Introduction:
In 1876 the ‘2e exposition de peinture‘ was held in Paris. This exposition is now mostly called the 2nd ‘impressionist’ exposition. There were 19 partakers. The catalogue rendered the numbers 1-252, but in reality there were about 299 art-works exhibited. Several techniques / media were used. On this page you will find 214 pictures of these exhibited art-works. See the accounts of the partaking artists and the clarification at the bottom of this page. If you double click on the first picture and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Edouard Béliard: 1860-76ca, Banks of the Oise, 33×45, A2007/12/13 (iR2;iR14;iR41) =?? 2IE-1876-1, Bord d’Oise. Location: =? Quai du Pothuis.
Edouard Béliard, 1872-75, Pontoise, view of the Lock, 38×65, MCP Pontoise (iR2). Maybe (??): 2IE-1876-2 Fabriques au bord de l’Oise.
Edouard Béliard: 1873-77ca, Streetscene, 39×47, AI Chicago (iR6;iR30;M20) =??: 2IE-1876- 3, 6 or 7. Probably a copy after Jongkind, 1866.
Edouard Béliard, 1878, Moulin de Chauffour, effect of snow, xx MdÉtampes (iR2;iR35). Compare: 2IE-1876-4 La rue de Chaufour à Étampes, effet de neige.
Pierre-Isidore Bureau: 18xx, The Road, 89×116, Orsay or MLS Isle-Adam (iR2; iR23; aR1;R2,p161). Uncertain option for 2IE-1876-10 + S1870-417 + S1872-234.
Pierre-Isidore Bureau: 18??, unknown title (a road at the entrance of a village), xx, private (iR10). Uncertain option for 2IE-1876-12+14 and for S1866-292 +S1869-358.
Pierre-Isidore Bureau: 18xx, Rural path with figures, 72×114, A2018/03/17 (iR11; iR2; iR41). Uncertain option for 2IE-1876-12+14 and also for S1869-358.
Gustave Caillebotte, 2IE-1876-17, Raboteurs de parquets. Now: 1875, CR28+34, the floor-scrapers, 100×145, Orsay (iR2;iR3;iR8;R2,p166;R90II,p33+47;R101,no28;R102,no34+p282;R41,p100;M1,RF2718). =HD18770528; =DR1886-30; =DR1894-29
Gustave Caillebotte, 2IE-1876-18, Raboteurs de Parquets. Now: 1876, CR29+35, the floor-scrapers, 80×100, private Paris (iR2;R2,p168;R90II,p33+47;R101,no29;R102,no35+p282;R41,p12). =DH18770528; DR1894-13; SdA1921-2708
Gustave Caillebotte, 2IE-1876-19, Jeune homme jouant du piano. Now: 1876, CR30+36, young man playing the piano, 80×116, private Paris (iR2;R2,p154;R90II,p33+47;R101,no30;R102,no36+p282;R41,p74). =DR1886-28; =DR1894-43; =SdA1921-2704
Gustave Caillebotte, 2IE-1876-20, Jeune homme à sa fenêtre. Now: 1876, CR26+32, Young man at his window, 116×81, NY private (iR2;R2,p169;R90II,p33+47;R101,no26;R102,no32+p282;R41,p72). Option for DR1886-230.
Gustave Caillebotte, 2IE-1876-23, Jardin. Maybe: 1875, CR34+25, The park on the Caillebotte property at Yerres, 65×92, A2005/11/01 (iR2;iR11;R102,no25+p282;R101,no34).
Gustave Caillebotte, 2IE-1876-24, Après déjeûner. Compare: 1872-73ca, CR4+17, Woman Seated under a Tree, 46×38, private (iR2;R102,no4;R101,no17)
Adolphe-Félix Cals, 2IE-1876-26, Ferme de Saint-Siméon, printemps. Compare: 1877, Les marins à Saint-Siméon, 42×58, A2001/03/28 (iR13;iR6;iR35;R2,p161)
Adolphe-Félix Cals, 2IE-1876-27, sous les arbres. Very uncertain: 18xx, Landscape with a Farmyard, 25×33, AMAA Oxford (iR2;iR35;R2,p161)
Adolphe-Félix Cals, 2IE-1876-28, Madelaine. Uncertain: 1876, Portrait of a young woman at three-quarters (with a grey dress and white scarf), 41×33, A2007/06/27 (iR13;iR11;R2,p161)
Adolphe-Félix Cals, 2IE-1876-29, Femme allaitant son enfants. Uncertain: 1877, Mère et ses enfants au Saint-Siméon (the loving mother), 131×161, A2005/02/15 (iR13;iR17;R2,p161;R90II,p34)
Adolphe-Félix Cals, 2IE-1876-30, A la ferme de Saint-Siméon. Probably: 1876, A sunday in Saint-Siméon (La Cueillete des pommes), 60×120, A1998 (iR6;iR13;iR14;iR35;R2,p161;R90II,p34+48;aR2,p210). Compare: 4IE-1879-42, Le dimanche à Saint-Siméon, Honfleur, dessin.
Adolphe-Félix Cals, 2IE-1876-31, Cour à Honfleur = 1872, Intérieur de cour à Honfleur, 55×65, xx (R90II,p48+34;R2,p161) Doria sale 1899. Compare: 3IE-1877-7.
Adolphe-Félix Cals, 2IE-1876-32, La Leçon. Very uncertain: 1855, Les conseils maternels, 46×56, A1995/05/24 (iR13;R2,p161)
Adolphe-Félix Cals, 2IE-1876-33, Portrait de Mme X… (dessin). Maybe: 1876, Portrait de femme, de trois quarts vers la gauche, dr, 36×28, Louvre (iR23;R2,p161)
Adolphe-Félix Cals, 2IE-1876-34, Les enfants du pêcheur (dessin). Compare: 18xx, Portrait de jeune garçon, dr, 62×25, A2011/10/10 (iR11;R2,p161)
Adolphe-Félix Cals, 2IE-1876-35, le repas frugal (dessin). Probably: 1875, repas frugal à Saint-Siméon (meager meal at Saint-Siméon), dr, 19×24, A2012/12/16 (iR13;R2,p161)
Edgar Degas, 2IE-1876-36, Portraits dans un bureau (Nouvelle-Orléans) = CR320, 1873, Le bureau de coton à la Nouvelle Orléans, 73×92, MBA Pau (iR2;R90II,p48+34;R2,p161+170;R26,no356;M170
Edgar Degas: 2IE-1876-37, Examen de danse, Appartient à M. F… = 1876, CR397, the dance class, 84×77, Metropolitan (iR2;R2,p161;R90II,p48+34;R47,p64;R26,no488;M23).
