Auguste Renoir: 7IE-1882-140, un déjeuner à Bougival = 1880-81, CR379, Le déjeuner des canotiers (detail), 129×172, Philips Washington (iRx;R30,no468;R31,no52;M29)
Intro: On this page you will an overview the paintings and other art-works of Auguste Renoir that are used on this website. The emphasize is on the works shown at the ‘impressionist’ expositions (in 1874, 1876, 1877 and 1882), at the Salon and at other exhibitions. The works will be shown per theme (landscapes; figures in landscapes; portraits and figures; still lifes; other art-works). In total you will find 223 pictures.
At the bottom of this page you will find an overview of sources that render overviews of the pictures of Auguste Renoir and to which I refer with codes in the subscriptions of the pictures.
Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. Enjoy!
Landscapes:
Renoir hardly dated his landscapes. Often the dating is disputed and diverse suggestions are given. I will render the landscapes chronological (after the latest insights) and partly thematical, so you can discern a development within the same theme. When the landscape is more prominent than the depicted figures, it will be shown here below.
Namely interesting is the following exhibition catalogue: Bailey, Colin B. e.o.: The landscapes of Renoir, 1865-1883, exhibition catalogue London, Ottawa and Philadelphia. London, 2007 (=R460).
Auguste Renoir: 1865, CR9, Clearing in the Woods (Fontainebleau), 75×102 or 54×81, Detroit IA or Lefevre London (iRx;R108,no9)
Auguste Renoir: S1866-Accepted but withdrawn, A quick sketch (Paysage à Marlotte) =? 1865-66, Two Figures in a Landscape (Road near Marlotte), 33×24, private (iR10;iR64;iR1;R460,no1;R88II,p391;R1,p132;R430,p21) Info: gift to Lise Tréhot.
Auguste Renoir: 1866, The Painter Jules Le Coeur Walking His Dogs in the Forest of Fontainebleau, 106×80, MA São Paulo (iRx;R31,no5;R30,no11;M115)
Auguste Renoir: 1868 (or 1869), CR12, La Grenouillère, 59×80, Pushkin (iRx;R30,no29;R31,no12;R108,no12;M96)
Auguste Renoir: 1869, CR13, La Grenouillère, 66×86, Nm Stockholm (iRx;R30,no33;R108,no13;M91)
Auguste Renoir: 1869, La Grenouillère, 65×93, SOR Winterthur (iRx;R30,no34;M87)
Auguste Renoir: 1873 (or 1869), La Grenouillère, 45×56, Milwaukee AM (iRx;R30,no95;R31,p192)
Auguste Renoir: 7IE-1882-161, Près de Bougival. Uncertain option 2: 1871ca, Bords de la Seine à Bougival, 43×55, AM Denver (iR94;iR10;iR94;R30,no678;R2,p394;M158)
Auguste Renoir: 1867, The Champs-Elysees during the Paris Fair of 1867, xx, private Zurich (iRx)
Auguste Renoir: 1867-68, Sbr, 1F27=2CR111, The Pont des Arts (and the Institut de France), 62×102, NSM Los Angeles (iRx;R30=R193=R190,no27;R185,no111;R31,p181;R3,p53;R1,p167;M43) Provenance: 1872/03/31 Durand-Ruel (200fr). Expo: 5SFA-London-1872-37.
Auguste Renoir: 1872, SDbl, 1F76, Le Pont-Neuf, 75×94, NGA Washington (iR6;iR8;iR40;iR19;R31,no21;R30=R193,no76;R190,no74;R185,no118;R460,no12;M21) Provenance: HD1875/03/24-42, Le Pont-Neuf (73×92) ->300fr Durand-Ruel (on behalf of Hazard); GP1919/12/01-206, Hazard sale -> 100.000fr.
Auguste Renoir: 1872-74ca, Sbr, 1F94=2CR119, Quai Malaquais, 38×46, A2002/06/21 (iR6;iR10;R30=R193,no70+94;R190,no90;R185,no119;R460,no25;R88II,p451) Provenance: =? HD1875/03/24-37, Vue de Paris (Institut; 38×46) -> Léon Monet (70fr); Depeaux; sale HD1901/04/25 -> Viau (6.000fr); Viau sale DR1907/03/04-65 (7650fr). Location: in the distance the Pont du Caroussel.
Auguste Renoir: HD1875/03/24-52, Le Lavoir de Bagneux (45×61) (aR1=iR40=R30=R193,no187). Compare: two other paintings with washing boats (R30=R193,no186 +R185,no121). Sold for 100fr to Perrier (R88II,p452).
Auguste Renoir: 1872ca (1879ca), Sbr, 1F77=395, High wind (The Gust of Wind), 52×82, FM Cambridge (iR10;iR64;iR40;R31,no25;R30=R193,no395+77;R190,no75;R460,no13;R88II,p451;M32) Provenance: HD1875/03/24-36, Grand vent (Paysage; 52×81)-> Auguste de Molins (55fr); 1899: Durand-Ruel; 1908: Alphonse Kann; Expo: Zurich-1917-165. Info: painted en-plein-air within one session.
Auguste Renoir: 1872-74ca, Sbr, 1F144, Après la tempête (After the storm), 47×56, A2018/06/19 (iR6;iR14;iR10;R30=R193,no144;R190,no139;R460,p116) Provenance: HD1875/03/24-34, Temps d’orage (Paysage; 46×55), bought back for 65fr; Durand-Ruel; Expo: =!? Bremen-1914-287; =Dresden-1914-100.
Auguste Renoir: 1IE-1874-144, Moissonneurs =!? 1873, The Harvesters, 60×73, Bührle Zurich (iR2;R90II,p12+28;R2,p122+141;R30,no100;R190,no96;R87,p266;R90I,p25+29;M85) Sold 1874 to M. Hartmann for probably 1000fr (R460,p124;R411).
Auguste Renoir: 3IE-1877-195, La Seine à Champrosay =1876, The Banks of the Seine at Champrosay, 55×66, Orsay (iR6;R30,no256;R90II,p82+101;R2,p106+238;R31,p207;M1). Caillebotte bequest.
Auguste Renoir: 1873, Sbl, The Duck Pond (in Argenteuil), 50×62, private (iR2;R460,no20) Provenance: 1891 Durand-Ruel
Auguste Renoir: 1873, Sbl, The duck pond, 50×62, Dallas MA (M36;iR6;R30,no101;R190,no97;R360,no21) Provenance: 1891 Durand-Ruel.
Auguste Renoir: 7IE-1882-154, la Seine à Chatou =? 1874ca, La Seine à Chatou, 54×65, Dallas MA (iR6;iR22;R30,no118;R2,p394;M36) Durand-Ruel collection
Auguste Renoir: 1874ca, S-, Regatta at Argenteuil, 32×46, NGA Washington (iR2;R30,no119;R190,no114;R185,no128;R1,p348;R460,no24;M21) Provenance: Monet.
Auguste Renoir: 1870-74ca, Sbl, 1F117=2CR61, Rose bushes, 39×46, private (iR10;iR6;iR40;R30=193,no117;R185,no61;R88II,p452) =HD1875/03/24-50, Champ de rosiers (38×46) -> Petitdidier (75fr).
Auguste Renoir: 1875ca, Sbr, Landscape with snow (in Argenteuil), 51×66, Orangerie (iR2;R190,no142;R360,no35;R31,no33;M3)
Auguste Renoir: Spring 1877ca, Paysage de printemps (Spring landscape), 38×53, MBA Algiers (iR10;iR64;iR1;R30,no271) =?? S1877-A, Printemps
Auguste Renoir: 3IE-1877-196, La place Saint-George =? 1875ca, Place de la Trinite, Paris, 50×61, private (iRx;R30,no196;R2,p206;R90I,p180;R88I,p93) =? Rejected Caillebotte bequest, La Place Saint-Georges.
