53.
Claude Monet: CR135, 1869, Bathers at La Grenouillère, 73×92, NG London (iRx;R22+R127,CR136;M61,no6456) Letter: 53. Provenance: ?Charles Ephrussi (1881ca); Collardeau; Bernheim-Jeune (1899); Durand-Ruel (1899); Cassirer (1901). Expo: =? GP1899-MR-9. Compare: 2IE-1876-164, Les bains de la Grenouillière; =S1870-R2.
Claude Monet: 2IE-1876-164, Les bains de la Grenouillère; =S1870-R2 =!? CR136, 1869/09, La Grenouillère, xx, destroyed WWII (iR10;iR135;R22+R127,CR136) Letter: no.53. Provenance: ?Durand-Ruel (1873/02 (2.000fr); Hoschedé (1877/01).
Claude Monet: 2IE-1876-164, Les bains de la Grenouillère; =S1870-R2 =!? CR136, 1869/09, La Grenouillère, xx, destroyed WWII; compare compilation of CR136+134+135 (HW;iR10;iR135;R22+R127,CR136+134+135;M23;M61). Letter: no.53. Provenance: ?Durand-Ruel (1873/02 (2.000fr); Hoschedé (1877/01).
Claude Monet: 4IE-1879-142, Fleurs (1869), appartient à M.R. (=Henri Rouart) =!? CR139, 1869, Still life with flowers and fruit, 100×81, PGM Malibu (iR2;R22+R127,CR139;R2,p283;R90II,p133+294;M31,no.83.PA.215) Provenance: ?Rouart (1878/12); Rosenberg (1904ca). Info: painted in Bougival; compare Renoir 1F36 (R30=R193,no36).
Claude Monet: 1869-70, CR147, Road at Louveciennes, snow effect, 55×66, private (iR6;iR94;R22) Info: Route de Versailles; compare Pissarro (R116,CCP155). Provenance: ?Michel Lévy (1873); Berend; Durand-Ruel (1912-1930).
Claude Monet: 1869-70, CR148, Road at Louveciennes, melting snow, sunset, 40×54, A2017/05/15 (iR2;iR15;R22) Info: Route de Versailles; compare Pissarro (R116,CCP143). Provenance: ?Michel Lévy (1873); …; Goupy (1888; HD1898/03/30-27). Expo: GP1899-MR-8.
Claude Monet: 1870, CR149, Infantryguards wandering along the river (at Bougival), 54×65, A1993/11/02 (iR10;iR64;iR15;R22IV,p1016+CR149) Provenance: Linder; Durand-Ruel (1872/06-1888+). Expo: Reims-1873 (lent by Durand-Ruel). Info: Île de Croissy on the left; compare CR236. Note: the presence of soldiers, shortly before the French-Prussian war.
Claude Monet: 1869-70, CR151, The Seine at Bougival in the evening , 60×74, ACMA Northampton (iR3;R22,no151;R166,p128;M226) Info: Île de Croissy to the right; compare CR150 + Pissarro (R116,CCP201). Provenance: Depeaux (HD190/04/25-34); Viguier (GP1906/05/04-53).
Claude Monet: 1870, CR152, The bridge at Bougival, 64×92, CGA Manchester (USA) (iR51;R22,no152;M188) Info: former bridge from Île de Croissy to Bougival. Provenance: Père Martin (1870ca; 50fr + painting Cézanne); Hadengue-Sandras (HD1880/02/02-58).
Claude Monet: 4IE-1879-147, Estacade de Trouville, marée basse, appartient à M. Duez =CR154, 1870, SDbl, Entrance to the Port of Trouville, 54×66, SM Budapest (iR2;R22+R127,CR154;R2,p285;R90II,p134;M142,no.367B) Info: mouth of the Touques river. Provenance: Duez (1879-89ca); Faure; Durand-Ruel (1906); Cassirer (1906). Expos: =London-1SFA-1870-36; GP1889-MR-10; DR1906/03-4.
Claude Monet: 1870, CR157, The Beach at Trouville, 48×74, A2008/06/25 (iR7;iR14;iR4;R22,CR157) Provenance: Durand-Ruel (1871/06); Hoschedé (1877/01); sale HD1878/06/05-47; Cassatt family; Durand-Ruel (1883/11/30ca). Expos: =New York-AAG+NAD-1886-278; Armory-1913-496.
Claude Monet: 1870, CR160, SDbl, Camille on the beach at Trouville, 38×47, Yale New Haven (iR155;M33;iR4;R22,no160;R464,p12) Info: Claude and Camille married 1870/06/28 in Trouville. Provenance: Père Martin (1874-75).
Claude Monet: 1871, CR163, Meditation, Mme (Camille) Monet sitting on a sofa (La lecture), 48×75, Orsay (iRx;R22IV,p1016+CR163;M1) Location: London. Provenance: ?Durand-Ruel (1873); de Montbélird (1889); Chocquet; GP1899/07/01-78; Koechlin. Expos: =South-Kensington-1871-1273, Repose (lent by Durand-Ruel); =Rouen-1872-163 (lent by Durand-Ruel?); Paris-1922-119; Amsterdam-1926-72.
Claude Monet: 1871, CR165, Green Park in London (looking westward), 34×72, Philadelphia MA (iR51;R22,no165;M28) Provenance: Durand-Ruel (1872/05); Alexander J. Cassatt. Expo: =London-5SFA-1872-131.
Claude Monet: 1871, CR166, The Thames below Westminster (from the Victoria Embankment), 47×73, NG London (iR51;iR2;R22,no166;M61) Provenance: Durand-Ruel (1872/11); Hoschedé; HD1878/06/05-49 (250fr); Faure; Durand-ruel (1907). Expos: =London-6SFA-1873-114; =GP1889-MR-12; =DR1906/03-5; =Saint-Petersbourg-1912-C-438.
Claude Monet: 1871, CR172, The Zaan at Zaandam, 42×73, private (iR4;iRx;R22,CR172) Expos =DR-solo-1883-8; =GP1889-MR-13. Provenance: Durand-Ruel (1872/05); HD1873/01/18-45; Daubigny 1873/01; sale 1878/05 (50fr) -> Duret; GP1894/03/19-27; Durand-Ruel; Edmond Decap; HD1901/04/15-17
Claude Monet: 1871, CR174, The banks of the Zaan (gray weather), 33×70, private (iR4;R22,no174) =? New York-NAD-1886-301, Banks of the Meuse, Holland (à A.J. Cassatt). Provenance: ?Durand-Ruel (1873/02/28; Cassatt (1881/04/09, Marine); GP1924/11/28-47 (à Bignou)
Claude Monet: 1871, Sbl, CR183, Zaandam, 47×73, Orsay (iR5;iR10;R22+R127,no183;R231-1) Provenance: =!? 1872/09 Durand-Ruel; Goupy; sale HD1898/03/30-23; 1900ca Moreau-Nélaton. Expo: EU-1900-C477, Canal en Hollande, appartient à M. Moreau-Nélaton.
Claude Monet: 4IE-1879-138, Habitation bourgeoise, à Zaandam (Hollande) =1871, CR184, The Blue House at Zaandam, 45×61, private (iR2;R2+R127,CR184;R2,p268;R90II,p132) Provenance: Durand-Ruel (1872/04); Hoschedé (1873/04); HD1874/01/13-45 (405fr); Baudry; Bouvier?; HD1892/04/13-13. Expos: DR1883-solo-hc; London-1905-GG-9; GP1924-43.
Claude Monet: 1871, CR185, Zaandam, houses by the Zaan, 48x74cm, Städel Frankfurt (iRx;R22,no185;M54) Provenance: Durand-Ruel (1872/03); Tavernier (1903ca); Städel (1904). Expos: BJ1903-EI-38; Dresden-1904-2213.
Claude Monet: 1871, CR190, The Dam at Zaandam, evening, 45×73, private (iR2;R22,no190). Provenance: ?Latouche (coucher de soleil, Zaandam; 1872); Struauss; durand-Ruel (1901); Cassirer (1902).
Claude Monet: 1871-72, CR194, Argenteuil, the bridge under repair, 60×81, private (iR6;R22IV,p1016+,no194) Provenance: Millot (1872); Fréret; Durand-Ruel (1882/05); Mary Cassatt (1884/07). =? London-7SFA-1873-130
Claude Monet: 1872, CR198, The Seine at Argenteuil, 50×61, Orsay (iR51;iR7;iR23;R22IV,p1017+CR198;M1) =Saint-Brieuc-1891. Provenance: Durand-Ruel (1872), Clapisson (1882/07), Durand-Ruel (1891)
Claude Monet: 1872, CR200, Sailing boat on the small branch of the Seine at Argenteuil, 51×64, 51×64, A2009/05/05 (iR51;iR14;iR7;R22,no200) Bought by Durand-Ruel 1873/02/28 (?). =London-6SFA-1873-120; =GP1889-30
Claude Monet, 2IE-1876-163, Le printemps = CR201, 1872, Apple trees in blossom, 58×70, ULCC Chicago (iR2;R2,p163;R90II,p58;R22+R127,no201)
Claude Monet: 1872, CR202, SDbr, The garden, 64×81, private (iR51;R22,no202) Provenance: 1872 Durand-Ruel (Lilas en fleurs); 1877/01 Hoschedé; HD1878/06/05-52. Expos: New York-1895-34; Boston-1895-21.
Claude Monet, 3IE-1877-113, Un Jardin. Maybe?: 1872, CR203, Lilacs, grey weather, 48×64, Orsay (iR10;R2,p205;R22+R127,CR203;M1,RF1680)
Claude Monet: 1873, CR204, SDbl, Lilacs in the sun, 50×65, Pushkin (iR10;R2,p205;R22+R127,CR204;M96,no.3311) Provenance: 1873/02 Durand-Ruel. Expos: =?? 3IE-1877-113; =DR1899-3.
Claude Monet: 2IE-1876-165+hc, Springtime =CR205, 1872, The reader (figure en rose), 50×65, WAM Baltimore (iR2;R2,p163;R90II,p59;R90I,p113;R22+R127,CR205;M48,no.37.11) Provenance: !?1872/11/23, Durand-Ruel; 1873/04/28, Ernest Hoschedé; sale HD1878/06/05+06-54; Lussac; 1889ca Mary Cassatt. Expo: GP1889-DR-23.
Claude Monet: 1872, CR206=214, The Stream of Robec (Factories at Déville, near Rouen), 60×65, Orsay (iR51;iR10;iR94;iR5;R22,no206+214;M1) Provenance: Durand-Ruel (1872/11?); Duret (1878/03/28); Personnaz. =London-7SFA-1873-114
Claude Monet: 1872, CR210, The Seine at Rouen, 38×46, NGA Washington (iR2;R22,no210;M21). Provenance: Latouche (1872); Durand-Ruel (1872/04); Hoschedé (1877/01/22); HD1878/06/05-48 -> Dachery; HD1899/05/30.
