Auguste Renoir: 7IE-1882-140, un déjeuner à Bougival = 1880-81, CR379, Le déjeuner des canotiers (detail), 129×172, Philips Washington (iRx;R30,no468;R31,no52;M29)
What pictures were shown at the 7th ‘impressionist’ exposition?
In 1882 the ‘7me exposition de peinture‘ was held in Paris. This exposition is now mostly called the 7th ‘impressionist’ exposition. There were only 9 partakers. The catalogue rendered the numbers 1-203, but in reality there were about 212 art-works exhibited. On this page you will find 211 pictures of these exhibited art-works. See the accounts of the partakers and the clarification at the bottom of this page. If you double click on the first picture and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Gustave Caillebotte: 7IE-1882-1, Partie de bézique = 1880-81, Sbl, 1CR165=2CR183, Game of Bezique, 121×161, Louvre Abu Dhabi (iR2;iR11;R2,p396;R101,no165;R102,no183+p283;R90II,p201+215;R41,p90). Provenance: Caillebotte (family). Expo: DR1894-19; SdA1921-2714. Sitters: Dessommes, Brault, Martial Caillebotte, Richard Gallo, Cassabois.
Gustave Caillebotte: 7IE-1882-2, Homme au balcon = 1880, SDbl, 1CR139=2CR149, Man on the balcony (Boulevard Haussmann), 117×90, A2000/05/08 (iR3;iR11;iR15;R41,p67;R2,p394;R90II,p201+215;R101,no139;R102,no149+p239). Expo: DR1894-56. Provenance: 1880ca gift to Me. Albert Courtier.
Gustave Caillebotte: 7IE-1882-4, Fruits = 1880-82ca, Sbr, 1CR178=2CR193, Fruit displayed on a stand, 74×100, MFA Boston (iR2;R2,p374+394;R90II,p201+215;R101,no178;R102,no193+p283;R41,p82;M22) Provenance: Me. Albert Courtier; Mme Brunet; Expo: DR1894-91.
Gustave Caillebotte: 7IE-1882-5, Portrait de M.G. = 1881, SDbr, 1CR167=2CR182, Portrait of Richard Gallo, 97×116, NAMA Kansas City (iR6;R2,p394;R90II,p201+215;R101,no167;R102,no182+p283;M42) Provenance: Richard Gallo. Expo: DR1894-81.
Gustave Caillebotte: 7IE-1882-6, Portrait de M. F. Compare:
Gustave Caillebotte: 7IE-1882-9, Route d’Honfleur à Trouville =1881, S-, 1CR174=2CR190, Route de Honfleur à Trouville, 81×65, private (aR8;R101,no174;R102,no190+283;R2,p394;R90II,p201+216) Provenance: Caillebotte (family).
Gustave Caillebotte: 7IE-1882-10, Boulevard vu d’en haut = 1880, SDbl, 1CR143=2CR154, Boulevard (Haussmann) seen from above, 65×54, private Paris (iR155;iR10;iR2;R101,no143;R102,no154+p283;R90II,p201+216;R2p375;R41,p41)
Gustave Caillebotte: 7IE-1882-12, Paysage (environs de Trouville) =!? 1881, S-, 1CR171=2CR188, Landscape near Trouville (the Toucques valley), 60×82, private (iR10;aR9;iR59;R101,no171;R102,no188+p183;R2,p394) Provenance: Caillebotte (family). Expo: DR1894-92.
Gustave Caillebotte: 7IE-1882-13, Bois près de la mer =? 1880, SDbl, 1CR154+172=2CR166, Wood near the sea, 65×55, unknown location (aR8;R101,no154+172;R102,no166+p283;R2,p394;R90II,p202). Provenance: A. Cassabois.