Auguste Renoir: 3IE-1877-197, Coucher de soleil =? 18xx, view of Montmartre, xx, xx (iR10;iR64;iR2;R2,p206;R90I,p180;R88I,p93) =? Rejected bequest of Caillebotte, Vue de Montmartre.
Auguste Renoir: 1873, The Field (the drinking place), 47×62, private (iRx;R30,no.99) Suggested as 1IE-1874-147+hc, but probably not exhibited.
Auguste Renoir: 1874-78, 1F141, Winding path leading through tall grass, 60×74, Orsay (iR6;iR40;R30+R193,no141;R190,no299;R185,no90;R32,p25;R193,no14;R3,p149;M1) Provenance: =? HD1875/03/24-47, Paysage d’été (60×73), sold for 105fr; Charles Comiot (till 1926).
Auguste Renoir: 7IE-1882-161+hc3, Un verger Normand. Compare: 1872-75ca (1878), Spring at Chatou, 59×74, private (iR7;R31,no24;R30,no312;R90II,p212;R2,p394)
Auguste Renoir: 7IE-1882-161+hc3, Un verger Normand. Compare: 1879, The Vintagers, 54×65, NGA Washington (iRx;R30,no371;R90II,p212;R2,p394;M21)
Auguste Renoir: 7IE-1882-150, Au bord de la Seine. Uncertain option 3: 1878ca, Landscape by the Seine, the Argenteuil Bridge (The River), 47×51, private (iRx;R2,p394)
Auguste Renoir, 7IE-1882-150, Au bord de la Seine. Uncertain option 1: 1880-84, Willows and figures in a boat , 92×74, private (iR52;R30,no603;R2,p394)
Auguste Renoir: 7IE-1882-152, Les bords de la Seine. Uncertain option 1: 1880, The Banks of the Seine at Argenteuil, xx, private (iRx;iR10;iR229;R2,p394)
Auguste Renoir: 7IE-1882-161, Près de Bougival. Uncertain option 1: 1881ca, Canotage à Bougival, 54×65, A2017/02/28 (iR10;iR15;R185I,no146;R30,no453;R2,p394) Durand-Ruel collection
Auguste Renoir: 7IE-1882-152, Les bords de la Seine. Uncertain option 2: 1879-81, The Seine at Bougival, 32×41, private (iRx;R30,no469;R2,p395)
Auguste Renoir: 7IE-1882-150, Au bord de la Seine. Uncertain option 2: 1880ca, Landscape, Banks of the River, 35×25, A2008/06/27 (iRx;iR11;R2,p394)
Auguste Renoir: 7IE-1882-154, la Seine à Chatou =!? 1881, The Seine at Chatou, 73×92, MFA Boston (iR2;iR59;R2,p395+380;R90II,p211+231;R31,no57;M22)
Auguste Renoir: 1881, Railway bridge near Chatou, 54×65, Orsay (M1;iR52;R30,no470) =DR1883-68 =Caillebotte bequest
Auguste Renoir: 7IE-1882-155, Marroniers en fleurs = 1881, Chestnut tree blooming, 71×89, Sm Berlin (iR52;iR59;R30,no474;R90II,p211+231;R2,p395;M52)
Auguste Renoir: 7IE-1882-143, Champs de bananiers près d’Alger =1881, Field of banana trees, 51×63, Orsay (iR52;iR6;R30,no461;R90II,p210+230;R2,p395;M1)
Auguste Renoir: 7IE-1882-147, Vue de Venise =? 1881, View of Venice, Fog, 45×60, Kreeger Washington (iRx;R2,p415;R2,p395+415;R90II,p211;M40)
Auguste Renoir: 7IE-1882-146, Vue de Venise, Grande Canal =1881, Grande Canal Venice, 54×65, MFA Boston (iR2;iR59;R90II,p210+230;R2,p395;R30,no482;M22)
Auguste Renoir: 7IE-1882-147, Vue de Venice =!? 1881, Le palais des Doges, 55×65, CAI Williamstown (iR2;iR59;R30,no483;R90II,p210+230;R2,p395+415;M26) Painted during his trip through Italy.
Auguste Renoir: 7IE-1882-157, Jardin Desaix à Alger =1881-82, The Jardin d’Essai in Algiers, 81×65, private Paris (iRx;R30,no514;R90II,p211+232;R2,p395)
Auguste Renoir: 1882, The Estaque, 81×65, MFA Boston (iR51;R30,no508;M22)
Auguste Renoir: 1885ca, La Roche-Guyon, 46×56, Aberdeen AGM (iR52;iR22;iR2;R31,no77;M68)
Auguste Renoir: 1898-1901ca, The Footbridge at Essoyes, 47×56, private (iR2)
Auguste Renoir: 1903, Villa de la Poste at Cagnes, xx, private (iR51)
Auguste Renoir: 1905, Chapel of Our Lady of Protection, Cagnes, 41×33, private (iR2)
Figures in a landscape: In many landscapes Renoir depicted (small) anonymous figures. Most of them, you will see above. In other landscapes these figures are larger, even prominant or are known sitters. These you will find here below. In these pictures the influence of atmospherical conditions often can be discerned. Typical is his rendering of leaves filtered light. The pictures will be rendered chronological (which is often disputed) and partly thematical, so you can also see a development within one theme. Most prominent is this development in his nudes. First using a bit more classical rendering (1867-70). Than around 1876 (CR201) a highlight of impressionist painting in which the nude dissolves in the background, using a caleidoscope of small coloured strokes. Than in his Grandes Baigneuses (1884-87) the bodies are more explicitly lined and the composition schemed (distorting the body position of the bather to the left).
Auguste Renoir: S1867-R, Diana la chasseresse = 1867, SDbr, Diana the Huntress, 199×130, NGA Washington (iR2;R108,no30;R30,no20;R190,no20;R185,no578;R31,p180;M21) Provenance: Viau; sale DR1907/03/21-68; Expo: =BJ1900-40.
Auguste Renoir: S1867-R, Diana la chasseresse = 1867, SDbr, Diana the Huntress (detail Lise Tréhot), 199×130, NGA Washington (M21;iR6;R30,no20) Note: the colours in her hair.
Auguste Renoir: S1870-2405, Baigneuse = 1870, SDbr, 1CR54, The bather with the griffin, 184×115, MdA São-Paulo (iR7;R31,no15;R108,no54;R30,no50;R190,no52;M115)
Auguste Renoir: 2IE-1876-212, Étude = CR201, 1876ca, Study, torso of a woman in the sunlight, 81×65, Orsay (iR52;R2,p184+184;R90II,p44+62;R108,no201;R30,no204;M1)
Auguste Renoir: 1884-87, Les Grandes Baigneuses, 170×115, Philadelphia MA (iRx;R630;M28)
Auguste Renoir: S1869-2201, En été; étude = 1868ca, 1CR33=1F31, Sbl, The gypsy girl (In the summer), 85×59, NNg Berlin (R31,no8;R108,no33;R30,no31;R190,no32;R5,p78;M52;iR1) Provenance: Durand-Ruel; 1873 Duret (400fr). Expo: =? EU-1900-C-555, Jeune fille
(à M. Rosenberg)
Auguste Renoir: S1868-2113, Lise = 1867, SDbr, Portrait of Lise with umbrella, 184×115, MF Essen (iR10;iR6;iR1;R108,no22;R30,no22;R190,no22;R31,p181;R5,p51+78;M146) Provenance: 1873 (1868) Duret (1.200fr); 1890/06/05 Durand-Ruel.