Claude Monet: 1872, Sbl, CR213, The goods train (Valley of Déville), 48×76, private Japan (iR10;iR94;iR6;iR51;R22IV,p1016+no213) Provenance: 1872/09 Durand-Ruel; 1877/01 Hoschedé; Clapisson; 1892 Durand-Ruel. Expos: =Vienna-EU?-1873; =London-9SFA-1874-119, The railway
Claude Monet: 1872, CR216, Le Mont Riboudet à Rouen au printemps, 56×74, Axx (iR10;iR6;iR13;R22,no216) Provenance: 1873/02 Durand-Ruel; 1876 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet, 1872, CR224, Argenteuil, late afternoon, 60x81cm, private (iR2;R22)
Claude Monet: 1872, CR225, (Le Bassin) The port at Argenteuil, 60×81, Orsay (iR51;R90II,p41;R22+R127,CR225;M1,RF2010) Expo: =?? 2IE-1876-157, La Berge d’Argenteuil, à M. Faure. Provenance: Duez; Decap; HD1901/04/15-14; de Camondo.
Claude Monet: 1872, CR227, Boats moored at Le Petit-Gennevilliers, 54×65, FAM San Francisco (iR51;R22+R127,CR227;M30-2,no.1962.23) =?? 2IE-1876-165, Bateaux de pêche (etude).
Claude Monet: 1872ca, CR229, Sbl, Yachts (pleasure boats), 47×65, Orsay (iR10;iR135;R231-1;R22+R127,no229;M1,FR2437) Provenance: 1873/02 Durand-Ruel; 1882/05 Ernest May; sale GP1890/06/04-47 (withdrawn). Expo: EU-1900-C-478, Bateaux de plaisance, appartient à M. Ernest May; Paris-100-1922-120.
Claude Monet: 1872, Sbr, CR233, Regatta at Argenteuil, 48×75, Orsay (iRx;R22,no233;M1) =1894, Caillebotte bequest. Expo: Geneva-1918=103.
Claude Monet: 1872, Sbr, CR239, Argenteuil, the old rue de la Chaussee, 55×73, private (iR2;R22,no239). Info: now Rue du 8-mai-1945; paid for the debt to the school of Jean.
Claude Monet: 1872, CR241, Sbr, Festival at Argenteuil, 60×81, private (iR51;R22) Provenance: Rouart; sale MJ1912/12/09-256
Claude Monet: 1872, Sbr, CR247, The Boulevard Héloïse at Argenteuil, 35×59, YUAG New Haven (iR2;R22,no247;M33) Provenance: ?1873/04 Dubourg.
Claude Monet: 1872, CR249, Fog effect, 48×76, private (iR51;R22,no249) =? London-8SFA-1874-137, A misty morning near Paris
Claude Monet: HD1875/03/24-10, Le dégel (Argenteuil) (56×63)-> Durand-Ruel (265fr) (R88II,p452). Compare: two landscapes depicting thaw (R22,CR255 + CR355).
Claude Monet: 1873ca, CR260, Sbl, Ships under repair, 71×54, NGS Edinburgh (iR10;iR94;iR6;iR7;iR40;M63;R22,no260) Provenance: HD1875/03/24-17, Navires en réparation (71x54cm) -> bought back for 190fr; Berthe Morisot. Location: Le Havre.
Claude Monet: 1872-73, Sbl, CR262, Sunrise (seascape), 49×60, Getty Los Angeles (iR10;iR166;iR8;iR40;R22,no262;M31) Provenance: sale HD1875/03/24-8, Soleil levant (marine; 50x61cm) -> Rouart (75fr.); sale MJ1912/12/09-252. Expos: =?? 1IE-1874-98, Impression, soleil levant (R1,p339+316); =LE-PI-1904-92; =? Berlin-PC-1905-14.
Claude Monet: 1872, CR263, SDbl, Le Havre, Impression, soleil levant, 48×63, Marmottan (iR2;R87,p243;R2,p92;R90II,p24;R22+R127,CR263;R1,p339;M2,no4014) Expos: =!? 1IE-1874-98, Impression, soleil levant; =4IE-1879-146, Effet de brouillard, Impression; DR1883-40; GP1889-16. Provenance: (via Durand-Ruel) Hoschedé (1874; 800fr); HD1878/06/05-55 (210fr); de Bellio; de Monchy (1894).
Claude Monet: 1873, CR264, Le Havre, The harbour, night effect, 60×81, A1988/11/15 (iRx;iR15;R22,no264) =Le Havre-1906-68. Provenance: Charpentier (1876/05 or 1877/01); Durand-Ruel (1897 + 1901-15)
Claude Monet: 1873, CR266, La falaise de Sainte-Adresse, 54×71, private Japan (iR10;iR7;R22,no266;R22IV,p1016) =? London-8SFA-1874-142
Claude Monet: 1873ca, CR269, Sbr, La Seine à Asnières, 55×74, Hermitage (iR6;iR10;iR7;iR40;R22,no269;R88II,p451;M95) Provenance: =? HD1875/03/24-7 -> Manet (325fr); Victor Desfossés; sale 1899/04/26-45.
Claude Monet: 1873, Sbr, CR270, Barges at Asnières, 55×74, A2010/05/05 (iR14;R22,no270) Provenance: 1875/06? Meixmoron de Dombasle; Comte Armand Doria; sale GP1899/05/04-193, Bateaux sur un fleuve (7.000fr) -> Bernheim-Jeune (R455).
Claude Monet, 1IE-1874-95, Coquelicots = CR274, 1873, Poppies at Argenteuil, 50×65, Orsay (iRx;R87,p243;R2,p121;R90II,p24;R22+R127,CR274;M1,RF1676)
Claude Monet: HD1875/03/24-5, Printemps (55×65) -> M. Petitdidier (205fr) (R88II,p451). Compare: Two landscapes probably in Spring time (R22,CR276 +CR378).
Claude Monet: 2IE-1876-152, Le pont de chemin de fer (Argenteuil), à Faure =? CR279, 1873, The railway bridge at Argenteuil, 60x99cm, A2008/05/06 (iR2;iR15;R2,p162;R90II57;R22+R127,CR279). Provenance: Faure (1874/06?); ?HD1878/04/29. Other expos: GP1899-44; Copenhagen-1914-XIX-146.
Claude Monet: 1873, Sbr, CR284, The artist’s house at Argenteuil, 60x73cm, AI Chicago (iR2;R22,no284;M20) Provenance: Durand-Ruel (alternating with other owners). Expos: DR1883-hc; Boston-1883-11; London-DG-1884.
Claude Monet: 2IE-1876-162, Panneau décoratif = 1873, CR285, Le Déjeuner, (Monet’s garden in Argenteuil), 162×203, Orsay (iRx;R2,p163;R90II,p58;R22+R127,CR285;M1,RF2774) =1894, Caillebotte bequest. Expo: Geneva-1918-105.
Claude Monet: 2IE-1876-159, Les Dahlias =? CR286, 1873, Monet’s Garden at Argenteuil (The Dahlias), 61×83, NGA Washington (iR10;iR6;R22+R127,CR286;M21,no1991.27.1) Provenance: Durand-Ruel (1873/12). Expo: =DR-1899-2; London-Grafton-1905-149.
Claude Monet: 1873, Sbl, CR287, Camille Monet at the window, Argenteuil, 60×50, VMFA Richmond (iR2;R22,no287;M220)
Claude Monet: 1873, SDbl, CR288, The sheltered path (Chemin creux), 54×65, Philadelphia MA (iR51;R22IV,p1018+CR288;M28) Provenance: 1873/12 Durand-Ruel; Expos: =Périgueux-1898; =London-HG-FI-1901-49; =Vienna-Mk-FI-1913-26.
Claude Monet: 1873, Sbr, CR289, Duck pond in autumn, 54×65, private (iR2;R22,no289) Provenance: 1873/12 Durand-Ruel. Expo: DR1883-35; New York-AAG+NAD-1886-135.
Claude Monet: CR290, 1873, SDbr, Autumn effect at Argenteuil, 55×75, Courtauld London (M60,H.H.19;R22=R127,no290;R90I,p83;R2,p163;R88II,p452;iR40) Provenance: =??? HD1875/03/24-18, Paysage d’automne (55×74) -> Vacquerie (205fr); Oudard; 1882 Durand-Ruel; 1886 Davis, 1901 Durand-Ruel. Expo’s: =?? 2IE-1876-148, Le petit bras, Argenteuil, à Faure; =? London-EI-1882-1; =DR1883-7 or 50; =London-DD-SdI-1883-16; =? London-DG-ETI-1884-2; =New York-AAG+NAD-1886-282; =New York-ULC-1891-68.
Claude Monet: 2IE-1876-158, Effet d’automne, appartient à M. Choquet =!? 1873, CR291, Autumn on the Seine at Argenteuil, 54×73, HMA Atlanta (M150,no.2000.205;R2,p162;R90II,p57;R22+R127,CR291) Provenance: Chocquet (1876/02/05)
Claude Monet: 1IE-1874-97, Boulevard des Capucines =!? CR292, 1873, Boulevard des Capucines, 61×80, Pushkin (iRx;R22+R127,CR292;R90I,p18;R2,p121;R90II,p24;R87,p163;M96,no3397) Info: painted from the Nadar studio where the 1st ‘impressionist’ exposition was held. Provenance: Faure (1874/09); Durand-Ruel (1907). Expos: =solo DR1883-31 =GP1889-19; DR1906/03-7.
Claude Monet: 1873-74, CR293, Sbr, Boulevard des Capucines, 59×79, Kansas NAMA (iR51;R87,p243;R2,p130+121;R90II,p24+9;M42) =??? 1IE-1874-97, Boulevard des Capucines
Claude Monet: 1874ca, CR294, Sbl, Bassin du Commerce in the Port of Le Havre, 37×45, MAM Liège (iR6;iR10;iR40;R22,no294;M83) Provenance: =HD1875/03/24-3 ->Henri Rouart (200fr); Eugène Dumont. Expo: Brussels-MRBA-MI-1922-23.
Claude Monet, 3IE-1877-111, Le grand quai au Hâvre (esquisse) = 1872, CR295, The Grand Quai at Le Havre, 61×81, Hermitage (iR51;R22+R127,CR295;R2,p205;r90II,p96;M95,no.3KP523)
Claude Monet, 1IE-1874-96, Le Havre, Bateaux de pêche sortant du port = CR296, 1874, Fishing Boats Leaving the Port of Le Havre, 60×101, Los Angeles CMA (iRx;R2,p121;R90II,p24;R22+R127,CR296;M49)
Claude Monet: 1874, CR297, View of the old outer harbour at Le Havre, 60×102, Philadelphia MA (iR4;iR8;R22,CR297;M28) Provenance: ?1878, G. de Nittis
Claude Monet: 1874, CR304, Sbr, Amsterdam, 50×68, VGM Amsterdam (iR6;iR10;iR483;M73) Provenance: Murer (inventory 1887, no.56). Expo: Magnifique collection d’impressionnistes. Info: to the right the Prins Hendrikkade.
