Tony Robert-Fleury (1837-1911): 1870ca, Le Dernier Jour de Corinthe, 401-602, Orsay (M1;iR6;iR23;R337/1870+1872) Expos: S1870-2452 (Médaille d’Honneur); South-Kensington-1871-573; Vienna-EU-1873-555; EU-1878-734.
Alfred Sisley: S1870-2651, Vue du canal Saint-Martin =1870, SDbr, CR16=CCPP17, Vue du canal Saint Martin, 50×65, Orsay (iR2;iR1;R166,p40+100;R129,no16;R396,no17;M1) Provenance: Gandoin; Dr. Gachet. Expo: =? DR1883-solo, barges on the Canal Saint-Martin, loan Dr. Gachet (R166,p40+52,note47)
The Salon of 1870, short info: The Salon of 1870 (the 88th) lasted from 1th of May till the 20th of June in the Palais des Champs-Elysées in Paris (iR4;iR3). The catalogue mentions 3929 partakers and 5485 numbers (iR1), which was quite extended. There were 3 artists appointed as Officier in the Légion d’Honneur, namely Alexandre Bida, Philippe Rousseau, Aimé Millet (sculptor). The Médaille d’Honneur was awarded to Tony Robert-Fleury↑. (His paintings can be seen as the standard of art.) Sisley showed a beautiful impressionist painting↑.
On this page you will find short information on the Salon of 1870 and some of the pictures exhibited. First you will find art-works of the partakers of the ‘impressionist’ expositions. Then some pictures of some related artists. At last you will find some rejected pictures. At the bottom you will find some background information. Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a (small) slideshow. On a smartphone or laptop you can also zoom in. Enjoy! Note: more info will follow.
Eugène Boudin: 1870, CR525, SDbl, Fisherwoman of Kerhor (disembarking from Plougastel, receiving benediction), 26×40, A2013/06/19 (iR10;aR25;iR108;iR15;iR1;R122,no525) =? S1870-329, Pêcheuses de Kérhor (Finistère). Compare: S1868-298, Le départ pour le pardon (Finistère)
Vernier: 1874ca, The examination, etch after Brandon, 16×21, BNF Paris (R89,p42;R87,p232;R90II,p20+6;R2,p119;iR1;iR26). Compare: Edouard Brandon: S1870-369, L’examen and: 1IE-1874-32bis, Le maître d’école.
Edouard Brandon: 1869, Rabbi with pupils, on panel, 25×41, A1999/04/08 (iR13;R2,p119;iR1). Compare: S1870-369, L’examen. Compare: 1IE-1874-32bis, Le maître d’école.
Louis Debras: 18xx, Sbr, Still life with oranges, ?cm A2018/10/07 (iR10;iR18) =??? 1IE-1874-51, Une nature morte; =??? S1870-744, Nature morte; =?? SdAF-1880-1020, Salade d’oranges, 50x62cm.
Edgar Degas, 1869-70, CR271, Madame Camus with a Fan, 73×92, NGA Washington (iR2;iR59;R90II,p49+35;R2,p173;R47,p8+47;R26,no258;R27,p93;R114,no271;M21) =S1870-758, Portrait de Mme C… =?? 2IE-1876-43, Portrait, le soir
Stanislas Lépine: 1878ca, Country Road, 36×60, private (iR2;iR1) =??? S1870-1739, Prairie à Saint-Ouen
Giuseppe de Nittis: 1869ca, DMM243, Lady with Parrots, 24×23, private (iR2;iR10;iR1;iR6;R277,no243) Compare: S1870-2101, La femme aux perroquets (=DMM244)
Camille Pissarro, S1870-2290 Automne. Perhaps: 1870, CCP157, Houses at Bougival (landscape at Louveciennes), 89×116, PGM Los Angeles (iR2;R116)
Camille Pissarro, S1870-2291, Paysage. Very uncertain: 1869ca, CCP136, Louveciennes, the brook at Montbuisson, 46×56, private (iR2;R116)
Auguste Renoir: S1870-2406, Femme d’Alger = 1870, SDbl, Odalisque (The Algerian woman), 69×123, NGA Washington (M21;R31,p194;R108,no48;R30,no.52;R190,no54;R185,no293) Expos: DR1892-27.