Auguste Renoir: SdR-1873-90, Allée cavalière au Bois de Boulogne = 1873, SDbl, Riding in the Bois de Boulogne, 261×226, Kh Hamburg (iRx;iR1;R30,no104;R190,no100;R31,p196;M50). Bought by Rouart.
Auguste Renoir: 1866 (or 1870), Young Woman Seated in the Countryside (Lise Tréhot), 25×14, private (iRx;R31,p295;R88II,p391)
Auguste Renoir: 1873-77, Woman with parasol and a small child on a sunlit hillside, 47×56, MFA Boston (iR2;R30,no303;R2,p164;M22) =?? 2IE-1876-209, femme et enfant; Appartient à M. Poupin.
Auguste Renoir: 1872ca, Sbl, 1F74, Woman with umbrella seated in a garden, 46×38, A2008/12/01 (iR3;iR15;R108,no80;R30+R193,no74;R190,no72;R185,no295;R88II,p451) =HD1875/03/24-33, Femme assise (46×38) -> Arsène Houssaye 60fr).
Auguste Renoir: 7IE-1882-142, Femme cueillant des fleurs = 1872ca, CR74, Woman gathering flowers,
66×54, CAI Williamstown (iRx;R30,no87;R90II,p210+230;R2,p395+414;R108,no74;M26)
Auguste Renoir: 7IE-1882-153, Femme assisse sur l’herbe =1880, CR355, Madame Renoir with a Dog, 32×41, private Paris (iRx;R90II,p211+231;R2,p395;R108,no355)
Auguste Renoir: 1874ca, Sbr, 1CR105=1F132, Woman with a black dog, 61×49, Yamagata MA (iR6;M128;R108,no105;R30=R193,no132;R190,no127;R31,no32;R88II,p451) Provenance: HD1875/03/24-35, Femme au chien noir (61×50) -> M. De la Salle (61fr); Picq; 1892/06 Durend-Ruel; 1901: Cassirer, Berlin.
Auguste Renoir: 1874-77ca, Sbl, 1F135, Portrait of Mme Henriot (Jeune Femme dans les champs), 71×33, FJMA Norman, Oklahoma (iR10;iR6;R30=R193,no135;R87,p242;R460,p118) =HD1875/03/24-46, Femme en promenade (70×43) -> Auguste de Molins (50fr)
Auguste Renoir: 1875, Sbr, 1F166, The Source, 131×78, Barnes (iR6;R108,no124;R30+R193,no166;R190,no162;R185,no369;M25) Provenance: HD1875/03/24-45, La source (130×77), withdrawn by bidding of 110fr; Duret; 1889/04/29 Durand-Ruel (first on deposit); 1906/02/03 Prince de Wagram; Expo: SdA1904-16; London-GG-1905-222.
Auguste Renoir: 1874ca, Sbr, 1F143, The fisherman (Le pêcheur à la ligne), 54×65, A2019/05/13 (iR6;iR15;iR40;R30+R193,no143;R90,no138;R108,no103;R185,no263) =HD1875/03/24-48, Pêcheur à la ligne (54×65) -> Georges Charpentier (180fr); HD1907/04/11-22; Expo: BJ1900-18
Auguste Renoir: 1874, 1CR104, Camille and Jean Monet in the garden at Argenteuil, 51×68, NGA Washington (M21;iR6;;R108,no104;R30,no123;R190,no118;R185,no248;R31,no30;R2,p164) Provenance: Monet. Expo: =?? 2IE-1876-209, Femme et enfant.
Auguste Renoir: 1875ca, CR127, The Lovers (les amoureux) (detail with Franc-Lamy), 175×130, NG Prague (iR2;R31,p207;R108,no127;R30,no165;M140)
Auguste Renoir: 2IE-1876-225, la promenade = 1875-76, CR111, Mother and Children (la promenade), 170×108, Frick New York (iR22;R90II,p45+64;R2,p164;R108,no111;R30,no158;R31,p197;M37).
Auguste Renoir: 1873, Boating at Argenteuil, 61×50, private (iRx;R30,no97)
Auguste Renoir: 1874, Sbr, 1F98, Sailing boats at the Seine, Argenteuil, 50×65, Portland MA (Oregan) (iR10;iR6;iR40;R31,no29;R460,no23;R30,no98;R190,no94;R88II,p451) Provenance: HD1875/03/24-38, Bateau (Argenteuil; 50×65) -> Durand-Ruel (105fr) (till 1926). Expo: DR1908/05.
Auguste Renoir: 1879ca, The Seine at Asnieres (The Skiff), 71×92, NG London (iRx;M61)
Auguste Renoir: 7IE-1882-151, Les canotiers =1879, CR307, Oarsmen at Chatou, 81×100, NGA Washington (iRx;R30,no370;R3,p11;R17,no49;R3,p11;R90II,p211+231;R2,p395;R108,no307;M21)
Auguste Renoir: 1873, Sbl, 1F160, Monet painting in his garden (in Argenteuil), 61×50, WA Hartford (iR51;M162;R31,no23;R108,no131;R30+R193,no160;R190,no156;R1,p285) Provenance: Decap; HD1896/04/17-87 -> Durand-Ruel (800fr); Georges Feydeau; sale 1902/06/14-17 -> Durand-Ruel (4.700fr); Expo: London-GG-1905-258; DR1910-36; DR1916/06-29.
Auguste Renoir: 3IE-1877-199, Jardin. Uncertain option 2: 1873, Women in a garden, 55×66, A2007/11/07 (iR11;cpR30,no105;R2,p206)
Auguste Renoir: 3IE-1877-199, Jardin. Uncertain option 1: 1875, Woman with a Parasol in a Garden, 54×65, MNTB Madrid (iR2;M100;R30,no199;R2,p206)
Auguste Renoir: 3IE-1877-198, Jardin. Uncertain option 1: 1876, CR193, The Garden in the Rue Cortot at Montmartre, 151×97, Carnegie Pittsburgh (iRx;R16,p284;R31,no38;R2,p206;R108,no193;M35)
Auguste Renoir: 3IE-1877-198, Jardin. Uncertain option 3: 1876, The conversation (Spring), 61×50, Axx (iR10;iR6;iR13;R30,no239;R2,p206) Location: Rue Cortot
Auguste Renoir: 3IE-1877-198, Jardin. Uncertain option 2: 1876, Conversation in a Rose Garden, xx, private (iRx;R2,p206)
Auguste Renoir: 2IE-1876-215, portrait d’Enfant (app. à M. Choquet). Uncertain option 1: 1876, Girl with a Watering Can, 100×73, NGA Washington (iRx;R30,no228;R2,p164;M21)
Auguste Renoir: 1876ca, 1F240=2CR207, Under the Arbor at the Moulin de la Galette, 81×65, Pushkin (iRx;iR19;iR493;R30=R193,no240;R185,no207;M96) Sitters: Monet, Sisley, Goeneutte. Provenance: Murer; 1896 Viau; sale DR1903/03/04-53, La Tonnelle (26.000 or 28.300fr); Morozov. Expos: =??? EU-1900-C-23 (R185); Vienna-1903-EdI-49; 2SdA-1904-1.
Auguste Renoir: 3IE-1877-185, La Balançoire (app. à M. C…) =1876, CR202, The swing, 92×73, Orsay (iR52;R90II,p81+100;R2,p206+234;R108,no202;R8,p320;R32,p37;R30,no242;R31,no39;M1) Caillebotte bequest.
Auguste Renoir: 3IE-1877-186, Bal du moulin de la Galette = 1876, CR209, Bal du Moulin de la Galette, 131×175, Orsay (iR10;iR8;R30,no249;R31,no40;R90II,p81+100;R2,p188;R2,p206+236;R108,no209;M1) =Caillebotte bequest.