Edgar Degas, 2IE-1876-38, portrait de Mr. E. M. = CR339, 1874, Eugène Manet, 65×81, A1981/05/19 (iR2;iR15;R90II,p48+34;R2,p172;R26,no371)
Edgar Degas, 2IE-1876-39, portrait de femme, ébauche =!? 1869, CR213, Mme Theodore Gobilllard, nee Yves Morisot, 55×65, Metropolitan (iR2;iR59;R90II,p48+34;R26,no249;M23)
Edgar Degas, 2IE-1876-40, Cour d’une maison (Nouvelle-Orléans, esquissé) = CR309, 1872-73, Children on a Doorstep, 60×75, OC Copenhagen (iR2;R26,no346;R90II,p34+49;R2,p161;M93)
Edgar Degas, 1869, CR214, Mme Théodore Gobillard (Yves Morisot, 1838–1893), pastel, 48×30, Metropolitan (iR8;iR1;M23;R2,p161;R26,no250) =? S1870-3320 Portrait de Mme G…. ; pastel =?? 2IE-1876-42, Ébauche de portrait, pastel
Edgar Degas, 1867-74ca, CR357 or 362, Melancholy, 19×25, Phillips Washington (iR10;iR6;iR8;R90II,p35+49;R90I,p86+290;M29) =? 2IE-1876-43, Portrait, le soir
Edgar Degas, 1875ca, CR362, La Répétition au foyer de la danse (Studies by ballerinas), 41×55, Phillips Washington (iR10;iR6;iR8;R90II,p49+35;R26,no486;R114,no362;M29) =? 2IE-1876-44, Salle de danse
Edgar Degas, 1875-76, CR375, Two Dancers in the foyer (Dance School), p+g, 29×20, private (iR53;R26,no491;R90I,p55;R2,p161;R90II,p35) =? 2IE-1876-45, Salle de danse
Edgar Degas, 1872, CR305, SDbl, Woman with a vase of flowers (Estelle Musson = Mme René de Gas), 75×54, Orsay (iR2;iR23;R26,no341;R2,p161;M1) =?? 2IE-1876-46, Portrait
Edgar Degas, 2IE-1876-47, Coulisses = CR512, 1876-80ca, Yellow Dancers (in the Wings, preparing for the ballet), 73×60, AI Chicago (iR2;R26,no726;R114,no512;R2,p161+149;R90II,p35+49;R90I,p86+290+103;M20)
Edgar Degas, 1876-85ca, CR617, Dancers in Pink, 59×74, HSM Farmington (iR53;iR10;iR114;iR2;R26,no790;R114,no617;R2,p161;M39) =?? 2IE-1876-48, Coulisses
Edgar Degas: 2IE-1876-49, Blanchisseuse (silhouette) =!? 1873, CR356, Woman Ironing (Silhouette), 54×39, Metropolitan (iR2;iR59;R90II,p50+35;R26,no368;R47,p61;R2,p161;M23) =? London-7SFA-1873-80, The Parisian Laundress
Edgar Degas, 2IE-1876-50, Blanchisseuse portant du linge. Compare: 1888-92, CR961?, Blanchisseuse portant du linge, pastel, 66×92, private (iR6;iR377;iR10;R26,no682;R114,no961?;R2,p161;R90II,p35). Maybe not exhibited.
Edgar Degas, 1875-80, CR388, Danseuse rajustant son chausson, thinned oil + sepia on pink paper, 40×32 (or 80×64), Axx (iR10;iRx;iR64;iR42;iR138;R90II,p50+35;R26,no495;R90I,p86+290) =? 2IE-1876-51, Divers croquis de danseuses
Edgar Degas, 18xx, Sbr, Danseuse, vue de dos, les mains sur les hanches, peinture à l’huile et à l’essence, blanc (rehaut), papier (rose), pinceau, 37×26, Louvre / Orsay (iR377;iR23;M5a;M1;R90II,p50+35;R90I,p86+290) =!? 2IE-1876-51, Divers croquis de danseuses
Edgar Degas, 2IE-1876-53, Orchestre =? 1876, CR391, The ballet ‘Robert le diable’, 75×81, VAM London (iR10;R26,no487;R114,no391;R2,p161;R90II,p36;M65)
Edgar Degas, 2IE-1876-54, Blanchisseuse. Compare: 1876ca (1887ca), CR685, Woman Ironing, thinned oil, 81×66, NGA Washington (M21;iR2;iR8;R26,no597;R2,p161;R90I,p58)
Edgar Degas: 1876-77, CR890, Woman drying herself after the bath (Woman at her toilette), pastel over monotype, 46×60, NSM Pasadena (iR2;R90II,p73+91;R26,no932;R114,no890;M43) =? 3IE-1877-46, Femme prenant son tub le soir =?? 2IE-1876-55, Femme se lavant le soir
Edgar Degas: 1875-76 (+1880s), CR377, Peasant Girls Bathing in the Sea at Dusk, 65×81, NG London (iR2;R26,no396;R114,no377;R90II,p36+50;73+91;R2,p204+161+176;M61) =2IE-1876-56, Petites paysannes se baignant à la mer vers le soir (probably not exhibited) = 3IE-1877-51, Petites filles du pays se baignant dans la mer à la nuit tombante (maybe not exhibited)
Edgar Degas, 1875ca, CR371, Madame Jeantaud in the mirror, 74×84, Orsay (iR2;R26,no393;R114,no371;R47,p67;R11,p211;R2,p161;M1) =?? 2IE-1876-57, Modiste
Edgar Degas, 1869, CR198, SDbr, Emma Dobigny, 31×26, Kh Hamburg (iRx;iR2;R47,p44;R26,no254;R114,no198;R2,p161;M50) =?? 2IE-1876-58, Portrait
Edgar Degas, 1869ca, CR1984supp62, La Repasseuse, dr+pastel, 74×61, Orsay (iR6;iR8;iR10;iR23;R2,p161+120;R90II,p7+22;R206,no62;R87,p237) =?? 2IE-1876-59, Blanchisseuse (dessin) =?? 1IE-1874-61, Une blanchisseuse, pastel; appartient à M. Brandon
Marcellin Desboutin: 2IE-1876-60, Chanteurs des rues. Compare: 1872, Chanteurs des rues de Paris, etch ps 4th, 31×22, BNF Paris (iR40;iR10;R90II,p36+50;R2,p161;R158,no37;R85XII,no151)
Marcellin Desboutin: 2IE-1876-61, Etude d’enfant. Compare: 1883, SDtl, Full-length portrait of André Desboutin, on board, 41×24, A2012/05/15 (iR13;R2,p161;R90I,p70+82)
Marcellin Desboutin: 2IE-1876-62, Portrait de M. F… = 1874, Portrait of Jean-Baptiste Faure, 41×33, private (R2,p177;iR154;iR10;iR104;R90II,p36+50;R3,p130;R89,no16)
Marcellin Desboutin: 2IE-1876-63, Les premiers pas (=? SNBA-1901-282, Les premiers pas). Compare: 1879, Les premiers pas, etch, ps 20×28, BNF Paris (iR10;iR64;iR40;R90II,p36+51;R2,p161;R158,no199;R85V,no6) (=? SNBA-1901-282, Les premiers pas)
Marcellin Desboutin: 2IE-1876-64, Le violoncelliste. Compare: 1874, The violinist (Hérald Dumas), 120×65, MAB Moulins (iR210;iR10;iR13;iR39;iR37;aR8;R2,p148;R90II,p36;M207) =? S1874-hc?, Il musicante (aR8;R158,p261)
Marcellin Desboutin: 2IE-1876-66 Portrait Compare: 1879, Portrait of Mme Hector de Callias (=Nina de Villart), etch ps, 24×16, Metropolitan (iR10;M23;iR6;R2,p161;R90II,p36+51;R2,p161;R158,no31;R90I,p68+104;R85XIII,no39?;aR10,no46or47;R158,no31) =? S1879-5637-6, Portrait de Mme N. de Villart.