Henri Rouart: S1870-2479, L’île de Melun. Compare:
Henri Rouart, 1870-1897ca, A road at La Queue-en-Brie, 60×73, MBA Pau (aR20;aR21;R92,no14;M170). Option for: S1870-2480, Rue de village.
Alfred Sisley: S1870-2650, Péniches sur le canal Saint-Martin.
= 1870, SDbl, CR17=CCPP18, Péniches sur le canal Saint-Martin (Barges on the Saint-Martin Canal),
54×73, ORF Winterthur (iR2;iR1;R166,p16;R129,no17;R396,no18;M87) Provenance: Edouard Manet; Depeaux; sale GP1906/05/31-47.
Alfred Sisley: S1870-2651, Vue du canal Saint-Martin =1870, SDbr, CR16=CCPP17, Vue du canal Saint Martin, 50×65, Orsay (iR2;iR1;R166,p40+100;R129,no16;R396,no17;M1) Provenance: Gandoin; Dr. Gachet. Expo: =? DR1883-solo, barges on the Canal Saint-Martin, loan Dr. Gachet (R166,p40+52,note47)
Félix Bracquemond: 1868, B188, La scierie du Bas Meudon (the sawmill), etch, xx, xx (iR10;iR241;iR6;iR1;R90II,p4;R2,p119;R185,no188) =S1870-5105 or 5106, Vues prises au Bas-Meudon; =? 1IE-1874-26-5, La Montée de Bellevue.
Félix Bracquemond: 1868, B187-3, Chemin de halage au Bas-Meudon, etch, 16×23, Metropolitan (iR10;iR1;iR6;M23;R85,no187) =? S1870-5105, Vue prises au Bas-Meudon.
Edouard Brandon, 1IE-1874-31-3, Aquarelles. Maybe??: 18xx, Rue à Alevasco, wc, 11×18, A2013/11/07 (iR13;iR1;R2,p119). Maybe also: S1870-3144, Quinze aquarelles; même numéro: Souvenirs d’Italie + HD1897/12/13-66, Escalier dans une ruelle à Rome (Aquarelle).
Ludovic Lepic: 1876, Sbl, B4, Environs de Dordrecht (L’Illustration nouvelle, Cadart), etch, 16×24, NGA Washington (iR6; iR40,btv1b10315791b; M21;R85IX,p143,no4;M21) Compare: 2IE-1876-135, Croquis Hollandais (2 cadres eaux fortes)
Ludovic Lepic: 1870-80, Winter in Holland (daytime), monotype, 32×49, RM Amsterdam (iR6;iR1;R2,p162;R90II,p38;R85IX,p143,no4;M77) Compare: S1870-5260, Neuf gravures à l’eau-forte; même numéro: Vues de Hollande. Compare: 2IE-1876-135, Croquis Hollandais (2 cadres eaux fortes)
Ludovic Lepic: 1870-80, Winter in Holland (sunset), monotype, 32×49, RM Amsterdam (iR6;iR1;R2,p162;R90II,p38;R85IX,p143,no4;M77) Compare: S1870-5260, Neuf gravures à l’eau-forte; même numéro: Vues de Hollande. Compare: 2IE-1876-135, Croquis Hollandais (2 cadres eaux fortes)
Adolphe-Félix Cals: 1870, SDtr, Portrait de Mme A. de la Porte (Laporte), engraving after painting, 73x60cm, unknown location (R152,p128+207;iR1) =S1870-453, Portrait de Mme A. de L…
Adolphe-Félix Cals, S1870-454, Ferme en Normandie. Uncertain: 1865, Farm in Normandy, 60×50, A2018/03/21 (iR2;iR11;iR1)
Mary Stevenson Cassatt: 1872, CR16, Sbl (à C. Raimondi), Portrait of a woman, 58×51, Dayton AI (aR1;iR1;iR6;iR10;R187,p33=no16;R44,p8) Compare: S1870-2675, Mlle Mary Stevenson: Une contadina di Fobello, val Sesia (Piémont).
