Meta-Impressionism:

pre-impressionist paintings

Preceeding Impressionism

Introduction:
On this page you will find some pre-impressionist paintings. They will be rendered by alphabetically and then chronologically.
See links for more info on Pre-Impressionism and for an overview of the pre-impressionists.
See links for more info and pictures on Chintreuil; Corot; Courbet; Daubigny; Diaz; Dupré; Louis Français; Jacques; Jongkind; J.F. Millet; Rousseau; Troyon;
It is interesting to compare them with those of the Impressionists. It is interesting to see if these ‘para-impressionists’ used elements of the impressionist painting style and in what way they did differ from it.
If you double click on the first picture and then click on full screen, you can create a slideshow.
On a smartphone or laptop you can also zoom in. Enjoy!

Aligny (1798-1871): 1833ca, Careers in the forest of Fontainebleau, 163x215, MARQ Clermont-Ferrand (?) (iR10;iR360;iR1;M199) =S1833, Vue prise des carriers de grés du Mont Saint-Père, forêt de Fontainebleau — Aligny (1798-1871): 1833ca, Careers in the forest of Fontainebleau, 163×215, MARQ Clermont-Ferrand (?) (iR10;iR360;iR1;M199) =S1833, Vue prise des carriers de grés du Mont Saint-Père, forêt de Fontainebleau

Aligny (1798-1871): 1837ca, Prométhée, 201x299, Louvre (M5;iR10;iR1) =S1837-18 = EU=S1855-2412, Prométhée; paysage — Aligny (1798-1871): 1837ca, Prométhée, 201×299, Louvre (M5;iR10;iR1) =S1837-18 = EU=S1855-2412, Prométhée; paysage

Rosa Bonheur (1822-99): 1849, Plowing in the Nivernais, 134x260, Orsay (iR6;iR8;iR3;M1) =S1849-204 (-> 1st class medal; commissioned and bought by the State); =London-EU-1862-129; =EU-C-1889-69 — Rosa Bonheur (1822-99): 1849, Plowing in the Nivernais, 134×260, Orsay (iR6;iR8;iR3;M1) =S1849-204 (-> 1st class medal; commissioned and bought by the State); =London-EU-1862-129; =EU-C-1889-69.

Rosa Bonheur (1822-99): 1852-55, The horse fair, 245x507, Metropolitan (iR6;M23) =S1853-134, Marché aux cheveaux de Paris — Rosa Bonheur (1822-99): 1852-55, The horse fair, 245×507, Metropolitan (iR6;M23) =S1853-134, Marché aux cheveaux de Paris

Rosa Bonheur (1822-99): 1853-55, Haymaking in the Auvergne, 213x422, MNCH Fontainebleau (iR155;iR6;iR23;iR1;R231-1;M1;M284) 1854 purchased by the State for 20.000fr; Expos: =EU-1855-2587, La fenaison (Auvergne); Fontainebleau, musée national du Château (-> 1st class medal); =!? EU-C-1900-43, La Fenaison (en Auvergne). — Rosa Bonheur (1822-99): 1853-55, Haymaking in the Auvergne, 213×422, MNCH Fontainebleau (iR155;iR6;iR23;iR1;R231-1;M1;M284) 1854 purchased by the State for 20.000fr; Expos: =EU-1855-2587, La fenaison (Auvergne); Fontainebleau, musée national du Château (-> 1st class medal); =!? EU-C-1900-43, La Fenaison (en Auvergne).

Cabat (1812-93): 1833ca, The lake of Ville d’Avray, 73x110, Louvre (iR357;iR10;iR1;R290,p133) =S1834-253, Vue de l'étang de Ville-d'Avray (2nd class medal, paysage) — Cabat (1812-93): 1833ca, The lake of Ville d’Avray, 73×110, Louvre (iR357;iR10;iR1;R290,p133) =S1834-253, Vue de l’étang de Ville-d’Avray (2nd class medal, paysage)