Marcellin Desboutin: 1873, Princesse Colonna (born d’Affry; surnamed Marcello; detail), etch 2nd, 23×17, BNF Paris (iR40;aR10,no55;R158,no51;R85V,no14;R90I,p71+99;R2,p161) Compare: 2IE-1876-68-2, Portraits et études (gravure à la pointe sec) =!? S1877-4392-9, Portrait de Mme. la duchesse Colonna, gravure à la pointe sèche
Marcellin Desboutin: 1876, Rosine Bloch à l’Opéra (detail), etch, 12×8, BNF Paris (iR40,btv1b10524731c;R85V,p191;R85XIII,no134;R158,no189+p246;R90I,p71+99;R2,p161) Compare: 2IE-1876-69-1, Portraits et études (gravure à la pointe sec)
Marcellin Desboutin: 1875 (or 1873), Mme Camus, etch ps, 24×16, BNF Paris (iR40,btv1b105246958;R85XIII,no40;aR10,no49;R158,no33;R90I,p71+99). Compare: 2IE-1876-69-2, Portraits et études (gravure à la pointe sec)
Marcellin Desboutin: 2IE-1876-70-1, Portraits (gravure à la pointe sec) =!? 1876, Jules Jacquemart (detail), ps, 14×7 (or 16×12), FAM San Francisco (iR196=M30;iR11;iR105;R90II,p51+37;R2,p161;R85XIII,no92;R158,no141;aR10,no97)
Marcellin Desboutin: 2IE-1876-71-1, Portraits (gravure à la pointe sec) =!? 1876, Portrait de Norbert Gœneutte, etch ps, 24×16, Harvard Cambridge (iR6;R90II,p37+51;R2,p161;R85XIII,no47;aR10,no87;R158,no111;M32)
Marcellin Desboutin: 2IE-1876-71-2, Portraits (gravure à la pointe sec) =!? 1875, Henri Rouart, peintre et collectionneur, etch ps, 27×20, Metropolitan (iR10;M23;R90II,p37+51;R2,p161;R90I,p71;R85V,no25;R158,no215;aR10,no135). =!? S1875-3660-7, Portrait de M. Rouard (sic)
Marcellin Desboutin: 2IE-1876-72-2, Portraits (gravure à la pointe sec) =1875, Leroy, imprimeur d’eaux-fortes, etch ps 3rd, 30×21, BNF Paris (iR40;iR10;R85XIII,no63;R158,no165;R90II,p37+51;R2,p161;R90I,p71) Compare: 2IE-1876-72+hc, L’Imprimeur / vieux dilettante (R90I,p70+71)
Alphonse Legros, 2IE-1876-81-1, Les baigneuses =!? 1861, CR69, Les baigneuses (the bathers), ps, 34×23, BNF Paris (iR40,btv1b10545519b;iR105;R2,p162;R90II,p37+52)
Alphonse Legros, 2IE-1876-81-2, La procession =!? 1855-65, CR49, Procession dans une église espagnole, etch, 41×68, BNF Paris (iR40,btv1b10545660r;R2,p162;R90II,p37+52)
Alphonse Legros, 2IE-1876-81-3, Ambulance =!? 1855-61, CR124, L’ambulance (Scène du coup d’état 1851/12/02), etch, 37×27, BNF Paris (iR40,btv1b525061570;R2,p162;iR105;R2,p162;R90II,p37+52)
Alphonse Legros, 2IE-1876-81-4, Promenade (pointe sèche) =!? 1861ca, CR68, Le Promenade du convalescent, etch ps, 28×20, Cleveland MA (iR19;M27,1945.274;R2,p162;R90II,p37+52)
Alphonse Legros, 2IE-1876-81-5, Tribunal =!? 1874-, CR123, Le Tribunal, etch ps, 21×30, BM London (iR105;M147;iR367;iR282;R2,p162;R90II,p37+52)
Alphonse Legros, 2IE-1876-81-6, Cours de Médicine =? 1855-65, CR122, Le cours de phrénologie, no.2, etch, 24×32, BNF Paris (iR40,btv1b10545295q;iR105;R2,p162;R90II,p37+52)
Alphonse Legros, 2IE-1876-82, La morte (premier état avant la pointe sèche) =!? 1852-75, CR89, Death of a Vagabond, etch, 55×39, BM London (iR105;M147;iR19;M27;iR40;R2,p162;R90II,p38+53)
Alphonse Legros, 2IE-1876-83-1, Les vagabonds =? 1861, CR71, Les vagabonds de Montrouge (Mendiants aux environs de Paris), etch, 27×37, BNF Paris (iR40,btv1b10545547p;iR105;R2,p162;R90II,p38+53)
Alphonse Legros, 2IE-1876-83-2, La confrérie de la Sainte-Vierge =? 1860, CR50, The choir of a Spanish church, etch, 37×27, BM London (iR105;M147;iR367;iR199;R90II,p38+53;R2,p162). Compare: S1861-3793, Chantres espagnols, gravure
Alphonse Legros, 2IE-1876-83-3, près de la cheminée =!? 1855-61, CR116, Le foyer, etch, 23×16, BNF Paris (iR40,btv1b10545678r;R90II,p38+53;R2,p161)
Alphonse Legros, 2IE-1876-83-4, Paysage (pointe sèche) =? 1852-71, CR103, La ferme au grand arbre, ps, 32×26, BM London (iR105;M147;iR40;R90II,p38+54;R2,p162;aR9,p11) =? S1875-3734, Une eau-forte: La ferme au grand arbre (Appartient à M. P. Malassis)
Alphonse Legros, 2IE-1876-83-5-1, Deux lithographies =!? 1855, CR111, L’expérience d’électricité, etch, 17×29, BNF Paris (iR40,btv1b10545574k;R90II,p38+54;R90I,p71;R2,p162)
Alphonse Legros, 2IE-1876-83-6, Portrait de M. Barbey d’Aurevilly =!? 1877-, CR10, Portrait de M. J. Barbey d’Aurevilly, etch 2/2, 13×10, BM London (iR105;M147;iR40;R90II,p38+54;R90I,p105;R2,p162)
Alphonse Legros, 2IE-1876-84, Lutrin = !? 1852-77, CR62, Le lutrin no.2, etch, 25×24, BNF Paris (iR40,btv1b10545416m;iR105;iR1;R90II,p38+54;R2,p162) Compare: S1863-1155, Le lutrin and: S1868-1525, Un lutrin (Appartient à M. Jonides).