Gustave Colin, 18xx, Harvesting scene (castle of Bosnia-L’Aiguille), 72×52, xx (iR116;iR10;aR20;iR1). Maybe?: S1870-607, Attelage basque
Gustave Colin: 1870ca, Bringing home the catch, 65×54, A2019/120/14 (iR310;iR10) =?? S1870-608, Conchita (iR1) Compare: 1IE-1874-48, Marchandes de poissons de Fontarabie (Espagne) (R2,p120)
Berthe Morisot: S1870-2039, Portrait de Mmes =1869-70, CR20, Mother and Sister of the Artist (the reading) 101×82, NGA Washington (iR2;iR8;iR1;R3,p88;R100,p24). Note: this work was incorrectly suggested for 1IE-1874-105, La Lecture (R2,p121;R87,p245).
Berthe Morisot: S1870-2040, Jeune femme à sa fenêtre =1869, CR18, Edma Pontillon at a window, 55×46, NGA Washington (M21;iR2;iR6;iR1;R42,p7;R398,no8;R100,p24+no18;R186,no18;R88II,p451) Provenance: Edma Pontillon. Compare: HD1875/03/24-22, Intérieur (56×47) -> Hoschedé (480fr).
Auguste Renoir: S1870-2405, Baigneuse = 1870, SDbr, 1CR54, The bather with the griffin, 184×115, MdA São-Paulo (iR7;R31,no15;R108,no54;R30,no50;R190,no52;M115)
Zacharie Astruc: 1882ca, Mask of Barbey d’Aureville, bronzing plaster, 33cm, MBA Chambéry (iR10;iR23;iR6;aR18;iR40;iR1) Compare: S1870-4251, Portrait de M. Barbey d’Aurevilly; médaillon, plâtre + SRC-1897-4, Jules Barbey d’Aurevilly (haut-relief)
Zacharie Astruc: 1892ca, Dahlias, aquarelle panel, ?cm, MAMC Saint-Étienne (iR489;iR1) Bought by the State in 1892. Expos: =?? S1870-3023, Six aquarelles; même numéro: sujets divers.
Zacharie Astruc: 1892ca, La Rose trémière (The Hollyhock Rose), aquarelle panel, ?cm, MAMC Saint-Étienne (iR489;iR1) Bought by the State in 1892. Expos: =?? S1870-3023, Six aquarelles; même numéro: sujets divers.
Zacharie Astruc: 1892ca, La Rose, aquarelle panel, ?cm, MAMC Saint-Étienne (iR489;iR1) Bought by the State in 1892. Expos: =?? S1870-3023, Six aquarelles; même numéro: sujets divers.
Zacharie Astruc: 1892ca, La Tournesol (Sunflower), aquarelle panel, ?cm, MAMC Saint-Étienne (iR489;iR1) Bought by the State in 1892. Expos: =?? S1870-3023, Six aquarelles; même numéro: sujets divers.
Zacharie Astruc: 1892ca, L’Hortensia (Hydrangea), aquarelle panel, ?cm, MAMC Saint-Étienne (iR489;iR1) Bought by the State in 1892. Expos: =?? S1870-3023, Six aquarelles; même numéro: sujets divers.
Edouard Brandon, 1IE-1874-31-5, Aquarelles. Maybe??: 1856-63 (18xx), La chapelle Sixtine à Rome, wc, 23×17, DAG Louvre (iR23;M5a;aR4;R2,p119). Maybe also: S1870-3144, Quinze aquarelles; même numéro: Souvenirs d’Italie. Maybe??: HD1897/12/13-??.
Edouard Brandon, 1IE-1874-31-6, Aquarelles. Maybe??: 1856-63 (18xx), Two Roman peasant women, wc, 28×14, DAG Louvre (iR23;M5a;iR1;R2,p119). Maybe also: S1870-3144, Quinze aquarelles; même numéro: Souvenirs d’Italie.
