Alfred Sisley: 1891, SDbr, CR774=CCPP880, Chemin montant au soleil (detail), 59×52, MBA Rouen (HW18;iR2;R129,no774;R396,no880;M12) Expo: GP1897-57. Provenance: Depeaux; sale GP1906/06/01-232
Introduction: In 1897 from the 5th till the 28th of February the art-dealer Georges Petit held a large solo exhibition in his gallery in Paris, called A. Sisley (=GP1897). It included 146 paintings and 5 pastels made by Alfred Sisley. None of the works were sold (R53,p142). Many works were loans.
These works were made throughout the years, so it renders a nice overview of the themes Sisley depicted. It also gives an inside in the development of his style, which you can compare with the impressionist painting style. I therefore will render the pictures by year they were made by Sisley (but firstly by medium and form).
On this page you will find 83 of the exhibited works (see for an account at the bottom of this page). If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy! Note: the low horizon Sisley often used.
Alfred Sisley: 1868ca, Sbr, CR10=CCPP13, Path near the Parc de Courances, 40×65, A2011/06/21 (iR2; iR15;iR11;R38;R166,p91;R88II,p72;R129,no10;R396,no13) Provenance: Viau; sale DR1907/03/04-78; Bernheim-Jeune. Expo: GP1897-114.
Alfred Sisley: 1872, SDbl, CR27=CCPP37, Fishermen spreading out their nets, Villeneuve-la-Garenne, 50×65, KAM Fort Worth (M224;iR2;R38;R166,p108;R129,no27;R396,no37) Provenance: 1872/04/30 Durand-Ruel; 1897 Mallet. Expos: =London-5SFA-1872-120; =?? 7IE-1882-178, La Seine à St-Denis; =GP1897-30.
Alfred Sisley: 1872, SDbr, CR24=CCPP53, SDbr, The Flood, 50×73, private (iR2;iR40;R166,p114;R129,no24;R396,no53) Provenance: Bignou. Expo: compare: GP1897-103, L’Inondation, 1872, appartient à M. Mallet.
Alfred Sisley: 1872, SDbl, CR52=CCPP57, Louveciennes in the snow, 51×73, NSM Passadena (iR6;iR10;M43;iR2;R166,p44;R129,no52;R396,no57) Provenance: Picq-Véron; 1892/06/25 Durand-Ruel; 1892/07/17 Vever; sale GP1897/02/01-112; Mme Rambaud. Expos: =? GP1897/02/05-142, Effet de neige, appartient à M. Vever; GP1917,no30.
Alfred Sisley: 1873, SDbl, CR66=CCPP62, L’île de la Grand Jatte, 51×65, Orsay (iR2;R53,p64;R129,no66;R396,no62;M1) Expos: compare: 2IE-1876-244hc2, Maison sur les bords de la Marne; GP1897-14. Provenance: Personnaz.
Alfred Sisley: 1873, SDbr, CR73=CCPP71, Seine at Bougival (La Machine de Marly in the distance), 54×73, A2015/11/12 (iR2;iR15;iR11;R116II,p124;R129,no73;R396,no71) Provenance: Jacques Dubourg. Compare: GP1897-9, Coteaux de Bougival, et Machine de Marly, appartient à M. F…
Alfred Sisley: 1873, SDbl, CR88=CCPP76, The Seine at Bougival, Autumn effect, 39×62, Nm Stockholm (iR10;iR6;R166,p44;R129,no88;R396,no76;M91) Camentron; 1899/01/14 Durand-Ruel; 1893/04/12 Montaignac; Paul Bérard; sale GP1905/05/08-36 -> Montaignac; sale GP1917/12/04-85. Expos: GP1897-105, Futaie, effet d’automne, 1972 (sic?), appartient à M. Montaignac; PR1904-2; GP1917-16.
Alfred Sisley: 1874, SDbl, CR142=CCPP118, Chemin de l’Étarché, village de Voisins, Louveciennes, 38×47, Orsay (M1;iR10;iR64;iR3;iR2;R53,p86;R166,p145;R129,no142;R396,no118) Provenance: 1891/08/25 Durand-ruel; 1893/04/12 Montaignac; Depeaux; sale GP1906/05/31-56; comte de Camondo. Expo: GP1897-106.
Alfred Sisley: 1874, SDbr, CCPP129, CR-, La ferme du Trou d’Enfer, Marly-le-Roi, matinée d’automne, 46×61, HMA Atlanta (iR2;iR11;R396,no129;R166,p51,note40+p52,note50;M150) Provenance: ?Durand-Ruel; 1883/08/07 Georges Petit; Montaignac; 1897ca Dr. E. Claret. Expos: =? London-EI-1882-4?, Hellhole farm; =? Tours-1882-312, Hellhole farm; =? DR1883-solo-?, Hellhole farm; GP1897-78.
Alfred Sisley: 1874, SDbr, CR132=CCPP130, La Route de Mantes, 38×55, Louvre (M5;iR10;iR2;R38;R129,no132;R396,no130) Provenance: Boutard; Mll. E. Gérin. Expos: GP1897-21; GP1917-11.