Claude Monet: 1874, CR306, Amsterdam, the bridge, 54×64, Shelburn M (iR51;iR3;M153) Info: showing the Oude Schans and the Montalban tower. Provenance: Mrs Havemeyer (?1874). Expo: New York-1886-NAD-308.
Claude Monet: 1874, CR309, The Zuiderkerk, Amsterdam (Looking up the Groenburgwal from the Binnen Amstel), 55×65, Philadelphia MA (M28;iR3;R22,no309) Provenance: Cassatt family.
Claude Monet: 2IE-1876-156, Le Pont d’Argenteuil (app. à M. Faure) = CR311, 1874, SDbr, The bridge at Argenteuil, 60×80, Orsay (iR2;R2,p152;R90II,p57;R22=R127,no311;R231-1;M1,RF1937-41) Provenance: 1874 Faure; 1906 Personnaz. Expos: =3XX-1886-5; =GP1889-M+R-24; =EU-1900-C-490, Argenteuil (à M. Faure); DR1906-9; MJ1912-132.
Claude Monet: 1874, SDbr, CR313, The bridge at Argenteuil, 58×80, NP Munich (iRx;R22=R127,no313;R231-1;M53) Provenance: 1900ca Auguste Pellerin; Expos: EU-1900-C-482, Le Pont d’Argenteuil (appartient à M. Pellerin); Berlin-PC-1910-175; Stuttgart-1913-310.
Claude Monet: 1874, CR317, The Banks of the Seine near the Bridge at Argenteuil, 54×73, private (iRx;R22,no317) Provenance: 1876/02 Caillebotte; HD1927/12/03-33 sale Mme D…
Claude Monet: 1874ca, Sbr, CR318, Railway bridge at Argenteuil, 54×73, Philadelphia MA (iR51;R22,no318M28) Provenance: 1873/12 Durand-Ruel; 1883 Georges Petit; 1887 Johnson.
Claude Monet: 1874ca, Sbr, CR319, The Railway bridge at Argenteuil, 55×72, Orsay (M1;iR2;R22,no319) Provenance: 1875/10 Blémont; 1886 Mme Alphonse Moreau; Moreau-Nélaton.
Claude Monet: 1874, Sbl, CR323, The studio boat, 50×64, KMM Otterlo (iR2;iR51;R22,no323;M72). Provenance: 1876 Dr. de Bellio.
Claude Monet: 1874, Sbl, CR324, Boaters at Argenteuil, 60×81, private (iR2;R22,no324;R460,p144;R31,p205) Provenance: 1875ca Durand-Ruel. Expo: DR1883-12; DR1908-16.
Claude Monet: 3IE-1877-103, La maison du passeur à Argenteuil = CR329 = destroyed ca1950. Compare: 1874, CR325, Le Bassin d’Argenteuil, 55×74, Rhode Island SD (iRx;R22+R127,CR325;M152,no42.219) =11LE-1904-93
Claude Monet: CR327, 1874, SDbr, The Seine near Argenteuil, 55×66, private (iR2;R2,p205;R90II,p77+292;R22+R127,CR327) Provenance: april 1876 Gustave Manet. Expo: =? 3IE-1877-104, Marine, appartient à M. (Gustave) Manet
Claude Monet: 1874ca, Sbl, CR328, Sunset on the Seine, 49×65, MA Philadelphia (iR51;R22,CR328;M28) Provenance: =HD1875/03/24, no.1 (bought back 255fr) or no.13 (bought by Dallot 190fr); 1881ca Durand-Ruel; 1883 Cassatt. Expo: =New York-NAD-1886-300.
Claude Monet, 3IE-1877-103, La maison du passeur à Argenteuil = CR329, 1874, River banks at Argenteuil (The ferryman’s house), 55×65, destroyed 1950ca (R22II,p138=CR329;R2,p329;R90II,p95)
Claude Monet: 1874, SDbl, CR330, The Seine at Argenteuil, 54×65, A1988/11/11 (iR10;iR299;iR14;iR40;R22,no330;R88II,p452) Provenance: =??? HD1875/03/24-9, Bords de la Seine (55×65) -> Chesnau (95fr); Hermann.
Claude Monet: 1874, SDbl, CR340, Regatta at Argenteuil, 59×99, private (iR2;R22,no340)
Claude Monet: 2IE-1876-154, La prairie = CR341, 1874, SDbr, Meadow at Bezons, 57×80, NG Berlin (iR2;R2,p153;R90II,p57;R22=R127,CR341;R435II,p201;M52,no1146/AI1013) Provenance: =? HD1875/03/24-6, Paysage (60x81cm) (bought back 190fr); 1876ca Faure; 1906 Durand-Ruel. Expos: GP1889-22; DR1906-10.
Claude Monet: 1874, CR343, Sbr, Woman seated on a bench (Femme assise sur un banc), 74×50, NG London (M61;iR2;R22) Provenance: 1877? Pascal; sale HD1897/05/29-48; Marczell de Nemes; sale MJ1913/06/18-112; Expo: =Budapest-FI-1910-23.
Claude Monet: 1874, CR346, Sbl, The Promenade at Argenteuil, soleil couchant, 60×81, private (iR51;R22) Provenance: 1891ca Durand-Ruel. Expo: DR1908-12.
Claude Monet, 4IE-1879-159, effet de neige (1875) à Argenteuil. Maybe?: CR348, 1874, Snow at Argenteuil, 51×65, MFA Boston (iR51;R22+R127,CR348;R2,p269;M22,no.21.1329)
Claude Monet: 4IE-1879-160, La mare, effet de neige, appartient à M. Durand Ruel =CR350, 1874-75, Sbl, The pond, snow effect, 60×81, MB Potsdam (iR10;iR64;iR15;iR8;R90II,p136;R2,p269;R22=R127,no350;R88II,p452;M268). Provenance: HD1875/03/24-15, La mare (effet de neige; 60×81) -> Durand-Ruel (250fr); 1893 Henri Vever, sale GP1897/02/01-85.
Claude Monet: HD1875/03/24-2, Effet de neige (55×65) -> Durand-Ruel (300fr) (R88II,p451). Compare two landscapes with snow (R22,no351+355).
Claude Monet: 1875, SDbr, CR353, Winter effect at Argenteuil, 59×80, private (iR10;iR64;R22,no353) Provenance: 1875/01 Rouart; MJ1912/12/09-254 (R45,p105+32+++). Expo: =11LE-1904-353
Claude Monet: 4IE-1879-165, Paysage d’hiver, appartient à M. de Bellio =!? 1875, SDbr, CR356, The train engine in the snow, 59×78, Marmottan (iR59;iR51;R90II,p136;R2,p269;R22+R127,CR356;M2,no4017) Provenance: 1876/11 Dr. de Bellio. Expos: DR1883-11; GP1889-26.
Claude Monet: 1875, SDbr, CR357a, Boulevard Saint-Denis, snow effect, 66×81, MFA Boston (iR51;R22,no357a;M22) Expo: Boston-1892-3
Claude Monet: 1875ca, CR359, Sbl, The Boulevard de Pontoise at Argenteuil, snow effect, 60×81, Km Basel (iR51;iR40;R22,no359;R88II,p452;M145) Provenance: =?? HD1875/03/24-11, La neige (Argenteuil; 60×81) -> Durand-Ruel (265fr); 1891ca-98? Durand-Ruel.
Claude Monet: 1875, Sbr, CR361, White frost, 55×73, private (iR2;R22,no361). Provenance: ?1876 De Nittis; Paul Bérard; GP1905/05/08-9.
Claude Monet: 4IE-1879-164, Coucher du soleil, appartient à M. de Bellio =!? CR362, 1875, Sbr, Snow Effect, sunset, 53×64, Marmottan (iR51;R90II,p136;R2,p269;R22+R127,CR362;M2,no.4019). Provenance: Hoschedé; HD1878/06/05-51 (60fr by Petit for Monet); 1878/06/19 Dr. de Bellio (till 1894).
Claude Monet: 4IE-1879-158, Les Charbonniers (1875), appartient à M. Hayem = CR364, 1875ca, Sbr, The Coal-Dockers, 55×66, Orsay (iR2;iR23;R22+R127,CR364;R2,p269;R90II,p135;M1,RF1993.21) Provenance: HD1875/03/24-16, Les Charbonniers (55×65) -> Hecht (255fr); Hayem (1879ca); …; Victor Desfossés (1894), sale DR1899/04/26-47; Durand-Ruel. Expo: =London-Grafton-1905-138. Location: Asnières road bridge with view on the Clichy bridge.
Claude Monet: 3IE-1877-115, Intérieur d’appartement; appartient à M.G.C. = CR365, 1875, SDbl, A corner of the appartement, 80×60, Orsay (iR2;iR40;R22=R127,no365;R2,p228;R90II,p96;M1,RF2776) Provenance: HD1875/03/24-14, un coin d’appartement (81x60cm) -> bought back by Monet for 325fr; 1876 Caillebotte; 1894 bequest -> 1896 Musée du Luxembourg. Expos: =GP-6EIPS-1887-72; =? DR-1899-4;
Claude Monet: 1875, SDbr, CR366, Camille embroidering, 65×55, Barnes Merion (iR2;iR40;R22=R127,no366;R194,p97;M25,no197) Provenance: HD1875/03/24-12, La femme au métier (65×55) -> Debrousse (290fr).
Claude Monet: 1875, CR368, Yachts at Argenteuil, 54×65, Cologne Gallery Abels (iR51;R2,p163;R90II,p58;R22+R127,CR368). Expos: =?? 2IE-1876-155, Le petit Genevilliers, à Faure (or no.160); GP1899-27. Provenance: Faure (1875?); Durand-Ruel (1893/01); Sutton (1893/01).
Claude Monet: 1875, CR369, Red boats, Argenteuil, 60×81, FAM Cambridge (iR51;R2,p163;R90II,p58;R22+R127,CR369;M32,no1951.54) Provenance of CR168 or CR169: Faure (1875/09), Durand-Ruel (1893/01); Sutton (1893/01). Expos: =2IE-1876-160, Les bateaux d’Argenteuil, à Faure; =GP1889-27.
