Retrospectives of Cézanne, Redon, Renoir and others
Paul Cézanne: 1879-82, V366=FWN451, S-, Self-portrait (with hat), 65×51, Km Bern (iR3;iR194,no451;R48,no503;R189,no366;M88) Expos: =2SdA-1904-SPC-5, Portrait de l’auteur par lui-même avec chapeau (loan by Vollard); =SdI-retro-1926-2874, Portrait de Cézanne par lui-même, lent by Kapferer.
Auguste Renoir: 1876ca, 1F240=2CR207, Under the Arbor at the Moulin de la Galette, 81×65, Pushkin (iRx;iR19;iR493;R30=R193,no240;R185,no207;R239/1904;M96) Sitters: Monet, Sisley, Goeneutte. Provenance: Murer; 1896 Viau; sale DR1903/03/04-53, La Tonnelle (26.000 or 28.300fr); Morozov. Expos: =??? EU-1900-C-23 (R185); Vienna-1903-EdI-49; 2SdA-1904-sR-1.
Introduction: This page gives some short information and some pictures on the Salon d’Automne of 1904.
There also were retrospectives held of Cézanne, Puvis de Chavannes, Odillon Redon, Renoir and Toulouse-Lautrec. Note: This page is under construction!!! This page has just been started. Additional info and pictures will be added.
Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
1904, Salon d’Automne, general info: The 2nd exhibition in 1905 was held from the 15th of October till the 15th of November and was held in the Grand Palais (des Champs-Élysées).The catalogue renders 2074 numbers* and seperately the numbers of the retrospectives: Cézanne (1-31), Puvis de Chavannes (1-44), Odillon Redon, (1-62) Renoir (1-35) and Toulouse-Lautrec (1-28). So, in total 2274 numbers.
The catalogue was divided in the following sections: paintings (1-1317); drawings (1318-1697); sculpture (1698-1840); architecture (1841-1862); engraving and lithographs (1863-1977); decorative art (1978-2044); photographes (2045-2074).
The Salon database mentions 1086 partakers showing 2285 entries (iR1).
President of honor of the ‘Bureau’ was Eugène Carrière. Note*: several numbers contained more than one art-works.
Retrospective Cézanne: There was a retrospective held with art-works of Paul Cézanne (31 paintings that were ‘triumphantly welcomed’). There were also 27 photographs within 3 frames of paintings of Cézanne from the Vollard collection shown (no.2045-2047). Note: Number 24 also contained a frame with 9 photographs. Note: additional info and pictures will be added.
Paul Cézanne: 1879-82, V366=FWN451, S-, Self-portrait (with hat), 65×51, Km Bern (iR3;iR194,no451;R48,no503;R189,no366;M88) Expos: =2SdA-1904-SPC-5, Portrait de l’auteur par lui-même avec chapeau (loan by Vollard); =SdI-retro-1926-2874, Portrait de Cézanne par lui-même, lent by Kapferer.
Paul Cézanne: 1877 (1879-82ca), V373=FWN439, Portrait of Victor Chocquet, seated, 46×38, Columbus MA (iR2;iR194,no439;R48,no501;R34,p35;R163,p60;R189,no373;M156) Expos: =Vienna-EdI-1903-59, Portrait des Herrn Chocquet (Durand-Ruel); 2SdA-1904-SPC-23, Portrait de M. Chocquet (à MM. Durand-Ruel et fils); London-GG-1905-42, Portrait of M. Chocquet (1879), lent by Galerie Durand-Ruel.
Paul Cézanne: 1IE-1874-42, La maison du Pendu, à Auvers-sur-Oise =1872-73, V133=FWN81, Sbl, Auvers-sur-Oise, house of the hanged man, 55×66, Orsay (iR2;iR59;iR194,no81;R189,no133;R90II,p21;R87,p235;R2,p120;R410,no170;R48,no136;R1,p334;R163,p46;R231-5;R239/1904;M1) Provenance: 1874 Count Doria (for 300fr); Chocquet. Expo: =EU-1889-C-124, La maison du pendu (à M. Choquet); =7XX-1890-2, Chaumière à Auvers-sur-Oise (lent by Chocquet); =? 2SdA-1904-SPC-12, La maison du pendu (paysage).