Cabat (1812-93): 1834, Vue de Gorge-aux-Loups, Forêt de Fontainebleau, 114x153, Louvre (iR357;iR10;iR94;iR1;M5) =S1835-285, Vue de la Gorge-aux-Loups (Seine-et-Marne) (bought by the state) — Cabat (1812-93): 1834, Vue de Gorge-aux-Loups, Forêt de Fontainebleau, 114×153, Louvre (iR357;iR10;iR94;iR1;M5) =S1835-285, Vue de la Gorge-aux-Loups (Seine-et-Marne) (bought by the state)

Cabat (1812-93): 1875, A Shepherd with his Flock, 60x101, private (iR2;iR94) — Cabat (1812-93): 1875, A Shepherd with his Flock, 60×101, private (iR2;iR94)

Cabat (1812-93): 18xx, Le jardin Beaujon (iR10;iR94;iR11;iR1;R231) =? S1834-252, Vue du jardin Beaujon, à Paris = EU-C-1889-114, Le Jardin Beaujon (2nd class medal, paysage)

Antoine Chintreuil (1814-73): 18??, L930, Le soleil boit la rosée du matin, 240x160, MBA Strasbourg (iR155;iR10;aR2,V7,no930;) Expos: S1866-399, Le soleil boit la rosée du matin; EdBA-1874-162; HD1875/02-85; — Antoine Chintreuil (1814-73): 18??, L930, Le soleil boit la rosée du matin, 240×160, MBA Strasbourg (iR155;iR10;aR2,V7,no930;) Expos: S1866-399, Le soleil boit la rosée du matin; EdBA-1874-162; HD1875/02-85;

Chintreuil (1814-73): 1856, L331, A summer (sic?) landscape with figures by the wayside, 33x65, A2016/03/18 (iR10;iR17;iR390;R231-1+2;aR2,V4,no331) Compare: EU-1900-C-106, La Rigole d'Igny (journée de printemps par un temps de giboulée (1856) (à Mme Esnault-Pelterie) =L338. — Chintreuil (1814-73): 1856, L331, A summer (sic?) landscape with figures by the wayside, 33×65, A2016/03/18 (iR10;iR17;iR390;R231-1+2;aR2,V4,no331) Compare: EU-1900-C-106, La Rigole d’Igny (journée de printemps par un temps de giboulée (1856) (à Mme Esnault-Pelterie) =L338.

Antoine Chintreuil (1814-73): 18xx, L892, Le Chemin sous les pommiers (Path through the apple trees; detail), 34x71, MBA Rouen (HW18;iR127;aR2,V7,no892;M12) — Antoine Chintreuil (1814-73): 18xx, L892, Le Chemin sous les pommiers (Path through the apple trees; detail), 34×71, MBA Rouen (HW18;iR127;aR2,V7,no892;M12)

Corot (1796-1875): 1826, CR130, The bridge at Narni (study), 34x48, Louvre (iR10;iR326;iR6;iR23;R61,no5;R222,p28;R119,no130;M5) — Corot (1796-1875): 1826, CR130, The bridge at Narni (study), 34×48, Louvre (iR10;iR326;iR6;iR23;R61,no5;R222,p28;R119,no130;M5)

Corot (1796-1875): 1855-65, CR1464, The road from Sèvres, looking towards Paris, 34x49, Louvre (iR2;R61,no37;R119,no1464;M5) — Corot (1796-1875): 1855-65, CR1464, The road from Sèvres, looking towards Paris, 34×49, Louvre (iR2;R61,no37;R119,no1464;M5)

Corot (1796-1875): 1855-64 ca, Evening, 35x46, Hermitage (iR2;R15,p65;M95) — Corot (1796-1875): 1855-64 ca, Evening, 35×46, Hermitage (iR2;R15,p65;M95)

Gustave Courbet (1819-77): 1860, CR264, Fox caught in a trap, 82x101, NMWA Tokyo (iR6;iR1;R231-1;R110,no264;M127) Expos: =?? S1861-720, Le renard dans la neige; =EU-1900-C-146, Le Renard pris au piège (à M. Klotz). — Gustave Courbet (1819-77): 1860, CR264, Fox caught in a trap, 82×101, NMWA Tokyo (iR6;iR1;R231-1;R110,no264;M127) Expos: =?? S1861-720, Le renard dans la neige; =EU-1900-C-146, Le Renard pris au piège (à M. Klotz).