Alfred Sisley: 1874, CR148=CCPP139, SDbr, Snow at Louveciennes, 65×92, private (iR2;iR40;R129,no148;R396,no139;R88II,p452) Provenance: =?? HD1875/03/24-70, Route Louveciennes, neige (65×92) -> Durand-Ruel (210fr); 1891/08/25 Durand-Ruel; <1893/01/14 Henri Vever; GP1897/02/01-103; Depeaux; GP1906/05/31-61 -> Paul Rosenberg; Expos: PR-1904-38; GP1917-92; PR1922-90.
Alfred Sisley: 1874, SDbr, CR143=CCPP143, Gelée blanche, été de la Saint-Martin, 47×56, private (iR155;iR10;iR11;iR2;R129,no143;R396,no143) Provenance: compare: HD1875/03/24-73, Paysage (46×55) -> 300fr Durand-Ruel; 1875/04 Durand-Ruel; 1893/06/16 abbé Gaugain; sale HD1901/05/06-19; Georges Petit. Expo: GP1897-144.
Alfred Sisley: 1874, SDbl, CR124=CCPP149, Under the Bridge at Hampton Court, 50×76, Km Winterthur (iR3;iR2;iR40;R53,p78;R38;R166,p134;R129,no124;R396, no149;M87) Provenance: 1897 Foinard; Decap; sale HD1901/04/15-28. Expos: GP1897-97, Sous le pont, 1874, appartient à M. F.
Alfred Sisley: 1874, CR118=CCPP151, SDbl, Molesey weir, Hampton Court, morning, 52×69, NGS Edinburgh (M63;iR3;iR2;iR8;R38;R166,p138;R129,no118;R396,no151;R88II,p451/2;M63) Provenance: =? HD1875/03/24-72, Barrage de la Tamise (Hampton-Court; 51×68 -> not sold?); Faure; Expos: GP1897-141; GP1917-50.
Alfred Sisley: 1874, SDbl, CR119=CCPP153, Hampton Court lock, 50×73, ESC Cairo (iR10;iR40;R166,p44;R129,no119;R396,no153) Provenance: Faure. Expo: =? GP1897-139, Moseley Look (sic), Hampden Coort (sic), 1874, appartient à M. F…
Alfred Sisley: 1874, SDbl, CR121=CCPP154, La route de Hampton Court, 39×56, A2006/05/02 (iR2;iR15;iR11;R16,p333;R38;R129,no121;R396,no154) Provenance: Faure. Expos: GP1897-140; GP1917-47.
Alfred Sisley: 1874, SDbr, CR122=CCPP158, The Thames at Hampton Court, first days of October, 66×92, MNBA Buenos Aires (iR10;iR487;iR94;R166,p52,note46+p138;R129,no122;R396,no158;M114) Provenance: Georges Charpentier; Faure. Expos: =? DR1883-solo, loan Faure; =GP1897-138; =GP1917-56.
Alfred Sisley: 1875, CR179=CCPP165, SDbr, The Seine at Bougival, view on the hills, 50×61, NGC Ottawa (iR2;iR11;R129,no179;R396,no165;M113) Provenance: =??? HD1875/03/24-68, Côteaux de Bougival (50×61) -> Durand-Ruel (115fr); Jules Feder; 1892/06/25 Durand-Ruel; 1894ca abbé Gaugain; HD1901/05/06-18 -> G. Petit; Expos: GP1897-145.
Alfred Sisley: 1875, SDbr, CR190=CCPP172, Une prairie aux environs de Louveciennes, 55×73, NGA Washington (iR3;iR2;iR40;R38;R129,no190;R396,no172;M21) Provenance: Armand Doria; sale GP1899/05/04-224; Durand-Ruel; 1900/02/24 Bernheim-Jeune; Jules Strauss; sale HD1902/05/03-60; Georges Petit. Expo: GP1897-86, Le Printemps, 1875, appartient à M. le comte Doria.
Alfred Sisley: 1875, SDbr, CR192=CCPP186, Sur la route de l’Abreuvoir, Marly-le-Roi, 55×65, AI Chicago (iR10;iR64;R116II,p147;R38;R129,no192;R396,no186;M20) Provenance: 1880 Durand-Ruel; 1897 Dr. Viau. Expo: GP1897-18.
Alfred Sisley: 1875, SDbl, CR176=CCPP187, La Seine à Port-Marly, tas de sable, 55×74, Chicago AI (M20;iR6;iR2;R53,p94;R17,p103;iR3info;iR493;R129,no176;iR19;R396,no187;R88II,p452;R231-1) Provenance: =??? HD1875/03/24-67, La Seine aux environs de Paris (54×73) -> Lecorf (?) (125fr); Dr. Viau; sale DR1907/03/04-74 (16.300fr); Bernheim-Jeune. Expos: compare: 1IE-1874-163, La Seine à Port-Marly; =GP1897-19; =EU-1900-C-614, La Seine à Port-Marly 1875 (à M. Viau); =GP1917-64.
Alfred Sisley: 1875, SDbr, CR183=CCPP192, Forge at Marly-le-Roi, 55×73, Orsay (iR10;iR155;iR11;iR2;iR22;iR40;R129,no183;R396,no192;R166,p52,no46;M1) Provenance: (Faure??); Depeaux; sale GP1906/05/31-45; Moreau-Nélaton. Expo: =? DR1883-solo, Interior of a forge, loan Faure; =!? GP1897-96, La Forge, 1875, appartient à M. F.
