J.A.D. Ingres (1780-1867): 1826-27, The Apotheosis of Homer, 386×515, Louvre (iR2;iR6;iR1;R478,p392;M5) Provenance: commission of King Charles X. Expos: S1827-plafond; S1833-plafond; EU-1855-3345, Homère déifié.
Henri Martin (1860-1943), 1899, Serenity (Le Bois Sacré), 367×544, MBA Lyon (M1;iR6;iR1;R231-3+4+13;M217) =SdAF-1899-1343 (bought by the State); =EU-1900-D-1324, Sérénité (à l’État) (Grand Prix).
Introduction: The presentation of awards was an important componant of the Salon, it’s successor the Salon de la Sociéte des Artistes Français and at the Expositions Universelles. You can see them as the standard of art. The most high award was the (Grande) Medaille d’honneur and the Grand Prix. You can see them as the ultimate standard of art in those days.
At the Salon these (Grande) Médailles d’honneur were awarded to one painter for one or two paintings. When possibly, you will find them all on this page.
At the Expositions Universelles these (Grande) Médailles d’honneur and Grand Prix were often rendered to several French and foreign painters and often a large amount of paintings were shown of which several were shown before at the Salon. So, it was more an award for an important part of the oeuvre of a painter, than just a single painting. On this page you will only find several examples of this exhibited oeuvre.
Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
The Exposition Universelle of 1855: At the Exposition Universelle of 1855 10 Grandes Médailles d’Honneurs were distributed, including for the following 6 French painters: Decamps showed 45+6=51 art-works (no.2855-2899 +5054-5059); 5 were shown before at the Salon: 11 works with animals, 11 genre paintings (including farms), 8 oriental scenes, 8 figure paintings, 7 religious scenes, 6 landscapes (including hunting scenes), 3 other themes. 8 numbers rendered drawings of which no.2894 contained 9 drawings. Delacroix showed 35 paintings (no.2908-2942); 30 were shown before at the Salon: this included 12 historical paintings; 5 oriental scenes; 5 themes from literature; 2 religious and 2 mythological paintings; 4 figure paintings; 5 other or undefined works; 1 number (2941) included several paintings. Heim showed 8 art-works (no.3284-3291); 5 were shown before at the Salon; it included 5 religious and 2 historical themes; number 3291 contained 16 portrait drawings. Ingres showed 40+1=41 art-works (no.3336-3375 +5048); 8 were shown before at the Salon; it included 13 portraits; 9 historical, 6 religious and 7 mythological scenes; 4 nudes; no.3340 consisted of 25 Cartons de vitraux; no.3375 contained 4 heads of the evangelists. Meissonier showed 4+5=9 paintings (no.3660-3663 +5057-5061); 4 were shown before at the Salon; it included 1 portrait and probably 8 genre paintings. Vernet showed 22 paintings (no.4144-4165); 8 were shown before at the Salon; it included 12 historical paintings; 2 religious and 2 mythological themes; 3 oriental scenes and 3 other works.
Here below you will find some of these works, rendered alphabetically and then in order of the catalogue numbers.
Alexandre Decamps (1803-60): 1838, Joseph sold by his brethren (reduction), 31×41, Wallace London (iR6;iR10) Compare: S1839 (Chevallier Légion d’Honneur); EU-1855-2857, Joseph vendu par ses frères (à M. le docteur L. Véron; Salon de 1839) (Grande médaille d’honneur)
Alexandre Decamps (1803-60): 1848, Rebecca at the well, 30×41, M. Condé Chantilly (iR6;iR23;iR10;R231-9;M196) Expos: =S1850/51; =EU-1855-2858, Eliézer et Rebecca (à M. le baron Roger)
Alexandre Decamps (1803-60): 1833, SDbl, La défaite des Cimbres, 130×195, Louvre (M5;iR155;iR6;R231-9;R337/1857) Expos: S1834 (1st class medal); EU-1855-2859 (Grande médaille d’Honneur)
Alexandre Decamps (1803-60): 1836, SD, Turkish children playing with a turtle (Souvenir de la Turquie d’Asie), 73×91, MC Chantilly (iR155;iR4;M196) Expos: =S1836 (or 1839); =? EU-1855-2871, Enfants turcs avec des tortues (à M. Cuvilliers-Fleury)
Alexandre Decamps (1803-60): 1842, Italian Peasant, 63×55, CAI Williamstown (M26;iR155;iR6;iR10;R231-9) =!? EU-1855-2879, Paysan italien (à M. Gaillard fils)
Alexandre Decamps (1803-60): 1837, The experts, 46×64, Metropolitan (iR6;iR1;R231-9;M23) Expos: S1839-504, Les Experts (Chevalier LdH); EU-1855-2892, Singes (à Lord Henry Seymour) (Grande médaille d’Honneur).