Gustave Caillebotte: 7IE-1882-17, Pêcheur =? 1876-78ca, S-, 1CR36=2CR117, Fishermen on the banks of the Yerres, 66×50, private (iR2;iR49;R101,no36;R102,no117;R2,p394;R90II,p202+216)
Gustave Caillebotte: 7IE-1882-17+hc1, La Samaritaine. Compare:
Paul Gauguin: 7IE-1882-18, Fleurs, nature morte =? 1881, CR76, SDbr, Interior of the Painter’s House, rue Carcel, 130×162, Ng Oslo (iR2;iR59;R31,no10;R181,no76;R128,no50;R2,p394;R90II,p202+217;M92)
Paul Gauguin: 1881, CR69, SDbl, Vaugirard Church by Night, 50×35, GM Groningen (iR2;R181,no69;R128,no30;R2,p354;R90II,p181+191;M78) =!? 6IE-1881-30, Une nuit à Vaugirard =? 7IE-1882-19, Église de Vaugirard
Paul Gauguin: 7IE-1882-20, Un morceau du jardin =? 1881, CR82, SDbl, Pissarro’s Garden, Quai du Pothuis, Pontoise, 65×54, private (iR2;iR59;R181,no82;R128,no58;R2,p394;R90I,p202+217)
Paul Gauguin: 7IE-1882-21, La mur mitoyen =!? 1881, CR71, SDbl, Party Wall, 31×47, private (iR2;iR59;R181,no71;R128,no56;R2,p394;R90II,p202+217)
Paul Gauguin: 7IE-1882-22, 7IE-1882-22, La petit rêve, étude = 1881, CR75, SDtl, Young Girl Dreaming (Aline Gauguin, rue Carcel), 60×75, OC Copenhagen (iR2;R49,p9;R181,no75;R128,no52+54;R2,p394;R90II,p202+217;M93)
Paul Gauguin: 7IE-1882-23, A la fenêtre, nature morte =!? 1881, CR80, Vase of Flowers and Window, 19×27, MBA Rennes (iR2;iR59;R31,no11;R181,no80;R128,no63;R2,p394+399;R90II,p203+217;M210)
Paul Gauguin: 7IE-1882-24, Fleurs et tapis, nature morte =!? 1881, CR81, SDbc, Flowers and Carpet, 19×27, private (iR2;R181,no81;R128,no48;R2,p394;R90II,p203+217)
Paul Gauguin: 7IE-1882-25, Bébé, étude. Compare: 1877-78ca, CR46, Portrait d’enfant (Aline Gauguin ?), on panel, 27×21, A2014/02/05 (iR6;iR11;iR2;R181,no46;R2,p394)
Paul Gauguin: 1881, CR77, SDbr, Interieur avec Aline Gauguin, 52×60, M Sheffield (iR2;iR59;R181,no77;R128,no51;R90II,p203+218;M187) =? 7IE-1882-26, Oranges, nature morte; or: =? 7IE-1882-27, La petite s’amuse
Paul Gauguin: 7IE-1882-27, La petite s’amuse =? 1881, CR74, SDbr, Pond with Ducks (Girl Amusing Herself), 32×50, private (iR2;R181,no74;R128,no55;R2,p395;R90II,p203)
Paul Gauguin: 7IE-1882-28, Usine à gaz, pastel = 1881, W62, SD, Usine à gaz, pastel, 42×59, xx (R90II,p218+203;R2,p395;R128,no62)
Paul Gauguin: 7IE-1882-29, Un coin du mur, effet de nuit =!? 1881, CR72, SDbr, Un coin du mur (effet de nuit), 22×30, A2010/06/14 (iR6;iR11;R181,no72;R128,no57;R2,p395;R90II,p203+218) =SdA1906-169, paysage nocturne
Armand Guillaumin, 7IE-1882-31, Le côteau de Chatillon. Compare: 1880ca, CR90, the Chevreuse Valley, 65×92, A2014/05/08 (iR2;iR11;iR14;R2,p394). Compare: Viau sale, DR1907/03/02-27, Printemps (Vallée de Chevreuse).
Armand Guillaumin, 7IE-1882-36, Abreuvoir (Quai de Célestins). Compare: 1881ca, Le quai de Bercy, 45×54, A2017/05/31 (iR11;R2,p394)
Armand Guillaumin, 7IE-1882-37, Avant-port (Dieppe). Compare: 1881ca, CR96, Le porte de Sainte-Adresse, 60×73, Axx (iR13;iR10;R124,no96;R2,p395) former PP Geneva (R179,G16;M144)
Armand Guillaumin, 7IE-1882-40, Lavoirs (Pont-Marie) =? 1871ca, CR-, Banks of the Seine, unloading coal, 58×71, A2012/11/08 (iR2;iR15;iR11)
Armand Guillaumin, 7IE-1882-41, Chemin du Clos-Montholon =? 1881ca, CR95, Paysage au chemin de fer, environs de Paris, 73×100, Axx (iR13;iR10;R124,no95), former Durand-Ruel collection.
Armand Guillaumin, 7IE-1882-42, étude =??? 1870ca, CR-, La Seine à Ivry, 27×35, A2019/03/29 (iR15;R2,p394), former Doria collection.