Auguste Renoir: 1882-83, CR438, Dance at Bougival (Paul Lhote + Suzanne Valadon), 179×96, MFA Boston (iRx;R30,no554;R31,no67;R3,p236;R5,p134/5;M22) Deposited at Durand-Ruel 1883/04; =London-1883-66 (priced 600 pound); =New York AAG-1886-204; =DR-1892-83.
Auguste Renoir: 1882-83, CR438, Dance at Bougival (Paul Lhote + Suzanne Valadon; detail white dress), 179×96, MFA Boston (R31,no67;R30,no554;R3,p236;R5,p134/5;M22) Deposited at Durand-Ruel 1883/04; =London-1883-66 (priced 600 pound); =New York AAG-1886-204; =DR-1892-83.
Auguste Renoir: 1879, Alphonsine Fournaise on the Isle of Chatou, 72×92, Orsay (iRx;M1)
Auguste Renoir: 7IE-1882-141, Rêverie =? 1880ca, CR356, Young woman sitting, 62×50, private (R90II,p210+229;R30,no435;R2,p394;R108,no356)
Auguste Renoir: 7IE-1882-138, Deux soeurs =1881, CR378, Sur la terrasse (Two Sisters), 101×81, AI Chicago (iR59;iR2;R90II,p210+229;R2,p395;R108,no378;M20)
Auguste Renoir: 2IE-1876-221, Déjeuner chez Fournaise =1875, CR305, The Oarsmen (Lunch at the Restaurant Fournaise), 55×66, AI Chicago (M20;R90II,p6344+;R2,p146;R108,no305;R30,no452)
Auguste Renoir: 7IE-1882-140, un déjeuner à Bougival = CR379, 1880-81, the luncheon on the boating party,
129×172, Phillips Washington (iR3;iR2;iR8;iR22;iR52;R90II,p210+229;R2,p395+412;R108,no379;R30,no468;R31,no52;M29)
Auguste Renoir: 7IE-1882-140, un déjeuner à Bougival = 1880-81, CR379, Le déjeuner des canotiers (detail), 129×172, Philips Washington (iRx;R30,no468;R31,no52;M29)
Auguste Renoir: SdAF-1880-3195, Pêcheurs de moules à Berneval = 1879, Mussel Fishers at Berneval (near Wargemont), 175×130, Barnes Philadelphia (iRx;R30,no383;M25)
Auguste Renoir: 7IE-1882-161+hc2, Jeune fille pêcheuse de Crevettes =? 1879, CR282, The Little Fishergirl (Marthe Bérard), 61×46, private (iRx;R30,no347;R2,p394;R108,no282) Compare: SdAF-1880-5704, Portrait de Mll M.B. (pastel).
Auguste Renoir: 7IE-1882-161+hc2, Jeune fille pêcheuse de Crevettes =!? 1879, CR281, The Little Fishergirl, 61×46, private (iR10;iR48;R30,no347;R90II,p212+233;R2,p395;R108,no281)
Auguste Renoir: 1884, Aline at the gate (Mme Renoir in the garden), 82×66, private (iR52;R30,no600)
Auguste Renoir: 1888ca, CR572, Laundresses, 56×47, Baltimore MA (iR52;R31,no81;M24)
Auguste Renoir: 1890ca, CR585, The Apple Seller, 66×55, Cleveland MA (iR2;iR22;R31,no87;R108,no585;M27)
Auguste Renoir: 1896, The Artist’s Family (Pierre 11, Aline 37, Jean 2, Gabrielle 18 +a neighbor girl), 173×140, Barnes Philadelphia (iR3;iR22;R30,no688;R174,p77;M25). =DR1896 (solo expo)
Portraits and figure paintings: Renoir made many portraits and other figure paintings. 1881 onwards nudes became a main theme of Renoir, namely young women bathers (the dating is more than once disputed). When figures are depicted in a landscape, they will be shown above. The pictures will be partly shown in a more thematical order.
Auguste Renoir: S1866-R, Paysage avec deux figures (partly destroyed) = Cut off detail and picture within a painting of Bazille.
Auguste Renoir: S1865-1802, Portrait de M. W. S… = 1864, SDcl, CR11=1F6, Portrait of William Sisley, 81×65, Orsay (iR2;iR1;R31,no2;R108,no11;R30=R193,no6;R190,no6;R166,p260;M1)
Auguste Renoir: 1866, CR20, The Inn of Mother Anthony (Le Cabaret de la mère Antony, Marlotte), 195×130, Nm Stockholm (iRx;R30,no14;R31,no4;R108,no20;M91). Info: Jules le Coeur standing and Sisley with the hat on.
Auguste Renoir: 2IE-1876-224, Frédéric Bazille, peintre tué à Beaune-la-Rolande; Appartient à M. Manet = CR28, 1867, Frederic Bazille Painting ‘The Heron’, 105×74, Orsay (iR2;R90II,p45+64;R2,p164+150;R108,no28;R31,no6;R30,no18;M1)
Auguste Renoir: 1868, 1F24, The painter Alfred Sisley, 81×65, Bührle Zurich (iR2;R30=R193,no24;M85)
Auguste Renoir: 1869, CR44+531, Leonard Renoir, the Artist’s Father, 61×48, Saint-Louis AM (iR2;iR22;iR52;R30,no38;R108,no44;R185,no531;M157)
Auguste Renoir: 1870, Pierre-Henri Renoir, 81x64cm, private (iRx;R30,no55)
Auguste Renoir: S1870-2406, Femme d’Alger = 1870, SDbl, Odalisque (The Algerian woman), 69×123, NGA Washington (M21;R31,p194;R108,no48;R30,no.52;R190,no54;R185,no293) Expos: DR1892-27.
Auguste Renoir: S1872-R, Parisiennes habillées en Algériennes = 1872, SDbl, 1CR84, Parisian women dressed in Algerian clothing, 156×129, NMWA Tokyo (iRx;R31,no20;R108,no84;R30,no73;R190,no71;M127). Bought by Murer.
Auguste Renoir: 1872ca, CR22, Claude Monet reading, 61×50, Marmottan (iR2;R2,p164;R90II,p44;R108,no22;R30,no84;M2) Compare: 2IE-1876-220, Portrait de M.M…, appartenant à M. Dollfus
Auguste Renoir: 2IE-1876-220, portrait de M. M., appartenant à M. Dollfus =? 1873-74, CR87, Claude Monet (the reader), 65x50cm, NGA Washington (iRx;R90II,p44;R2,p164;R108,no87;R30,no85;M21).
Auguste Renoir: 1873ca (1868), Sbl, Madame Darras (as an horsewoman; study), 48×40, Orsay (iR2;iR1;iR23;R108,no93;R30,no103;R190,no99;R430,p45;R2,p164;M1) =?? SdR-1873-91, Portrait; Provenance: Charles le Coeur.
Auguste Renoir: 1874, Sbl, 1CR115 =1F124, La loge (L’avant scène), 27×21, A2008/02/05 (iR11;iR40;R30=R193,no124;R108,no115;R88II,p452) HD1875/03/24-51, Avant-scène (27×22) -> Jean-Dollfus (220fr); sale GP1912/03/02-60.
Auguste Renoir: 1IE-1874-142, La Loge = 1874, 1CR116=1F125, SDbl, The theater box, 80x64cm, Courtauld London (iR2;R87,p251;R2,p107;R90II,p12+28;R1,p334; R108,no116;R30=R193,no125;R190,no120;R31,no26;R231-1+2;M60) Provenance: 1874 Père Martin (425fr); Louis Flornoy; 1899/02 Durand-Ruel till 1925. Expos: London-SFA-1874-12; Nantes-1886-893; DR1892-63; DR1899-74; = EU-1900-C-562, La loge (1874) (à Mme A.F. Aude); 11LE-1904-128; London-GG-1905-251.