Delacroix (1798-1863): 1824, The Massacre of Chios, 419×354, Louvre (iR6;iR23;iR2;iR1;R12,p441) =S1824-450, Scènes des massacres de Scio; familles grecques attendant la mort ou l’esclavage, etc. =EU=S1855-2924
Delacroix (1798-1863): 1830-31, Liberty guiding the people, 260×325, Louvre (iR2;iR1;R12,p437;R172,p61;R13,p174;R293,p328;R231) =S1831-511, Le 28 juillet. La liberté guidant le peuple; =EU=S1855-2926 + =EU-C-1889-258
Delacroix (1798-1863): 1834, R561, The Prisoner of Chillon (from Lord Byron), 74×93, Louvre (iR6;iR23;iR1;R231-9+1;M5) Expos: S1835-555 (à le duc d’Orléans); EU-1855-2928; EdBA-1885; EU-1900-C-220, Le prisonnier de Chillon (à M. Moreau-Nélaton)
Delacroix (1798-1863): 1834, SDbr, R482, Women from Algiers in their appartment, 180×229, Louvre (iR10;iR4;iR2;iR1;R13,p175;R231-9;M5) Expos: =S1834-497 (bought by the State); =EU-1855-2931, Femmes d’Alger dans leur appartement (M. de l’Empereur; Salon de 1834).
Delacroix (1798-1863): 1837-38, The fanatics of Tangier, 96×129, Minneapolis IA (iR6;iR8;iR1;R231-9;M155) Expos: =S1838-457; =EU-1855-2933, Les convulsionnaires de Tanger (à M. Mala)
Delacroix (1798-1863): 1839, Hamlet and Horatio in the Graveyard (after Shakespeare), 81×66, Louvre (iR6;iR1;R231-9;M5) Expos: =S1839-525; =EU=S1855-2936, Hamlet (à M. Cottier)
François-Joseph Heim (1787-1865): 1824ca, La Victoire de Judas Macchabée (study), 48×38, MNM Dijon (iR10;iR108;iR6;iR23;R231-9;M205) Expos: compare: S1824; =?? EU-1855-3285, La Victoire de Judas Machabée.
François-Joseph Heim (1787-1865): 1838, The battle of Rocroi (reproduction) (1643/05/19), 47×34, Ch Versailles (iR6;iR10;R231-9;M195) Expos: compare: S1834; =? EU-1855-3289, Bataille de Rocroy.
François-Joseph Heim (1787-1865): 1825-27, Charles X distributing awards to artists exhibiting at the Salon of 1824 at the Louvre 1825/01/15, 173×256, Louvre (iR10;iR6;iR23;R231-9;R337/1857;M5) Expos: =S1827; =EU-1855-3290, Le roi Charles X distribuant des récompenses aux artistes à la fin de l’Exposition de 1824 (Salon de 1827) (Médaille d’Honneur).
Ingres (Jean-Auguste-Dominique; 1780-1867): 1824-34, St. Symphorian, 407×339, Cathedral SL Autun (iR3;iR2;iR1;R231-9) Expos: =S1827-577, Saint Symphorien; =? S1834-998, Le martyre de Saint-Simphorien; =EU-1855-3338, Saint Symphorien (à la Cathédral d’Autun; Salon de 1827); =? 3SdA-1905-23.
Jean-Auguste-Dominique Ingres (1780-1867): 1824, The Vow of Louis XIII, 421×262, Cathedral Notre-Dame Montauban (iR10;iR6;iR1;R231-9+1+2) Expos: S1824-922; EU-1855-3339; EU-1900-C-376, Le Vœu de Louis XIII (Cathédrale de Montauban; S.1824)
J.A.D. Ingres (1780-1867): 1826-27, The Apotheosis of Homer, 386×515, Louvre (iR2;iR6;iR1;R478,p392;M5) Provenance: commission of King Charles X. Expos: S1827-plafond; S1833-plafond; EU-1855-3345, Homère déifié.