Edgar Degas: 1869, CR214, Mme Théodore Gobillard (Yves Morisot, 1838–1893), pastel, 48×30, Metropolitan (iR8;iR1;M23;R2,p161;R26,no250) =!? S1870-3320, Portrait de Mme G….; pastel; =? 2IE-1876-42, Ébauche de portrait, pastel
Giuseppe de Nittis, S1870-3861, Arabe, dessin. Compare: 18xx, Musiciens arabes, dr, 23×18, A1996/02/28 (iR13;iR1)
Giuseppe de Nittis, S1870-3861, Arabe, dessin. Compare: 18xx, Promeneuse sous l’Arcade, wc, 43×36, A1991/04/08 (iR13;iR1)
Odilon Redon: 1866-70ca, CR1984, Head of the infant Jesus (Copy Léonardo da Vinci: étude pour l’enfant Jésus de la Vierge aux rochers, drawing, Louvre), dr, 32×26, Orsay (R182IV,p4+329-347;M1) S1870-3987, dessin d’après Léonard de Vinci; =Bordeaux 1872-440, Tête d’enfant, d’arpès Léonard de Vinci; =Bordeaux 1878-437, Tête d’enfant; =? 1SdI-1884-1, Profil d’enfant; =DR1894-49, L’enfant (d’après le Vinci); =retrospectives: 1923-111; 1926-220;
Exhibited art-works by other artists: Here below you will find some art-works (mainly paintings) of some other artists that were exhibited at the Salon of 1870. You will find them by form and than in an alphabetical order. This will not give you an overall impression (that is outside the scope of this website). Namely works of pre-impressionist, para-impressionist and other related artitsts will be shown. Namely the following artists showed paintings: Courbet; Fantin-Latour; Manet; Note: additional info and pictures will follow.
Gustave Courbet (1819-77): 1870, SDbl, CR747, La mer orageuse, 117×160, Orsay (M1;iR10;iR6;iR23;iR1;R110,no747;R231-1+2+5) Provenance: Carlin; sale HD1872/04/29-3 (17.000fr); Haro; 1878 bought by the State. Expos: S1870-671, La mer orageuse; EU-1878-214, La Vague (S.1870; M.du Luxembourg); Compare: EdBA-1882-106; EU-1889-C-205, La Vague (1870) (à M. Otlét); EU-1900-C-149, La vague, (à M. Albert Cahen).
Courbet (1819-77): 1869, cpCR747, The Wave, 72×117, MuMa Le Havre (iR10;iR8;iR2;iR1;R231;R63,p113;M15) Compare: S1870-671, La mer orageuse; EU-1878-214, La Vague (S.1870; M.du Luxembourg); EdBA-1882-106; EU-1889-C-205, La Vague (1870) (à M. Otlét); EU-1900-C-149, La vague, (à M. Albert Cahen).
Gustave Courbet (1819-77): 1869, The Cliff at Etretat, after the storm, 133×162, Orsay (iR2;iR6;R110,p745;M1) Expos: S1870-67; ENSBA-1882-107.
Henri Fantin-Latour (1836-1904): 1869-70, A studio at Batignolles (central: Manet painting Astruc; left to right: Scholderer, Renoir, Zola, Maître, Bazille, Monet), 204×273, Orsay (iR35;iR1;R1,p196;R88I,p19) =S1870-1000, Un atelier aux Batignolles
Édouard Manet (1832-83): 1870, RW152, Music lesson (Astruc as guitarist), 141×173, MFA Boston (iR6;iR22;iR1;aR1;R88I,p18;R213,no110;R120=iR193,no152;R262,no127;R120,no152;M22,no69.1123) =S1870-1851, La leçon de musique; =ENBA-1884-53; =SdA-1905-9; former Henri Rouart collection.