Auguste Renoir: 1IE-1874-141, Danseuse = 1874, 1CR110=1F126, SDbr, The Dancer, 142×94, NGA Washington (iRx;R87,p251;R2,p140;R90II,p12+27; R108,CR110;R30=R193,no126;R190,no121;R31,p197;M21,no1942.9.72) Provenance: Durand-Ruel; 1878 Deudon; 1899/03/08 Durand-Ruel. Expos: DR1883-36; DR1899-73; EU-1900-C-561, Une danseuse (1874) (à Mme J. Durand-Ruel); Vienna-EdI-1903-48; London-GG-1905-240; London-GH-1914-67; DR1920-25.
Auguste Renoir: 1IE-1874-143, Parisienne = 1874, CR102, The Parisian girl, 163x108cm, NMW Cardiff (iR6;iR2;R87,p251;R90II,p12+28;R2,p122;R31,no28;R108,CR102;M64). Rouart collection (R45).
Auguste Renoir: 1874ca, Sbr, 1F134, Mme Henriëtte Henriot, 41×33, A2011/11/11 (iR6;iR15;iR40;R108,no108;R30+R193,no134;R190,no29;R185,no442;R88II,p452) Provenance: HD1875/03/24-39, Tête de femme (41×32) -> Henri Rouart (80fr); Edgar Degas; GP1918/03/26-88
Auguste Renoir: 1IE-1874-147, Tête de femme = 1874, Scl, 1CR118, Head of a woman, 32×24, private (R87,p251;R90II,p28;R2,p122;R108,CR118;R30,no140;R15,p200) =? HD1875/03/24-43, Tête de femme (32×24) -> Charpentier (85fr) (iR40;R88II,p452).
Auguste Renoir: 1IE-1874-147, Tête de femme =?? 1874-80ca, Head of a Woman, 39×36, Hermitage (iR10;iR6;R15,p201;R90II,p28;R2,p122;R30,no140;M95)
Auguste Renoir: 2IE-1876-215, Portrait d’enfant; Appartient à M. Choquet. Uncertain option 2: 1875ca, Child with a hoop, 62×48, Baltimore MA (iR52;R30,no154;R2,p164;M24)
Auguste Renoir: 2IE-1876-215, Portrait d’enfant; Appartient à M. Choquet. Uncertain option 3: 1875ca, Girl with a Dog, 31×23, MA Philadelphia (iRx;R30,no155;R2,p164;M28)
Auguste Renoir: 7IE-1882-161+hc4, Tête de petit garçon. Uncertain option 3: 1875ca, Boy with a Toy Soldier (Portrait of Jean de La Pommeraye), 35×27, private (iR10;iR6;R30,no156);R90II,p212;R90I,p384)
Auguste Renoir: 2IE-1876-218, Portrait de Mlle S… =? 1875, 1F168, Jeanne Sisley, 37×28, A2013/05/09 (iRx;iR11;R30=R193,no168;R2,p164) Expo: =? BJ1907/12-2, Tête d’enfant (iR19).
Auguste Renoir: 2IE-1876-223, Portrait de jeune fille (app. à M. Legrand) =? 1875, SDbr, 71D141=72F184=85F180=07D495, Mademoiselle Legrand, 81×60, Philadelphia MA (iR2;R90II,p45+64;R2,p164;R108,no141;R30=R193,no184;R90,no180;R185,no495;R31,p197;M28) Provenance: M. Legrand.
Auguste Renoir: 1875ca (1873ca), Sbr, 1F172, Before the bath, 82×63, Barnes Merion (iR6;M25;iR10;iR64;iR40;R174,p47;R108,no144;R30+R193,no172;R190,no168;R185;no602) Provenance: HD1875/03/24-44, Avant le bain (81×65); Henri Hecht; Duret; GP1894/03/19 -> Durand-Ruel; 1912/04/13 Barnes; Expo: DR1892-65; DR1912/02-2, Jeune Femme se coiffant.
Auguste Renoir: 1875-77ca, Mme Henriot en travesti, 161×104, Columbus MA (iRx;R30,no159;R2,p164;M156)
Auguste Renoir: 1875, Monsieur Fornaise, 56×47, CAI Williamstown (iRx;M26)
Auguste Renoir: 1875, CR132, Portrait of Claude Monet, 84×60, Orsay (iR152;R90II,p44+63;R2,p164+185;R108,no132;R30,no163;M1) One of 3 options for: 2IE-1876-220, Portrait de M. M., appartenant à M. Dollfus
Claude Monet: 1875, SDbr, CR366, Camille embroidering, 65×55, Barnes Merion (iR2;iR40;R22=R127,no366;R194,p97;M25,no197) Provenance: HD1875/03/24-12, La femme au métier (65×55) -> Debrousse (290fr).
Auguste Renoir: 1875ca (or 1885ca), Posthumous Portrait of Frederic Bazille, 41×33, A2014/01/06 (iRx;iR14) Compare: 2IE-1876-224, Frédéric Bazille, peintre tué à Beaune-la-Rolande; Appartient à M. Manet
Auguste Renoir: 2IE-1876-226+hc, Self-portrait =!? 1875ca, CR157, Self-Portrait, 39×32, CAI Williamstown (iR2;R2,p164;R90II,p45+64;R108,no157;R30,no180;M26)
Auguste Renoir: 2IE-1876-226+hc =? 1876, Self Portrait at the Age of Thirty-Five, 73×57, Harvard Cambridge (iR2;R2,p164;R30,no233;M32)
Auguste Renoir: 3IE-1877-190, Portrait de M. Sisley =1876, CR117=1F138, Alfred Sisley, 66×55, AI Chicago (iR10;iR74;R90II,p82+101;R2,p206+237;R108,no117;R30=R193,no138;M20)
Auguste Renoir: 1875ca, Sbl, 1CR162=1F218, Woman with a cat, 56×46, NGA Washington (M21;iR6;iR52;R30=R193,no218;R190,no214;R185,no388;R231-1) Provenance: Hoschedé; sale HD1878/06/06-75; count de Rasty. Expos: =!? DR1899-79; =EU-1900-558, Femme au chat (à M. le comte de Rasty).
Auguste Renoir: 1875ca, 1F179=2CR400, La modiste, 61×50, KOR Winterthur (iR6;M87;iR10;R30=R193,no179;R185,no400;R231-1) Provenance: Balaceanon; G. de Bellio; Donop de Monchy; Prince de Wagram. Expos: =EU-1900-C-556, La couseuse (appartient à M. Donop de Monchy)
Auguste Renoir: 3IE-1877-193, Jeune fille =? 1875ca, The Sewer, 65×54, A2010/11/02 (iRx;iR11;R30,no195;R2,p206;R90I,p129)
Auguste Renoir: 3IE-1877-193, Jeune fille =?? 1876, CR172, Young Woman Braiding Her Hair (portrait Mlle Muller), 55×46, NGA Washington (M21;R30,no222;R31,no42;R2,p206;R108,no172)
Auguste Renoir: 3IE-1877-194, femme assise =?? 1876ca, CR190, Mme Henriëtte Henriot in white, 66×50, NGA Washington (iRx;R30,no216;R2,p206;R108,no190;R15,no419;M21)
Auguste Renoir: 2IE-1876-211, Portrait (app. à M. Choquet) =? CR176, 1875, Portrait of Victor Chocquet, 46×37, Harvard Cambridge (iRx;R30,no225;R90II,p44+63;R2,p164;R108,no176;M32). Compare: 2IE-1876-214, Tête d’Homme (app. à M. Choquet).