Ingres (1780-1867): 1841, Roger delivering Angélique, 54×46, MI Montauban (iR6;iR10;M197;R231-1+2+9) Expos: =EU-1900-C-380, Roger délivrant Angélique (Musée de Montauban). Compare: S1819-1648, Roger délivrant Angélique; =EU-1855-3349, Roger délivrant Angélique (à l’Empereur; Salon de 1819)
Ingres (1780-1867): 1814, La Grande Odalisque, 91×162, Louvre (iR6;iR2;iR1;R231-9;M5) Expos: =S1819-619, Une Odalisque; =EU-1855-3350, Odalisque couchée (à M. Marcotte; peint à Rome, 1814)
Ingres (1780-1867): 1808ca, La Baigneuse (à mi-corps), 51×43, MBH Bayonne (iR10;iR108;iR127;M191;R231-1+2+9) Expos: =? EU-1855-3353, Baigneuse; petite étude (à M. Defresne); =EU-1900-C-371, Baigneuse assise, vue de dos (Rome, 1808; à M. Bonnat)
Ingres (Jean-Auguste-Dominique; 1780-1867): 1817, Henri IV playing with his children while receiving the Spanish ambassador (1604), 71×81, MPP Paris (iR6;iR195;iR1;R231-1;M4) Expos: S1824-923; EU-1855-3359, Henri IV jouant avec ses enfants au moment où l’ambassadeur d’Espagne est admis en sa presence (à M. de Rothschild; Salon de 1824).
Ingres (Jean-Auguste-Dominique; 1780-1867): 1832, Portrait of M Bertin, 116×95, Louvre (iR6;iR1;R231-9;M5) Expos: =S1833-1279, Portraits, même numéro; =EU-1855-3372, Portrait de M. Bertin aîné (Peint en 1832); =3SdA-1905-48.
Ernest Meissonier (1815-91): 1855, SDbl, The Brawl, op, 44×57, Buckingham Pallace (iR6;iR155;iR10;R231-9;R337/1857) =EU-1855-3669, Une Rixe (Grande médaille d’Honneur)
Ernest Meissonier (1815-91): 1850, SDbr, Sunday at Poisy, 23×30, Orsay (iR10;iR326;aR1;R231-9;M1) Expos: =S1850/51 (sold for 14.000fr); =EU-1855-5057, Le dimanche; les joueurs de tonneau; =GP1884-8; =GP1893-937;
E.-J.-Horace Vernet (1789-1863): 1822, The battle of Montmirail (1814-02-11), 178×290, NG London (M61;R322,p206;R231-9) Expos: S1824; EU-1855-4147, Montmirail: l’empereur Napoléon Ier, 1814; (à M. le marquis d’Herfort; peint en 1822)
E.-J.-Horace Vernet (1789-1863): 1826, Scene of the French Campaign of 1814, 57×72, FAM San Francisco (iR6;iR94;iR10;R231-9;M30) Expo: =? EU-1855-4148, Episode de la campagne de France, 1814 (à M. Schikler).
E.-J.-Horace Vernet (1789-1863): 1820, CR118, Defense de la barrière Clichy (1814-03-30), 97×130, Louvre (iR6;iR23;R231-9;M5) Provenance: Commissioned by Claude Odiot. Expos: S1822-R; =!? EU-1855-4149, La barrière de Clichy, ou la défense de Paris en 1814 (Maison de l’empereur) (Pent en 1820)
E.-J.-Horace Vernet (1789-1863): 1838-39, Siège de Constantine; prise de la ville (1837-10-13), 512×518, MNCh Versailles (iR6;iR23;iR10;R231-5+19;M195) =S1839; =? EU-1855-4150, Attaque de la porte de Constantine: lieutenant-colonel Lamoricière, 13 octobre 1837 (Répétition du tableau original, peinte en 1855); =EU-1889-C-642, Siège de Constantine; prise de la ville (1837-10-13)
E.-J.-Horace Vernet (1789-1863): 1844-46, CR487, Bataille d’Isly (1844-08-14), 514×1040, MNCh Versailles (iR6;M195;R321-9) Expos: =S1846-1767;=? EU-1855–4152, Batailly d’Isly: le maréchal Bugeau, août 1814 (Maison de l’empereur) (Salon de 1846)
E.-J.-Horace Vernet (1789-1863): 1826, Mazeppa aux loups, 97×136, Calvet Avignon (iR6;iR10;iR104;iR1;M172;R231-1+2+9) Expos: EU-1855-4158, Mazeppa aux loups (Musée d’Avignon; peint en 1826); EU-1900-C-653 (Musée d’Avignon)
E.-J.-Horace Vernet (1789-1863): 1820ca, CR139, The artist’s studio, 52×64, private (iR10;iRx;iR6;R231-9) =? EU-1855-4165, Intérieur d’atelier (à M. le comte de Lariboisière)
The Salons of 1857 – 1867: At the Salon of 1857Adolphe Yvon received a Médaille d’Honneur.