Alphonse Legros, 2IE-1876-85, Portrait de petite fille (pointe sèche) =!? 1875, CR30, La petite Marie, fille de l’artiste (detail), ps, 23×17, BM London (iR105;M147;iR40;R2,p162;R90II,p38+54;aR9,p13;R85IX,no30) =!? S1875-3735, Une eau-forte: La petite Marie (Appartient à M. P. Malassis) =!? HD-1897/12/13-132bis-3, Portrait de la petite Marie
Alphonse Legros, 2IE-1876-86, Bonhomme misère. Option 3: 1869, CR140, La mort dans le piorier, etch, 23×15, Cleveland MA (iR19;M27,1921.1416;iR40;iR367;R90II,p38+54;R2,p162)
Alphonse Legros, 2IE-1876-87, Portrait de l’historien Carlysle (premier état). Option 2: 1875-77, CR34, Large Portrait of Thomas Carlyle, etch + aquatint, 44×34, Cleveland MA (iR6;iR40;M27;R90II,p38+55;R2,p162;R89,no21)
Alphonse Legros, 2IE-1876-88-1, Tête de vieillard (pointe sèche) =?? 1875-77, CR37, Etude de tête d’homme, de profil, ps, 21×16, BNF Paris (iR40,btv1b10545545s;iR105;R90II,p38+55;R2,p162)
Alphonse Legros, 2IE-1876-88-2, Femmes de Boulogne =!? 1873, CR80, Peasant Woman in the Neighbourhood of Boulogne, etch, 23×15, A2022/07/31 (iR17;iR19;M27;iR6;R90II,p39+55;R2,p162)
Alphonse Legros, 2IE-1876-89, Grand paysage, coup de vent =!? 1875-77, CR110, Le coup de vent, etch, 57×47, BNF Paris (iR40,btv1b10545317p;iR105;R90II,p38+55;R2,p162;aR9,p14;iR1) Compare: S1875-2482, Le coup de vent (Appartient à M. Malassis) (=drawing; aR9,p11)
Alphonse Legros, 2IE-1876-90, L’homme au mouton =!? 1855-77, CR86, Le mouton retrouvé, etch, 43×32, BNF Paris (iR40,btv1b10545399w;R90II,p39+55;R2,p162)
Alphonse Legros, 2IE-1876-91, La communion =!? 1861, CR54, La communion dans l’église Saint-Médard, etch 1st state, 36×27, BNF Paris (iR40,btv1b10545639j;iR105;R90II,p39+55;R2,p126)
Alphonse Legros, 2IE-1876-92, Paysage =? 1870, CR108, Landscape with Strawstacks, etch ps, 20×27, Cleveland MA (iR19;M27,1945.277;iR6;iR40;R90II,p39+92;R2,p162)
Ludovic Lepic, 2IE-1876-103, Effet de brouillard en mer =? 18xx, Effet de brouillard à Berck, xx, ChM Boulogne-sur-Mer (iR127;R2,p162;R90I,p99;M203) Compare: SdAF-1882-1651, Effet de brouillard dans les mers du Nord
Ludovic Lepic, 2IE-1876-105, La plage de Berck =? 1876ca, The beach at Berck (Pas-de-Calais), 127×246, PBA Lille (iRx;iR6;iR35;iR23;iR127;iR130;M17). Compare: SdAF-1881-1426, Plage de Berck; panneau décoratif
Ludovic Lepic, 2IE-1876-106, Le Christ de la plage de Berck Compare: 1876, The beach at Berck, xx, PBA Lille (iR94;R2,p162;R90II,p39;M17)
Ludovic Lepic, S1876-1298, Le calme dans la baie de Somme. Compare: 1888ca, Baie de Somme, le matin, 89×51, A2012/03/30 (iR11;iR13;iR1;R2,p162) Compare: 2IE-1876-107, Bateaux de la baie de Somme
Ludovic Lepic, 2IE-1876-109, La plage de Hourdel =??? 18xx, Barque échouée sur une plage, 60×90, A2013/10/04 (iR13;iR11;R2,p162)
Ludovic Lepic, 2IE-1876-112, Bateaux de la plage de Berck =? 1876ca, Boats on the beach of Berck, xx, FAM San Francisco (M30;iR64;iRx;R2,p162)
Ludovic Lepic, 2IE-1876-113, La Bouée No 2, baie de Somme. Compare: 1889ca, Faïenceries de Creil & Monterau no 78, ink wc, 35×27, Creil MGJ (iR23;R2,p162;R90II,p39). Compare: SdAF-1887- 3166, La bouée; nord de Cayeux
Ludovic Lepic, 2IE-1876-117, Le halage d’un bateau =?? 18xx, Le remorquage (towing), 125×97, MdF Berck (aR4=M202;iR13;R2,p162)
Ludovic Lepic, 2IE-1876-127, Barque échouée (baie de Somme) (2 aquarelles). Compare: 18xx, Bateau français échoué sur la plage, 20×38, A2018/01/17 (iR17;R2,p162) Former collection Delannoy
Ludovic Lepic, 2IE-1876-128, Falaises du Tréport (aquarelle). Compare: 1870, Falaise du Nord, avec pavillon-signal , etch, 12×23, BM London (iR105;M181;R2,p162;R90II,p39)
Ludovic Lepic, S1875-2499, Cabane de pêcheurs, à Torre del Greco (Italie); aquarelle =? 1871, A fisherman’s grotto (Naples), gouache, 27×38, A2015/07/08 (iR11;iR14;iR13;iR41;iR1;R2,p162) =?? 2IE-1876-132, Les souterrains du port de Naples (aquarelle)
Ludovic Lepic: 2IE-1876-134, La Ballade des pendus, eau-forte =1869, Le verger du roi Louis, etch 1st state, 13×18, BNF Paris (iR40;R90II,p56+39;R2,p162;R85IX,p143,no3)
Ludovic Lepic: 2IE-1876-135-1, Croquis Hollandais (2 cadres eaux fortes) =? 1870-80, Winter in Holland (daytime), monotype, 32×49, RM Amsterdam (iR6;iR1;R2,p162;R90II,p38;R85IX,p143,no4;M77) =? S1870-5260, Vues de Hollande
Ludovic Lepic: 2IE-1876-135-2, Croquis Hollandais (2 cadres eaux fortes) =? 1870-80, Winter in Holland (sunset), monotype, 32×49, RM Amsterdam (iR6;iR1;R2,p162;R90II,p38;R85IX,p143,no4;M77) =? S1870-5260, Vues de Hollande
Ludovic Lepic: 2IE-1876-135-8, Croquis Hollandais (2 cadres eaux fortes) =? 1870ca (or 1876), Environs de Dordrecht, etch, 16×24, NGA Washington (iR6;iR40;iR1;R2,p162;R90II,p38;R85IX,p143,no4;M21) =? S1870-5260, Vues de Hollande)
Ludovic Lepic: 2IE-1876-136, Canal en Hollande, lever de lune (eau forte) =?? 18xx, Moonlit landscape with nets in the foreground, hanging from a tree, etch, xx, Orsay (iR127;iR1;R90II,p56+40;R2,p162;R85IX,p143,no4;M1;M5) cp S1872-1007, Filets étendus; aquarelle
Ludovic Lepic: 2IE-1876-137, Tête de chien, épreuve tirée sur plaque sans gravure = 18xx, Head of a dog (for J. Andrée), monotype, 30×28, Baltimore MA (R90II,p56+40;R2,p162;R85IX,p143,no1;M24)
Jean-Baptiste Millet: 18xx, A cowherd watching over his flock in the shade, 30×54, A2001/10/23 (iR11;R2,p163) Compare: 2IE-1876-138, Femme gardant les vaches (aquarelle); appartient à M. Brame.