Claude Monet: 2IE-1876-149, La Seine à Argenteuil =!? CR373, 1875, SDbr, The Seine at Argenteuil, 60×80, A2014/06/23 (former FAM San Francisco) (iR2;iR14;R2,p179;R90II,p56;R22+R127,CR373;M30) Provenance: Faure (1875/09); Durand-Ruel (1893/01); Expos: =DR1883-13; =GP1889-28; =DR1899-5; London-GG-1905-126; New York-DR1926-12.
Claude Monet: 1875, CR376, Les coteaux d’Orgemont (Landscape with windmill), 51×66, A1977/10/19 (iR64;iR14;R22IV,p1018+no376) =Mulhouse-1899-249, (lent by Durand-Ruel?) =Le Havre-1906-69 =DR1914-28
Claude Monet: 1875, Sbl, CR377, Poppy field, summertime, 60×81, private (iR51;R22,no377) Provenance: =? Ernest Chesnau; 1881 Durand-Ruel; 1882 Ephrussi; 1882ca Bernstein; 1908 Max Liebermann. Expos: =Berlin-Gurlitt-IP-1883-24 (loan by Bernstein).
Claude Monet: CR378, 1875, Meadow with Poplars near Argenteuil, 55×66, MFA Boston (iRx;R22+R127,CR377;R90II,p75;M22,no.23.505) Provenance: Du Fresnay (1878); Durand-Ruel (1894). Compare: 3IE-1877-90, La prairie, appartient à M. H… (=Hoschedé).
Claude Monet: 2IE-1876-161, La promenade = 1875, CR381, The walk (Woman with a parasol), 100×81, NGA Washington (iR2;R2,p181;R90II,p58;R22+R127,CR381;M21,no1983.1.29) Provenance: G. de Bellio (1876/11/17)
Claude Monet: 1875, SDbl, CR382, Camille Monet and a child in the artist’s garden in Argenteuil,
55x65cm, MFA Boston (iR2;R22,no382;M22)
Claude Monet: 2IE-1876-159, Les Dahlias =!? 1875, Sbr, CR383, Young girls in a bed of dahlias, 54×66, NG Prague (iR3;iR8;R2,p163;R90II,p58;R22+R127,CR383;M140,no3196) Provenance: Hoschedé (1877/03?), sale HD1878/06/05-56 (62fr); Chocquet, sale GP1899/07/01-82.
Claude Monet: 1875, SDbr, CR385, Woman with a parasol in the garden in Argenteuil, 75×100, private (iR10;iR64;R22,no385) Provenance: Caillebotte (1876/04); Bongniat.
Claude Monet: 2IE-1876-153, Japonnerie = 1876, SDbl, CR387, Camille Monet in Japanese costume, 232×142, MFA Boston (M22,no.56.147;iR2;R2,p144;R90II,p557;R22+R127,CR387) Provenance: Monet sale HD1876/04/14-37 (2.000fr); M. L. ; sale HD1877/04/19-48; Comte Jean de Rasti; 1918 Paul Rosenberg. Expos: BJ1903-37.
Claude Monet: 2IE-1876-153, Japonnerie = 1875, CR387, Camille Monet in Japanese costume (detail), 232×142, MFA Boston (iR10;iR2;R2,p144;R90II,p557;R22+R127,CR387;M22,no.56.147) Provenance: sale HD1876/04/14-37 (2000fr); sale Jean de Rasti HD1877/04/19-48; Paul Rosenberg; Expo: =BJ1903-37
Claude Monet: 2IE-1876-150, Le chemin d’Epinay, effet de neige. Option 2 of 2: 1875, Sbr, CR388, The lane in epinay, snow effect, 61×100, A2015/05/05 (iR6;iR14;R22+R127,CR388;R2,p163;R90II,p40) Provenance: =? Monet sale HD1876/04/14-38; 1917ca Goiran.
Claude Monet: 2IE-1876-150, Le chemin d’Epinay, effet de neige. Option 1 of 2: 1875, Sbr, CR389, The Lane in Epinay, snow effect, 60×105, AKAG Buffalo (iR51;R2,p162;R90II,p56;R22+R127,CR389;M34,no.19.8). Provenance: =? sale Monet HD1876/04/14-38; Hiltbrunner; 1882/06 Durand-Ruel.
Claude Monet: 1875-76, Sbr, CR390, The studio boat, 72×60, Barnes Merion (iR10;iR6;R22,no390;M25) Provenance: =? HD1876/04/16-39, La Barque (72×56); Hoentschel.
Claude Monet: 3IE-1877-96, Paysage, Le parc Monceau (app. à M. Bellio) = CR398, 1876, The Parc Monceau, Paris, 60×81, Metropolitan (iR2;R22+R127,CR398;R2,p221;R90II,p94;M23,no.59.206) Provenance: G. de Bellio (1876/06/25)
Claude Monet: 3IE-1877-95, Les Tuileries, à M. Bellio =CR401, 1876, The Tuileries, 54×73, Marmottan (iR2;R22+R127,CR401;R2,p205;R90II,p93;M2,no.4016) Provenance: de Bellio (1876/06); Donop de Monchy (1894). Expos: DR1883-1; EU-1889-C-527; PR-1922-XIX-56. Info: view from the Chocquet appartement.
Claude Monet, 3IE-1877-119, Le jardin des Tuilleries = CR402, 1876, The Tuileries garden, 60×80, private (R22+R127,CR402;R2,p205;R90II,p96)
Claude Monet: 3IE-1877-105 Tuileries, esquisse = CR403, 1875-76, The Tuileries (study), 50×74, Orsay (iR2;R22+R127,CR403;R2,p205;R90II,p95;M1,RF2705) Provenance: 1877/05 Caillebotte; 1896 Musée de Luxembourg
Claude Monet: 3IE-1877-94, Prairie, appartient à M. Duret = 1876, CR405, In the Meadow, 60×82, A2009/02/04 (iR51;iR15;R22+R127,CR405;R2,p205;R90II,p93). Provenance: Duret (1877ca); sale: GP1894/03/19-28.
Claude Monet, 1876, CR413, Camille with a green umbrella, 81×60, private (iRx;R22,no413)
Claude Monet: 3IE-1877-101, Les dindons (décoration non terminée), appartient à M. H. = CR416, 1877, Turkeys (at the Château de Rottembourg at Montgeron), 172×175, Orsay (M1,RF1944.18;iR2;R2,p225;R90II,p94;R22+R127,CR416) =GP1889-31; =17LE-1910-147; Provenance: Hoschedé (1 of 4 decorative panels); de Nittis (1878?); Duret (1884); =GP1894/03/13-24; Depeaux (1903ca); =GP1906/06/01-27
Claude Monet: 3IE-1877-93, Les Dahlias, Montgeron, appartient à M H… =? 1876, CR417, The Rose bushes in the Garden at Montgeron, 60×81, MB Potsdam (iR2;iR8;R22+R127,CR417;R90II,p93;R2,p205). Provenance: Hoschedé (1876/12), sale HD1878/06/05-58 (130fr), Faure.
Claude Monet: 3IE-1877-112, Un jardin, appartient à M. H…. =? 1877, CR418, A Corner of the Garden at Montgeron, 172×193, Hermitage (iR51;R2,p205;R22+R127,CR418;M95,no.9152) Provenance: commissioned by Hoschedé; Faure (1899ca); Durand-Ruel (1907). Expos: DR1906/03-11.
Claude Monet: 3IE-1877-91, La mare à Montgeron =!? 1876, CR419, The Pond at Montgeron (study), 60×82, private (iR51;R2,p205;R90II,p93;R22+R127,CR419) Provenance: Hoschedé (1876/12);
Claude Monet: CR422, 1876, The house at Yerres, 80×61, private (iRx;R22+R127,CR422;R2,p205) =?? 3IE-1877-109, Le châlet, appartient à M. H… (=Hoschedé). Provenance: Hoschedé (1877/03); Georges Petit; BVcie (1892); Monet (1892/12) (note: it was 1892/12 nailed to CR421).
79-164 coucher du soleil,
very uncertain: CR429, 1876, Argenteuil, evening, 50×65, private
Claude Monet: 3IE-1877-108, Effet d’Automne à Montgeron, appartient à M. H… =1876, CR431, Sous-bois (Wood Lane), 73×54, private (iR51;R22;R90II,p95;R2,p205) Provenance: Hoschedé (1877ca); ? de Bellio (1878); de Monchy (1894).
Claude Monet: 1876, CR433, Hunting (La Chasse), 173×140, Hôtel Guénéaud, Paris (iR51;R22+R127,CR433;R90II,p75) Provenance: Hoschedé (1876/12); Duret (1880?); GP1894/03/19-25; Durand-Ruel. Compare: 3IE-1877-92, Paysage d’automne.
Claude Monet: 3IE-1877-99, Portrait d’enfant (app. M. H.) =CR434, 1876-77, Germaine Hoschedé with her doll, 81×60, private (iR51;R22+R127,CR434;R2,p205;R90,p94) Provenance: Hoschedé; Mme Germaine Salerou (born Hoschedé; 1873-1968).
Claude Monet, 3IE-1877-114, Portrait. Probably: 1877, CR436, Camille holding a Posy of Violets, 116×88, private (iR10;iR94;R22+R127,CR435;R2,p205;R90II,p96)
Claude Monet: 3IE-1877-107, La plaine de Gennevilliers = CR437, 1876-77, The plain at Gennevilliers, 50×61, A2017/11/14 (iR2;iR15;R22+R127,CR437;R2,p205;R90II,p95) =Caillebotte bequest, rejected
Claude Monet: 3IE-1877-102, Vue Intérieur de la Gare St-Lazare, à Paris = CR438, 1877, Saint-Lazare station (view of the interior), 75×100, Orsay (iR2;R90I,p169+181;R22+R127,CR438;R2,p227;R90II,p95;M1,RF2775) =NY-AAG+NAD-1886-203. Provenance: 1878 Caillebotte, 1894 bequest
Claude Monet: 3IE-1877-97, Arrivée du train de Normandie, gare St-Lazare, appartient à M. H… =? CR439, 1876, Arrival at Saint-Lazare Station, 82×101, FAM Cambridge (iR2;M32,no.1951.53). Mostly suggested for no.100 (R22,CR439;R2,p222;R90II,p94) Provenance: 1877/03 purchased by Ernest Hoschedé for Charles Deudon.
Claude Monet: 3IE-1877-100, La gare St-Lazare, arrivée d’un train, app M. H… =? CR440, 1877, SDbl, Saint-Lazare station, the Normandy train, 60×80, AI Chicago (iR2;R90I,p130+180;R231-1;M20,no.1933.1158) Note: mostly suggested for no.97 (R22,CR440;R2,p222;R90II,p94;M20). Provenance: 1877/03 Ernest Hoschedé; 1878 G. de Bellio; 1894 Donop de Monchy; 1899ca Bernheim-Jeune; Paul Rosenberg; 1911 Durand-Ruel. Expos: =6EIPS-1887-hc; =GP1889-M+R-33; =EU-1900-C-484, Le Train de Normandie (appartient à M. Alexandre Bernheim jeune); =LE-1904-PI-98; NYDR1911-8.