Armand Guillaumin, 7IE-1882-43, Marine, étude =!? 1882ca, Falaise aux environs de Dieppe, 54×65, A1985/06/26 (iR13;iR14;R90II,p204;R2,p395)
Armand Guillaumin, 7IE-1882-44, étude dans un jardin, pastel. Compare: 1886ca, La couseuse (Jardin à Epinay), 51×65, A2018/11/13 (iR11;R2,p395)
Armand Guillaumin, 7IE-1882-45, étude dans un jardin, pastel. Compare: 1886ca, Mme Guillaumin lisant, pastel, 48×30, A2008/04/01 (iR11;iR15;R2,p395)
Armand Guillaumin, 7IE-1882-46, Le pont Louis-Philippe, pastel =?? 1868, SDbr, Pont de Seine à Paris, pastel, 29×38, A2014/05/16 (iR11;R2,p395)
Armand Guillaumin, 7IE-1882-47, Petite fille, pastel =?? 1878, SDbr, Portrait d’un jeune enfant, pastel, 47×30, A1999/07/08 (iR10;iR13;iR145;R2,p395)
Armand Guillaumin, 7IE-1882-49, Étude au bord de l’eau, pastel =??? 1873ca, La Seine à Paris, pastel, 45×55, A2015/06/09 (iR11;R2,p395)
Armand Guillaumin, 7IE-1882-50, Quai des Célestins, pastel =?? 1880ca, La Seine à Paris, pastel, 39×49, A2018/06/05 (iR11;R2,p395)
Armand Guillaumin, 7IE-1882-51, Carrière, pastel =? 1882, SDbl, Quai de la Seine à Paris, pastel, 53×69, A2009/11/05 (iR2;iR11;iR14;R2,p395)
Armand Guillaumin, 7IE-1882-52, Paysage à la fosse Bazin, pastel. Compare: 1885ca, Women on the Banks of a River, pastel, 47×60, A2009/03/07 (iR2;iR15;iR11;iR10;iR235;R2,p395)
Armand Guillaumin, 7IE-1882-53, Carrière, pastel =?? 1882ca (1xxx), Les quais de la Seine à Paris, pastel, 46×60, A2000/04/06 (iR11;R2,395)
Armand Guillaumin, 7IE-1882-54, Parc d’Issy, pastel =? 1872, SbrDbl, Issy, pastel, 44×52, MPP Paris (iR195;iR10;iR347;R2,p395;M4). Compare 3IE-1877-62+67+72 Le parc d’Issy (en automne).
Armand Guillaumin, 7IE-1882-56, Bateaux sur la Seine, pastel =?? 1871ca, Péniches sur la Seine à Bercy, pastel, 32×48, MPP Paris (iR195;R2,p395;M4)
Claude Monet: 7IE-1882-57, Fleurs de topinambour, appartient à M. Cahuzac = CR629, 1880, Jerusalem Artichoke Flowers, 100×73, NGA Washington (iR2;iR51;R22,no629;R90II,p204+219;R2,p395+401;M21)
Claude Monet: 7IE-1882-58, Les glaçons, appartient à M. Charpentier =SdAF-1880-R. = CR568, 1880, Floating Ice, 97×151, Shelburn M. Vermont (iR2;R22,no568;R90II,p204+219;R2,p395+402;M153). =GP1889-46.
Claude Monet, 7IE-1882-59, entrée du petit bras de la Seine à Vétheuil. Now: CR601, 1880, The Small Arm of the Seine at Vétheuil, 69×100, private (iR2;R22,no601;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-60 Marine. Very uncertain: 1882, CR771, Sunset on the sea, off Pourville, 54×73, private (iRx;R22,no771;R2,p395)
Claude Monet, 7IE-1882-61, sur falaise à Grainval. Perhaps: CR655, 1881, View Taken from Grainval, 61×81, private (iR2;iR51;R22,no655;R90II,p204+219;R2,p395)
Claude Monet: 7IE-1882-62, Soleil couchant, sur la Seine, effet d’hivier =CR576, 1880, SDbl, Sunset on the Seine (at Lavacourt), winter effect, 100×152, MPP Paris (iR2;iR51;R22,no576;R90II,p204+219;R2,p395+403;M4)
Claude Monet, 7IE-1882-63, Femme lisant dans un jardin =CR681, 1881, The terrace at Vétheuil, 81×65, private (iR10;iR64;iR59;R22,no681;R90II,p204+219;R2,p395)
Claude Monet, 7IE-1882-64, Bateau échoué. Now: CR645, 1881, Boats Lying at Low Tide at Fecamp, 80×66, private (iRx;R22,no645;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-65, Église de Vétheuil =1881, CR473, The Church at Vétheuil, 61×81, private (iR6;R22,no473;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-66. Marée basse, vue prise sur les falaises. Probably: CR650, Calm Weather, Fécamp, 60×74, Km Basel (iR2;iR51;R22,no650;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-67, La mer du haut des falaises. Now: CR648, 1881, The Sea seen from the Cliffs, 60×75, private (iR2;iR51;R22,no648;R90II,p205+220;R2,p395+385)