Jean-Baptiste Millet: 18xx, De retour à la ferme, xx, xx (iR41;R2,p163;iR1) Compare: 2IE-1876-139, La Ferme (aquarelle); appartient à M. Haro. Compare: S1876-2763, Une ferme; aquarelle.
Jean-Baptiste Millet: 18xx, Sbl, La vielle chaumière, dr? sepia?, xx, xx (iR41;R2,p163) Compare: 2IE-1876-140, La Chaumière (aquarelle); appartient à M. Petit.
Jean-Baptiste Millet: 18xx, Sbr, A landscape with a field of mangold wurzels, dr + wc, 18×25, A2003/07/08 (iR11;R2,p163) Compare: 2IE-1876-143, Ferme du Fays; appartient à M. Haro.
Jean-Baptiste Millet, 18xx, Sbr, Des moutons dans un pré, dr, 12×16, A2004/12/15 (iR11;R2,p163) Compare: 2IE-1876-144, Le pré (appartient à M. Petit).
Claude Monet, 2IE-1876-148, Le petit bras, Argenteuil. Maybe: CR290, 1873, Autumn effect at Argenteuil, 55×75, Courtauld London ((c)M60,H.H.19;R22+R127,CR290;R90I,p83;R2,p163).
Claude Monet, 2IE-1876-149, La Seine à Argenteuil. Probably: CR373, 1875, The Seine at Argenteuil, 60×80, FAM San Francisco (iR2;R2,p179;R90II,p56;R22+R127,CR373;M30-2,no.28.77) = Solo-1883-13.
Claude Monet, 2IE-1876-150, Le chemin d’Epinay, effet de neige. Option of 2: 1875, CR389, The Lane in Epinay, snow effect, 60×105, AKAG Buffalo (iR51;R2,p162;R90II,p56;R22+R127,CR389;M34,no.19.8)
Claude Monet, 2IE-1876-151, La plage à Sainte-Adresse = CR92, 1867, The beach at Sainte-Adresse, 75×101, AI Chicago (iR2;R2,p180;R90II,p57;R22+R127,CR92;M20,no.33.439)
Claude Monet, 2IE-1876-152, Le pont de chemin de fer (Argenteuil). Probably: CR279, 1873, The railway bridge at Argenteuil, 60x99cm, private (iR2;R2,p162;R90II57;R22+R127,CR279)
Claude Monet, 2IE-1876-153, Japonnerie = 1876, CR387, Camille Monet in Japanese costume, 232×142, MFA Boston (iR2;R2,p144;R90II,p557;R22+R127,CR387;M22,no.56.147)
Claude Monet, 2IE-1876-154, La prairie = CR341, 1874, Meadow at Bezons, 57×80, NG Berlin (iR2;R2,p153;R90II,p57;R22+R127,CR341;M52,no1146/AI1013) = HD1875/03/24
Claude Monet, 2IE-1876-155, Le petit Genevilliers. Maybe?: 1875, CR368, Yachts at Argenteuil, 54×65, Cologne Gallery Abels (iR51;R2,p163;R90II,p58;R22+R127,CR368). Also option for no.160.
Claude Monet, 2IE-1876-156, Le Pont d’Argenteuil (app. à M. Faure) = CR311, 1874, The Bridge at Argenteuil, 60×80, Orsay (iR2;R2,p152;R90II,p57;R22+R127,CR311;M1,RF1937-41) = XX1886-5 =EU-C-1900-490
Claude Monet, 2IE-1876-157, La Berge d’Argenteuil. Maybe?: 1872, CR225, (Le Bassin) The port at Argenteuil, 60×81, Orsay (iR51;R90II,p41;R22+R127,CR225;M1,RF2010)
Claude Monet, 2IE-1876-158, Effet d’automne. Probably: 1873, CR291, Autumn on the Seine at Argenteuil, 54×73, HMA Atlanta (M150,no.2000.205;R2,p162;R90II,p57;R22+R127,CR291)
Claude Monet, 2IE-1876-159, Les Dahlias. Probably: 1875, CR383, Young Girls in a bed of Dahlias, 54×66, NG Prague (iR3;R2,p163;R90II,p58;R22+R127,CR383;M140,no3196)
Claude Monet, 2IE-1876-160, Les bateaux d’Argenteuil. Option out of two: 1875, CR369, Red boats, Argenteuil, 60×81, FAM Cambridge (iR51;R2,p163;R90II,p58;R22+R127,CR369;M32,no1951.54)
Claude Monet, 2IE-1876-161, La promenade = 1875, CR381, The walk (Woman with a parasol), 100×81, NGA Washington (iR2;R2,p181;R90II,p58;R22+R127,CR381;M21,no1983.1.29)
Claude Monet: 2IE-1876-162, Panneau décoratif = 1873, CR285, Le Déjeuner, (Monet’s garden in Argenteuil), 162×203, Orsay (iRx;R2,p163;R90II,p58;R22+R127,CR285;M1,RF2774) =1894, Caillebotte bequest
Claude Monet, 2IE-1876-163, Le printemps = CR201, 1872, Apple trees in blossom, 58×70, ULCC Chicago (iR2;R2,p163;R90II,p58;R22+R127,no201)
Claude Monet, 2IE-1876-164 = S1870-R2. Probably: CR136, 1869/09, La Grenouillère, xx, destroyed WWII (iR10;iR135;R22+R127,CR136)
Claude Monet, 2IE-1876-165, Bateaux de pêche (etude). Maybe??: 1872, CR227, Boats moored at Le Petit-Gennevilliers, 54×65, FAM San Francisco (iR51;R22+R127,CR227;M30-2,no.1962.23)
Claude Monet, 2IE-1876-165+hc, Springtime = CR205, 1872, The reader (figure en rose), 50×65, WAG Baltimore (iR2;R2,p163;R90II,p59;R90I,p113;R22+R127,CR205;B48,no.37.11) Provenance: !?1872/11/23, Durand-Ruel; 1873/04/28, Ernest Hoschedé; sale HD1878/06/05+06-54; Lussac; 1889ca Mary Cassatt.