Claude Monet: 3IE-1877-117, Intérieur de la gare St-Lazare, à Paris =? CR441, 1877, Saint-Lazare Station, 54×73, NG London (iR2;R90I,p139;R22,CR441;R2,p205;M61,no.6479)
Claude Monet: 3IE-1877-98, Le pont de Rome (Gare St-Lazare) =!? CR442, 1877, Le Pont de l’Europe, Saint-Lazare Station, 64×81, Marmottan (iR2;R22=R127,no442;R2,p224;R90II,p94;R321-1;M2,no.4015) Provenance: 1877/03 de Bellio; 1894 Donop de Monchy. Expos: DR1883-17; GP1889-M+R-34; EU-1900-C-480, Le Pont de l’Europe (appartient à M. Donop de Monchy); PR-XIX-1922-58.
Claude Monet: CR445, 1877, Tracks coming out of Saint-Lazare Station, 60×80, Pola MA Kanagawa (iR2;R22,no445;R90I,p181+164) Expo: =? 3IE-1877-119+hc2, La gare Saint-Lazare à l’exterieur. Provenance: Hoschedé (1877/03); HD1878/02/18-53); de Bellio; Donop de Monchy.
Claude Monet: CR446, 1877, Exterior view of Saint-Lazare Station (the Western Region Goods Sheds), 60×80, A2018/06/20 (iR2;iR15;R22,CR446;R90I,p181+187+164) =? 3IE-1877-119+hc3, La gare Saint-Lazare à l’exterieur.
Claude Monet: CR447, 1877, Exterior View of the Saint-Lazare Station, 64×81, private (iR7;R22,no447) Provenance: 1878/03/10 Gustave Caillebotte; 1896, Martial Caillebotte.
Claude Monet: 3IE-1877-119+hc1, La gare Saint-Lazare à l’exterieur =!? CR448, 1877, Exterior of Saint-Lazare Station (The Signal), 65×82, NLm Hanover (iR2;R90I,p139+187;R90II,p96;R2,p205;R22+R127,CR448;M56,no.PNM941) Provenance: 1878/03/10, Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet: CR449, 1877, The tracks at Batignolles, xx, xx (iR10;iR64;R22,CR449;R90I,p181)
Claude Monet, 4IE-1879-166+hc, Foreground with Dahlias. Maybe: 1877, CR453, Argenteuil, Flowered Riverbank, 54×65, PMA Hakone (iR51;R22+R127,CR453;R90II,p137;R2,p269;M126)
Claude Monet: 4IE-1879-153, Bords de la Seine, environs de Paris, appartient à M. Chabrier = CR456, 1878, Île de la Grande Jatte, 54×65, private (iR51;R22+R127,CR456;R90II,p135;R2,p269) =HD1896/03/26,no.20
Claude Monet, 4IE-1879-139, Paysage à Courbevoie =CR457, 1878, banks of the Seine at Courbevoie, 50×61, xx (iR10;iR94;R90II,p133;R2,p268;R22+R127,CR457)
Claude Monet: 1878, CR464, L’Allée (Der Waldweg), 73×55, private (iR10;iR295;iR7;R22,no464) =? Berlin-Gurlitt-1882 +1883 (loan by Bernstein?)
Claude Monet: 4IE-1879-152, Parc Monceaux, appartient à M. de Bellio =!? CR468, 1878, The Parc Monceau, 54×65, private (iR2;R22+R127,CR468;R90II,p134;R2,p269;R90II,p115+134) Purchased by Georges de Bellio 1878/06/02.
Claude Monet: 4IE-1879-145, La rue Montergeuil, fête du 30 juin, appartient à M. de Bellio = CR469, 1878, The Rue Montorgeuil, 30th of June 1878, 80×50, Orsay (iR2;iR23;R22+R127,CR469;R2,p245;R90II,p134;M1,RF1982.71) Bought by Georges de Bellio 1878/07. Expos: =LVM-1880-6; =GP-1889-38
Claude Monet: 4IE-1879-154, La rue Saint-Denis, fête du 30 juin = CR470, 1878, The Rue Saint Denis, 30th of June 1878, 76×52, MBA Rouen (iR2;iR23;R22+R127,CR470;R2,p245;R90II,p135;M12,no.09.1.34). Provenance: Hoschedé (1878/07), Emanuel Chabrier (1878/08), sale HD1896/03/26-21; Durand-Ruel; François Depeaux (1896), sale GP1906/05/31-31.
Claude Monet, 4IE-1879-156, Eglise de Vétheuil = CR474, 1878, The Church at Vetheuil, 65×55, NGS Edinburgh (iR2;R22+R127,CR474;R2,p269;R90II,p135;M63,NG2385)
Claude Monet, 7IE-1882-65, Église de Vétheuil =1881, CR473, The Church at Vétheuil, 61×81, private (iR6;R22,no473;R90II,p205+220;R2,p395)
Claude Monet, 4IE-1879-149 Lavacourt. Maybe: CR475, 1878, The Seine at Lavacourt, 56×75, private (iR2;R2,p269;R90II,p134;R22+R127,CR475)
Claude Monet, 4IE-1879-161, Lavacourt, temps gris. Probably: CR476, 1878, Morning fog at Lavacourt, 59×80, xx (iR10;iR64;R90,p136;R2,p269)
Claude Monet, 4IE-1879-166, Le petit bras à Vétheuil. Maybe: CR481, 1878, Small arm of the Seine at Vétheuil, 50×61, MuMa Le Havre (HW;M15;R90II,p137;R2,p269)
Claude Monet: 4IE-1879-143, Pommiers; appartient à M.C. =CR490, 1878, Apple trees, Vétheuil, 55×60, private (iR10;R90II,p133;R2,p269;R22+R127,CR490) Provenance: 1879/04ca Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet, 3IE-1877-106, Corbeille de fleurs. Compare: 1878, CR492a, Chrysanthemums, 54×61, private (iR2;R22,CR492a)
Claude Monet: 4IE-1879-162, Chemin de halage à Lavacourt, à M. Murer =CR496, 1878, Towpath at Lavacourt, 60×74, private (iR2;R22+R127,CR496;R2,p269;R90II,p136) Provenance: Murer (1878/12); Schmitz (1900).
Claude Monet: 4IE-1879-144, Effet de neige à Vétheuil; appartient à M.C. = CR506, 1878-79, the church at Vétheuil, winter, 53×71, Orsay (iR2;R22+R127,CR506;R2,p284;R90II,p133;M1,RF3755) Provenance: 1879/01 Caillebotte; 1896 Musée du Luxembourg
Claude Monet, 7IE-1882-68, Vétheuil, effet de neige. Maybe: CR508, 1879, The Road coming into Vetheuil, Snow Effect, 61×82, MFA St. Petersburg, Florida (iR2;R22,no508;R90II,p205)
Claude Monet, 1879, CR510, The Road leading into Vétheuil, Winter, 53×72, Göteborg Km (iR2;R22,no510) cp7IE-1882-68.
Claude Monet: 1879, SDbr, CR511, Lavacourt, sun and snow, 60×81, MGMA Dublin (iR7;iR235;R22IV,p1018+CR511) Provenance: 1881 Durand-Ruel (till 1905); Expos: =London-DG-NEAC-1900-114; London-HG-FI-1901-3; = Montauban-1901.
Claude Monet, 7IE-1882-72, Vétheuil, effet de neige. Maybe?: 1879, CR513, the Seine at Lavacourt, effect of snow, 55×74, private (iR7;R22,no513;R2,p394)
Claude Monet, 4IE-1879-166+hc2, unknown title (Vétheuil, temps gris). Maybe?: CR518, 1879, Vétheuil in the Fog, 60×71, Marmottan (iRx;R22+R127,CR518;R2,p265;M2,no.5024)
Claude Monet: 1879, CR519, Plum trees in blossom, 65×54, Axx (iR10;iR64;iR13;iR7;R22,no519) Provenance: 1880/04 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet: 1879, CR522, Pear trees in blossom, 60×100, private (iR10;iR64;R22,no522) =? Le Havre-1880-330, Le Printemps.
Claude Monet, 4IE-1879-148, Paysage de Vétheuil. Maybe?: CR526, 1879, Landscape, Vétheuil, 60×73, Orsay (iR51;R2,p269;R22+R127,CR526;M1,RF2639)
Claude Monet, 4IE-1879-141, Vétheuil, vu de Lavacourt =CR528, 1879, Vétheuil seen from Lavacourt, 60×81, Orsay (iR10;iR94;R90II,p133;R2,p268;R22+R127,CR528;M1,RF1998)
Claude Monet: CR529, 1879, The Seine at Vetheuil, 54×73, private (iRx;R22+R127,CR529;R2,p265). Provenance: Catin (1879/11); HD1895/04/19-49); Durand-Ruel; Viau (1900); DR1907/03/04-42. Expos: =?? 4IE-1879-166+hc3, unknown title (Vétheuil); =Dresden-1897-409.
Claude Monet: CR534, 1879, SDbr, Vétheuil in summer, 68×90, AGO Toronto (iRx;R22=R127,CR535;R2,p269;R231-1;M111,no.1354) Provenance: 1879 or 1880 de Bellio; 1894 Donop de Monchy; 1926ca Paul Rosenberg. Expos: compare: 4IE-1879-151, Vétheuil; =EU-1900-C-479, Vétheuil en été (appartient à M. Donop de Mouchy); =? BJ1903-EI-40.
Claude Monet: 7IE-1882-86, Les coquelicots =? 1879, CR535, The Meadow, 79×98, JAM Omaha (iR10;i64;R22,no535;R2,p395) =? LVM-1880-5 =GP-1889-42 =GP1899/07/01 Chocquet sale
Claude Monet, 4IE-1879-150, La Seine à Lavacourt, (soleil couchant). Probably: CR538, 1879, The Banks of the Seine, Lavacourt, 60×81, Frick Pittsburgh (iR10;M38,no.1984_61;R2,p269;R90II,p134;R22+R127,CR538)
Claude Monet, 4IE-1879-150, La Seine à Lavacourt, (soleil couchant). Second option: CR538a, 1879, The Seine at Lavacourt (study), 44×59, A1994/03/25 (iR10;iR64;iR85;iR13;R22,CR538a;R2,p269)
Claude Monet, 1879, CR543, Camille Monet on her deathbed, 90x68cm, Orsay (iRx;R22,no543;M1)
Claude Monet, 7IE-1882-82, Gibiers, nature morte. Option 2 of 2: CR549, 1879, Pheasants, 68×90, private (iR10;iR94;R22,no549;R90II,p206+223;R2,p395)
Claude Monet, 7IE-1882-82, Gibiers, nature morte. Option 1 of 2: CR550, 1879, Pheasants and Lapwings, 68×90, Minneapolis IA (iR2;iR8;R22,no550;R90II,p206+222;R2,p395+381)
Claude Monet: 1880, CR555, Le givre (frost), 61×100, Orsay (iR10;iR6;R22,no555;M1) Expo: =LVM1880-7 Provenance: 1880 Caillebotte; 1896 Musée du Luxembourg
Claude Monet: 1880, CR560, SDbr, Breakup of ice, grey weather, 68×90, MCG Lisbon (iR10;iRx;R22+R127,no560;R231-1;M103) Provenance: Pellerin; 1900/01 Bernheim-Jeune; 1900 Jules Strauss; sale HD1902/05/03-42; Hoentschel. Expos: EU-1900-C-483, La Débâcle, appartient à M. Jules Strauss; MdL-1904-38; GKn-XIX-1924-29.