Paul Cézanne: 3IE-1877-17, Nature morte. Option: 1873-79ca, V196=FWN744, Pommes et gâteaux, 46×55, A2005/11/01 (iR11;iR194,no744;R189,no196;R90II,p186+70;R2,p203;R48,no195) =2SdA-1904-SPC-20, Nature morte (loan by Durand-Ruel); =London-GG-1905-43, Apples and Cakes (1877).
Paul Cézanne: 3IE-1877-19, Nature morte. Option: 1873-77ca, V207=FWN742, Dish of apples (Le plat de pommes), 46×55, Metropolitan (iR2;iR59;iR194,no742;R189,no207;R90II,p87;R2,p203;R48,no206;M23) =2SdA-1904-SPC-21, Nature morte (loan by Durand-Ruel); =London-GG-1905-45, Apples (1877)
Retrospective Redon: There was a room dedicated to Odillon Redon, showing 64 works, including 11 paintings, 15 drawings, 20 pastels and 18 lithographes (aR6=iR189=R182IV,p333). Note: additional info and pictures will be added.
Odilon Redon: 1903-04, CR2526, Le monde des chimères, détrempe, 240×80, A2015/11/05 (iR11;iR10;iR64;R182IV,p333+no2526) =2SdA-1904-1
Retrospective Puvis de Chavannes: There was a retrospective held in the Salle Puvis de Chavannes with art-works of Puvis de Chavannes (44 works), seperately noted in the catalogue.
4SdA-1904-SPdC-24, Espérance (=M1) Note: additional info and pictures will be added.
Retrospective Renoir: There was a retrospective held in the Salle Auguste Renoir with art-works of Auguste Renoir (35 works), seperately noted in the catalogue. Note: additional info and pictures will be added.
Auguste Renoir: 1876ca, 1F240=2CR207, Under the Arbor at the Moulin de la Galette, 81×65, Pushkin (iRx;iR19;iR493;R30=R193,no240;R185,no207;R239/1904;M96) Sitters: Monet, Sisley, Goeneutte. Provenance: Murer; 1896 Viau; sale DR1903/03/04-53, La Tonnelle (26.000 or 28.300fr); Morozov. Expos: =??? EU-1900-C-23 (R185); Vienna-1903-EdI-49; 2SdA-1904-sR-1.
Auguste Renoir: 7IE-1882-139, Une loge à l’Opéra = 1880, 1CR329=1F401, At the concert, 99×81, CAI Williamstown (iR2;iR59;R2,p395+377;R90II,p210+229;R108,no329;R30,no401;R31,no51;M26) Expos: =!? DR1883-solo-45, La loge; =? Boston-1883-161; =? New York-1886-188; =DR1892-91; 2SdA-1904-sR-13; London-GG-1905-224, At the Theatre – in the Box; MJ1912-179.
Auguste Renoir: 1875, Sbr, 1F166, The Source, 131×78, Barnes (iR6;R108,no124;R30+R193,no166;R190,no162;R185,no369;M25) Provenance: HD1875/03/24-45, La source (130×77), withdrawn by bidding of 110fr; Duret; 1889/04/29 Durand-Ruel (first on deposit); 1906/02/03 Prince de Wagram; Expo: SdA1904-16; London-GG-1905-222.
Auguste Renoir: 7IE-1882-140, un déjeuner à Bougival = CR379, 1880-81, the luncheon on the boating party,
129×172, Phillips Washington (iR3;iR2;iR8;iR22;iR52;R90II,p210+229;R2,p395+412;R108,no379;R30,no468;R31,no52;M29) Expos: DR1883-solo-37; Boston-1883-26; New York-1886-185; DR1892-5; DR1898; DR1899-83; 2SdA-1904-sR-11; London-GG-1905-244; Zurich-1917-167.