Gustave Courbet (1819-77): 1864, RF417=PC395, The Oak at Flagey (The Oak of Vercingetorix), 89x110, MC Ornans (iR6;iR313) Provenance: Durand-Ruel (RdE-1873-8, Le chêne d'Ornans, 90x100cm (R243) — Gustave Courbet (1819-77): 1864, RF417=PC395, The Oak at Flagey (The Oak of Vercingetorix), 89×110, MC Ornans (iR6;iR313) Provenance: Durand-Ruel (RdE-1873-8, Le chêne d’Ornans, 90x100cm (R243)

Gustave Courbet (1819-77): 1868, CR643, SDbr, Napping during the haying season, 249x310, PP Paris (iR6;iR10;iR1;R231-1;R110,no643;M4) Expos: S1869-572, La sieste, pendant la saison des foins; montagnes du Doubs; EU-1900-C-144, La Sieste (à la Ville de Paris) — Gustave Courbet (1819-77): 1868, CR643, SDbr, Napping during the haying season, 249×310, PP Paris (iR6;iR10;iR1;R231-1;R110,no643;M4) Expos: S1869-572, La sieste, pendant la saison des foins; montagnes du Doubs; EU-1900-C-144, La Sieste (à la Ville de Paris)

Gustave Courbet (1819-77): 1869, The Cliff at Etretat, after the storm, 133x162, Orsay (iR2;iR6;R110,p745;M1) Expos: S1870-67; ENSBA-1882-107. — Gustave Courbet (1819-77): 1869, The Cliff at Etretat, after the storm, 133×162, Orsay (iR2;iR6;R110,p745;M1) Expos: S1870-67; ENSBA-1882-107.

Gustave Courbet (1819-77): 1870, SDbl, CR747, La mer orageuse, 117x160, Orsay (M1;iR10;iR6;iR23;iR1;R110,no747;R231-1+2+5) Provenance: Carlin; sale HD1872/04/29-3 (17.000fr); Haro; 1878 bought by the State. Expos: S1870-671, La mer orageuse; EU-1878-214, La Vague (S.1870; M.du Luxembourg); Compare: EdBA-1882-106; EU-1889-C-205, La Vague (1870) (à M. Otlét); EU-1900-C-149, La vague, (à M. Albert Cahen). — Gustave Courbet (1819-77): 1870, SDbl, CR747, La mer orageuse, 117×160, Orsay (M1;iR10;iR6;iR23;iR1;R110,no747;R231-1+2+5) Provenance: Carlin; sale HD1872/04/29-3 (17.000fr); Haro; 1878 bought by the State. Expos: S1870-671, La mer orageuse; EU-1878-214, La Vague (S.1870; M.du Luxembourg); Compare: EdBA-1882-106; EU-1889-C-205, La Vague (1870) (à M. Otlét); EU-1900-C-149, La vague, (à M. Albert Cahen).

Charles-François Daubigny (1817-78): 1855, The lock in the Valley of Optivoz (Isere), 92x162, MBA Rouen (iR2;iR1;R1,p16;R290,p142;M12) =EU=S1855-2844, Ecluse dans la vallée d’Optevoz (Isère) -> 3rd class medal + =EU-C-1889-217, Ecluse dans la vallée d’Optevoz — Charles-François Daubigny (1817-78): 1855, The lock in the Valley of Optivoz (Isere), 92×162, MBA Rouen (iR2;iR1;R1,p16;R290,p142;M12) =EU=S1855-2844, Ecluse dans la vallée d’Optevoz (Isère) -> 3rd class medal + =EU-C-1889-217, Ecluse dans la vallée d’Optevoz

Daubigny (1817-78): 1872, SDbl, Moulins à Dordrecht, ?cm, Detroit IA (iR155;iR10;M151) Provenance: ? Durand-Ruel (RdE-1873-202, Bateaux et moulins en Hollande, 45x82cm.