In 1861 the Médaille d’Honneur was awarded to Pils.
In 1865 the Médaille d’Honneur was awarded to Cabanel↑ and to Paul Dubois (statuaire).
There was no Médaille d’Honneur distributed at the Salon of 1859 and 1866.
In some years the Médaille d’Honneur was distributed, but not to a painter, like in 1863, 1864 and 1867.
Adolphe Yvon (1817-93): 1857, Prise de la tour de Malakoff (Crimée) par le général Mac-Mahon (1855/09/08), 73×108, MNCh Versailles (iR6;iR10;R337/1857+1859;M195) Reduction of: S1857-2708 (Médaille d’Honneur)
Pils (Isidore; 1813-1875): 1872, SDbr, La bataille de l’Alma (guerre de Crimée; victoire franço-anglaise sur les russes 1854/09/20), wc, 29×47, A2025/04/01 (iR10;iR201;R337/1861+1863) Copy painting: S1861-2555, Bataille de l’Alma (1854/09/20) (M. d’État) (Médaille d’Honneur)
Alexandre Cabanel (1823-89): 1865, SDbl, L’Empereur Napoleon III, 238×170, MNChd Compiègne (iR6;iR2;R231-8+10;R337/1865+1866;M200) Expos: =S1865-346, Portrait de l’Empereur (Médaille d’Honneur); EU-1867-124, Portrait de S.M. l’Empereur; Salon de 1865 (Grand Prix).
The Exposition Universelle of 1867: At the Exposition Universelle of 1867 8 artists received a Grand Prix (for painting and drawing) including the following 4 French artists: (R337/1868) Cabanel showed 6 paintings, including 3 portraits, 2 mythological scenes and 1 biblical scene; 2 works were loans of the emperor Napoleon III, who was also rendered in one of the portraits. Gérôme showed 13 paintings; 11 he had shown before at the Salon; 6 were oriental scenes; 5 historical paintings, 1 mythological paintings and 1 a sort of genre painting. Meissonier showed 14 paintings; 5 he had shown before at the Salon; 4 were history paintings, 2 portraits, 5 or maybe 8 can be best defined as genre paintings. Rousseau showed 8 landscapes; all titles depicted a location and 4 also atmospherical influences; 2 were shown before at the Salon.
Here below you will find some of these works, rendered alphabetically and then in order of the catalogue numbers.
Alexandre Cabanel (1823-89): 1860, Nymph kidnapped by a faun, 40×80, Lille PBA (Orsay) (iR6;M17;M1;R231-8+10) Expos: =S1861-495; purchased by Napoleon III; =EU-1867-120, Nymphe enlevée par un faune; Salon de 1861; à S.M. l’Empereur (Grand Prix).
Alexandre Cabanel (1823-89): 1863, The birth of Venus, 130×225, Orsay (iR6;iR8;iR23;M1;R231-8+10) Expos: S1863-316 (bought by the emperor for 40.000fr); EU-1867-122, Naissance de Vénus; Salon de 1863; à S.M. l’Empereur (Grand Prix).
Alexandre Cabanel (1823-89): 1865, SDbl, L’Empereur Napoleon III, 238×170, MNChd Compiègne (iR6;iR2;R231-8+10;R337/1865+1866;M200) Expos: =S1865-346, Portrait de l’Empereur (Médaille d’Honneur); EU-1867-124, Portrait de S.M. l’Empereur; Salon de 1865 (Grand Prix).