Berthe Morisot, 2IE-1876-166, Au Bal =1875, CR60, At the Ball, 62×52, Marmottan (iR2;iR59;R2,p163;R3,p151;R90II,p41)
Berthe Morisot, 2IE-1876-167, Le Lever =1877, CR73, 18xx, Femme à sa toilette, 46×38, xx (iR6;R90II,p41)
Berthe Morisot, 2IE-1876-168, La toilette =1876, CR61, Young woman with a mirror, 54×45, private (iR10;iR64;iR59;R90II,p42;R100,p27)
Berthe Morisot, 2IE-1876-169 =1875, CR47, Breakfast on the grass, 60×74, private (iR6;R90II,p42;R100,p26). Compare CR633.
Berthe Morisot, 2IE-1876-170, Vue de Solent (Ile de Wight) Maybe(?): 1875, CR53, Harbour Scene, Isle Wight, 38×46, Axx (iR2;iR10;iR13;iR128;R2,p163;R100,p27)
Berthe Morisot, 2IE-1876-171, West Cowes, Île de Wight Maybe(?): 1875, CR52, West Cowes, Isle of Wight , 48×36, A1997/11/28 (iR10;iR64;iR13;iR2;R2,p163;R100,p27)
Berthe Morisot, 2IE-1876-172, Le bateau à vapeur Maybe(?): 1875, CR56, The steam boat, 32×45, xx (iR6;R90II,p42;R100,p27)
Berthe Morisot, 2IE-1876-173, Plage de Fécamps =1873, CR30, The Beach of Fécamp, 24×51, private (iR10;iR135;iR2;R2,p163;R90II,p42)
Berthe Morisot, 2IE-1876-174, Un Chantier =1874, CR39, Boats under Construction, 33×41, Marmottan (iR2;R2,p163;R90II,p42)
Berthe Morisot, 2IE-1876-175, Un percher de blanchisseuse =1875, CR45, Hanging the Laundry out to Dry (Gennevilliers), 34×44), NGA Washington (iR2;iR59;R2,p182)
Berthe Morisot, 2IE-1876-176, Vue d’Angleterre Maybe(?): 1875, CR48, Vue d’Angleterre (enfants dans l’herbe en Angleterre), 41×51, xx (iR10;iR94;iR48;R2,p163;R100,p26)
Berthe Morisot, 2IE-1876-177, Vue d’Angleterre. Maybe(?):1875, CR50, Dans l’île de Wight, 27×35, xx (iR6;R100,p27)
Berthe Morisot, 2IE-1876-178, Figure de femme. =1875, CR59, Woman in Black (Before the Theater), 57×31, A2017/02/28 (iR2;iR15;iR59;iR11;R2,p163;R90II,p42)
Berthe Morisot, 2IE-1876-179, Avant d’un Yacht, aquarelle =1875, CR630, Before a Yacht, wc, 21×27, CAI Williamstown (iR10;iR134;iR2;R2,p163;R90II,p61)
Berthe Morisot, 2IE-1876-180, Entrée de la Midina, Île de Wight (aquarelle) =1875, CR632, Boats, Entry to the Medina in the Isle of Wight, 19×18, wc, FAM Cambridge (iR2;iR59;R2,p163;R90II,p43)
Berthe Morisot, 2IE-1876-181, Vue de la Tamise (aquarelle) =1875, CR631, Boat at a Dock, wc, 17×23, Marmottan (iR2;R90II,p43)
Berthe Morisot, 2IE-1876-182, Trois dessins au pastel. Maybe(???): 1874, CR430, Harbor in the Port of Fécamp, pastel, 30×36, Axx (iRx;iR13;R100,p52)
Berthe Morisot, 2IE-1876-182, Trois dessins au pastel. Maybe(??): 1874, CR429, On the Beach at Fécamp, pastel, 40×60, private (iR6;R100,p52;R2,p163) Probably auctioned: HD1875/03/24-28.
Berthe Morisot, 2IE-1876-182, Trois dessins au pastel. Maybe(??): 1874, CR428, In the woods of Maurecourt, pastel, 55×44, A2003/03/26 (iR13;iR6;R100,p51;R2,p163)
Léon-Auguste Ottin, 1882/07/03, Garçon assisse sur un plâteau dans Montmartre, wc, 24×33, BNF Paris (iR40;aR21;iR10;R2,p122) Compare: 2IE-1876-187, Le Plateau de la Butte
Léon-Auguste Ottin, 1883/06/02, Escalier de la rue du Mont-Cenis versant le nord (Montmartre, Paris), dr wc, 35×25, BNF Paris (iR10;iR40;aR21) Compare: 2IE-1876-189, La rue du Mont-Cenis (Butte Montmartre)+ 2IE-1876-195, 3e Rue du Mont-Cenis.
Léon-Auguste Ottin, 1883, Une rue de Montmartre (18e arr., Clignancourt), wc, 35×25, BNF Paris (collection Chauvet) (iR40;aR21;iR10) Compare: 2IE-1876-192, Petit rue Saint-Denis (Butte Montmartre)
Léon-Auguste Ottin, 1882/07/02, Escalier de la rue du Mont Cenis (Montmartre, 18e, Clignancourt), dr wc, 33×25, BNF Paris (iR10;iR40;R2,p264) Compare: 2IE-1876-189, La rue du Mont-Cenis (Butte Montmartre)+ 2IE-1876-195, 3e Rue du Mont-Cenis.