Daubigny (1817-78): 1877, Moonrise at Auvers (Return of the Flock), 107x188, Montreal MFA (iR2;iR1;R231;M110) =EU-1878-233, Lever de lune, à Auvers (Seine-et-Oise) — Daubigny (1817-78): 1877, Moonrise at Auvers (Return of the Flock), 107×188, Montreal MFA (iR2;iR1;R231;M110) =EU-1878-233, Lever de lune, à Auvers (Seine-et-Oise)

Daumier (1808-79): 1848-52ca, Sbr, The Fugitives, on paper, 40x69, Km Winterthur (iR10;M87;R231-1+2) Provenance: Oskar Reinhart. Expo: =EU-1900-C-181, Les émigrants (à M. Sarlin) — Daumier (1808-79): 1848-52ca, Sbr, The Fugitives, on paper, 40×69, Km Winterthur (iR10;M87;R231-1+2) Provenance: Oskar Reinhart. Expo: =EU-1900-C-181, Les émigrants (à M. Sarlin)

Daumier (1808-79): 1852, The orchestra during the performance of a tragedy, litho, 16x22, Metropolitan (aR2,p166). Degas collection. — Daumier (1808-79): 1852, The orchestra during the performance of a tragedy, litho, 16×22, Metropolitan (aR2,p166). Degas collection.

Honoré Daumier (1808-79): 1860ca, Le drame, 98x91, Pinakothek Munich (iR493;R231-1;iR261;iR19;M53) Provenance: Viau; sale DR1907/03/02-04,no.14 (28.100fr); =EU-1900-C-183, Le Drame (à M. Viau); EdBA-1901-82; Vienna-EdI-1903-18. — Honoré Daumier (1808-79): 1860ca, Le drame, 98×91, Pinakothek Munich (iR493;R231-1;iR261;iR19;M53) Provenance: Viau; sale DR1907/03/02-04,no.14 (28.100fr); =EU-1900-C-183, Le Drame (à M. Viau); EdBA-1901-82; Vienna-EdI-1903-18.

Daumier (1808-79): 1860-63, CR152, L’amateur d’estampes (The print collector), 40x32, AI Chicago (iR493;iR10;R231-1;M20) Provenance: Corot; HD1875/05/26-663; Jacquot; !? Vever; !? Viau. Expos:=EU-1900-C-182, L'Amateur (à M. Viau); EdBA-1901-81; =? 17LE-1910. — Daumier (1808-79): 1860-63, CR152, L’amateur d’estampes (The print collector), 40×32, AI Chicago (iR493;iR10;R231-1;M20) Provenance: Corot; HD1875/05/26-663; Jacquot; !? Vever; !? Viau. Expos:=EU-1900-C-182, L’Amateur (à M. Viau); EdBA-1901-81; =? 17LE-1910.

Honoré Daumier (1808-79): 1863-65, Sbr, The Third-Class Carriage, 65x90, NGC Ottawa (M113;iR6;iR10;R455-1) Provenance: Armand Doria; HD1899/05/04-127, Le wagon de 3me classe, 67x92 (46.500fr) — Honoré Daumier (1808-79): 1863-65, Sbr, The Third-Class Carriage, 65×90, NGC Ottawa (M113;iR6;iR10;R455-1) Provenance: Armand Doria; HD1899/05/04-127, Le wagon de 3me classe, 67×92 (46.500fr)

Daumier (1808-79): 1864, Always Vénuses (Salon of 1864), dr, Le Charivari 1865/05/10 (iR10;iR6)

Diaz (1807-76): 1865ca, Pool in the Forest, 24x33, NGS Edinburgh (iR2;M63;cpR290,p158) — Diaz (1807-76): 1865ca, Pool in the Forest, 24×33, NGS Edinburgh (iR2;M63;cpR290,p158)

Diaz (1807-76): 1870, The approaching storm, 84x106, NSM Pasadena (iR2;M43) — Diaz (1807-76): 1870, The approaching storm, 84×106, NSM Pasadena (iR2;M43)

Diaz (1807-76): 1871, Sunset of the turbulent sea, 79x107, private (iR2) — Diaz (1807-76): 1871, Sunset of the turbulent sea, 79×107, private (iR2)

Jules Dupré (1811-89): 1835, Environs de Southampton, 184x115, MLS L'Isle-Adam (iR10;M179;iR13;iR1;R231) =!? S1835-674, Vue prise à Southampton (Angleterre) = =EU-C-1889-323, Environs de Southampton — Jules Dupré (1811-89): 1835, Environs de Southampton, 184×115, MLS L’Isle-Adam (iR10;M179;iR13;iR1;R231) =!? S1835-674, Vue prise à Southampton (Angleterre) = =EU-C-1889-323, Environs de Southampton