Alfred Sisley: 1875, SDbr, CR181=CCPP194, SDbr, Soleil couchant à l’automne, 46×61, Leeds AG (iR2;iR40;R129,no181;R396,no194;M67) Provenance: Armand Doria; sale GP1899/05/04-225. Expo: GP1897-88, Bords de l’Oise, le soir, 1875, appartient à M. comte Doria.
Alfred Sisley: 1875, SDbl, CR157=CCPP200, L’Abreuvoir de Marly, neige, 38×55, private (iR3;R166,p172;R129,no157;R396,no200) Provenance: Ernest May; sale GP1890/06/04-69; Dr. Viau; sale DR1907/03/04-79; Bernheim-Jeune. Expos: GP1897-17; GP1899-78.
Alfred Sisley: 1876, SDbr, CR226 (Bougival)=CCPP208, Banks of the Seine at Argenteuil, 38×55, A2002/11/06 (iR10;iR485;iR2;R129,no226;R396,no208) Provenance: Mll. E. Gérin. Expos: =!? GP1897-118, Bords de la Seine, 1874 (sic?), appartient à M. (sic?) Gérin; GP1917-10.
Alfred Sisley: 1876, SDbr, CR214=CCPP223, View on Saint-Germain-en-Laye from the Marly hill, Springtime, 38×56, Km Saint-Gall (iR2;R166,p156;R129,no214;R396,no223) Provenance: 1877 Durand-Ruel; Paul Aubry; sale GP1897/05/10-33). Expos: =?? 3IE-1877-226, Terrasse à Marly.
Alfred Sisley: 1876, SDbl, CR217=CCPP241, The Laundry, 38×55, Worcester AM (iR2;R90II,p84;R2,p207;R129,no217;R396,no241;M221) Provenance: Picq-Véron; 1892/06/25 Durand-Ruel. Expos: =?? 3IE-1877-225, Le Lavoir, à Marly; =GP1897-94; =DR1899-132.
Alfred Sisley: 1876, SDbr, CR202=CCPP246, Inn along a main street (Marly), 50×65, private (iR2;R2,p207;R129,no202;R396,no246) Expo: =?? 3IE-1877-223, L’Auberge du Lion-d’Or; =GP1897-102. Provenance: Hazard; sale GP1919/12/01-210.
Alfred Sisley: 1876, SDbr, CR196=CCPP257, La place du Chenil à Marly, effet de neige, 50×62, MBA Rouen (HW18;iR2;iR5;R38;R129,no196;R396,no257;M12) Provenance: Depeaux; sale GP1906/05/31-60. Expo: GP1897-5; GP1899-69.
Alfred Sisley: 1879, SDbr, CR341=CCPP364, Winter sun in Veneux-Nadon, 50×65, A2020/02/06 (iR11;iR10;R90II,p213+234;R90I,p407;R129,no341;R396,no364) Provenance: 1882/02/10-1921/0214 Durand-Ruel; Expos: compare: 7IE-1882-176, Soleil d’hiver à Veneux; =GP1897-32.
Alfred Sisley: 1876, SDbl, CR249=CCPP261, The first hoarfrost, the watering place at Marly-le-Roi, 46×55, private (iR2;R129,no249;R396,no261) Provenance: Comte Armand Doria; sale GP1899/05/04-222 -> Durand-Ruel; 1900/02/24 Bernheim-Jeune; Jules Strauss; sale HD1902/05/03-70. Expos: Compare: 2IE-1876-238, Avenue de l’Abreuvoir, effet de givre; appartient à Mme Latouche; =? GP1897-85, Gelée blanche, 1874 (sic?), appartient à M. le comte Doria.
Alfred Sisley: 1876, SDbr, CR195 (Louveciennes) =CCPP263, Effet de neige à Marly-le-Roi, 50×62, MNBA Buenos Aires (iR6;iR10;M114) Provenance: Faure. Expos: =? GP1897-95, Effet de neige, 1876, appartient à M. F…; GP1917-45.
Alfred Sisley: 1878, SDbr, CCPP304, CR-, Le garage des hirondelles à Grenelle, 45×64, private (iR10;iR326;R396,no304) Provenance: Feder; 1892/06/25 Durand-Ruel; 1892/07/02 Montaignac. Expo: GP1897-13.
Alfred Sisley: 1878, SDbr (78?), CR295=CCPP305, La Seine au point du jour, Billancourt, 39×46, A2018/11/13 (iR11;iR14;iR2;R129,no295;R396,no305) Provenance: Dachery; sale HD1899/05/30-52 -> Bonjean; Jules Strauss; sale HD1902/05/03-59; Bernheim-Jeune. Compare: GP1897-15, Le Point-du-Jour, 1878, appartient à M. A. Scholl.
Alfred Sisley: 1879ca, Sbr, CR305=CCPP366, Springtime near Paris (flowering apple trees), 45×61, Marmottan (iR2;R17,p255;R129,no305;R396,no366;M2) Provenance: Dr. de Bellio; 1894 Donop de Monchy. Expos: GP1897-143; PR1904-11.