Alexandre Cabanel (1823-89): 1867, Paradise Lost, 123×93, Orsay (iR6;iR2;iR15;iR348;R231-8+10;M1) Reduction of EU-1867-125, Le Paradis perdu (commandé par S.M. le Roi de Bavière) (Grand Prix)
Jean-Léon Gérôme (1824-1904): 1857, Duel after the Masquerade, 50×72, MC Chantilly (iR6;iR4;iR2;iR23;iR1;R231-8+10;M196) Expos: =S1857-1159 (private assignement; 20.000fr); =EU-1867-288, Duel au sortir d’un bal masqué (Grand Prix + Officier LdH)
Jean-Léon Gérôme (1824-1904): 1859, 2CR110, Hail Caesar! We who are about to die salute you!, 93×145, Yale New Haven (M33;iR6;iR10;iR1;R231-8+10) Expos: =S1859-1238, Ave, César imperator, morituri te salutant; =EU-1867-289, Les Gladiateurs (à M. C.P. Matthews) (Grand Prix)
Jean-Léon Gérôme (1824-1904): 1861, SDbr, 2CR134, The prisoner, op, 45×78, MBA Nantes (iR23;iR1;iR6;M16;R231-8+10) Expos: S1863-770; EU-1867-296, Le prisonnier; Salon de 1863; Musée de Nantes (Grand Prix)
Jean-Léon Gérôme (1824-1904): 1859-67, 2CR168, SDbl, The death of Caesar (44/03/15 BC), 86×146, WAM Baltimore (iR6;M48;R231-8+10) =EU-1867-299, La mort de César (à M. J. Allard)
Ernest Meissonier (1815-91): 1863, SDbr, Napoleon III at the battle of Solferino, 44×76, MNCh Compiègne (iR6;iR23;iR10;iR155;M1;M200;R231-8+10+5) Expos: S1861-2184 (not exhibited); =S1864-1328 (bought by the State); EU-1867-452, S.M. l’Empereur à Solférino (Salon de 1864; Musée du Luxembourg) =EU-1889-C-505, L’Empereur à Solférino (Musée du Luxembourg; S.1864); GP1893-1015.
Ernest Meissonier (1815-91): 1864, SDbr, Campagne de France (1814) (Napoleon and his staff are retuning from Soissons after the battle of Laon), ow, 52×77, Orsay (iR6;iR23;iR10;aR1;M1;R231-8+10) Expos: S1864-1328bis; EU-1867-453 (Grand Prix; Commandeur LdH); GP1884-63; EU-1889-C-502; GP1893-892.
Théodore Rousseau (1812-1867): 1860, Le chêne de roche, op, 89×117, NCG Copenhagen (iR6;iR15;iR10;M90;R231-8+10) Provenance: 1860-62 E. Blanc; 1867 M. Marmontel. Expos: =S1861; EU-1867-544, Le Chêne de roch, forêt de Fontainebleau; Salon de 1861; à M. Marmontel (Grand Prix).
Théodore Rousseau (1812-1867): 1850ca, After the rain, 79×146, NGA Washington (M21;iR6;R231-8;R337/1868) =EU-1867-547, Le Soir après la pluie, paysage du Berry (Grand Prix).
Théodore Rousseau (1812-1867): 1860-67, The banks of the Bouzanne river (Early Summer afternoon), op, 56×74, WAM Baltimore (M48;iR6;R231-8;R337/1868) =EU-1867-548, Bords de la Bouzanne, paysage du Berry (à M. Margueritte) (Grand Prix)
Gustave Brion (1824-77): S1868-353, La lecture de la Bible; intérieur protestant en Alsace (Médaille d’Honneur) (R337/1868+1869). Compare etch after original painting and painting with similar motive.
Tony Robert-Fleury (1837-1911): 1870ca, Le Dernier Jour de Corinthe, 401-602, Orsay (M1;iR6;iR23;R337/1870+1872) Expos: S1870-2452 (Médaille d’Honneur); South-Kensington-1871-573; Vienna-EU-1873-555; EU-1878-734.
Jules Breton (1827-1906): S1872-204, La fontaine (Grande Médaille d’Honneur) =EU-1878-123, La fontaine (Salon de 1872; à M. J. ?Bélèvre). Compare print and (reduced study) painting.
Jules Breton (1827-1906): 1871, SDbr, Jeune fille gardant des vaches, 136×174, A2011/05/05 (iR10;iR48;iR11;aR6,p1871-05;R337/1872+1873) =S1872-205, Jeune fille gardant des vaches (Grande Médaille d’Honneur).