Jules Dupré (1811-89): 1836, SDbl, Cows crossing a ford, 36x63, Metropolitan (iR10;M23;iR6;R231-1+2) =EU-1900-C-268, Le passage du Gué (à M. Moreau-Nélaton) — Jules Dupré (1811-89): 1836, SDbl, Cows crossing a ford, 36×63, Metropolitan (iR10;M23;iR6;R231-1+2) =EU-1900-C-268, Le passage du Gué (à M. Moreau-Nélaton)

Jules Dupré (1811-89): 1865-70, A Fisherman, 46x38, NGC Edinburgh (iRx;M63) — Jules Dupré (1811-89): 1865-70, A Fisherman, 46×38, NGC Edinburgh (iRx;M63)

Henri-Joseph Harpignies (1819-1916): 1897, SDbl, The Lake, 27x41, FM Cambridge (M184;iR10;R231-3+4+13) =EU-1900-D980, La Loire (à M. Paul Yver) -> Grand Prix. — Henri-Joseph Harpignies (1819-1916): 1897, SDbl, The Lake, 27×41, FM Cambridge (M184;iR10;R231-3+4+13) =EU-1900-D980, La Loire (à M. Paul Yver) -> Grand Prix.

Paul Huet (1803-69): 1830, Chaumière Normande, vieux Trouville, 23x38, Louvre (iRx;M5) — Paul Huet (1803-69): 1830, Chaumière Normande, vieux Trouville, 23×38, Louvre (iRx;M5)

Paul Huet (1803-69): 1835ca, The Harvest, 64x80, private (iR2) — Paul Huet (1803-69): 1835ca, The Harvest, 64×80, private (iR2)

Paul Huet (1803-69): 1853, Breakers at Granville Point, 68x103, Louvre (iR2;M5) — Paul Huet (1803-69): 1853, Breakers at Granville Point, 68×103, Louvre (iR2;M5)

Paul Huet (1803-69): 1865ca, Landscape, Hunter in the Forest of Fontainebleau, 37x53, MF Montpellier (iR2;M14) — Paul Huet (1803-69): 1865ca, Landscape, Hunter in the Forest of Fontainebleau, 37×53, MF Montpellier (iR2;M14)

Jacque (1813-94): 1859, Springtime (Le Printemps), 107x77, private (iR2) — Jacque (1813-94): 1859, Springtime (Le Printemps), 107×77, private (iR2)

Jacque (1813-94): 18xx, Ploughing (Labourage), 86x165, Axx (R?;iR15) — Jacque (1813-94): 18xx, Ploughing (Labourage), 86×165, Axx (R?;iR15)

Jacque (1813-94): 1870-73ca, Herd of Sheep in the Forest of Fontainebleau, 68x99, private (iR2) — Jacque (1813-94): 1870-73ca, Herd of Sheep in the Forest of Fontainebleau, 68×99, private (iR2)

Johan Barthold Jongkind (1819-91): 1852, Saint-Valéry-en-Caux, sunset, 107x169, KMM Otterlo (iR5;iR1;R177,p23+24;M72) =S1852-706, Saint-Valery-en-Caux; soleil couchant; 3rd class medal (Marine) — Johan Barthold Jongkind (1819-91): 1852, Saint-Valéry-en-Caux, sunset, 107×169, KMM Otterlo (iR5;iR1;R177,p23+24;M72) =S1852-706, Saint-Valery-en-Caux; soleil couchant; 3rd class medal (Marine)

Johan Barthold Jongkind (1819-91): 1857, SDbl, Windmill near Delft, 56x42, TBM Madrid (M100;iR6) — Johan Barthold Jongkind (1819-91): 1857, SDbl, Windmill near Delft, 56×42, TBM Madrid (M100;iR6)