Alfred Sisley: 1879ca, Sbl, CR347=CCPP376, Embankment at Billancourt, snow effect, 46×55, NAMA Kansas City (M42;iR10;iR2;R129,no347;R396,no376) Provenance: 1892ca Camentron; 1892/02/23 Durand-Ruel till 1927/03/16. Expos: GP1897-7; NYDR-1917-1; NYDR1921-12.
Alfred Sisley: 1880ca, Sbl, CR381=CCPP384, La Seine à Suresnes, 46×65, private (iR10;iR40;R129,no381;R396,no384) Provenance: Olivier Sainsère. Expo: =? GP1897-109, Paysage, appartient à M. Sainsère.
Alfred Sisley: 1880ca, Sbl, CR403=CCPP400, The Roches-Courtaut Wood, near By, 50×65, A1999/05/12 (iR2;iR14;R166,p200;R129,no403;R396,no400) Provenance: 1882 Durand-Ruel. Expos: compare: 7IE-1882-181, La Sente des roches; =GP1897-146.
Alfred Sisley: 1880ca, Sbr, CR369=CCPP415, Chantier à Saint-Mammès, le matin, 65×92, Los Angeles CMA (iR2;iR3;R129,no369;R396,no415;M49) Provenance: 1891/07/31 Durand-Ruel; (1897ca) Boussod, Valadon & Cie. Expos: GP1897-51.
Alfred Sisley: 1880ca, Sbl, CR389=CCPP443, Le soir au bord de l’eau, septembre, 54×73, A2024/03/06 (iR10;iR14;R129,no389;R396,no443) Expos: =? 7IE-1882-171, Effet du soir; =GP1897-108, Le Soir, en septembre; PR1904-32; GP1917-67. Provenance: 1897-1904ca Mme Pierson.
Alfred Sisley: 1880-81ca, Sbr, CR401=CCPP447, Snowy weather at Veneux-Nadon, 54×73, Orsay (iR5;iR11;iR2;R53,p32;R129,no401;R396,no447;M1) Provenance: 1881/03/03 Durand-Ruel; 1893/01/28 Depeaux; sale HD1901/04/25-55. Expo: GP1897-62.
Alfred Sisley: 1882ca, Sbr, CR459=CCPP493, Le canal du Loing et l’écluse de Bourgogne à Moret, gelée, 54×73, private (iR6;R129,no459;R396,no493) Provenance: Viau; sale DR1907/03/04-72. Expo: GP1897-49.
Alfred Sisley: 1883ca, Sbr, CR502=CCPP526, Un coin de bois aux Sablons en automne, près de Veneux-Nadon, 61×74, Orsay (iR6;iR10;iR2;R38;R129,no502;R396,no526;M1) Provenance: 1891/08/25 Durand-Ruel; 1893/01/17 Vever; Camentron; 1899/01/12 Durand-Ruel; 1901/05/06 Camondo. Expo: =? GP1897-137, Un coin de bois aux Sablons, effet d’automne, appartient à M. Camentron; =DR1899-142.
Alfred Sisley: 1883ca, Sbl, CR487=CCPP542, Sbl, Le Loing à Saint-Mammès, 50×65, A2015/02/04 (iR10;iR64;iR15;R129,no487;R396,no542) Provenance: Constant Coquelin; sale GP1893/05/27-56 -> Durand-Ruel. Expo: compare GP1897-50, Bords du Loing, appartient à M. Coquelin aîné.
Alfred Sisley: 1884, SDbr, CR448 (1881) =CCPP547, View on Moret-sur-Loing, 54×73, private (R396,no547;R129,no448) Provenance: Durand-Ruel; Georges Petit. Expo: =? GP1897-66, Vue de Moret, Printemps, 1884, appartient à M. Durand-Ruel.
Alfred Sisley: 1884ca, Sbr, CR552=CCPP549, Maison sur les bords du Loing, Moret, 38×55, private (iR10;iR48;R129,no552;R396,no549) Provenance: Montaignac; 1892/03/04 Durand-Ruel; 1892/03/11 Tavernier; sale GP1900/03/06-70. Expo: =? GP1897-111, La maison au toit rouge, appartient à M. Tavernier.
Alfred Sisley: 1884ca, Sbr, CR545=CCPP561, Saint-Mammès et les coteaux de la Celle, morning in June, 54×73, BMA Tokyo (iR4;R129,no545;R396,no561;M125) Provenance: Viau. Expos: GP1897-44; GP1917-62; Geneva-1918-128.
Alfred Sisley: 1884, SDbr, CR556=CCPP564, Le château de la Croix-Blanche à Saint-Mammès, après-midi de septembre, 50×65, private (iR6;iR10;R129,no556;R396,no564) Provenance: Paul Rosenberg; 1902/02/26 Durand-Ruel. Expos: =? GP1897-26 (appartient à M. F.).
Alfred Sisley: 1884, SDbl, CR512=CCPP566, Les coteaux de la Celle-sous-Moret, vus de Saint-Mammès, 54×73, A2012/02/08 (iR10;iRx;iR14;R129,no512;R396,no566) Provenance: Faure; 1900/03/01 Durand-Ruel. Expos: GP1897-8; London-GG-1905-297; Manchester-1907-178.