Léon-Auguste Ottin, 1876/07/18, Butte Montmartre – Grande Carrières, wc, 15×22, BNF Paris (iR40;aR21;iR10;iR120;R2,p164) Compare: 2IE-1876-195-7e, Entre les rues des Carrières et Marcadet
Camille Pissarro, 2IE-1876-198, Un étang à Montfoucault (Mayenne) =? CCP428, 1875, Cows watering in the pond at Montfoucault, 74×93, BIFA Birmingham (iR10;iR323;iR173;iR7;R116,CCP428)
Camille Pissarro, 2IE-1876-200, Neige, coteaux de l’Hermitage = 1874, CCP327, Effect of snow at the L’Hermitage, Pontoise, 55×66, private (iR2;iR59;R2,p164+156;R116,CCP327;R90II,p43+62)
Camille Pissarro, 2IE-1876-201, Ferme à Montfoucault. Now: 1874, CCP377, Farm at Montfoucault, 60×74, MAH Geneva (iR2;iR59;R116,CCP377;R90II,p43+62;R2,p164;M141)
Camille Pissarro, 2IE-1876-202, Les Coteaux du Choux =? CCP354, 1874, Pontoise, a cowherd on the route de Chou (or at Valhermeil, Auvers-sur-Oise), 55×92, Metropolitan (iR2;iR59;R116,CCP354;R90II,p43+62;M23)
Camille Pissarro, 2IE-1876-203, Le berger. = 1875, CCP426, The shepherd at Montfoucault, sunset, 58×72, A1993/11/29 (iR10;iR15;R116,CCP426;R90II,p43;R2,p164)
Camille Pissarro, 2IE-1876-204, Effet de neige à Pontoise =?? CCP329, L’Hermitage, Pontoise, effect of snow, 60×65, Cambridge Harvard (iR10;iR94;iR7;R116,CCP329;R2,p164;M32)
Camille Pissarro, 2IE-1876-205, Effet de neige, coteaux d’Osny. Maybe: 1873, CCP286, The road near the railway, effect of snow, Osny, 52×81, Tokyo NMWA (iR6;R116,CCP286;R2,p164;M127)
Camille Pissarro, 2IE-1876-206, Les jardins de l’Hermitage =?? CCP321, 1873, Kitchen Gardens at l’Hermitage, Pontoise, 54×73, private (iR2;R116,CCP321;R2,p164)
Camille Pissarro, 2IE-1876-208, Village d’Hermitage =?? CCP356, 1874, A corner of L’Hermitage, Pontoise, 61×81, Winterthur SOR (iR10;iR94;iR7;R116,CCP356;R2,p164;M87)
August Renoir, 2IE-1876-209, femme et enfant. Uncertain option: 1873-77, Woman with Parasol and a Small Child on a Sunlit Hillside, 47×56, MFA Boston (iR2;R30,no303;R2,p164;M22)
August Renoir, 2IE-1876-210, Sur la terrasse =1876, CR173, Portrait of Mme Chocquet by the window, 67×54, Pushkin (iR10;iR202;iR6;R90II,p43+62;R2,p164;R108,no173;R30,no223;M96)
August Renoir, 2IE-1876-211, Portrait (app. à M. Choquet). Maybe?: CR176, 1875, Portrait of Victor Chocquet, 46×37, Harvard Cambridge (iRx;R30,no225;R90II,p44+63;R2,p164;R108,no176;M32). Compare: 2IE-1876-214 Tête d’Homme (app. à M. Choquet).
August Renoir, 2IE-1876-212, Étude. Now: CR201, 1876ca, Study, torso of a woman in the sunlight, 81×65, Orsay (iR52;R2,p184+184;R90II,p44+62;R108,no201;R30,no204;M1)
August Renoir, 2IE-1876-213, Liseuse (app. à M. Choquet). Now: 1876, CR174, Madame Chocquet Reading, 66×55, private NY (iR2;iR22;iR52;R90II,p44+62;R2,p164;R108,no174;R30,no224)
August Renoir, 2IE-1876-214, Tête d’Homme (app. à M. Choquet). Probably: 1876, CR175, Victor Chocquet, 46×36, SOR Winterthur (R30,p45=no226;R90II,p44+63;R2,p164;R108,no175;M87)
August Renoir: 2IE-1876-215, portrait d’Enfant (app. à M. Choquet). Uncertain option 1: 1876, Girl with a Watering Can, 100×73, NGA Washington (iRx;R30,no228;R2,p164;M21)
August Renoir, 2IE-1876-216, Tête d’enfant (app. à M. Choquet). Maybe?: 1876ca, Portraits of Marie-Sophie Chocquet, 36×45, private (iRx;R30,no214;R2,p164)
Auguste Renoir: 2IE-1876-217, Tête de femme =1876ca, CR167, woman with a rose, 33×27, AMBR Remagen (iR10;iR6;iR59;R90II,p44+63;R2,p164;R108,no167;R30,no253)
August Renoir, 2IE-1876-218 Portrait de Mlle S… Maybe?: 1875, Jeanne Sisley, 37×28, A2013/05/09 (iRx;iR11;R30,no168;R2,p164)
August Renoir, 2IE-1876-219, femme au piano (app. à M. Poupin). Now: 1876, CR219, Young Woman at the Piano, 93×74, AI Chicago (iR2;R90II,p44+63;R2,p164;R108,no219;R30,no232;M20)
August Renoir, 2IE-1876-220, portrait de M. M. Probably: 1875, CR132, portrait of Claude Monet, 84×60, Orsay (iR152;R90II,p44+63;R2,p164+185;R108,no132;R30,no163;M1)
August Renoir, 2IE-1876-221, Déjeuner chez Fournaise =1875, CR305, The Oarsmen (Lunch at the Restaurant Fournaise), 55×66, AI Chicago (M20;R90II,p6344+;R2,p146;R108,no305;R30,no452)
August Renoir, 2IE-1876-222, portrait de Mme D… Uncertain option 2: 1876, CR163, Mme Alphonse Daudet, 47×37, Orsay (R30,p50=no255;R2,p164;R108,no163;M1) Also 3IE-1877-189
August Renoir, 2IE-1876-223, Portrait de jeune fille (app. à M. Legrand). Now: 1875, CR141, Mademoiselle Legrand, 81×60, Philadelphia MA (iR2;R90II,p45+64;R2,p164;R108,no141;R30,no184;R31,p197;M28)
Auguste Renoir: 2IE-1876-224, Frédéric Bazille, peintre tué à Beaune-la-Rolande; Appartient à M. Manet = CR28, 1867, Frederic Bazille Painting ‘The Heron’, 105×74, Orsay (iR2;R90II,p45+64;R2,p164+150;R108,no28;R31,no6;R30,no18;M1)
August Renoir, 2IE-1876-225, la promenade. Now: 1875-76, CR111, Mother and Children (la promenade), 170×108, Frick New York (iR22;R90II,p45+64;R2,p164;R108,no111;R30,no158;R31,p197;M37).
August Renoir, 2IE-1876-226, portrait de M. H… (pastel). Compare: 1880, Paul Cézanne, pastel, 54×45, A2012/05/02 (iRx;iR11;R3,p346;R1,p475;R3,p346;R2,p164) Chocquet coll.