Jean-Léon Gérôme (1824-1904): 1873, The Gray Cardinal (François Le Clerc du Trembly; 1577-1638), 69×102, MFA Boston (iR10;iR99;iR2;iR3;iR1;R231;M22) Expos: =S1874-798, L’Eminence grise (Médaille d’Honneur); =EU-1878-357 (Médaille d’Honneur).
Alexandre Cabanel (1823-89): Saint Louis prisoner in Palestine (4th panel of the Fresco of the Life of Saint Louis), xx, Panthéon, Paris (iR6;R231) =EU-1878-160, Saint Louis roi de France (colonnement de droit) (-> Grande médaille d’honneur)
Jean-Léon Gérôme (1824-1904): 1873, The Gray Cardinal (François Le Clerc du Trembly; 1577-1638), 69×102, MFA Boston (iR10;iR99;iR2;iR3;iR1;R231;M22) Expos: =S1874-798, L’Eminence grise (Médaille d’Honneur); =EU-1878-357 (Médaille d’Honneur).
Jean-Léon Gérôme (1824-1904): 1874, Saint Jerome, 69×93, Städel Frankfurt aM (M54;iR10) =EU-1878-360, Saint Jérôme (Médaille d’Honneur)
The Salons of 1879 – 1889: At the Salon (de la Société des Artistes Français) of
In 18 the Médaille d’Honneur was awarded to
There was no Médaille d’Honneur distributed at the Salon of
In some years the Médaille d’Honneur was distributed, but not to a painter, like in Note: More info and pictures will follow.
The Exposition Universelle of 1889: At the Exposition Universelle of 1889 31 artists received a Grand Prix for classe 1 (Peintures à l’huile). The 13 French artists were: Bernier*; Collin (Rahpaël); Cormon*; Dagnan-Bouveret* (1852-1929); Delaunay (Élie)?*; Detaille*; Dupré (Jules); Flameng (F.); Gigoux (J.); Hébert (E.)*; Lefebvre (Jules)*; Lhermitte; Morot (Aimé). (R231-12,p2+3) Note*: these most awarded artists were also member of the jury. Note: More info and pictures will follow.
The Salons of 1889 – 1900: At the Salon de la Société des Artistes Français of
In 18 the Médaille d’Honneur was awarded to
There was no Médaille d’Honneur distributed at the Salon of
In some years the Médaille d’Honneur was distributed, but not to a painter, like in Note: More info and pictures will follow.
Jean-Joseph Benjamin-Constant (1845-1902): 1900, The entrance to Toulouse of Pope Urban II in 1096, ?cm, Salle des Illustres Toulouse (iR6;iR10;R231-3+4+13) =EU-1900-D-113, Urbain II (L’an 1095, le pape Urbain II entre dans Toulouse pour y prèche la première croisade; il y est reçu triomphalement, par le comte de Toulouse Raymond de Saint-Gilles, le clergé et le peuple) -> Grand Prix
Jean-Joseph Benjamin-Constant (1845-1902): 1899, Portrait de ses deux fils (André et Emmanuel), 109×124, MdA Toulouse (iR6;iR10;iR23;R481,p139) =EU-1900-D-115, Mes deux fils
Jean-Charles Cazin (1840-1901): 1894ca, Mesnilval, 88×107, MPP Paris (iR6;iR10;R231-3+4+13;M4) =!? EU-1900-D-392, Mesnilval (à la Ville de Paris) -> Grand Prix.
Jean-Charles Cazin (1840-1901): 1888, La journée faite (Des voyageurs fatigués), 196×167, Orsay (iR155;iR10;iR1;R231-3+4+13;M1) =SdAF-1888-525 -> bought by the State; compare: EU-1900-D-396, Les voyageurs (à M. Montaignac) -> Grand Prix.
Jean-Charles Cazin (1840-1901): 1876, Sbr, L’Orage (The storm), 90×117, Orsay (M1;iR10;R231-iR3+4+6+13) =!? EU-1889-OdA-276 (à M. H. Adam) -> Officier LdH; =? EU-1900-C-84, (1874) (à Mme Bartet); =?? EU-1900-D-398 (à Mme Bartet) -> Grand Prix.
Dagnan-Bouveret (1852-1929): 1887, Breton women at a Pardon, 125×141, CGM Lisbon (iR6;iR1;R231;R337;M103) =SdAF-1887-641, Le pardon, Bretagne; =EU-OdA-1889-370, Le Pardon (Grand Prix); =EU-D-1900-533, Bretonnes au Pardon (Grand Prix)
Dagnan-Bouveret (1852-1929): 1889-90, SDbr, Les Conscrits, 170×150, MBA Rennes (iR10;iRx;iR461;iR1;R231;M210) =? SNBA-1891-233 (iR461); =EU-D-1900-534, Les Constrits (R231/iR40).