Alfred Sisley: 1884, SDbl, CR551=CCPP571, Saint-Mammès et les coteaux de Veneux-Nadon, matin de septembre, 54×73, Og Copenhagen (iR6;iR10;R129,no551;R396,no571;M73) Provenance: Faure; 1900/03/01 Durand-Ruel till 1924/11/14. Expos: GP1897-23; PR1904-15; Manchester=1908-177.
Alfred Sisley: 1884ca, Sbr, CCPP579 CR-, La Seine à Saint-Mammès, 38×55, private (R396,no579;iR40) Provenance: Simon Teutsch; sale HD1927/06/29. Expo: =? GP1897-117, La Seine, à Saint-Mammès, appartient à Mme S. Teutsch.
Alfred Sisley: 1888, SDbl, CR677=CCPP751, Les Moulins sur le Loing, soleil du matin à Moret, 54×73, private (R396,no751;iR40) Provenance: Mme Compère; Durand-Ruel. Expos: GP1897-54, Moret, 1888, appartient à Mme Compère; NYDR-1917-29.
Alfred Sisley: 1888, SDbl, CR684=CCPP757, Moret-sur-Loing at sunset, October, 73×93, A2018/02/27 (iR15;iR2;R129,no684;R396,no757) Provenance: Faure. Expos: GP1897-22; GP1917-57; Knoedler-1924-33.
Alfred Sisley: 1888, SDbl, CR683=CCPP759, Sunset at Moret-sur-Loing, 73×92, Cincinetti AM (iR2;R129,no683;R396,no759;M166) Provenance: Georges Petit?; 1896? Depeaux; sale 1906/05/31-48 + sale HD1921/06/30-62; Expos: SNBA-1896-1155, A Moret (le soir); (Appartient à M. Depeaux); GP1897-60.
Alfred Sisley: 1888ca, Sbl, CR667=CCPP763, Moret, view of the Loing, May afternoon, 50×66, A2006/11/07 (iR11;iR14;iR2;R129,no667;R396,no763) Provenance: Faure. Expos: GP1897-72; GP1917-52.
Alfred Sisley: 1889ca, Sbl, CR701=CCPP782, Le pont de Moret, temps crue, 73×92, A2024/04/09 (iR11;iR10;R129,no701;R396,no782) Expos: =?? SNBA-1891-862, La Crue du Loing au pont de Moret (matinée de mars); =GP1897-31; =GP1917-12. Provenance: Viguier; sale GP1906/05/04-62; Montaignac; sale GP1917/12/03.
Alfred Sisley: 1890, SDbl, CR731=CCPP832, Le Loing et les Coteaux de Saint-Nicaise, soleil de mars, 59×81, A2023/06/14 (iR155;iR10;iR2;R129,no731;R396,no832) Expos: =SNBA-1890-824; GP1897-37, Le Loing et le coteau de Saint-Nicaise; PR1904-43; BJ1907-5. Provenance: Jeanne Dietsh-Sisley; sale HD1909/05/18-1.
Alfred Sisley: 1891, SDbl, CR763=CCPP866, The Loing at Moret in Summer, 71×91, A2017/03/01 (iR11;iR14;iR2;iR40;R129,no763;R396,no866) Provenance: Depeaux; sale GP1906/05/31-49 -> comte Camondo. Expos: GP1897-61; DR1922-35; Compare: SNBA-1891-860, Le Loing en été + SNBA-1894-1068, En été au bord de l’eau.
Alfred Sisley: 1891, SDbr, CR771=CCPP872, Haystacks in Moret-sur-Loing in October, 65×92, MdCh Douai (iR2;R129,no771;R396,no872;M176) Provenance: Tavernier; sale GP1900/03/06-73; Arconati; Dr. Paulin; sale HD1901/11/21-61. Expos: EIP-1891-131; SNBA-1895-1141, Une meule de paille (en octobre); appartient à M. Tavernier; GP1897-16.
Alfred Sisley: 1891, SDbl, CR772=CCPP873, Haystacks at Moret, morning light, 73×92, NGV Melbourne (iR2;R129,no772;R396,no873;R38;M122) Provenance: Depeaux; sale HD1901/04/25-57 + GP1906/05/31-233 -> Durand-Ruel. Expos: SNBA-1892-943, Meules de Paille, effet de matin; GP1897-81; Manchester-1907-185; DR1910-78.
Alfred Sisley: 1891, SDbr, CR756=CCPP884, Le canal du Loing en hiver, 60×73, MNBA Alger (iR10;iR42;iR6;iR40;R129,no756;R396,no884;M137) Provenance: Decap; sale HD1901/04/15-26. Expo: GP1897-55, Le Loing, à Moret, appartient à M. E. Décap.
Alfred Sisley: 1892ca, Sbl, CR807=CCPP894, Les lilas dans mon jardin, Moret-sur-Loing, 46×62, A2018/06/19 (iR11;iR14;R129,no807;R396,no894) Provenance: 1897ca Faure; Bernheim-Jeune. Expo: GP1897-73.
Alfred Sisley: 1892, SDbr, CR790=CCPP904, Moret-sur-Loing au soleil couchant, 65×81, A2022/10/21 (iR10;iRx;iR11;R129,no790;R396,no904) Expo: =GP1897-41. Provenance: atelier Sisley GP1899/05/01-9 -> Bernheim-Jeune.