Auguste Renoir: 1872-74ca, Sbr, 1F94=2CR119, Quai Malaquais, 38×46, A2002/06/21 (iR6;iR10;R30=R193,no70+94;R190,no90;R185,no119;R460,no25;R88II,p451;R239/1904) Provenance: =? HD1875/03/24-37, Vue de Paris (Institut; 38×46) -> Léon Monet (70fr); Depeaux; sale HD1901/04/25 -> Viau (6.000fr); Viau sale DR1907/03/04-65 (7650fr). Expo: =? 2SdA-1904-sR-8, Le quai Malaquais. Location: in the distance the Pont du Caroussel.
Retrospective Toulouse-Lautrec: There was a retrospective held at the Salle Toulouse-Lautrec with art-works of Toulouse-Lautrec (28 works), seperately noted in the catalogue. Note: additional info and pictures will be added.
The Impressionists: The following 6 partakers of the ‘impressionist’ expositions were present: Cordey (294-299); Guillaumin (571-582; including 5x Zaandam); Zandomeneghi (1312-1316). For Cézanne, Odillon Redon and Renoir there had been retrospectives organised↑. There were also 27 photographs within 3 frames of paintings of Cézanne from the Vollard collection shown (no.2045-2047). Note: additional info and pictures will be added.
Frédéric Cordey, 1904ca, Waiting on the Oise (le chômage sur l’Oise; Mooring of the barges on the Oise River), 46×64, Leeds Art Gallery (iR2;iR10;iR64;iR22;iR173;iR10) =SdA1904-298, Chômage de péniches sur l’Oise (iR1;iR77)
Armand Guillaumin: 1902ca, CR499, Moulin de la Folie, 92×73, Orsay -> MM Limoges (M1;iR127;iR261;R310,no212;R124,no499;M192) Former E. Blot collection. =MNdL-1912-235 =?? SdA-1904-572
Armand Guillaumin: 1903-04ca, CR605, Sbl, Holland, windmills on a canal (Moulins à vent sur le canal en Hollande), 38×47, A2017/03/02 (iR11;iR2;iR6;iR14;R179,p58;R124,no605) Expo: =? SdA-1904-577/578/579/581/582, Zandaam. Info: painted in Zaandam.
Armand Guillaumin: 1903-04ca, CR605, Sbl, Holland, windmills on a canal (Moulins à vent sur le canal en Hollande) (detail), 38×47, A2017/03/02 (iR11;iR2;iR6;iR14;R179,p58;R124,no605) Expo: =? SdA-1904-577/578/579/581/582, Zandaam. Info: painted in Zaandam.
Les Fauves: Several artists that would become known as Les Fauves in 1905, also were present: Camoin (no.186-192); Kees van Dongen (403+404); Friesz (503-506); Girieud (534+535; two still lifes) Henri Matisse showed 14 paintings (nos.607-620) and 2 sculptures (nos.1763+1764); Manguin (890-894); Marquet (855-861 +1568-1570); Puy (1041-1045);
And also: Robert Delaunay (no.352); Jelka-Rosen (664-670); Metzinger (907-909); Rouault (1090-1097 +1619+1654); Valtat (1255-1257);
Other artists: Among the partakers were other artists like: Bonnard (114-120 +1866=13 coloured lithographs); Carrière (210-216); d’Espagnat (452-463); Guérin (560-569); Ibels (no.644 +2003=decor); Loiseau (807-818); Maufra (880-889); Moret (924-933); Picabia (981-983); Roussel (1102-1107 +1655); Vallotton (1252-1254); Vuillard (1287-1295 +1977 = 13 coloured lithographs); Denis (no.1877 =12 coloured lithographs); Lalique (no.2014 =collection of jewellery made from precious materials);
And also foreign artists: Flanagan (no.479); Lieberman (791-793); Siebe ten Cate (1199-1204 +1667-1672); Kandinsky (9 aquarelles 1504-1512 + 9 lithographs 1891-1899); Note: additional info and pictures will be added.
Sources:
See at the bottom of the main page on the Salon d’Automne.