Johan Barthold Jongkind (1819-91): 1867, SDbr, Canal in Holland in the Moonlight, 34x46, private (iR2;R455-1) Provenance: Armand Doria; HD1899/05/04-161, Canal en Hollande au clair de lune, 33x46 (7.650fr) — Johan Barthold Jongkind (1819-91): 1867, SDbr, Canal in Holland in the Moonlight, 34×46, private (iR2;R455-1) Provenance: Armand Doria; HD1899/05/04-161, Canal en Hollande au clair de lune, 33×46 (7.650fr)

Johan Barthold Jongkind (1819-91): 1873, SDbr, Cityview of Rotterdam (with canal), 116x85, M Rotterdam (M272;iR6;R177,p38) =S1874-R =HD1878/04/29-31 Faure sale. — Johan Barthold Jongkind (1819-91): 1873, SDbr, Cityview of Rotterdam (with canal), 116×85, M Rotterdam (M272;iR6;R177,p38) =S1874-R =HD1878/04/29-31 Faure sale.

George Michel (1763-1843): 1795ca, Chaumière à la lisière d'un bois (La dune), 52x70, MBA Reims (iR6;R231;R243;M190) Provenance: Greverath; Durand-Ruel (RdE-1873-50, Un berger); Vasnier. Expo: =EU-1900-C-466, La ferme (à Vasnier) — George Michel (1763-1843): 1795ca, Chaumière à la lisière d’un bois (La dune), 52×70, MBA Reims (iR6;R231;R243;M190) Provenance: Greverath; Durand-Ruel (RdE-1873-50, Un berger); Vasnier. Expo: =EU-1900-C-466, La ferme (à Vasnier)

George Michel (1763-1843): Big oak near a road, 65x82, A2024/04/17 (iR11;R243) Provenance: Durand-Ruel (RdE-1873-188, Chênes près dúne route) — George Michel (1763-1843): Big oak near a road, 65×82, A2024/04/17 (iR11;R243) Provenance: Durand-Ruel (RdE-1873-188, Chênes près dúne route)

George Michel (1763-1843): Paysage orageux à la cascade, 51x70, A2026/06/05 (iR11;iR10;R243) Durand-Ruel (RdE-1873-62, Une chute d'eau) — George Michel (1763-1843): Paysage orageux à la cascade, 51×70, A2026/06/05 (iR11;iR10;R243) Durand-Ruel (RdE-1873-62, Une chute d’eau)

George Michel (1763-1843): Stormy landscape, 52x67, MBA Lyon (iR469;iR10;M217) RdE-1873-278 (R243) — George Michel (1763-1843): Stormy landscape, 52×67, MBA Lyon (iR469;iR10;M217) RdE-1873-278 (R243)

Jean-François Millet: 1856-60ca, The Sheepfold, Moonlight, 44x63, WAM Baltimore (iRx;iR6;R231;R243;M48) Expo: EU-1867-477, Un parc à moutons; claire de lune (à M. le chavelier de Knyff. Provenance: Chevalier A. de Knyff; Carlin (sale 1872/04/29-19); Durand-Ruel (RdE-1873-24, La Bergerie, 46x63). — Jean-François Millet: 1856-60ca, The Sheepfold, Moonlight, 44×63, WAM Baltimore (iRx;iR6;R231;R243;M48) Expo: EU-1867-477, Un parc à moutons; claire de lune (à M. le chavelier de Knyff. Provenance: Chevalier A. de Knyff; Carlin (sale 1872/04/29-19); Durand-Ruel (RdE-1873-24, La Bergerie, 46×63).

Jean-François Millet (1814-75): 1861ca, Potato Planters, 83x101, MFA Boston (iRx;M22;R231) =EU1867-479, Planteurs de pommes de terre. — Jean-François Millet (1814-75): 1861ca, Potato Planters, 83×101, MFA Boston (iRx;M22;R231) =EU1867-479, Planteurs de pommes de terre.