Alfred Sisley: 1893, SDbl, CR817=CCPP927, The bridge at Moret-sur-Loing, 73×92, Orsay (iR2;iR40;R129,no817;R396,no927;M1) Provenance: Depeaux; Dr. Mollard. Expo: =?? GP1897-58, Le pont et la ville de Moret, vu du côté des moulins à tan, 1893, appartient à M. Depeaux.
Alfred Sisley: 1894, SDbr, CR838=CCPP940, La vieille église de Moret-sur-Loing, le matin au soleil, 66×82, A2018/02/28 (iR11;iR14;iR1;R129,no838;R396,no940) Expo: SNBA-1894-1063, Une vieille église; le matin au soleil; =?? GP1897-36, Église de Moret, le matin, 1894; GP1917-13. Provenance: Montaignac; sale GP1917/12/03-84.
Alfred Sisley: 1894, SDbl, CR829=CCPP945, Abandoned cottage in Normandie, 65×81, private (iR2;iR1;R129,no829;R396,no945) Expos: =SNBA-1895-1147, Vieille ferme; Appartient à M. Depeaux; GP1897-83. Provenance: Depeaux; sale HD1901/04/25-58 -> Bernheim-Jeune.
Alfred Sisley: 1894, SDbr, CR823=CCPP947, Le chemin de halage (Le sentier du bord de l’eau) à Sahurs, le soir, Normandie, 80×100, MBA Rouen (HW18;iR1;R129,no823;R396,no947;M12) Expos: =SNBA-1895-1144, Le sentier du bord de l’eau à Sahurs (le soir); =GP1897-110; =GP1899-65. Provenance: Depeaux; sale GP1906/06/01-72.
Alfred Sisley: 1894, SDbr, CR825=CCPP950, A corner of the meadows at Sahurs in the morning sun (Normandy), 73×92, Metropolitan (iR2;iR40;R38;R129,no825;R396,no950;M23) Expo: =? SNBA-1895-1148, Les foins à Sahurs; appartient à M. Depeaux; =? GP1897-82, Les foins à Sahurs, 1895; appartient à M. Depeaux; Manchester-1907-179; DR1914-33. Provenance: Depeaux; sale HD1901/04/25-59 + GP1906/05/31-50; Durand-Ruel.
Alfred Sisley: 1895, SDbr, CR842=CCPP958, Le Vallon (The valley), 54×65, MAH Neuchâtel (iR2;iR1;R38;R129,no842;R396,no958) Expo: =? SNBA-1896-1154, Autour de la forêt; le vallon; GP1897-121. Provenance: Georges Petit.
Alfred Sisley: 1895ca, Sbr, CR846=CCPP954, Le chemin de Saint-Mammès, 38×46, private (R396,no954;R129,no846;iR40) Provenance: Dr. Viau; sale 1942/12/11-119. Expos: GP1897-46; GP1899-79.
Alfred Sisley: 1896, SDbl, CR855=CCPP961, Cabanes au bord du Loing, le matin par temps couvert (near Moret-sur-Loing), 46×55, A2011/06/21 (iR155;iR10;iR15;R129,no855;R396,no961;R2,p395;R166,p52,note50) Provenance: Georges Petit. Expo: GP1897-126. Compare: 7IE-1882-168, Cabane au bord de l’eau +DR1883-solo expo, Waterside hut (sold by Durand-Ruel 1883/08/09 to Georges Petit).
Alfred Sisley: 1896, CR857=CC963, Cabins by the River Loing, Morning, 60×73, A2007/11/08 (iR2;iR14;R396,no963) =GP1897-124
Alfred Sisley: 1896, SDbl, CCPP965 CR-, Cabanes au bord du Loing, le matin par temps couvert, 54×65, A1983/06/29 (R396,no965;iR40) Provenance: Jeanne Dietsh-Sisley; Georges Petit. Expo: GP1897-123.
Alfred Sisley: 1896, SDbr, CR848=CCPP973, Bateaux du Berry sur le Loing, effet du matin, 54×65, private (aR23;iR10;r129,no848;R396,no973) Provenance: Georges Petit; sale GP1917/12/03-86. Expo: GP1897-120; GP1917-15.
Alfred Sisley: 1896, SDbr, CR854=CCPP981, L’inondation, effet du matin sur le Loing, 60×73, A2022/06/30 (iR10;iR14;R129,no854;r396,no981) Provenance: Bernheim-Jeune; Decap; sale HD1901/04/15-31. Expos: GP1897-131; GP1917-76.
Alfred Sisley: 7IE-1882-180, Le chemin des fontaines à By = 1881, SDbr, CR434=CCPP457, SDbr, Le chemin des Fontaines près de By, matin de mai, 65×50, private (R396,p190,no457;R129,no434;R90II,p213+235) Provenance: 1881/05/23 Durand-Ruel; 1893/01/17 Vever; Camentron; 1899/01/12 Durand-Ruel. Expo: GP1897-90
Alfred Sisley: 1890, SDbr, CR744=CCPP834, Sunny afternoon, old willows along the Loing, 55×46, A1980/10/22 (iR2;iR14) Provenance: Viau; 1897 Montaignac; Expos: GP1897-47; GP1917-60.