August Renoir, 2IE-1876-226+hc, self-portrait. Probably: 1875ca, CR157, Self-Portrait, 39×32, CAI Williamstown (iR2;R2,p164;R90II,p45+64;R108,no157;R30,no180;M26)
Henri Rouart, 18xx, Landscape at la Queue-en-Brie, 38×46, ?? (aR17;aR18;aR20). Compare: 2IE-1876-227, Chemin bordé d’Arbres (Normandie).
Henri Rouart, 18xx, S-, Small tree in front of the house at La Queue-en-Brie, 37×44, private (iR10;iR132;aR33;R92,no22). Compare: 2IE-1876-228, Ancien manoir.
Henri Rouart, 1885ca, Sbr, Landscape with Farm, Brittany, 66×92, private Gallery London (iR13). Compare: 1IE-1874-148, Ferme bretonne; 2IE-1876-229, Vieille ferme bretonne (étude); 3IE-1877-207, Ferme Bretonne; S1869-2069, Chaumière au milieu des arbres, en Bretagne; 6IE-1881-129, Chaumières bretonnes.
Henri Rouart, 1876ca, Lisière de Bois (Landscape with Bathers), 151×181, Gallery London (iR13;aR4;iR134). Maybe: 2IE-1876-230, Bords de l’Indre.
Henri Rouart, 1860s or 1870s, Chemin au Mée, Melun (Road at Mée, near Melun), 78×53, private (aR6;iR64;R92,no9). Option for: 2IE-1876-231, Chemin des Fourneaux (Melun).
Henri Rouart, 1861-96ca, View on Melun, etch after painting, ?cm, A1912/12/09-hc (aR10,p136++). Option for: 1IE-1874-150, Vue de Melun + 2IE-1876-232, Vue de Melun.
Henri Rouart, 18xx, La Busardière (property of general Mélodion), near Mans, wc, xx, private (R92,p6). Compare: 2IE-1876-235, Dans un parc (sépia); 2IE-1876-234, Manoir de Graffard (Encre de Chine); 4IE-1879-214, Château de Tour-Noël, (dessin); 4IE-1879-217, Château de Chateldon, (dessin).
Henri Rouart, 18xx, The house in the park, 60×73, Haggerty MA Milwaukee (iR94;R2,p165). Compare: 2IE-1876-235, Dans un parc (sépia).
Alfred Sisley, 2IE-1876-237, effet de neige. Maybe(??): 1874, CR147, Snow effect at Argenteuil, 54×65, A2017/03/01 (iR2;iR11;R38)
Alfred Sisley, 2IE-1876-238, Avenue de l’Abreuvoir, effet de givre. Maybe(??): 1876, CR244, The Watering Place at Marly, Hoarfrost, 38×55, Richmond VMFA (iR2;iR6info;R166,p172)
Alfred Sisley, 2IE-1876-239, Une route aux environs de Marly. Maybe(??): 1875, CR175, La route de Marly-le-Roi, 59×73, A2009/02/04 (iR10;iR15;iR11;iR2;R166,p145)
Alfred Sisley, 2IE-1876-240, Labreuvoir de Marly, en hiver. Now: CR152, 1875, The Watering Place at Marly-le-Roi, 50×66, NG London (Mx;iR2;R2,p186;R90II,p45)
Alfred Sisley, 2IE-1876-241, Le Bord d’un ruisseau. Environs de Paris. Maybe(?): 1872, CR42, (1878) Rest beside the Stream, Edge of the Wood, 74×81, Orsay (iR3; iR8;R53,p62;R38) Bought by Durand-Ruel in 1872.
Alfred Sisley, 2IE-1876-242, Le Chemin des Aqueducs. Option 2: CR133, 1874, L’Aqueduc de Marly , 54×81, Toledo MA (iR6+info,iR8;iR2;R2;R90II,p45)
Alfred Sisley, 2IE-1876-243, Route de Saint-Germain. Maybe(??): 1875, CR188, Road from Versailles to Saint-Germain, 51×65, PGM Los Angeles (iR2; iR11;R38)
Alfred Sisley, 2IE-1876-244, Inondations à Port-Marly. Now: 1876, CR240, L’Inondation à Port-Marly, 46×61, Orsay (iR4; iR2; R17,p107; R2,p151;R53,p104)
Alfred Sisley, 2IE-1876-244+hc1, Inondations à Port-Marly. Maybe(?): 1876, CR237, (the boat during) The Flood at Port-Marly , 50x61or60x80, MBA Rouen (HW18;iR27;iR11;iR2;R38)
Alfred Sisley, 2IE-1876-244hc2, Maison sur les bords de la Marne. Compare: 1873, CR66, Grand Jatte, 51×65, Orsay (iR2;R53,p64)
Clarification: On this page you find 214 suggestions for the about 299 art-works that were exhibited at the 2nd ‘impressionist’ exposition in 1876. Note: the given suggestions vary from certain (=!), to almost certain (=?!), to uncertain (=?), to very uncertain (=??), to most uncertain (=???), to compare (=compare:) with another work of the artist, to compare with a similar work from another artist or even a photo. Sometimes (85x) I have no suggestion at all, namely nos. 5 +6 +7 +8 (Béliard), nos. 11 +13 +15 +16 (Bureau); nos. 67-1 +67-2 +68-1 +70-2 +72-1 +72+hc (Desboutin), nos. 73 +74 +75 +76 +77 + 78 +79 +80 (Jacques François), no. 83-5-2 (Legros), nos. 93 +94 +95 +96 +97 +98 +99 +100 +101 (Levert), nos. 102 +104 +110 +111 +114 +115 +116 +118 +121 +123 +124-2 +124-3 +124-4 +124-5 +125 +126-2 +127-2 +129 +130 +131 +133 (Lepic), nos. 141 +142 +145 +146 +147 (J.B. Millet), nos. 183 +184 +185 +186 +188 +190 +191 +193 +194 +195-1 +195-2 +195-4 +195-5 +195-6 +196-1 +196-2 +196-3 (Léon Ottin), nos.233 + 236 (Rouart), nos. 245 +246 +247 +248 +249 +250 +251 +252 (Tillot). Helas, of several options I could only find a picture in black and white, namely no.31 of Cals; nos. 60 +63 +66 of Desboutin; nos. 124 +126 +128 of Lepic; no.140+144 of J.B. Millet; no.164 of Monet; nos. 167 +169 +172 +177 of Morisot; no.232 of Rouart. The following works I render to compare are insufficient: no.235 of Rouart. See the accounts of the partaking artists. See link for an explanation of the subscriptions.
Recommanded citation: “Impressionism, a historical reconstruction: Slideshow of the 2nd ‘impressionist’ exposition in 1876. Last modified 2023/09/27. https://www.impressionism.nl/1876-expo-slideshow/.”
Note: More accurate and extended suggestions will follow. Additional pictures will be added.