Auguste Renoir: 1875, CR176?, Madame Victor Chocquet, 75×60, Sg Stuttgart (iR2;R30,no176;R90II,p44;R2,p164;R108,no176)
Auguste Renoir: 2IE-1876-210, Sur la terrasse; Appartient à M. Choquet =1876, CR173, Portrait of Mme Chocquet by the window, 67×54, Pushkin (iR10;iR202;iR6;R90II,p43+62;R2,p164;R108,no173;R30,no223;M96)
Auguste Renoir: 2IE-1876-213, Liseuse (app. à M. Choquet) = 1876, CR174, Madame Chocquet Reading, 66×55, private NY (iR2;iR22;iR52;R90II,p44+62;R2,p164;R108,no174;R30,no224)
Auguste Renoir: 2IE-1876-214, Tête d’Homme (app. à M. Choquet) =!? 1876, CR175, Victor Chocquet, 46×36, SOR Winterthur (R30,p45=no226;R90II,p44+63;R2,p164;R108,no175;M87)
Auguste Renoir: 1876ca, Portraits of Marie-Sophie Chocquet, 36×45, private (iRx;R30,no214;R2,p164) =?? 2IE-1876-216, Tête d’enfant (app. à M. Choquet)
Auguste Renoir: 3IE-1877-205, Portrait d’enfant. Uncertain option 1: 1876ca, Child with an apple (Mlle de La Pommeray), 40×32, A2015/05/06 (iRx;iR11;R30,no227;R2,p206)
Auguste Renoir: 3IE-1877-205, Portrait d’enfant. Uncertain option 3: 1876, CR179, Jeanne Durand-Ruel, 112×75, Barnes Philadelphia (iRx;R30,no229;R174,p49;R2,p206;R108,no179;M25)
Auguste Renoir: 1876, 71D180=72F230=85F226=07D497, SDbr, Delphine Legrand with jump robe, 107×71, Barnes Philadelphia (iR10;M25;R129,no180;R30=R193,no230;R190,no226;R185,no497;R2,p164) Provenance: M. Legrand. Compare: 2IE-1876-223, Portrait de jeune fille; Appartient à M. Legrand.
Auguste Renoir: 3IE-1877-205, Portrait d’enfant. Uncertain option 2: 1876, Girl with a pink feather, 47×41, Niarchos coll Paris (iR52;R30,no236;R2,p206)
Auguste Renoir: 3IE-1877-192, Portrait de M. S… =1877ca, CR71, Jacques-Eugène Spuller, 46×39, A2011/06/22 (iR11;iR15;R90II,p82+101;R2,p206;R108,no71;R30,no201)
Auguste Renoir: 1875-76ca, CR106, La liseuse, 47×35, Orsay (iR52;iR23;R30,no202;R193,no19;M1) =DR1883-23 =8XX-1891-62 =DR1892-53 =Caillebotte bequest
Auguste Renoir: 7IE-1882-149, La lecture =1875-86ca, CR333, Young Girl Reading, 57×48, Städel Frankfurt (iR59;iR2;R90II,p211+231;R2,p395;R108,no333;M54)
Auguste Renoir: 2IE-1876-219, femme au piano (app. à M. Poupin) = 1876, CR219, Young Woman at the Piano, 93×74, AI Chicago (iR2;R90II,p44+63;R2,p164;R108,no219;R30,no232;M20)
Auguste Renoir: 1876, The Artist’s Studio, Rue Saint-Georges (detail), 46×38, private (iR10;R30,no264;R1,p382)
Auguste Renoir: 1876ca, 1F212=2F208, Stl, At the theatre (La première sortie), 65×50, NG London (iR6;iR4;iR10;R31,p27,note28;R32,p29;R30=R193,no212;R190,no208;M61) Provenance: Armand Doria; GP1899/05/04-203, Café-concert (10.000fr)
Auguste Renoir: 1876-80, The first step, 111×81, private (iR52;R30,no414;R2,p164) =?? 2IE-1876-209, Femme et enfant; appartient à M. Poupin.
Auguste Renoir: 3IE-1877-202, Deux têtes =? 1876ca, Young Man and Young Woman, 31×45, Orangerie (iRx;R30,no241;R2,p206;R90I,p176+180;M3)
Auguste Renoir: 3IE-1877-203, deux têtes. Compare: 1877ca, Two young maiden heads, 47×54, Marlborough London (R30,p103=no272;R2,p206;R90I,p176+180)
Auguste Renoir: 3IE-1877-200, Tête de jeune fille. Uncertain option 1: 1876, Margot, xx, private (iRx;R2,p206)
Auguste Renoir: 3IE-1877-200, Tête de jeune fille. Uncertain option 2: 1876, Portrait of a Young Woman, 27×22, private (iRx;R30,no265;R2,p206)
Auguste Renoir: 3IE-1877-200, Tête de jeune fille. Uncertain option 3: 1876, Nini Lopez, 26×22, A2002/06/25 (iRx;iR11;R30,no260;R2,p206)
Auguste Renoir: 3IE-1877-200, Tête de jeune fille. Uncertain option 4: 1877, Head of a young girl, 32×26, private (iR10;iR6;R30,no306;R2,p206)
Auguste Renoir: 2IE-1876-217, Tête de femme =1876ca, 1CR167=1F253, Woman with a rose, 33×27, Arp MBR Remagen (iR10;iR6;iR59;R90II,p44+63;R2,p164;R108,no167;R30-R193,no253;R190,no249;R231-1;M279) Provenance: Dollfus; 1912 George Petit. Compare: EU-1900-C-565, La Rose (appartient à M. Gustave Geffroy)
Auguste Renoir: 2IE-1876-222, Portrait de Mme D… Uncertain option 2: 1876, CR163, Mme Alphonse Daudet, 47×37, Orsay (R30,p50=no255;R2,p164;R108,no163;M1) = 3IE-1877-189, Portrait de madame A.D.; Appartient à M.A.D.
Auguste Renoir: 3IE-1877-189, Portrait de madame A. D. (app. à M. A. D.) =1876, CR163, Mme Alphonse Daudet, 47×37, Orsay (R30,p50=no255;R90II,p82+101;R2,p206;R108,no163;M1) =?? 2IE-1876-222, Portrait de Mme D…
Auguste Renoir: 3IE-1877-187, Portrait de madame G.C. (appartient à M. G. Charpentier) = 1876-77ca, 1CR226=1F269, First portrait of Madame Georges Charpentier, 46×38, Orsay (M1;iR6;R30=R193,no269;R190,no265; R90II,p81+100;R2,p206;R108,no226;R231-1) Expo: =EU-1900-C-560, Portrait de Mme C… (à Mme Charpentier).
Auguste Renoir: 3IE-1877-188, Portrait de mademoiselle G. C. (app. à M.G. Charpentier) = 1876, CR178, Georgette Charpentier Seated, 98×73, private (iRx;R90II,p82+101;R2,p206;R108,no178;R30,no257)
Auguste Renoir: 3IE-1877-205, Portrait d’enfant. Uncertain option 4: 1877, CR247, Paul Meunier, 46×36, private (iRx;R30,no291;R2,p206;R108,no247)
Auguste Renoir: 3IE-1877-202, Deux têtes =?? 1876, Head of a Young Woman Wearing a Blue Scarf (Mme Henriot), 41×33, private (iRx;R30,no217) + 1877, George Rivière, 37×29, NGA Washington (iRx;R30,no301) (R2,p206;R90I,p176+180)
Auguste Renoir: 3IE-1877-203, Deux têtes =?? 1877, Portrait of a Young Woman, 18×14, private (iRx) + 1877ca, Portrait du Baron Barbier, 18×16, A2018/10/18 (iR14;R30,no276) (R2,p206;R90I,p176+180)
Auguste Renoir: 1877, Marie Murer, 68×57, NGA Washington (iRx;R30,no292;M21)
Auguste Renoir: 7IE-1882-141, Rêverie =? 1877, Reflection, 46×38, A2007/06/19 (iR2;iR11;R30,no298;R2,p394)
Auguste Renoir: 1876-77ca, 1CR227=1F305, Young Woman Seated, 66×56, Birmingham BIFA (iR10;iR48;R31,no43;R30=R193,no305;R190,no301;R231-1;M189) Provenance: Doria; sale GP1899/05/04-202, La Pensée; Jules Strauss; sale HD1902/05/03-49. Expos: EU-1900-C-557, Portrait (à M. Strauss); Berlin-S-1901-205; London-GH-1914-62.