Claude Monet, 7IE-1882-68, Vétheuil, effet de neige. Maybe: CR508, 1879, The Road coming into Vetheuil, Snow Effect, 61×82, MFA St. Petersburg, Florida (iR2;R22,no508;R90II,p205)
Claude Monet: 7IE-1882-69, Chrysanthèmes; appartient à M. C. =1880, CR635, Red Chrysanthemums, 82×65, private (iR10;iR94;R22,no635;R90II,p205+220;R2,p395) Provenance: ca1882 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet, 7IE-1882-70, Un coin du jardin à Vétheuil. Option 1 of 2: 1881, CR683, The Artist’s Garden at Vétheuil, 100×81, NSM Pasadena (M43;iR10;iR6;R22,no683;R90II,p205+220;R2,p395)
Claude Monet, 7IE-1882-71, Inondation =1881, CR642, The flood, 60×100, Rau Zurich (iR10;iR64;R22,no642;R90II,p205+221;R2,p395)
Claude Monet, 7IE-1882-72, Vétheuil, effet de neige. Maybe?: 1879, CR513, the Seine at Lavacourt, effect of snow, 55×74, private (iR7;R22,no513;R2,p394)
Claude Monet, 7IE-1882-73, Falaises des petites dalles. Option 1 of 2: CR621, 1880, The Cliffs of Les Petites-Dalles, 59×75, MFA Boston (iR51;iR2;R22,no621;R90II,p205+221;R2,p395+384)
Claude Monet, 7IE-1882-74, Marine. Very uncertain: 1882, CR708, Falaise près de Dieppe, 59×79, private (iR51;iR142;R22,no708;R2,p395)
Claude Monet, 7IE-1882-75, Château de la Roche-Guyon. Now: CR643, 1881, The chateau of La Roche-Guyon, 60×80, private (R22.no75;R90II,p206+221;R2,p395)
Claude Monet, 7IE-1882-76, Etude de mer vue des hauteurs =1881, CR649, sea study seen from the cliffs, 60×81, private (iR10;iR135;R22,no649;R90II,p206+221;R2,p395)
Claude Monet: 7IE-1882-77, À Grainval, près de Fécamps. Now: CR653, 1881, SDbr, At Grainval near Fécamps, 61×80, private (iR51;iR2;R22,no653;R90II,p206+222;R2,p395+404) Provenance: 1881/04 Durand-Ruel. Expos: =4EIP-1885-74; =3XX-1886-8; =NY-NAD-1886-297.
Claude Monet: 7IE-1882-78, Bouquet de soleils. Now: CR628, 1881, SDtr, Bouquet of Sunflowers, 101×82, Metropolitan (iR51;R22,no628;R90II,p206+222;R2,p395+405;M23) Provenance: 1881/10 Durand-Ruel; Expos: =DR1883-14; =3XX-1886-7; =NY-NAD-1886-293.
Claude Monet, 7IE-1882-79, Vétheuil. Maybe: 1880, CR598, The Island of flowers, 65×81, Metropolitan (iR10;iR6;iR59;R22,no598;R90II,p206+222;R2,p395;M23)
Claude Monet: 7IE-1882-80, Glaïeuls = CR694, 1881, Sbl, Gladioli, 99×42, PAM Kanagawa (iR51;iR59;R22,no694;R90II,p206+222;R2,p395) Bought by Durand-Ruel 1881/10. = solo DR1883-55.
Claude Monet: 7IE-1882-81, Glaïeuls = CR695, 1881, Sbr, Gladioli, 99×42, PAM Kanagawa (iR51;iR59;R22,no695;R90II,p206+222;R2,p395) Bought by Durand-Ruel 1881/10 =solo DR1883-54
Claude Monet, 7IE-1882-82, Gibiers, nature morte. Option 1 of 2: CR550, 1879, Pheasants and Lapwings, 68×90, Minneapolis IA (iR2;iR8;R22,no550;R90II,p206+222;R2,p395+381)
Claude Monet, 7IE-1882-83, Le matin au bord de la mer. Now: CR651, 1881, Morning by the Sea, 61×81, private (iR51;iR2;R22,no651;R90II,p206+223;R2,p395)
Claude Monet, 7IE-1882-84, Sur la côte à Trouville. Now: CR687, 1881, On the Coast at Trouville, 60×81, MFA Boston (iR2;iR51;R22,no687;R90II,p206+223;R2,p395;M22)
Claude Monet, 7IE-1882-85, Les glaçons. Maybe: CR569, 1880, Breakup of ice, 59×99, SOR Winterthur (iR6;R22,no569;R90II,p206+223;R2,p395;M87)
Claude Monet, 7IE-1882-86, Les coquelicots. Probably: CR677, 1881, Poppy Field, 58×79, MBB Rotterdam (iR2;iR51;iR8;R22,no677;R90II,p206+223;R2,p395)
Claude Monet, 7IE-1882-87, du haut des falaises à Fécamp. Perhaps: CR656, 1881, The Cliff at Fécamp, 64×80, Aberdeen AGM (iR51;iR2;R22,no656;R2,p394)
Claude Monet, 7IE-1882-88, Sentier dans les blés =!? CR676, 1881, Field of Corn, 66×82, MB Potsdam (former Cleveland MA) (iR2;iR51;iR59;R22,no676;R90II,p207+223;R2,p395;M27) =?? NY-AAG-1886-158, A wheat field.