Dagnan-Bouveret (1852-1929): 1895, SDbl, The last supper, 322×525, MBA Arras (iR3;iR10;iR127;iR1;R231;R377;M1) =SNBA-1896-365, La Cène =EU-D-1900=535, La Cène (Grand Prix)
Dagnan-Bouveret (1852-1929): 1884, Horses at the watering trough, 225×175, Orsay (iR2;iR6;iR1;R231;R337;M1) =SdAF-1885-667, Chevaux à l’abreuvoir (Médaille d’Honneur? + Chevalier LdH; bought by the State); =EU-OdA-1889-373+3 (Grand Prix); compare: EU-D-1900-537, Lavoir en Bretagne.
Dagnan-Bouveret (1852-1929): 1893ca, Mrs. Dagnan-Bouveret and her son, 98×67, MBA Valenciennes (iR6;M1;M201) =? EU-D-1900-538, Portrait de Mme D. et son fils.
Henri-Joseph Harpignies (1819-1916): 1897, SDbl, The Lake, 27×41, FM Cambridge (M184;iR10;R231-3+4+13) =EU-1900-D980, La Loire (à M. Paul Yver) -> Grand Prix.
Jean-Jacques Henner (1829-1905): 1898ca, The Levite of Ephraim and his dead wife, 60×92, PUAM Princeton (M44;iR6;cpR472, no21;R231-3+4+13) Compare: EU-1900-D-1004, Le Lévite d’Ephraïm et sa femme morte (Grand Prix)
Henri Martin (1860-1943), 1891, To each his own fantasy, 380×647, MBA Bordeaux (M11;iR10;iR1;R231-3+4+13;R473,p29) SdAF-1891-1128 (bought by the State); EU-1900-D-1321, Chacun sa chimère (à l’État) (Grand Prix).
Henri Martin (1860-1943): 1898, The appearance of Clémence Isaure to the troubadours (iR10;iRx;iR6;R231-3+4+13) =EU-1900-D-1323, Apparition de Clémence Isaure aux troubadours (à l’État) (Grand Prix).
Henri Martin (1860-1943), 1899, Serenity (Le Bois Sacré), 367×544, MBA Lyon (M1;iR6;iR1;R231-3+4+13;M217) =SdAF-1899-1343 (bought by the State); =EU-1900-D-1324, Sérénité (à l’État) (Grand Prix).
Gravure after Aimé Morot (1850-1913): 1897, Portrait of Jean-Léon Gérôme (iR6;iR10;R231-3+4+13) =EU-1900-D-1435, Portrait de J.-L. Gérôme (Grand Prix).
Gravure after Aimé Morot (1850-1913): 1899, Portrait of Edouard Detaille (iR6;iR10;R231-3+4+13) =EU-1900-D-1439, Portrait d’Édouard Detaille (Grand Prix).
Alfred-Philippe Roll (1846-1919): 1899, Pose de la première pierre du Pont Alexandre III, à Paris, par le Tsar Nicolas II, l’Impératrice et le Président de la République Félix Faure, 497×320, MNCh Versailles (iR10;iR291;R231-3+4+13;M195) =EU-1900-D-1648, Souvenir commémoratif de la pose de la première pierre du Pont Alexandre-III (à l’État) (Grand Prix).
Alfred-Philippe Roll (1846-1919): 1890, Les ouvriers de la terre (iR482;iR10;R231-3+4+13) =? (study for) SNBA-1894 (bought by the State) =EU-1900-D-1655, Exode (à la Ville de Paris); Compare: EU-1900-D1650, Ouvriers de la terre (Grand Prix).
Antoine Vollon (1833-1900): 18??, Pumpkin still life, 88×114, A2022/06/01 (iR17;iR10;R231-3+13) =!? EU-1889-1356; =!? EU-1900-D-1897, Le Potiron (à M. Norbert Pain) (Grand Prix).
Antoine Vollon (1833-1900): 18??, Still life with a map of the world, books and parchments, 46×55, Axx (iR10;iR11;iR155;R231-3+13) =? EU-1900-D-1900, Mappemonde (Grand Prix)