Claude Monet: 7IE-1882-58, Les glaçons, appartient à M. Charpentier =SdAF-1880-R. = CR568, 1880, Floating Ice, 97×151, Shelburn M. Vermont (iR2;R22,no568;R90II,p204+219;R2,p395+402;M153). =GP1889-46.
Claude Monet, 7IE-1882-85, Les glaçons. Maybe: CR569, 1880, Breakup of ice, 59×99, SOR Winterthur (iR6;R22,no569;R90II,p206+223;R2,p395;M87)
Claude Monet: 7IE-1882-62, Soleil couchant, sur la Seine, effet d’hivier =CR576, 1880, SDbl, Sunset on the Seine (at Lavacourt), winter effect, 100×152, MPP Paris (iR2;iR51;R22,no576;R90II,p204+219;R2,p395+403;M4)
Claude Monet: SdAF-1880-2681, Lavacourt = CR578, 1880, (The Seine at) Lavacourt, 100×150, Dallas MA (iR2;iR1;R22,no578;M36) =Le Havre-1880-328 =New York AAG+NAD-1886-151 =Pittsburgh-1908-57 =Boston-1913-25 =Durand-Ruel collection (1881-86 + 1895-1938)
Claude Monet: CR582, 1880 Road of La Roche-Guyon, 60×73, MWA Tokyo (iRx;R22,no582;R2,p394;M127) =LVM-1880-4; compare 7IE-1882-75.
Claude Monet, 7IE-1882-89, Sentier dans l’île St-Martin. Maybe?: CR592, 1880, Lane in the Poppy Field, Ile Saint-Martin, 80×60, Metropolitan (iR2;iR51;R22,no592;R2,p395+406;M23)
Claude Monet, 7IE-1882-79, Vétheuil. Maybe: 1880, CR598, The Island of flowers, 65×81, Metropolitan (iR10;iR6;iR59;R22,no598;R90II,p206+222;R2,p395;M23)
Claude Monet, 7IE-1882-59, entrée du petit bras de la Seine à Vétheuil. Now: CR601, 1880, The Small Arm of the Seine at Vétheuil, 69×100, private (iR2;R22,no601;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-79, Vétheuil. Maybe?: CR605, 1880, Vétheuil in summer, 60×100, Metropolitan (iR2;R22,no605;R90II,p206;R2,p395)
Claude Monet: 7IE-1882-91, Les saules, appartient à M. Cahuzac. Option 1 of 2: CR611, 1880, The willows, 66×82, CGA Washington (iR2;iR51;R22,no611;R90II,p207+224;R2,p395;M21)
Claude Monet, 7IE-1882-91, Les saules. Option 2 of 2: CR612, 1880, The willows at Vétheuil, 60×74, private (iR10;iR64;R22,no612;R90II,p207;R2,p395)
Claude Monet, 7IE-1882-73, Falaises des petites dalles. Option 1 of 2: CR621, 1880, The Cliffs of Les Petites-Dalles, 59×75, MFA Boston (iR51;iR2;R22,no621;R90II,p205+221;R2,p395+384)
Claude Monet: 7IE-1882-78, Bouquet de soleils. Now: CR628, 1881, SDtr, Bouquet of Sunflowers, 101×82, Metropolitan (iR51;R22,no628;R90II,p206+222;R2,p395+405;M23) Provenance: 1881/10 Durand-Ruel; Expos: =DR1883-14; =3XX-1886-7; =NY-NAD-1886-293.
Claude Monet: 7IE-1882-57, Fleurs de topinambour, appartient à M. Cahuzac = CR629, 1880, Jerusalem Artichoke Flowers, 100×73, NGA Washington (iR2;iR51;R22,no629;R90II,p204+219;R2,p395+401;M21)
Claude Monet: CR634, 1882, SDbl, Chrysanthemums, 100×81, Metropolitan (iR2;R22,no634;M23) Provenance: 1882/12 Durand-Ruel. Expos: =DR1883-18; =3XX-1886-6; =New York-NAD-1886-294. Compare: 7IE-1882-69, Chrysanthèmes, appartient à M. C. (=Gustave Caillebotte).
Claude Monet: 7IE-1882-69, Chrysanthèmes; appartient à M. C. =1880, CR635, Red Chrysanthemums, 82×65, private (iR10;iR94;R22,no635;R90II,p205+220;R2,p395) Provenance: ca1882 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet, 7IE-1882-71, Inondation =1881, CR642, The flood, 60×100, Rau Zurich (iR10;iR64;R22,no642;R90II,p205+221;R2,p395)
Claude Monet, 7IE-1882-75, Château de la Roche-Guyon. Now: CR643, 1881, The chateau of La Roche-Guyon, 60×80, private (R22.no75;R90II,p206+221;R2,p395)
Claude Monet, 7IE-1882-64, Bateau échoué. Option: 1881, CR644, Boat lying at Low Tide (at Fécamp), 80×60, Tokyo FAM (iR2;iR8;R22,no644;R2,p394)
Claude Monet, 7IE-1882-64, Bateau échoué. Now: CR645, 1881, Boats Lying at Low Tide at Fecamp, 80×66, private (iRx;R22,no645;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-76, Étude de mer vue des hauteurs. Maybe?: CR647, 1881, Seascape near Fécamp, 60×81, private (iR2;R22,no647;R2,p394)
Claude Monet, 7IE-1882-67, La mer du haut des falaises. Now: CR648, 1881, The Sea seen from the Cliffs, 60×75, private (iR2;iR51;R22,no648;R90II,p205+220;R2,p395+385)
Claude Monet, 7IE-1882-76, Etude de mer vue des hauteurs =1881, CR649, sea study seen from the cliffs, 60×81, private (iR10;iR135;R22,no649;R90II,p206+221;R2,p395)
Claude Monet, 7IE-1882-66. Marée basse, vue prise sur les falaises. Probably: CR650, Calm Weather, Fécamp, 60×74, Km Basel (iR2;iR51;R22,no650;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-83, Le matin au bord de la mer. Now: CR651, 1881, Morning by the Sea, 61×81, private (iR51;iR2;R22,no651;R90II,p206+223;R2,p395)
Claude Monet: 7IE-1882-77, À Grainval, près de Fécamps. Now: CR653, 1881, SDbr, At Grainval near Fécamps, 61×80, private (iR51;iR2;R22,no653;R90II,p206+222;R2,p395+404) Provenance: 1881/04 Durand-Ruel. Expos: =4EIP-1885-74; =3XX-1886-8; =NY-NAD-1886-297.
Claude Monet, 7IE-1882-61, sur falaise à Grainval. Perhaps: CR655, 1881, View Taken from Grainval, 61×81, private (iR2;iR51;R22,no655;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-87, du haut des falaises à Fécamp. Perhaps: CR656, 1881, The Cliff at Fécamp, 64×80, Aberdeen AGM (iR51;iR2;R22,no656;R2,p394)
Claude Monet, 7IE-1882-73, Falaises des petites dalles. Option 2 of 2: CR665, 1880, Cliffs of Les Petites-Dalles, 60×81, unknown (iR10;iR94;R22,no665;R90II,p205+221;R2,p395)
Claude Monet: 1881, CR674, The Seine between Vétheuil and La Roche-Guyon (iR10;iR94;R22,no674) =1896 Caillebotte bequest, rejected
Claude Monet, 7IE-1882-88, Sentier dans les blés =!? CR676, 1881, Field of Corn, 66×82, MB Potsdam (former Cleveland MA) (iR2;iR51;iR59;R22,no676;R90II,p207+223;R2,p395;M27) =?? NY-AAG-1886-158, A wheat field.
Claude Monet, 7IE-1882-86, Les coquelicots. Probably: CR677, 1881, Poppy Field, 58×79, MBB Rotterdam (iR2;iR51;iR8;R22,no677;R90II,p206+223;R2,p395)
Claude Monet, 7IE-1882-89, Sentier dans l’Île St. Martin Probably: 1881, CR678, Lane in Ile Saint-Martin, 73×60, Philadelphia MA (iR51;iR6;iR64;R22,no678;R90II,p207+224;R2,p395;M28)
Claude Monet, 7IE-1882-90, Paysage d’été, île St-Martin. Perhaps: CR679, 1881, landscape in Ile Saint-Martin, 73x60cm, private (iR51;iR2;R22,no679;R90II,p207+224;R2,p395)
Claude Monet, 7IE-1882-63, Femme lisant dans un jardin =CR681, 1881, The terrace at Vétheuil, 81×65, private (iR10;iR64;iR59;R22,no681;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-70, Un coin du jardin à Vétheuil. Option 1 of 2: 1881, CR683, The Artist’s Garden at Vétheuil, 100×81, NSM Pasadena (M43;iR10;iR6;R22,no683;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-70, Un coin de jardin à Vétheuil. Option 2 of 2: CR684, 1881, The Artist’s Garden at Vétheuil, 100×80, private (iR2;iR51;R22,no684;R90II,p205+221;R2,p395)
Claude Monet, 7IE-1882-84, Sur la côte à Trouville. Now: CR687, 1881, On the Coast at Trouville, 60×81, MFA Boston (iR2;iR51;R22,no687;R90II,p206+223;R2,p395;M22)
Claude Monet: 7IE-1882-80, Glaïeuls = CR694, 1881, Sbl, Gladioli, 99×42, PAM Kanagawa (iR51;iR59;R22,no694;R90II,p206+222;R2,p395) Bought by Durand-Ruel 1881/10. = solo DR1883-55.