Claude Monet, 7IE-1882-89, Sentier dans l’Île St. Martin Probably: 1881, CR678, Lane in Ile Saint-Martin, 73×60, Philadelphia MA (iR51;iR6;iR64;R22,no678;R90II,p207+224;R2,p395;M28)
Claude Monet, 7IE-1882-90, Paysage d’été, île St-Martin. Perhaps: CR679, 1881, landscape in Ile Saint-Martin, 73x60cm, private (iR51;iR2;R22,no679;R90II,p207+224;R2,p395)
Claude Monet: 7IE-1882-91, Les saules, appartient à M. Cahuzac. Option 1 of 2: CR611, 1880, The willows, 66×82, CGA Washington (iR2;iR51;R22,no611;R90II,p207+224;R2,p395;M21)
Berthe Morisot, 7IE-1882-92, A la campagne =1881, CR110, After Luncheon, 80×99, A2013/02/06 (iR2;iR11;iR59;R90II,p207)
Berthe Morisot 7IE-1882-93, Blanchisseuse =1881, CR105, Woman Hanging out the Wash, 46×67, NCG Copenhagen (iR2;iR6;iR59;R90II,p207)
Berthe Morisot, 7IE-1882-94, Baby. Probably: 1881, CR107, Child in the Rose Garden, 50×42, WRM Cologne (iR2;iR59;R2,p395;R90II,p207)
Berthe Morisot, 7IE-1882-96, Port de Nice =1882, CR113, The Port of Nice, 41×55, private (iR2;iR59;R2,p395;R90II,p207)
Berthe Morisot, 7IE-1882-97, Port de Nice =1882, CR116, The Beach at Nice, 46×56, A2013/11/06 (iR2;iR11;iR14;iR59;R90II,p207) Also exhibited in New York DR1886-144.
Berthe Morisot, 7IE-1882-98, Vue d’Andrésy, pastel. Maybe(??): 1881, CR455, Paysanne et enfant au bord de la Seine, pastel, 40×29, xx (iR6;R100,p53)
Berthe Morisot, 7IE-1882-99, Paysage au pastel. Maybe(??): 1882, CR464, Dans les vignes, pastel, 40×50, A2008/06/25 (iR13;iR11;iR6;R100,p53)
Berthe Morisot, 7IE-1882-100, Paysage au pastel. Maybe(??): 1882, CR460, Mother and Child Picking Nasturtiums, pastel, 58×46, A2016/05/10 (iR2;iR11;iR13;iR6)
Berthe Morisot: 7IE-1882-100+hc1, Eugène et Bibi (Eugène Manet et sa fille dans le jardin de Bougival) =1881, CR103, Eugène and Julie Manet at Bougival, 73×92, Marmottan (iR2;iR59;iR6;R2,p395;R90II,p207;R42,p38;M2)
Berthe Morisot, 7IE-1882-100+hc2, Jeune femme cousant dans un jardin (La Nourrice; Le Balcon). Probably: 1882, CR124, On the Balcony, Bougival (Julie and Pasie), 38×46, private (iR2;iR6;R90II,p208;R93,p12)
Berthe Morisot, 7IE-1882-100+hc3, Villa Arnulfi =1882, CR117, Woman in the garden (Villa Arnulphi in Nice), 55×46, Fondation Bemberg (iR6;R90II,p208)
Berthe Morisot, 7IE-1882-100+hc4(?), Bibi et son tonneau. Maybe(?): 1882, CR120, Mud Pie, 92×73, private (iR2;iR6;R2,p395)
Camille Pissarro: 7IE-1882-102, Route de Pontoise à Auvers. Now: 1881, CCP645, Côte du Valhermeil, Auvers-sur-Oise, 56×92, IM Jerusalem (iR2;R116,CCP645;R2,p394;M130) =?NY-AAG-162, Route de Pontoise =Boston-1891-1 =DR1897-21
Camille Pissarro: 7IE-1882-103, Etude de figure en plein air, temps gris =1881, CCP654, Two young peasant girls chatting under trees, 81×65, private (iR59;R116,CCP654;R2,p395;R90II,p208+226) =? London-SdI-1883-27. Bought by Durand-Ruel 1882/03/02, sold to Georges Petit 1883/08/09.
Camille Pissarro, 7IE-1882-104, Étude de figure en plein air, effet de soleil. Now: 1881, CCP655, Peasant women Resting, 81×65, Toledo MA (iR2;iR59;R2,p394+407;R116,CCP655;R90II,p208+226;M102)
Camille Pissarro: 7IE-1882-105, Paysage soleil couchant à Pontoise =?? CCP526, 1877, Landscape at Pontoise, sunset, 53×70, private (iR10;iR94;R116,CCP526;R2,p394)
Camille Pissarro, 7IE-1882-106, Jardin potager à l’Hermitage. Maybe??: CCP696, 1882, Le jardin de Maubuisson, Pontoise, la mère Bellette, 54×65, A2013/11/05 (iR6;iR11;R116,CCP696;R2,p394)
Camille Pissarro, 7IE-1882-107, Laveuse, étude. Now: 1880, CCP640, Washerwoman Study (La Mère Larchevêque), 73×59, Metropolitan (iR2;iR59;R2,p394+408;R116,CCP640;R90II,p208+226;M23)
Camille Pissarro, 7IE-1882-108, Le berger et les laveuses. Now: 1881, CCP665, Shephard and women washing clothes at Montfoucault, 65×80, KM Giza Egypt (iR10;R116,CCP665;R2,p395;R90II,p208+226)
Camille Pissarro, 7IE-1882-109, Effet de neige. Now: 1882, CCP669, Effect of snow with cows at Montfoucault, 46×55, A1999/05/12 (iR13;iR10;iR15;R116,CCP669;R2,p394)
Camille Pissarro, 7IE-1882-110, Jeune fille faisant de l’herbe. Now: 1881, CCP657, Peasant Woman Gathering Grass, 116×90, private (iR2;R116,CCP657;R2,p395;R90II,p208+226)
Camille Pissarro: 7IE-1882-111, Jeune paysanne prenant son café = 1881, CCP662, Café au lait (the breakfast), 64×54, AI Chicago (iR2;iR59;R2,p394+409;R116,CCP662;R90II,p209+226;M20) =London-SdI-1883-5 =DR1892-16 (solo-expo). Bought by Durand-Ruel 1881/12/19, sold to Georges Petit 1883/08/09, bought back 1891/04/17.