Alfred Dehodencq (1822-82): 1870ca, Une noce (fête) juive à Tanger, 41×31, MSC Poitiers (iR126;iR6) Expos: S1870-766 (1871 bought by the State); EU-1900-C-211, Fête juive (à Tanger) (Musée de Poitiers; S.1870)
Édouard Manet (1832-83): 1869-70, RW153, Eva Gonzalès painting, 191×133, NG London (M61;iR10;iR1;aR1;R231=iR40;R71,no133;R213,no107;R120,no153;R262,no129) =S1870-1852, Portrait de Mlle E.G…; =ENBA-1884-56; =EU-C-1900-443, Mme Eva Gonzalès (à M. G. Durand-Ruel); =SdA-1905-8
Claude Monet: 1IE-1874-103, Déjeuner =S1870-R =1868, CR132, The luncheon (The breakfast), 230×150, Städel Frankfurt (iR51;R87,p243;R2,p121;R90II,p24;R22+R127,CR132;R21,no39;M54,no170) Expos: GP1899-43; Vienna-1903-EI-176. Provenance: Fromenthal (1875); …; Durand-Ruel (1899-1906 +1908-10). Letter: no.44.
Claude Monet: 2IE-1876-164, Les bains de la Grenouillère; =S1870-R2 =!? CR136, 1869/09, La Grenouillère, xx, destroyed WWII; compare compilation of CR136+134+135 (HW;iR10;iR135;R22+R127,CR136+134+135;M23;M61). Letter: no.53. Provenance: ?Durand-Ruel (1873/02 (2.000fr); Hoschedé (1877/01).
Background information: The art-works were divided in 7 sections:
1. painting; 2. drawings +watercolours +pastels +miniatures +enamels +porcelain +(cartons for) stained glass windows; 3. sculpture; 4. engravings on medals and gemstones; 5. architecture; 6. engravings; 7. lithographs.
(?) Per sections artists could send in 2 art-works.
In an appendix the paintings and sculptures executed since 1869 in public monuments were noted.
The jury: 1870/03/24 the admission and award jury was elected. There were 4 juries. One for section 1+2; one for 3+4; one for 5; one for 6+7. The overall jury consisted of Robert Fleury (academic painter; president*), Marquis de Chennevières (curator of the imperial musea; vice-president) and M. Buon (inspecteur des Beaux-Arts; secretary). Note*: in the years before Comte de Nieuwerkerke. had been the overall president; now this president was voted for.
In the painting section (+ drawing etc.) the following painters were elected (in order of the most votes): Daubigny*, Corot*, Bonnat**, Gérôme* (vice-president), Comte, Millet, Fromentin (secretary), Gleyre, Robert-Fleury* (president), Cabanel*, Pils*, Cabat*, Delaunay**, Meissonier* (vice-president), de Chennevièrs, Dubufe, Ziem and as reserve Chaplin*, Vollon*, Baudry**, Bida, Courbet, Brion.
Note: This year the jury consisted of 17 members (instead of the intended 18), of which 6 were member of L’Institut. Divergent from the years before there were no 6 additional members added from the Administration. Note*: Daubigny and Corot did withdraw of the jury. Note*: they were replaced by Chaplin and Vollon. Note*: these artists were at that time member of L’Institut; see Academic painters. Note**: later member of L’Institut; see Academic painters.
The awards: The awards were distributed 1870/06/22ca.
There would be 2 Médaille d’Honneur worth 4.000fr, selected by a special commity. This year it was awarded to Tony Robert-Fleury and Ernest-Eugène Hiolle (statuaire). Tony Robert-Fleury (1837-1911) (iR3):
S1870-2452, Le dernier jour de Corinthe↑ (M1; iR6; iR23)
40 artists received a medal for the section painting and drawings, etc., including Carolus-Duran, Cormon*, Detaille*, Fantin-Latour, Lefebvre*, Tony Robert-Fleury**; and the Dutch painter H-W Mesdag.
The 2 Médailles d’Honneur had a value of 4.000fr each; the other medals 400fr. Note*: (future) members of L’Institut, see Academic painters. Note**: he (also) received the Medaille d’Honneur.
Sources: Namely the Explication des Oeuvres of 1870 and 1872 (for the awards) (=R337).
See at the bottom of the main page on the Salon.
See link for the subscriptions of the paintings.
Additional references:
Annuaire 1870 Gazette des Beaux-Arts; =R258,p312+=iR40.
Recommanded citation: “Meta-Impressionism / other exhibitions: Salon of 1870; info and pictures. Last modified 2025/12/03. https://www.impressionism.nl/1870-salon/”