Claude Monet: 7IE-1882-81, Glaïeuls = CR695, 1881, Sbr, Gladioli, 99×42, PAM Kanagawa (iR51;iR59;R22,no695;R90II,p206+222;R2,p395) Bought by Durand-Ruel 1881/10 =solo DR1883-54
Claude Monet, 7IE-1882-74, Marine. Very uncertain: 1882, CR708, Falaise près de Dieppe, 59×79, private (iR51;iR142;R22,no708;R2,p395)
Claude Monet: 1882, CR717, SDbl, Pourville près Dieppe, 60×81, A1992/11/13 (iR6;iR94;iR10;iR7;R22,no717) Provenance: 1892 Boussoud, Valadon & Cie; 1892 Viau; sale DR1907/03/04-40; Durand-Ruel?; Expos: Zurich-Kh-FI-1908-17; New York-DR1915/12-6.
Claude Monet: 1882, CR725, The church at Varengeville, grey weather, 65×81, SAM Louisville (iR10;iR4;R22IV,p1018+CR725) =Reims-1896 (lent by Durand-Ruel?)
Claude Monet: 1882, CR726, SDbr, The church at Varengeville, sunset, 65×81, private (iR10;iR482;R22,no726;R22IV,p1017) Provenance: 1882/04 Durand-Ruel; 1883 Georges Petit; 1885? Herz; Henri Vever; sale GP1897/02/02-81; Montaignac. Expos: =DR1883-28; =? 4EIP-1885-72; =? 3XX-1886-1; =? GP1899-47.
Claude Monet: 1882, CR727, SDbr, The church at Varengeville, against the Sunlight, 65×81, Birmingham BIFA (iRx;R231-1;R22=R127,no727;M189) Provenance: ?1882/04 Durand-Ruel; 1883/08 G. Petit; 1889ca, Pr. de Polignac; 1897 Durand-Ruel. Expos: GP1889-M+R-61; DR1889-19; =? EU-1900-C-487, L’Église de Varengeville, 1882 (appartient à M. Claude Monet); London-GG-1905-147.
Claude Monet: 1882, CR731, SDbr, The customs house (Le Petit Ailly), 60×81, Metropolitan (M23;iR10;R22,no731) Provenance: 1882/04? Durand-Ruel; 1883 Petit; Leroux; 1888 Andrews; Avery; 1892 Seney; 1894/02/07? Durand-Ruel; 1895 Carey; 1927ca Payson Call. Expos: =? London-EI-1882-3; =? 4EIP-1885-69; New York-DR1895-13; Boston-1911-42.
Claude Monet: 1882, CR734, SDbr, The fisherman’s house, overcast weather, 60×73, private (iR10;iR64;iR94;R22,no734) Provenance: 1882/04 Durand-Ruel. Expos: =? London-EI-1882-4; DR1883-3 or 27; DR1899/04-16; London-GG-1905-144.
Claude Monet: 1882, CR735, The customs house at Dieppe, 58×70, Metropolitan (iR10;iR209;R22IV,p1016+CR735;M23) =Tours-1882, lent by Durand-Ruel =Boston-1883-10
Claude Monet: 1882, CR737, Sbl, Cabane des douaniers, effet d’après-midi, 58×81, Md Douaniers Bordeaux (iR6;iR10;iR155;R22,no737) Provenance: F. Roux; sale HD1898/11/25-51; Durand-Ruel; Expos: Mulhouse-1905-318; Prague-FI-1907-27.
Claude Monet: 1882, CR741, SDbr, The fisherman’s house at Le Petit Ailly, 65×81, private (iR10;iR154;R231-1;R22=R127,no741) Provenance: ?1882/10 Durand-Ruel; sale Charles Leroux HD1888/02/28-58; Chocquet; sale GP1899/07/01-76; Monet; 1907-1909 Durand-Ruel. Expos: GP-1889-M+R-53; EU-1900-C-488, Cabane à Pourville (appartient à M. Claude Monet).
Claude Monet: 1882, CR751, SDbl, Edge of the cliffs at Pourville, 61×100, private (iR6;iR10;iR7;R22,no751) Provenance: 1882/10 Durand-Ruel; 1883 Clapisson; 1891 Durand-Ruel. Expos: DR1883-10; London-D&D-SdI-1883-1; =? GP1889-58; DR1899/04-20; London-GG-1905-141; DR1908-p-36.
Claude Monet: 1882, SDbr, CR752, Bords de falaise à Pourville, 60×81, MB Postdam (formerly Metropolitan) (iR10;iR94;R22,no752;M23;M268) Provenance: 1883/12? Durand-Ruel; 1886-1903 W.H. Fuller. Expos: =3XX-1886-9; =New York-NAD-1886-295; New York-ULC-1891-54; New York-LC-1899-20.
Claude Monet: 1882, CR758, SDbr, Walk on the cliff at Pourville, 65×81, Chicago AI (M20;iR6;iR8;iR10;R22,no758) Provenance: 1882/10 Durand-Ruel. Expos: London-SdI-1883-32; DR1883-20; 11LE-1904-109; London-GG-1905-157; DR1914/03-30.
Claude Monet: 1882, CR762, SDbr, Chemin de la Cavée, Pourville, 60×81, MFA Boston (iR6;iR8;iR10;M22) Provenance: Durand-Ruel 1882/10 -1888 + 1900-1903; Loring. Expos: =? DR1883-24; London-D&D-SdI-1883-34; New York-DR-1902-13; Boston-CH-1905-35.
Claude Monet, 7IE-1882-60 Marine. Very uncertain: 1882, CR771, Sunset on the sea, off Pourville, 54×73, private (iRx;R22,no771;R2,p395)
Claude Monet: 1882, CR797, SDbr, Les Fonds de Varengeville, 65×81, private (iR10;iR423;iR6;iR7;R22,no797) Provenance: 1882/10 Durenad-Ruel; 1883 Georges Petit; 1889ca Guillemard; Clapisson; sale HD1894/04/28-21; Montaignac; 1912ca Doucet. Expos: DR1883-34; 3XX-1886-3; GP1889-59; Saint-Petersbourg-Centennial-1912-441.
Claude Monet, 1882, CR805, Fishermans Cottage at Varengeville,
61×88, MFA Boston (iR51;R22;M22)
Claude Monet: 1883, CR817, SDbl, Etretat, sunset, 55×81, NCMA Raleigh (iR422;R22,no817) =? New York-AAG+NAD-1886-287; New York-1899-16; New York-1910-17
Claude Monet: 1883, CR818, SDbl, Sunset at Etretat, 60×73, MBA Nancy (iR422;R22,no818;M218) Provenance: 1883/12 Durand-Ruel; 1892 Thomson; Expos: Boston-CG-IoP-1891-22; Boston-CH-1905/03-4.
Claude Monet: 1883, CR819, SDbr, The Needle Rock and the Port d’Aval (rough sea), 60×81, private (iR422;R22,no819) Provenance: 1892/12 Durand-Ruel; Expos: London-HG-1901-43; Le Havre-1902; Zurich-Kh-FI-1908-18.
Claude Monet: 1883, CR821, SDbl, Etretat, rough sea, 81×100, MBA Lyon (iR422;iR10;M16) Provenance: 1883/12 Durand-Ruel (till 1902); Expos: London-DG-EtI-1884; Stutgart-1901-27;
Claude Monet: 1883, CR828, SDbr, Beach at Etretat, 65×81, Orsay (iR10;iR7;R22,no828;M1) Provenance: 1883/12 Durand-Ruel; 1893 Camentron; Personnaz; Expo: London-DG-EtI-1884.
Claude Monet: 1883, CR832, SDbl, The Manneport, 65×81, Metropolitan (iR422;iR10;R22,no832;M23) Provenance: 1883/07/28 Durand-Ruel (600fr); 1883/08/09 Georges Petit; Expos: 4EIP-1885-66; =? XX1886-4 (lent by M. Georges Petit); =? New York-AAG+NAD-1886-123; New York-1899-21; Boston-1905-20.
Claude Monet: 1884, CR853, SDbl, View of Bordighera, 65×81, Hammer M. Los Angeles (iR6;iR10;R22,no853) Provenance: 1884/05? Durand-Ruel; 1884/06 Georges Petit; 1889 Montaignac. Expos: =? 3XX-1886-2; =? GP1889-67.
Claude Monet: 1884, CR874, SDbl, Un coin de ferme à Bordighera, 73×92, JAM Omaha (M230;iR6;iR10;R22,no874) Provenance: 1884/06 Durand-Ruel; Expos: 3XX-1886-10; New York-NAD-1886-296.
Claude Monet: 1882-85, CR919-948, Compilation of 3 doors for the drawing room of Paul Durand-Ruel, 35, Rue de Rome in Paris (iR3;R22II,p344 +no.919-954) Info: 1882/05 he commissioned 36 panels for 6 doors.
Claude Monet, 1885, CR1004, The Banks of the Seine at Port-Villez, 65×81, A1995/06/27 (iR51; iR14; R22)
Claude Monet: 1885, CR1024, Sbr, Boats on the beach at Étretat, 66×81, AI Chicago (M20;iR10;iR6;iR422;R22,no1024) Provenance: Bernaert; 1907ca Georges Bernheim; 1911 de Nemes.
Claude Monet: 1885, CR1029, Three Fishing Boats, 73×92, SM Budapest (iR6;iR8;R22,no1029;M142) =Mulhouse-1911-256
Claude Monet: 1885, SDbr, CR1032, Sailing boats behind the Rock needle (L’Aiguille), 65×81, private (iR422;iR10;iR64;R231-1;R22=R127,no1032) Provenance: 1887/10? Georges Petit; 1889ca Albert Cahen d’Anvers; sale GP1920/05/14-19; 1924ca Lucien Sauphar. Expos: =? 5EIPS-1886; =GP1889-69; =GP1899-M+R-48; =EU-1900-C-481, Falaise d’Étretat, 1885 (appartient à M. Albert Cahen); =GP1924-4; =BJ1925-89.
Claude Monet: 1885, SDbl, CR1035, Étratat, the Manneport at high tide, 65x81cm, private collection (iR2;R22,no1035) Provenance: 1885/12? Durand-Ruel (till 1905ca). Expos: New York-AAG+NAD-1886-123; New York-AAG-1886/87-6; =? GP1889-70; Boston-1905-92.
Claude Monet: 1886, CR1053, SDbr, The Manneport, 92×73, private (iR10;iR135;R22,no1053) Provenance: 1887/01 Durand-Ruel; Expos: =? 3XX-1886-4; =5EIP-1886; =LE-1904-101.
Claude Monet: 1886, CR1067, A field of tulips in Holland (Sassenheim), 66×82, Orsay (iR10;iR6;R22,no1067;M1) Provenance: Miss Singer (1886/07ca). Expos: 5EIP-1886; GP1889-MR-85; DR1895-38.
Claude Monet: 1886, CR1068, SDbr, Field of tulips and windmills near Leiden (Sassenheim), 65×81, SM Amsterdam (iR3;R22,no1068;M273) Expos: 6EIP-1887-78; GP1889-MR-81. Provenance: Boussod, Valadon et Cie (1887); Georges Petit (1889.