Camille Pissarro: 7IE-1882-112, Les sarcleuses. Now: 1882, Sbl, CCP671, Peasant women weeding, Pontoise, 63×77, private (iR10;iR94;R116,CCP671;R2,p395;R90II,p209+227) Provenance: 1882/02/01 Durand-Ruel; 1883/08/09 Georges Petit; Expos: London-D&D-SdI-1883-29.
Camille Pissarro: 7IE-1882-113, La moisson =?? CCP464, 1876, Haymaking at Montfoucault, 56×92, private (iR2;R116,CCP464;R2,p394) =??London-SdI-1883-62, La Moisson =DR1888-75 =6XX-1889-1
Camille Pissarro, 7IE-1882-115, Chemin montant. Maybe??: CCP666, 1881, The path to Les Pouilleux, Pontoise, 56×47, private (iR10;iR136;R116,CCP666;R2,p394) Durand-Ruel collection
Camille Pissarro: 1879, CCP575, (A path) in the woods in Autumn, Pontoise, 81×66, A2001/02/05 (iR10;iR235;iR14;iR13;iR2;R2,p312+394;R90II,p152+169;R116,no575) Provenance: 1880 Caillebotte; 1896 bequest refused. Expos: =5IE-1880-131, Automne, chemin sous bois; =?? 7IE-1882-116, Sentier au bois d’Ennery.
Camille Pissarro: 7IE-1882-117, Paysanne et enfants revenant des champs = 1881, CCP649, Peasant woman and child returning from the fields, Auvers, 46×55, NG Prague (iR10;iR6;R116,CCP649;R2,p349;M140) =London-SdI-1883-9 =DR1888-78 =DR1892-12. Bought by Durand-Ruel 1881/05/04, sold 1944/04/07.
Camille Pissarro: 7IE-1882-118, Jeune paysanne au chapeau =1881, CCP661, Young peasant girl wearing a straw hat, 73×60, NGA Washington (iR2;iR59;R2,p394+410;R116,CCP661;R90II,p209+227;M21) =London-SdI-1883-24 =Sint-Petersbourg-1899-277. Bought by Durand-Ruel 1881/08/04, sold 1963/07/08.
Camille Pissarro, 7IE-1882-119, Paysanne bêchant la terre. Now: 1881, CCP646, Peasant woman digging (Jardin de Maubuisson), 46×55, private (iR10;iR94;R116,CCP646;R2,p394)
Camille Pissarro: 7IE-1882-120, La gardeuse de chèvres = 1881, CCP656, The goat girl, 81×65, Metropolitan (iR10;iR94;iR59;R116,CCP656;R2,p395;R90II,p209227;M23). Compare: 6IE-1881-80 and 7IE-1882-135, gouaches with the same title. Bought by Durand-Ruel 1881/06/13; =DR1883-56; =Boston-1883-50; =London-DG-1884; =Boston-1891-1=New-York-DR-1903-9;
Camille Pissarro, 7IE-1882-121, Vue de la prison de Pontoise. Now: 1881, CCP641, View of the new prison (peasant woman in a field), 40×26, private (iR10;iR64;R116,CCP641;R2,p394)
Camille Pissarro, 7IE-1882-122, La conversation. Now: 1881ca, CCP658, The Conversation, 65×54, NMWA Tokyo (iR2;iR59;R116,CCP658;R2,p395;R90II,p209+228;M127). Note: also numbered as 123.
