Introduction: On this page you will find some neo-impressionist paintings. They will be rendered by alphabetically and then chronologically.
See links for more specific pointillist paintings and divisionist paintings.
See links for more info on Neo-Impressionism and for an overview of the neo-impressionists.
See links for more info and pictures on Cross; Maximilien Luce; Camille Pissarro; Lucien Pissarro; Schuffenecker; Seurat; Signac; Theo van Rysselberghe.
It is interesting to compare them with those of the Impressionists. It is interesting to see if these ‘para-impressionists’ used elements of the impressionist painting style and in what way they did differ from it.
If you double click on the first picture and then click on full screen, you can create a slideshow.
On a smartphone or laptop you can also zoom in. Enjoy!
Charles Angrand (1854-1926): 1886, SDbl, The Seine at Saint-Ouen, Morning, 46×55, VGM Amsterdam (iR10;M73;R56,p56) =? 2SdI-1886 =8SdI-1892-18
Léo Gausson (1860-1944): 1886, SDbr, Thorigny, soleil de juillet rue Aristide Briand, 81×116, A2020/12/04 (iR13). =? 3SdI-1887-182, Des maisons, soleil de juillet.
Louis Hayet (1864-1940): 1888, SDbr, Banks of the Oise at dawn, Pontoise, 52×72, A2012/05/03 (iR17;iR6;iR14)
Louis Hayet (1864-1940): 1888ca, Blue hill, 51×73, Josefowitz coll (iR10;iR388;R56,p70) =? 5SdI-1889-140, Paysage.
Maximilien Luce (1858-1941): 1887, SDbr, Terrains à Montmartre, Rue Championnet, 46×81, KMM Otterlo (iR10;M72;R56,p65) =!? 4SdI-1888-437, Terrain, rue Championnet =XX-1889 Provenance: Camille Pissarro.
Maximilien Luce (1858-1941): 1887, SDbr, Rue Championnet and Rue Damrémont, Montmartre (detail), xx, KMM Otterlo (HW;M72;R285,p1108) =!? 4SdI-1888-437, Terrain, rue Championnet.
Maximilien Luce (1858-1941): 1887 (1897), Paysage de Paris, 46×65, KMM Otterlo (iR10;M72;R56,p68;R306,no18) =!? 4SdI-1888-434, Paysage (vue de Montmartre)
Maximilien Luce (1858-1941): 1887, Man Washing, 92×73, PP Paris (iRx;R306,no2;M4) =3SdI-1887-279 =XX-1889-4, La toilette =SdI-1926-1618, La toilette, 1887. Provenance: Paul Signac 1887-1935
Maximilien Luce (1858-1941): 1889-90, La Rue Mouffetard, 80×64, Indianapolis MA (M165;iR10;iR7;R56,p66) =6SdI-1890
Maximilien Luce (1858-1941): 1889-90, La Rue Mouffetard (detail), 80×64, Indianapolis MA (M165;iR10;iR7;R56,p66) =6SdI-1890-493, La rue Mouffetard
Maximilien Luce (1858-1941): 1890ca, CR765, Portrait of Paul Signac (1863-1935), on wood, 35×26, private (iRx;iR10;iR235;R39,p61;R306,no5)
Maximilien Luce (1858-1941): 1893, SDbr, The Port of Saint-Tropez, 74×91, private (iRx;R306,no15) =9SdI-1893-824 =11LE-1904-75
Maximilien Luce (1858-1941): 1896, SDbr, Moonlight on Charleroi Canal, 45×80, MBA Charleroi (iRx;R306,no32)
Maximilien Luce (1858-1941): 1898, SDbr, A slag heap near Marchiennes (Sintelberg), 55×73, Indianapolis MA (M165;iR10;R56,p69) =DR1899 =LE1900
Maximilien Luce (1858-1941): 1898, SDbr, Gisors Cathedral, view from Rue du Fossé-aux-Tanneurs, 92×73, private (iRx;R306,no21) =DR1899-103 (solo) =15SdI-1899-98
Maximilien Luce (1858-1941): 1898, SDtr, Portrait of Henri Edmond Cross, 100×81, Orsay (iRx;R306,no23;M1) =DR-1899-54 (solo) =7LE-1900-192 =20SdI-1904-1528
Maximilien Luce (1858-1941): 1899, SDbl, The iron foundry, 115×162, KMM Otterlo (iRx;R306,no31;M72) =Berliner Sezession-1900
Maximilien Luce (1858-1941): 1903-05, SDbr, A Paris street in May 1871 (The Commune), 150×226, Orsay (iRx;R306,no49) =21SdI-1905-2565 =BJ1907-1 =36SdI-1926-1616
Maximilien Luce (1858-1941): 1908, SDbr, The Port of Rotterdam (The Schie), Evening, 65×81, private (iRx;R306,no28) =? 26SdI-1910-3350, Rotterdam (nuit).