Alfred Sisley: 1891, SDbr, CR774=CCPP880, Chemin montant au soleil, 61×50, MBA Rouen (iR2;R129,no774;R396,no880;M12) Expo: GP1897-57. Provenance: Depeaux; sale GP1906/06/01-232
Alfred Sisley: 1894, SDbl, CR836=CCPP936, The Church at Moret-sur-Loing, after the rain, 73×60, Detroit IA (iR155;iR2;iR1;R129,no836;R396,no936;M151) Expo: SNBA1894-1065, Une vieille église; après la pluie; GP1897-40. Provenance: sale atelier Sisley GP1899/05/01-14 -> Payen; sale HD1916/06/29-107 -> Durand-Ruel.
Pastels: Apart from the 146 paintings, there were also 5 pastels shown, all from private collections. I render two uncertain options. See below for an account.
Alfred Sisley: 1880-88ca, Sbr, CCPPp7, La gare de Moret-sur-Loing sous la neige (Approach to a railway station in winter), 38×46, Cincinnati AM (M166;R396,no.p7). Provenance: Eugène Donop de Monchy. Expo: =!? GP1897-151, pastel, Effet de neige, appartient à M. Donop de Monchy.
Alfred Sisley: 1890-96ca, Sbl, CCPPp54, Cows grazing at the banks of the Loing opposite Saint-Mammes, 29×40, A2010/06/23 (iR2;iR14;R38;R396,nop54). Provenance: 1936, Pearson. Expo: =?? GP1897-148, Les Vaches, à Saint-Mammès, 1896, appartient à M. Charpentier.
Overview: Many works shown were loans and many were dated, this makes identification a bit more certain. Still, Sisley often repeated several themes, so identification of many exhibited paintings is still unclear. (Almost) certain is that the following 73 paintings of were shown:
CCPP 13 +37 +57 +62 +76 +117 +118 +129 +130 +139 +143 +149 +151 +154 +158 +165 +172 +186 +187 +192 +194 +200 +208 +241 +246 +257 +261 +304 +364 +366 +376 +400 +415 +443 +447 +457 +491 +493 +541 +551 +561 +564 +566 +571 +686 +719 +723 +751 +757 +759 +763 +782 +832 +834 +866 +872 +873 +880 +884 +894 +904 +930 +936 +945 +947 +952 +954 +958 +961 +963 +965 +973 +981 (R396). Note: I couldn’t find pictures of the numbers indicated in red; mostly the CCPP only renders a black and white picture.
Here below you will find an account of other more uncertain options:
No. 2, Étude prise au bas du pont de Suresnes, appartient à M. Camentron.
Compare: CCPP.
No. 9, Coteaux de Bougival, et Machine de Marly, appartient à M. F…
Compare: CCPP71 (and also CCPP67).
No. 15, Le Point-du-Jour, 1878, appartient à M. A. Scholl.
Compare: CCPP303 +305-310. I render CCPP305.
No. 24, Temps gris aux Sablons, 1886, appartient à M. F…
Compare: CCPP712=CR644, 1886, SDbl, Temps gris aux environs des Sablons, près de Veneux-Nadon, 60×73, private. First known provenance: Maurice Allard du Chollet.
No. 25, Vue de l’entrée des Sablons, 1886, appartient à M. F…
=1884, SDbl, CR537=CCPP551, Une entrée des Sablons, près de Veneux-Nadon, 60×73, private. Provenance: Faure.
No. 36, Église de Moret, le matin, 1894.
Maybe: CCPP940 (or 928 +929, dated 1893), see series.
No. 46
=CCPP954 =GP1899-79.
No. 50, Bords du Loing, appartient à M. Coquelin aîné.
Compare: CCPP507 +542, both owned by Constant Coquelin and auctioned GP1893/05/27. I render CCPP542.
No. 54
=CCPP751 =NYDR-1917-29.
No.56, Le soir, à Moret, appartient à M. E. Décap.
=1895, SDbr, CR845=CCPP952, La crue du Loing au pont de Moret, mars, 60×73, private. Provenance: Decap, sale HD1901/04/15-30.
No.58 =?? CCPP927.
No. 63, Vieilles maisons, à Veneux-Nadon, effet de neige, 1881, appartient à M. Depeaux.
=1881ca, Sbl, Vieilles maisons, à Veneux-Nadon, effet de neige, 55×69, A1962/03/21. Provenance: 1881/01/29 Durand-Ruel; Depeaux.
No. 65, Chantier, à Saint-Mammès, 1883, appartient à M. Durand-Ruel.
=1883, SDbl, Un chantier à Saint-Mammès, 38×56, private. Provenance: Durand-Ruel.
No. 66, Vue de Moret, Printemps, 1884, appartient à M. Durand-Ruel.
=? 1884, SDbr, CR448 (1881) =CCPP547, View on Moret-sur-Loing, 54×73, private (R396,no547;R129,no448) Provenance: Durand-Ruel.
No. 74, Église de Moret, appartient à M. E. Gérin.
=?? 1893ca, Sbl, CR-, CCPP-, Church at Moret, 55×46, M. Calvet Avignon (iR2;iR6;iR155). Note: this is the only painting of the church of Moret of which the provenance is not known.