Camille Pissarro, 7IE-1882-125, Vue de la nouvelle prison à Pontoise. Now: 1881, CCP643, View of the new prison, Pontoise, Spring, 60×74, private (iR10;iR64;iR132;R116,CCP643;R2,p395;R90II,p209+228)
Camille Pissarro, 7IE-1882-126, Paysan béchant la terre, gouache =1881, CR1349, Farmer digging the earth, gouache, 25×20, xx (R90II,p228+209;R2,p395;R126,CR1349)
Camille Pissarro, 7IE-1882-127, Récolte de betteraves, gouache. Maybe?: 1881, Paysannes travaillant dans les champs, Pontoise, gouache, 32×50, A2015/03/25 (iR11;R2,p395)
Camille Pissarro, 7IE-1882-128, Le marché des fossés, gouache. Maybe?: 1882, Potato Market, Boulevard des Fosses, Pontoise, gouache, xx, private (iR2;R2,p395;R90II,p209)
Camille Pissarro, 7IE-1882-130, Marché aux légumes, gouache. Maybe?: 1883ca, The Market, gouache, xx, A2002/05/08 (iR2;iR11;R2,p394)
Camille Pissarro, 7IE-1882-131, Marché à la volaille, gouache. Maybe: 1882, The Poultry Market, Pontoise, pastel + gouache, 81×65, private (iR2;R2,p394)
Camille Pissarro, 7IE-1882-132, Les laveuses, gouache. Compare: CCP566, 1878, Women washing clothes on the banks of the Oise, Pontoise, oil, 32×41, A2020/02/06 (iR15;R116,CCP566;R2,p394) Compare: gouache, drawing and fan (=4IE-1879-191) (R116,p385).
Camille Pissarro, 7IE-1882-133, La récolte des haricots verts, gouache. Compare: 1887, Picking Peas, gouache, xx, private (iR2;R2,p394)
Camille Pissarro, 7IE-1882-134, Paysanne couchée sur l’herbe, gouache = 18xx, CR1351, La siesta, Hermitage, Pontoise, gouache, 23×29, xx (R90II,p228+210;R2,p395;R126,CR1351)
Camille Pissarro, 7IE-1882-135, La gardeuse de chèvres, gouache. Compare: 1882, Gardeuse de vache, côte des Grouettes, Pontoise, gouache, 46×38, A2010/02/04 (iR11;iR2;R2,p394)
Camille Pissarro, 7IE-1882-136, La moisson, détrempe. Now: 1882, CR1358, La moisson, tempera, 67×120, NMWA Tokyo (iR10;iR6;iR59;R2,p395;R90II,p210+229;R126,CR1358;M127)
Camille Pissarro, 7IE-1882-136+hc1, Sentier sous-bois à l’Hermitage. Maybe??: CCP522, 1877, Sous-bois à Pontoise, 55×46, A2021/12/17 (iR10;iR11;R116,CCP522;R2,p394) Also rendered as no.122.
Camille Pissarro, 7IE-1882-136+hc2, Repos dans les bois. Now: 1878, CCP573, Resting in the woods (Côte des Grouettes), 65×54, Kh Hamburg (iR10;iR64;iR59;R116,CCP573;R2,p395;R90II,p209+228;M50). Note: also numbered as 124.
Auguste Renoir: 7IE-1882-137, Jeune fille au chat =1880, CR330, Sleeping Girl, 120×92, CAI Williamstown (M26;R15,p209;R31,no50;R30,no408;R90II,p210+229;R2,p395+411;R108,no330) =SdAF-1880-3196, Jeune fille endormie.
Auguste Renoir: 7IE-1882-138, Deux soeurs =1881, CR378, Sur la terrasse (Two Sisters), 101×81, AI Chicago (iR59;iR2;R90II,p210+229;R2,p395;R108,no378;M20)
Auguste Renoir: 7IE-1882-139, une loge à l’Opéra = 1880, CR329, At the concert, 99×81, CAI Williamstown (iR2;iR59;R2,p395+377;R90II,p210+229;R108,no329;M26)
Auguste Renoir: 7IE-1882-140, un déjeuner à Bougival = CR379, 1880-81, the luncheon on the boating party,
129×172, Phillips Washington (iR3;iR2;iR8;iR22;iR52;R90II,p210+229;R2,p395+412;R108,no379;R30,no468;R31,no52;M29)
Auguste Renoir: 7IE-1882-141, Rêverie =? 1877, Reflection, 46×38, A2007/06/19 (iR2;iR11;R30,no298;R2,p394)
Auguste Renoir: 7IE-1882-142, Femme cueillant des fleurs = 1872ca, CR74, Woman gathering flowers,
66×54, CAI Williamstown (iRx;R30,no87;R90II,p210+230;R2,p395+414;R108,no74;M26)
Auguste Renoir: 7IE-1882-143, Champs de bananiers près d’Alger =1881, Field of banana trees, 51×63, Orsay (iR52;iR6;R30,no461;R90II,p210+230;R2,p395;M1)
Auguste Renoir: 7IE-1882-144, assiette de prunes =1882-84, Still life a plate of plums, 56×46, private (iR52;R90II,p210+230;R2,p395)
Auguste Renoir: 7IE-1882-145, Lilas =? 1878ca, Bouquet of Flowers, 65×54, private NY (iRx;R90II,p210+230;R30,no326;R2,p394)
Auguste Renoir: 7IE-1882-146, Vue de Venise, Grande Canal =1881, Grande Canal Venice, 54×65, MFA Boston (iR2;iR59;R90II,p210+230;R2,p395;R30,no482;M22)
Auguste Renoir: 7IE-1882-147, Vue de Venice =!? 1881, Le palais des Doges, 55×65, CAI Williamstown (iR2;iR59;R30,no483;R90II,p210+230;R2,p395+415;M26) Painted during his trip through Italy.
