Edmond Aman-Jean (1859-1936): 1895, Young girl with peacock, 150×104, MAD Paris (iR6;R298,p28;R231-3+13;M6) =SNBA-1895-26; =EU-1900-D-cl7-26, La femme au paon, appartient à M. Maciet.
Émile Bernard: 1887, SDbr, Two woman at the Asnière footbridge, 38×47, MBA Brest (iR6;iR23;R181II,p359;M213)
Émile Bernard (1868-1941): 1888, SDbl (Pont-Aven), Madeleine dans le Bois d’Amour, 138×163, Orsay (iR2;iR6;M1)
Émile Bernard (1868-1941): 1891, Dbc, Harvest by the sea, 70×92, Orsay (iR2;iR23;R285,p200;M1) Expo: 8SdI-1892-106, Moisson au bord de la mer (1891).
Émile Bernard (1868-1941): 1892, SDbl, Le marché aux cochons, xx, xx (iR155;iR10)
Pierre Bonnard (1867-1947): 1890, SDbr, The Parade Ground, 23×31, private (iR6;iR2)
Pierre Bonnard (1867-1947): 1891, Femmes au jardin, 4x106x48, Orsay (iR23;iR10;M1) =SdAF-1891-127 = 1EIS-1891-15
Pierre Bonnard (1867-1947): 1892, The Croquet Game, 128×160, Orsay (iR6;iR2;R289,no45;M1)
Pierre Bonnard (1867-1947): 1912ca, CR684, Woman with Cat, 78×77, Orsay (iRx;iR23;R107,no684;M1)
Pierre Bonnard (1867-1947): 1913, The Dining Room in the Country, 162×203, Minneapolis IA (iR10;iR379;iR6;iR7;M155)
Paul Cézanne: 1882-85, V396, The bridge at Mainey, 60×73, Orsay (iR10;iR43;R164,no40;R48,no334;R189,no396;M1) Example of constructivism.
Paul Cézanne: 1888-90 (1890-94), V570=FWN493, S-, Mme Cézanne (Hortense Fiquet in a red dress; Yellow chair), 117×90, Metropolitan (iR3;R48,no573;R189,no570;iR194,no493;M23,no62.45) =5SdA-1907-18, Portrait de Mme Cézanne (à Pellerin)
Paul Cézanne: 1888-90, V594=FWN842, Sbr, Still life with fruit basket, 65×80, Orsay (iR10;iR64;iR194,no842;R34,p56;R48,no770;R163,p96;R189,no594;M1). Expo: =5SdA-1907-23, La table de cuisine (à Pellerin). Note: the different perspectives.
Paul Cézanne: 1896, V762=FWN311, S-, Annecy Lake, 64×79, Courtald London (iR6;M60;iR194,no311;R194,no762;R48,no745)
Paul Cézanne: 1902-04, V798=FWN351, S-, Mont Sainte-Victoire, 70×92, Philadelphia MA (iR6;R48,no760;R189,no798;iR194,no351;M28)
Maurice Denis (1870-1943): 1892, April (The road of life; The Seasons Series; panel for a child’s room), 36×61, KMM Otterlo (iR2;iR6;R285,p521;M72) =8SdI-1892-352, Avril.
Maurice Denis (1870-1943): 1893, SDbr, Les arbres verts (Les hêtres de Kerduel), 43×46, Orsay (iR10;iR94;iR23;M1) =5EIS-1893-52
Maurice Denis (1870-1943): 1913, SDbl, Annunciation, 98×124, Orsay (iR2;iR6;iR23;M1)
Paul Gauguin: 1888, CR308, The Vision of the Sermon (Jacob Wrestling the Angel), 73×92, SNG Edinburgh (iR2;R3,p303;R181,no308;R128,no245;M63) =XX-1889-7 =? SdI-1893 =SdA-1906-209
Paul Gauguin: 1893ca, Sbc, W505, Apatareo (Quartier de Papeete), 49×54, NCG Copenhagen (iR185;R128,no505;R36,no324;M90) =Copenhagen-XIX-1914-102, À Patareo (Tahiti), loan of Eugène Blot;
Paul Gauguin: 1897-98, W561, Where do we come from? What are we? Where are we going? 139×375, MFA Boston (M22;iR10;iR6;R49,p79;R128,no561;R200,p48vv)
Georges de Feure (1868-1943): 1895, The Voice of Evil, 65×59, private (iR2;R470,p107)
Georges de Feure (1868-1943): 1903ca, Female figure (d), stained glass (iR155). Compare: 1901-03ca, Panneau d’Élégante, 202×91, Orsay (M1;iR6); commissioned by Bing.
Charles Filiger (1863-1928): 1892ca, Landscape at Pouldu, gouache, 26×39, MBA Quimper (M208;iR6;R470,p45)
Georges Lacombe (1868-1916): 1894ca, The Ages of Life, 151×240, MPP Geneva (iR2;iR6;R470,p44;M144)
Charles Laval (1861-94): 1887, Landscape in Martinique, 60×73, VGM Amsterdam (iR2;iR6;iR19;M73) =?? V1889-84, Entrée de Bois = Martinique
Charles Laval (1861-94): 1889, SDbr, The Aven Stream, 55×46, Orsay (MMCA Strasbourg) (iR6;iR23;ir19;M1+212) =? V18889-95, L’Aven, ruisseau
Charles Laval: 1887, Femmes et Chevre dans le village, 46×71, IM Jerusalem (iR6;M130) signed Gauguin (R128,no219)
Charles Laval (1861-94): 1887, Landscape of Martinique, 92×71, A2001/06/02 (iR6;iR14;iR19) = V1889-89, Les Palmes
Charles Laval (1861-94): 1887ca, Women by the sea (Martinique; study), on panel, 65×92, Orsay (MTL Albi) (iR6;iR23;iR19;M1) = V1889-91, Femmes au bord de la mer, esquisse
Charles Laval (1861-94): 1888, SDbc, On the way to market, Brittany, 38×46, MA Indianapolis (iR6;iR10;iR373;iR7;iR19;R181II,p437;M165) =? V1889-85, Allant au marché – Bretagne
Charles Laval (1861-94): 1888, Bathers, 46×65, Kh Bremen (iR10;iR64;iR6;iR19;M58) = V1889-94, Dans la mer
Charles Laval (1861-94): 1888, SDbc, Self-portrait (à l’ami Vincent), 50×60, VGM Amsterdam (iR6;iR2;R181II,p307;M73)
Émile-René Ménard (1862-1930): 18??, Cattle grazing in a wooded landscape, 85×122, A2006/11/30 (iR17;iR15;R231-3+4+13) Compare: EU-1900-D-1347, Orage sur la forêt (à M. S.) (golden medal).
Émile-René Ménard (1862-1930): 18??, Baigneuse à l’étang au crépuscule (Harmonie de soir), 65×65, A2009/06/23 (iR17;iR15;iR64;R231-3+4+13;R297,p347) =EU-1900-D-1352, Le soir (à M. Swann) (golden medal); GP-(SN?)-1914-625
Émile-René Ménard (1862-1930), 1898-99, Terre Antique, Agrigente, ?cm, Orsay (iR108;M1;iR10;iR1;R231-3+4+13) =SNBA-1899 (bought by the state); =EU-1900-D-1350, Terre Antique (Agrigente) (à l’État, Musée du Luxembourg) (golden medal)
Alphonse Osbert (1857-1939): 1892, Vision of Saint Genevieve, 235×138, Orsay (M1;iR6;iR10;R298,no159) Expos: SNBA-1892-779; 2SRC-1893-167; GP1895-1.