Claude Monet: 1886, CR1070, SDbl, Field of Tulips in Sassenheim near Haarlem, 60×73, CAI Williamstown (iR10;iR6;R22=CR127,no1070;R231-1;M26) Provenance: 1886 Clapisson; 1900ca Mlle Lefébure; 1905ca Durand-Ruel. Expos: 5IEPS-1886; GP1889-M+R-84; DR1899-25; =EU-1900-C-485, Champs de tulipes à Sassenheim, Hollande 1886 (appartient à Mlle Lefébure); Berlin-PC-1905-36; London-GG-1905-130; Zurich-1917-130; GP1924-44.
Claude Monet: 1886, CR1084, SDbr, Pyramids at Port-Coton, rough sea, 65×81, Pushkin (iR155;iR10;iR6;M96) Provenance: 1887 Georges Petit; Expos: 6EIP-1887-74or75; GP1889-91.
Claude Monet: 1886, CR1087, Pyramids at Port-Coton, 66×66, private (iR155;iR10;iR7) Provenance: 1887/05 Boussoud, Valadon & Cie; Expos: =? 6XX-1889-1.
Claude Monet: 1886, CR1088, SDbl, The Pyramids at Port-Coton, effet de soleil, 64×64, private (iR6;iR10) Provenance: 1890 Durand-Ruel. Expos: London-GG-1905-103; Vienna-FI-1911-4.
Claude Monet: 1886, CR1090, Rocky coast and the Lion rock at Belle-Île, 66×81, MAC Des Moines (Iowa) (iR10;iR326;R22IV,p1017+no1090) =? Nantes-1891-111
Claude Monet: 1886, CR1093, SDbr, Entrée de Port-Goulphar, Belle-Île, 65×81, A1977/06/27 (iR386;iR10;iR14;R22,no1093) =?GP-EIP-1887-83 =GP-1889-79 =Reims-1901
Claude Monet: 1886, CR1100, La Côte Sauvage, 65×81, Orsay (iR10;iRx;iR155;R22,no1100) =? GP-6EIP-1887-74 Provenance: 1891ca Gustave Caillebotte
Claude Monet: 1888, CR1191, SDbl, Under the pine trees at the end of the day, 73×92, private (iR10;iR94;R231-1;R22=R127,no1191) Provenance: 1888/06 Boussod, Valadon & Cie; 1888; P.A. Aubry; sale GP1897/05/10-18; Durand-Ruel + Montaignac; 1900 Mme Lebeau. Expos: BVc1888; EU-1900-C-486, Les pins parasols, 1888 (appartient à Mme Lebeau); Berlin-PC-1905-40; London-GG-1905-156; GP1924-46; DR1925-13.
Claude Monet, 1888, CR1204, Landscape with figures, Giverny, 80×80, Chicago AI (iRx;R22;M20). At the background Suzanne Hoschedé and Jean Monet; in front Germaine, Jean-Pierre and Michel. Expo: BVC1889 + GP1889-111.
Claude Monet: 1891, CR1253, Poppy field, 61×97, AI Chicago (iR10;M20;R22IV,p1017+,no1253) =? Nantes-1891-110
Claude Monet: 1890, CR1258, Oat and poppy field, 65×92, MBA Strasbourg (iR10;iR7;R22IV,p1017+no1258;M212) =? Nantes-1891-110
Claude Monet, CR1273, 1891, grainstacks, 73×92, private (iR51;R22,no1273)
Claude Monet, 1891, CR1312, Poplars on the banks of the river Epte, seen from the marsh, 88×93, private (iR51;R22,no1322). =DR1892-2 + DR1899-34
Claude Monet: 1900, CR1419a, SDbl, Japanese bridge in Monet’s garden, 89×92, A1987/05/11 (iRx;iR14;R22,no1419a). Provenance: Durand-Ruel (1911/10 -1913). Expo: Vienna-1911-FI-11.
Claude Monet: 1896, CR1422, SDbl, Falaise de Pourville, 65×92, A1872/10/25 (iR341;iR10;iR14;R22,no1422) Provenance: Ad Tavenier; sale GP1900/03/06-55; M. Tavenier; sale HD1907/04/15-33; Durand-Ruel. Expos: =? GP1898-18; Prague-FI-1907-29; DR1914-35.
Claude Monet: 1897, Sbr, CR1451, The coastguards cabin at Varengeville, 65×81, Axx (iR13;iR10;R22,no1451) Provenance: 1899/12 Bernheim-Jeune a.o.; 1906 Durand-Ruel. Expos: =17LE-1910-148; =Strasbourg-1912
Claude Monet: 1897-99, CR1504, Nymphéas, effet du soir, 73×100, Marmottan (iR3;M2;R22,no1504)
Claude Monet: 1899, CR1517, SDbr, Water-Lily pond (the Japanese footbridge), 81×100, NGA Washington (M21;iRx;R22,no1517) Provenance: Durand-Ruel (1900/01 -1920). Expos: DR1900-13; London-1905-GG-136;
Claude Monet: CR1528, 1903, SDbr, Charing Cross Bridge, 65×81, A1995/11/07 (iR51;iR15;R22,no1528) Info: in the background the Westminster bridge, the Houses of Parliament, the Victoria tower and the Big Ben.
Claude Monet: CR1536, 1903, SDbl, Charing Cross Bridge, the Thames, 73×100, Yamagate MA (iR51;iR3;R22,no1536;M128) Provenance: Durand-Ruel (1905/10 -1911/12). Expos: DR1904-5; Munich-1909-I-23. Info: in the background the Westminster bridge, the Houses of Parliament, the Victoria tower and the Big Ben.
Claude Monet: CR1567, 1903, SDbl, Waterloo Bridge, sunlight effect, 73×92, Milwaukee AM (iR51;iR3;R22;M231) Expo: DR1904-25.
Claude Monet: CR1580, 1903, SDbr, Waterloo Bridge, fog effect, 65×100, Hermitage (iR51;R22;M95) Expo: DR1904-19; BJ1906.
Claude Monet: CR1605, 1904, Houses of Parliament, stormy sky, 81×92, PBA Lille (iR51;iR3;M17;R22,no1605) Provenance: Durand-Ruel (1905/10); Mulle de Jaegher (1905/11).
Claude Monet: CR1610, 1904, Houses of Parliament, sun breaking through the fog, 81×92, Orsay (iRx;iR3;R22;M1) Expo: DR1904-35. Provenance: Durand-Ruel (1904/05/11); de Camondo (1904/05/11).
Claude Monet: 1900, CR1624, Irises in Monet’s garden, 81×92, Orsay (iR10;iR3;R22,no1024) Expos: =? DR1900-3; =? Copenhagen-1914-XIX-153. Provenance: Montaignac (1900/11); Laffon (HD1928/06/23-78). Info: the trees were later removed. Compare: CR1622-1625.
Claude Monet: 1901, CR1637, SDbl, Vétheuil in the afternoon, 89×92, private (iR3;R22,no1637) Provenance: Bernheim=Jeune (1902/01?); Durand-Ruel (1902/02). Expos: BJ1902; 11LE-1904-PI-111; DR1910-10; Copenhagen-1914-XIX-154.
Claude Monet: 1901, CR1645, SDbl, Vétheuil, soleil couchant, 89×92, AI Chicago (iR3;M20) Provenance: Durand-Ruel (1905/12). Expos: DR1908-21; DR1910-6; DR1914-34.
Claude Monet: 1902, CR1650, SDbr, Main path through the garden at Giverny, 89×92, OG Vienna (iR155;iR10;iR3;R22) Info: central pathway leading to the house of Monet.
Claude Monet: 1903, CR1656, SDbr, Water lily pond; the clouds, 73x100cm, private collection (iRx;R22,no1656) Expo: NYDR-1924-10.
Claude Monet: 1904, CR1666, SDbr, Water-Lilies, 89×92, Denver AM (iR51;R22,no1666;M158) Expo: DR1909-3
Claude Monet: 1908, CR1768, SDbr, San Giorgio Maggiore, at dusk, 65×92, NMW Cardiff (iR51;R22;M64) Expo: BJ1912-29; Cardiff-1913-27.
Claude Monet: 1908, CR1769, SDbr, Venice at Dusk (San Maggiore Giorgio), 73x92cm, BMA Tokyo (iR2;R22,no1769;M125)
Claude Monet: 1914-17, CR1811, Nymphéas, 200×200, Marmottan Paris (iR3;M2;R22,no1811)
Claude Monet (1840-1926): 1917, CR1843, Self-Portrait, 70×55, Orsay (iR51;R22I,p397+no1843;M1) =retrospective 1831-118
Claude Monet: 1916-19, CR1852, Nymphéas, 150×197, Marmottan Paris (iR51;iR3;R22,no1852;M2)
Claude Monet: 1917-19, CR1889, The water-lily pond, 130×200, AI Chicago (iR3;R22,no1889;M20)
Claude Monet: 1919-1920, CR1908, Wisteria, 150×200, Km The Hague (iR3;R22,no1908;M71)
Claude Monet: 1919, CR1916, SDbr, La passerelle sur le bassin aux nymphéas, 65×107, Km Basel (iR3;M145;R22,no1916) Provenance: Bernheim-Jeune (1919/11); Durand-Ruel (1922). Expos: BJ1921-43; NYDR-1922-10. Info: Monet had a distorted vision, for which he was operated 1923/01 (R22IV,p912).
Claude Monet: 1920-22, CR1940, L’Allée de rosiers, 73×105, private (iR3;R22). Letter no.2508. Info: Monet had a distorted vision, for which he was operated 1923/01 (R22IV,p912).
Claude Monet: 1920-22, CR1942, Weeping willow, 110×100, Orsay (iR3;R22,no1942;M1) Info: Monet had a distorted vision, for which he was operated 1923/01 (R22IV,p912).
Claude Monet: 1920-26, CR1964+1965, Le Bassin aux nymphéas, le soir (dyptych), 200×600, Kh Zurich (iR3;M86;R22,no1964+1965)
Claude Monet: 1920-1926, CR1984, The water-lily pond, sunset, 200x600cm, l’Orangerie (iRx;R22IV,p972;M3)
Claude Monet: 1920-26, CR1991, The water-lily pond with willows, bright morning, 200×1275, l’Orangerie (iR3;R22IV,p979;M3)
Claude Monet: 1917, CR1878, SDbr, Coin de l’étang à Giverny, 117×83, Md Grenoble (iR3;R22,no1878;M198) Info: gift of Monet 1923/05/18.
Sources: See for the used sources at the bottom of the main page about Claude Monet. See also the overview of the Catalogue Raisonné numbers (still in development). See the link for explanation of the subscriptions.