Maximilien Luce (1858-1941): 1912, SDBR, Building site, 60×81, MBA Rouen (HW;R306,no46) =28SdI-1912-2073, Chantier en construction. 1913 bought by the State.
Camille Pissarro, 8IE-1886-102bis, Mère et enfant. Now: 1886, CCP818, In the garden, mother and child, 39×32, private (iR10;iR94;R116,CCP818;R2,p445;R90II,p247+267)
Camille Pissarro, 8IE-1886-101, Marais de Bazincourt, en automne. Compare: 1886, CCP820, Printemps à Éragny, 53×65, Memphis BMA (iR10;iR94;R116,CCP820;R2,p445;M167)
Camille Pissarro, 8IE-1886-98, Poiriers en fleurs, matin. Now: 1886, CCP823, Pear trees in bloom at Éragny, morning, 54×65, Kanagawa PMA (iR59;R116,CCP823;R2,p445;R90II,p247+267)
Camille Pissarro: 8IE-1886-100, La cueillette de pommes =1886, CCP824, SDbl, Apple picking, 125×125, OMA Kurashiki (iR2;iR59;R2,p445+462;R116,CCP824;R90II,p247+267;M129) Expos: GP-6EIPS-1887-101; BJ-1903-OEI-47; DR1904-78; Bremen-Kh-1910-259; Leipzig-Kv-1910-125; MJ-1914-107.
Camille Pissarro: 8IE-1886-95, Vue de ma fenêtre par temps gris = 1886-88, CCP825, View from My Window, Eragny-sur-Epte, 65×81, Ashmolean Oxford (iR2;iR59;R2,p445+461;R90II,p246+266;R116,CCP825;M66) =Nantes-1886-862 =EPG-DR1889-224
Camille Pissarro: CCP826, 1886, SDbl1888, The Delafolie brickyard at Éragny, 58×72, A2008/05/09 (iR6;iR15;R116,no826) =Nantes-1886-863
Lucien Pissarro: 1886, CR9, The deaf womans house (La maison de la sourde / de L’Anglais), 58×72, Ashmolean Oxford (iR155;M66;iR11;aR3;aR4;R125,no9) =SdI-1886-311, La maison de la sourde
Lucien Pissarro: 8IE-1886-118, Église de Bazincourt (aquarelle). Compare: 1886ca, La Barrière, Eragny Meadows, wc, 21×16, Ashmolean Osford (iR155;aR3;aR2;M66;R2,p445)
Émile Schuffenecker: 8IE-1886-169, étude de neige =? 1886ca, CR350, Étude de neige (Snowy Landscape), 47×56 , A2021/03/30 (iR2;iR15;R54,no188;R209,no350;R2,p446) =V1889-72, Dans la neige (aR1=iR19).
Émile Schuffenecker: 1887, SDbr, Jeune garçon au pied de la falaise, mare haute, Normandie (detail), 81×65, Baillly Gallery Geneva (iR13;iR10)
Émile Schuffenecker: 1889, SDbl, Children in the Montsouris Parc (detail), 73×55, A2021/03/30 (iR15;iR13) =? V1889-66, Au parc de Montsouris (aR1=iR19)
Georges Seurat: 1884 (+188?), DR116 +dH131, Île de la Grande Jatte (study), 65×82, private (iR6;R3,p258;R183,no116;R229;iR283;iR19;R207,p122/3) =1SdI-1884/12-241 =NY-AAG-1886-112 =6XX-1889-2
Georges Seurat: 1884-85, DR138 dH142, A Sunday Afternoon at l’Ile de la Grande Jatte (final tudy), 71×104, Metropolitan (iR2;R207,p123;R3,p259;R183,no138;R229;M23) =? NY-AAG-1886-hc =8SdI-1892-1088 =RB1900-16 =? 21SdI-1905-5 =New York-1921-113
Georges Seurat: 8IE-1886-175, Un dimanche à la Grande-Jatte
Now: 1884-86, DR139, A Sunday Afternoon 206×306, AI Chicago (iR2;R2,p420;R90II,p252+275;R207,p123;R183,no139) =2SdI-1886-353 =4XX-1887-1 =8SdI-1892-1082 =RB1900-18
Paul Signac: 8IE-1886-184, Apprêteuse et garnisseuse (modes), rue du Caire =1885-86, CR111, opus 127, Two Milliners, 112×89, Bührle Zurich (iR2;iR59;R90II,p252+276;R106,no111;R2,p446+424;M85) =2SdI-1886-363.