Auguste Renoir: S1878-1883, Le café =1877-78, 1CR272=1F315, The cup of chocolate (or coffee), 100×81, Louvre Abu Dhabi (iR6;iR1;R30=R193,no272;R190,no309;R1,p417;R231-1+2;M132) =EU-1900-C-563, La Tasse de thé (1879), à M. Renoir.
Auguste Renoir: 7IE-1882-160, Femme à l’éventail. Compare: 1879-81ca, Girl with Fan (Jean Samary), 65×54, CAI Williamstown (iRx;R30,no456;R2,p394;M26)
Auguste Renoir: 3IE-1877-191, portrait de Mademoiselle S. = CR229, 1877, Portrait d’actrice Jeanne Samary,
56×47, Pushkin (iR7;iR2;iR22;iR52;R90II,p82+101;R2,p206;R108,no229;R30,no282;R31,p197;M96)
Auguste Renoir: S1879-2528, portrait de Mlle Jeanne Samary = 1878, Portrait de Mlle Jeanne Samary, 174×101, Hermitage (iRx;R30,no320;M95)
Auguste Renoir: S1879-2527, Portrait de Mme G.C… et ses enfants = 1878 Madame Georges Charpentier and her children, 154×190, Metropolitan (iRx;R1,p420;M23)
Auguste Renoir: 7IE-1882-161+hc1, Jongleuses au Cirque Fernando =1879, CR297, Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 34×99, AI Chicago (iRx;R2,p395+417;R90II,p212+232;R108,no297;M20)
Auguste Renoir: 7IE-1882-141, Rêverie =? 1879, CR302, The Dreamer, 51×62, Saint-Louis AM (iR10;iR6;M157;R30,no372;R2,p394;R108,no302)
Auguste Renoir: 7IE-1882-137, Jeune fille au chat =1880, CR330, Sleeping Girl, 120×92, CAI Williamstown (M26;R15,p209;R31,no50;R30,no408;R90II,p210+229;R2,p395+411;R108,no330) =SdAF-1880-3196, Jeune fille endormie.
Auguste Renoir: 7IE-1882-160, Femme à l’éventail = 1880ca, CR332, Woman with a Fan, 65×50, Hermitage (iR2;iR59;R2,p395+376;R90II,p212+232;R108,no332;R15,p207;M95)
Auguste Renoir: 7IE-1882-148, Jeune fille endormie = CR328, 1880ca, CR328, The Sleeper, 49×60, private (iR2;iR59;R2,p395+416;R90II,p211+231;R108,no328;R15,p208)
Auguste Renoir: 7IE-1882-139, une loge à l’Opéra = 1880, CR329, At the concert, 99×81, CAI Williamstown (iR2;iR59;R2,p395+377;R90II,p210+229;R108,no329;M26)
Auguste Renoir: 7IE-1882-161+hc4, Tête de petit garçon. Uncertain option 1: 1879, Portrait of André Bérard as a child, 41×32, A2016/02/04 (iR11;R30,no342;r90II,p212;R90I,p384)
Auguste Renoir: 7IE-1882-161+hc4, Tête de petit garçon. Uncertain option 2: 1880, Fernand Halphen as a Boy, 46×38, Orsay (iR52;R30,no418;R90II,p212;R90I,p384;M1)
Auguste Renoir: SdAF-1882-2268, portrait de Mlle Y.G. = 1880, Mademoiselle Yvonne Grimprel in a Blue Ribbon, 45×35, private (iRx;R30,no425)
Auguste Renoir: SdAF-1881-1987, Portrait de Mlle xxx =?? 1880, Mademoiselle Hélène Grimprel with a Red Ribbon, 44×35, private (iRx;R30,no426)
Auguste Renoir: SdAF-1881-1986, Portrait de Mlle xxx =?? 1880, Mlle. Irene Cahen d’Anvers, 65×54, Bührle Zurich (iR6;R30,no428;M85)
Auguste Renoir: 7IE-1882-161+hc4, Tête de petit garçon. Uncertain option 4: 1881, (Head) Portrait of a child, 37×32, private (iRx;R30,no459;R90II,p212;R90I,p384)
Auguste Renoir: SdAF-1883-2031, portrait de Mme. C… = 1883, Madame Léon Clapisson with a fan (Marie Henriette Valentine Billet), 81×65, AI Chicago (iRx;R30,no559;R31,no70;M20)
Auguste Renoir: 1884, CR457, Children’s Afternoon at Wargemont (Marguerite, Lucie and Marthe Bérard), 127×173, Ng Berlin (iRx;R30,no602;R31,no74;R5,p140+231;R108,no457;M52) In 1905 at the Bérard sale bought for 14000fr.
Auguste Renoir: 1884ca, Little girl in a white apron (Portrait of Lucie Berard), 35×27, private (iR7;iR2; iR22;iR52;R30,no599)
Auguste Renoir: 1884-87, The Braid (Suzanne Valadon), 56×47, private (iRx)
Auguste Renoir: 1885ca, CR484, Aline Charigot (madame Renoir), 65×54, Philadelphia MA (iR51;R78;R108,no484;M28)
Auguste Renoir: 1887, Portrait de Julie Manet, 65×54, Orsay (iR6;R30,no631;M1)
Auguste Renoir: SdAF-1890-2024, Portraits de Mlles M… = 1888, The daughters of Catulle Mendes, 161×129, Metropolitan (iR52;R30,no634;M23)
Auguste Renoir: 1892, Girls at the Piano, 116×90, Orsay (iR52;R30,no662;R31,no91;M1) Bought by the State for 4000fr.
Auguste Renoir: 1894, Berthe Morisot and her daughter Julie Manet, 81×65, A2000/05/08 (iR10;iR6;iR52;iR115;R30,no672)
Auguste Renoir: 1910, Self Portrait, 47×36, private (iRx;R31,no112)
Auguste Renoir: 1917, Ambroise Vollard dressed as a Toreador, 103×83, private (R30,no763)
Still lifes: Throughout his life Renoir made several still lifes. Some are impressionist master pieces. The dating is more than once disputed.
Auguste Renoir: 3IE-1877-201, Bouquet de fleurs de champs. Uncertain option 1: 1866ca, Flowers in a Vase, 81×65, NGA Washington (iR2;R2,p206;M21)
Auguste Renoir: 3IE-1877-201, Bouquet de fleurs de champs. Uncertain option 2: 1866, Spring Bouquet, 104×80, Harvard Cambridge (iRx;R30,no12;R2,p206;M32)
Auguste Renoir: 1869ca, Mixed flowers in an earthen pot, 65×54, MFA Boston (iR52;R90II,p12+28;R87,p251;R2,p122;R410,no6;R30,no36;R31,no14;M22,no48.592). Probably not exhibited as 1IE-1874-145, Fleurs
Auguste Renoir: 3IE-1877-204, Dahlias. Compare 1: 1869, mixed flowers in an earthware pot, 65×54, MFA Boston (iR7;R30,no36;R2,p206;M22)
Auguste Renoir: HD1875/03/24-41, Vase de fleurs (94×70) -> Bolensi (?) (180fr) (R88II,p452). Uncertain options: 1F93 +cp1F67 +1F267 (R30=R193).