No. 82, Les foins à Sahurs, 1895; appartient à M. Depeaux.
=? 1894, SDbr, CR825=CCPP950, A corner of the meadows at Sahurs in the morning sun (Normandy), 73×92, Metropolitan (iR2;R38;R129,no825;R396,no950;M23) Expo: =? SNBA-1895-1148, Les foins à Sahurs; appartient à M. Depeaux.
No. 94
=CCPP966.
No. 95, Effet de neige, 1876, appartient à M. F…
=? 1876, SDbr, CR195 (Louveciennes) =CCPP263, Effet de neige à Marly-le-Roi, 50×62, MNBA Buenos Aires (iR6;iR10;M114) Provenance: Faure.
No. 98
=CCPP723 =GP1917-5.
No. 99
=CCPP686
No. 103, L’Inondation, 1872, appartient à M. Mallet.
Compare: 1872, SDbr, CR24=CCPP53, SDbr, The Flood, 50×73, private (iR2;iR40;R166,p114;R129,no24;R396,no53) Provenance: Bignou.
No. 109, Paysage, appartient à M. Sainsère.
=? 1880ca, Sbl, CR381=CCPP384, La Seine à Suresnes, 46×65, private (iR10;iR40;R129,no381;R396,no384) Provenance: Olivier Sainsère. Note: this is one of the two paintings that once was owned by Sainsère according the CCPP (R396,p522), the other is CCPP203.
No. 111, La maison au toit rouge, appartient à M. Tavernier.
=? 1884ca, Sbr, CR552=CCPP549, Maison sur les bords du Loing, Moret, 38×55, private (iR10;iR48;R129,no552;R396,no549) Provenance: Montaignac; 1892/03/04 Durand-Ruel; 1892/03/11 Tavernier; sale GP1900/03/06-70.
No. 115
=CCPP719 =GP1917-65.
No. 117, La Seine, à Saint-Mammès, appartient à Mme S. Teutsch.
=? 1884ca, Sbr, CCPP579 CR-, La Seine à Saint-Mammès, 38×55, private (R396,no579;iR40) Provenance: Simon Teutsch.
No. 123
=CCPP965.
No. 133, En Normandie. Coteaux de la Trouille (sic), le matin.
=?? 1894, SDbr, CR826=CCPP951, La prairie de Sahurs le matin, Normandie, 65×92, private. Provenance: Depeaux; sale GP1906/05/31-53. Compare: GP1897-82.
No. 137, Un coin de bois aux Sablons, effet d’automne, appartient à M. Camentron.
=? 1883ca, Sbr, CR502=CCPP526, Un coin de bois aux Sablons en automne, près de Veneux-Nadon, 61×74, Orsay (iR6;iR10;iR2;R38;R129,no502;R396,no526;M1) Provenance: 1891/08/25 Durand-Ruel; 1893/01/17 Vever; Camentron; 1899/01/12 Durand-Ruel.
No. 139, Moseley Look (sic), Hampden Coort (sic), 1874, appartient à M. F…
=? 1874, SDbl, CR119=CCPP153, Hampton Court lock, 50×73, ESC Cairo (iR10;iR40;R166,p44;R129,no119;R396,no153) Provenance: Faure. Pastels:
Sisley also showed 5 pastels (no.147-151)
No. 147, La Mare aux oies, 1896, appartient à M. Charpentier.
=? 1890-94, Sbr, CCPPp66, Les Oies, pastel, 29×40, unknown location (R396,no.p66). Provenance: Georges Charpentier; sale HD1907/04/11-80. (I couldn’t find a picture)
No. 148, Les Vaches, à Saint-Mammès, 1896, appartient à M. Charpentier.
The CCPP renders 4 pastels of Sisley depicting two cows, all of them dated between 1890-94. Of 3 the later provenance is known, these are all very uncertain options, namely CCPPp52 +53 +54. I render: 1890-96ca, Sbl, CCPPp54, Cows grazing at the banks of the Loing opposite Saint-Mammes, 29×40, A2010/06/23 (iR2;iR14;R38;R396,nop54).
No. 149, Aux Sablons, appartient à M. G. Viau.
The CCPP mentions that Dr. George Viau once owned pastel no. 5 +26 +67. None of these depicts the village Sablons. The only pastel that does (no.17) depicts a kitchen garden. The first provenance mentioned is a sale at Galerie Motte 1956/11/10. (R396,no.p17)
No. 150, La mare aux canards, appartient à M. G. Viau.
Sisley made many pastels depicting geese. But, the CCPP doesn’t render any pastel depicting ducks.
No. 151, Effet de neige, appartient à M. Donop de Monchy.
=? 1880-86ca, Sbr, CCPPp7, La gare de Moret-sur-Loing sous la neige, 38×46, Cincinnati AM (R396,no.p7;M166). Provenance: Eugène Donop de Monchy.
Explication:
For explanation of the subscriptions, see. See link for an account. My most important sources are the Catalogue Critique (=CCPP =R396) and the 1897 catalogue. For other sources see at the bottom of the main page about Sisley.
Catalogue: iR24; iR24; aR18=iR40; preview by L. Roger-Milès.