Jean-François Millet (1814-75): 1862-64, Bergère avec son troupeau, 81x101, Orsay (iRx;M1;iR1;R231) =S1864-1362 (-> medal) =EU1867-475 — Jean-François Millet (1814-75): 1862-64, Bergère avec son troupeau, 81×101, Orsay (iRx;M1;iR1;R231) =S1864-1362 (-> medal) =EU1867-475

Théodore Rousseau (1812-1867): 1830-39ca, Market Place in Normandy, op, 30x38, Hermitage (iR2;iR6;M95) — Théodore Rousseau (1812-1867): 1830-39ca, Market Place in Normandy, op, 30×38, Hermitage (iR2;iR6;M95)

Theodore Rousseau (1812-1867): 1840ca, A tree in Fontainebleau Forest (Solitairy oaktree; Etude du Dormoir), 40x54, VAM London (iR6;M65) — Theodore Rousseau (1812-1867): 1840ca, A tree in Fontainebleau Forest (Solitairy oaktree; Etude du Dormoir), 40×54, VAM London (iR6;M65)

Théodore Rousseau (1812-1867): 1851, The Forest of Fontainbleau, morning, 98x134, Wallace London (iR2) Compare EU-1855-3931 — Théodore Rousseau (1812-1867): 1851, The Forest of Fontainbleau, morning, 98×134, Wallace London (iR2) Compare EU-1855-3931

Rousseau (1812-1867): 1860-62ca, A Clearing in the Forest of Fontainebleau, 77x145, Norfolk Museum (iR2) — Rousseau (1812-1867): 1860-62ca, A Clearing in the Forest of Fontainebleau, 77×145, Norfolk Museum (iR2)

Constant Troyon (1810-65): 1825-47, Cours d'eau sous bois, 33x47, Louvre (iR357;iR23;iR6;M5;R231-1) =EU-1900-C-636, Sous bois (à M. Moreau-Nélaton) — Constant Troyon (1810-65): 1825-47, Cours d’eau sous bois, 33×47, Louvre (iR357;iR23;iR6;M5;R231-1) =EU-1900-C-636, Sous bois (à M. Moreau-Nélaton)

Constant Troyon (1810-65): 1825-65ca, A farmer in his wagon, 60x74, Md Tessé Mans (iR6;iR23;iR10;R231-1) Provenance: bought in 1865. Expo: =? EU-1900-C-635, Un fermier dans sa charette (Musée du Mans) — Constant Troyon (1810-65): 1825-65ca, A farmer in his wagon, 60×74, Md Tessé Mans (iR6;iR23;iR10;R231-1) Provenance: bought in 1865. Expo: =? EU-1900-C-635, Un fermier dans sa charette (Musée du Mans)

Constant Troyon (1810-65): 1849, The Approaching Storm, 116x158, NGA Washington (iRx;M21) — Constant Troyon (1810-65): 1849, The Approaching Storm, 116×158, NGA Washington (iRx;M21)

Constant Troyon (1810-65): 1859, On the Way to the Market, 261x211, Hermitage (iR2;iR1;M95;R290,p195) =!? S1859-2902, Le départ pour le marché — Constant Troyon (1810-65): 1859, On the Way to the Market, 261×211, Hermitage (iR2;iR1;M95;R290,p195) =!? S1859-2902, Le départ pour le marché

Emile van Marcke van Lummen (1827-90): 1872ca, Sbl, The Approach of a Storm, 146x201, WAM Baltimore (M48;iR6;R337) Expo: =S1872-1477, Landes du bassin d'Arcachon, Gironde (à M. Walters). Provenance: Walters (1872) Compare: Durand-Ruel inventory: RdE-1873-197, Troupeau de vaches passant un gué, 150x200 + RdE-1873-111, Landes du bassin d'Arcachon, 99x150cm (R243) — Emile van Marcke van Lummen (1827-90): 1872ca, Sbl, The Approach of a Storm, 146×201, WAM Baltimore (M48;iR6;R337) Expo: =S1872-1477, Landes du bassin d’Arcachon, Gironde (à M. Walters). Provenance: Walters (1872) Compare: Durand-Ruel inventory: RdE-1873-197, Troupeau de vaches passant un gué, 150×200 + RdE-1873-111, Landes du bassin d’Arcachon, 99x150cm (R243)

Sources:
See the link for other general References (=Rx), the internet references (=iRx) and the musea (=M), for explanation of the subscription of the paintings.

Recommanded citation: “Meta-Impressionism: Pre-Impressionist paintings. Last modified 2026/06/16. https://www.impressionism.nl/pre-impressionist-paintings/”

Note: additional paintings will follow.