Auguste Renoir: 1IE-1874-145, Fleurs =? 1871, SDbr, Vase of flowers, xx, private (iR52;iR10;R90I,p27;R2,p122;cpR30,no67)
Auguste Renoir: 1875ca, Sbr, 2F194=2D28, Glaïeuls (Gladiolas in a vase), 73×60, A2016/05/09 (iR10;iR132;iR6;iR14;R460,p158,note6+8;R31,p27,note23;R190,no194;R185,no28) Provenance: Durand-Ruel; 1876/07/18 Armand Doria; GP1899/05/04-210 (2.600fr) -> Durand-Ruel + Bernheim-Jeune. Expo: DR1908-27.
Auguste Renoir: 3IE-1877-201, Bouquet de fleurs de champs. Uncertain option 3: 1876ca, Bouquet in front of a Mirror, 93×72, private (iRx;R30,no267;R2,p206)
Auguste Renoir: 7IE-1882-158, Pivoines =!? 1880ca, Peonies, 55×65, CAI Williamstown (iR59;R90II,p211+232;R2,p395;M26)
Auguste Renoir: 3IE-1877-204, Dahlias. Compare 3: 18xx, Dahlias, xx, xx (iR10;iR114;R2,p206;R90I,p180)
Auguste Renoir: 3IE-1877-204, Dahlias. Compare 2: 18xx, Dahlias (2), xx, xx (iR10;iR114;R2,p206;R90I,p180)
Auguste Renoir: 7IE-1882-145, Lilas =? 1878ca, Bouquet of Flowers, 65×54, private NY (iRx;R90II,p210+230;R30,no326;R2,p394)
Auguste Renoir: 7IE-1882-145, Lilas =? 1875-80, Bouquet of lilacs, 54×65, NSM Pasadena (iR22;R2,p394;M43)
Auguste Renoir: 7IE-1882-156, Géraniums =? 1880, Geraniums in a Copper Basin, 81×61, private (iRx;R2,p394)
Auguste Renoir: 7IE-1882-156, Géraniums =!? 1881, Geraniums and Cats, 91×73, NY private (iRx;R90II,p211+232;R2,p395;R31,no59;cpR30,no447)
Auguste Renoir: 7IE-1882-158, Pivoines =? 1876-78, Peonies, xx, private (iRx;R30,no268;R2,p394)
Auguste Renoir: 1881, fruits du midi, 51×65, AI Chicago (iR6;R30,no486;M20)
Auguste Renoir: 7IE-1882-159, Les pêches =1881, Still Life with Peaches, 53×64, Metropolitan (iR52;iR59;R90II,p212+232;R2,p395;M23)
Auguste Renoir: 7IE-1882-144, assiette de prunes =1882-84, Still life a plate of plums, 56×46, private (iR52;R90II,p210+230;R2,p395)
Gustave Caillebotte: 1882ca, Sbr, 1CR211=2CR238, Melon and bowl of figs, 54×65, private (iR2;R102,no238;R101,no211) Expo: DR1894-96. Compare: Renoir 1F553 (R193=R30,no553).
Auguste Renoir: 1882ca, Chrysanthemums, 55×66, AI Chicago (iRx;R30,no505;M20)
Gustave Caillebotte: 1893, SDbl, 1CR455=2CR485, Chrysanthemums in a Vase, 65×54, private (iR2;R102,no485;R101,no455) Gift to Renoir.
Other art-works: Renoir also made pictures with other techniques to make art-works, like pastels and drawings. Here below you will find some of them.
Auguste Renoir: 1868-70, Portrait d’une jeune femme, pastel, 44×36, A2012/05/15 (iR11;R2,p122) This could be a very uncertain option for 1IE-1874-146, Croquis (pastel), a work that wasn’t exhibited (R411).
Auguste Renoir: SdAF-1880-5703, Portrait de Lucien Daudet (pastel) =? 1875, Portrait of Lucien Daudet, pastel, 52×42, A2011/06/21 (iRx;iR11;iR15)
Auguste Renoir: S1879-4477, Portrait de Théophile B… (pastel) =?? 1879ca, Portrait of a Young Boy, 43×31, private (iR2)
Auguste Renoir: S1879-4476, portrait de Paul C…, pastel =? 1878-87, Paul Charpentier, pastel, xx, private (iR52)
Auguste Renoir: 1882-83ca, Portrait de Théodore de Banville, pastel, 56×47, Orsay (M1;iR10;R231-1) Provenance: de Banville; Mme Catulle-Mendis; 1910 Md Luxembourg. Expo: =?? EU-1900-C-II-1288, Portrait de Th. de Banville (‘dessin’) (appartient à M. Pontremoli)
Engravings: Renoir also has made some engravings. Loys Delteil has listed these works in his 17th volume of ‘Le peintre-graveurs illustré’ (=R138XVII). In the future I will render some examples.
Sculptures: Around 1907 Renoir started to make some sculptures and medallions. From 1913-17 he was assisted by Richard Guino, a pupil of Maillol. 1918 onwards he is assisted by Louis Morel. (R31,p290;R30,p14) In the future I will render some examples.
Overviews in other sources: There are several sources that also provide an overview of the pictures of Auguste Renoir.
In 1920 Meier-Graefe published his second edition of his biography; it included 100 pictures (aR14=iR19). The first edition was published in 1911.
In 1919 Vollard published a biography (in French) which included 51+2 reproductions and 174 drawings; it also includes an index of names (aR19=iR19). The English translation published in 1925 includes an appendix in which in a chronological order paintings of Renoir are mentioned (aR17=iR19). Note: not all reproductions in the 1919 edition are noted in the 1925 appendix.
In 1921 Georges Rivière published his biography ‘Renoir et ses amis’; it includes 94 pictures (aR18=iR19=R82) Note: because of the limited amount of pictures, I mostly won’t refer to these publications.
In 1971 François Daulte published his ‘Catalogue raisonné de l’oeuvre peint (vol.I: figures 1860-1890; Lausanne) (=1D=1CR=R108). Many sources refer to this catalogue raisonné.
In 1972 Elda Fezzi published ‘L’opera completa di Renoir nel periodo impressionista, 1869-83 (Milan) (=1F=R193).
WikiPedia provides two online versions: iR6 + iR6 (with several options).
I use the Dutch edition edited by Dony / Braun (=R30).
In 1985 Fezzi published a second edition called ‘Tout l’oeuvre peint de Renoir; période impressionniste 1869-1883 (=2F=R190). Note: it seems just a translation of the 1972 publication, but the ordering of the paintings is different.
From 2007-2014 Dauberville published 5 volumes: ‘Catalogue raisonné des tableaux, pastels, dessins et aquarelles’ (=2D=2CR=R185). There are not many sources that refer to this catalogue raisonné.
The Widenstein Plattner Institute (=iR180) is developing an online catalogue raisonné. They started with the still lifes Renoir made: digitalprojects.wpi.art/renoir/artworks (iR179). I am looking forward to the development of this great project!
See also another overview of the pictures of Renoir on WikiPedia (iR3).
In the future I want to render all the codes possible at each painting, so 1D=1F=2F=2D. I also want to render an overview of each Fezzi 1985 number, with corresponding 1D +1F +2D numbers. Helas, the 5 volume large catalogue raisonné of Dauberville doesn’t provide this overview.
Sources: See for the used sources at the bottom of the main page about Auguste Renoir. For explanation of the subscriptions, see here.