Auguste Renoir: 7IE-1882-148, Jeune fille endormie = CR328, 1880ca, CR328, The Sleeper, 49×60, private (iR2;iR59;R2,p395+416;R90II,p211+231;R108,no328;R15,p208)
Auguste Renoir: 7IE-1882-149, La lecture =1875-86ca, CR333, Young Girl Reading, 57×48, Städel Frankfurt (iR59;iR2;R90II,p211+231;R2,p395;R108,no333;M54)
Auguste Renoir: 7IE-1882-150, Au bord de la Seine. Uncertain option 2: 1880ca, Landscape, Banks of the River, 35×25, A2008/06/27 (iRx;iR11;R2,p394)
Auguste Renoir: 7IE-1882-151, Les canotiers =1879, CR307, Oarsmen at Chatou, 81×100, NGA Washington (iRx;R30,no370;R3,p11;R17,no49;R3,p11;R90II,p211+231;R2,p395;R108,no307;M21)
Auguste Renoir: 7IE-1882-152, Les bords de la Seine. Uncertain option 1: 1880, The Banks of the Seine at Argenteuil, xx, private (iRx;iR10;iR229;R2,p394)
Auguste Renoir: 7IE-1882-153, Femme assisse sur l’herbe =1880, CR355, Madame Renoir with a Dog, 32×41, private Paris (iRx;R90II,p211+231;R2,p395;R108,no355)
Auguste Renoir: 7IE-1882-154, la Seine à Chatou =!? 1881, The Seine at Chatou, 73×92, MFA Boston (iR2;iR59;R2,p395+380;R90II,p211+231;R31,no57;M22)
Auguste Renoir: 7IE-1882-155, Marroniers en fleurs = 1881, Chestnut tree blooming, 71×89, Sm Berlin (iR52;iR59;R30,no474;R90II,p211+231;R2,p395;M52)
Auguste Renoir: 7IE-1882-156, Géraniums =!? 1881, Geraniums and Cats, 91×73, NY private (iRx;R90II,p211+232;R2,p395;R31,no59;cpR30,no447)
Auguste Renoir: 7IE-1882-157, Jardin Desaix à Alger =1881-82, The Jardin d’Essai in Algiers, 81×65, private Paris (iRx;R30,no514;R90II,p211+232;R2,p395)
Auguste Renoir: 7IE-1882-158, Pivoines =? 1876-78, Peonies, xx, private (iRx;R30,no268;R2,p394)
Auguste Renoir: 7IE-1882-159, Les pêches =1881, Still Life with Peaches, 53×64, Metropolitan (iR52;iR59;R90II,p212+232;R2,p395;M23)
Auguste Renoir: 7IE-1882-160, Femme à l’éventail = 1880ca, CR332, Woman with a Fan, 65×50, Hermitage (iR2;iR59;R2,p395+376;R90II,p212+232;R108,no332;R15,p207;M95)
Auguste Renoir: 7IE-1882-161, Près de Bougival. Uncertain option 1: 1881ca, Canotage à Bougival, 54×65, A2017/02/28 (iR10;iR15;R185I,no146;R30,no453;R2,p394) Durand-Ruel collection
Auguste Renoir: 7IE-1882-161+hc1, Jongleuses au Cirque Fernando =1879, CR297, Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 34×99, AI Chicago (iRx;R2,p395+417;R90II,p212+232;R108,no297;M20)
Auguste Renoir: 7IE-1882-161+hc2, Jeune fille pêcheuse de Crevettes =!? 1879, CR281, The Little Fishergirl, 61×46, private (iR10;iR48;R30,no347;R90II,p212+233;R2,p395;R108,no281)
Auguste Renoir: 7IE-1882-161+hc3, Un verger Normand. Compare: 1879, The Vintagers, 54×65, NGA Washington (iRx;R30,no371;R90II,p212;R2,p394;M21)
Auguste Renoir: 7IE-1882-161+hc4, Tête de petit garçon. Uncertain option 2: 1880, Fernand Halphen as a Boy, 46×38, Orsay (iR52;R30,no418;R90II,p212;R90I,p384;M1)
Alfred Sisley: 7IE-1882-162, Prairie de Veneux-Nadon = 1881ca, Sbl, CR430=CCPP470, Meadows at Veneux-Nadon, 60×81, MB Potsdam (iR2;iR59;R1,p471;R90,p233+212;R2,p395;R129,no430;R396,no470;M268) Provenance: Durand-Ruel (till 1888/05/10).
Alfred Sisley: 7IE-1882-163, Après-midi d’Août = CR436=CCPP462, 1881ca, Sbr, An August Afternoon near Veneux-Nadon, 54×73, A1989/11/28 (iR2;iR14;iR59;R90II,p212+233;R219,no436;R396,no462) Provenance: Durand-Ruel 1881/08/25 – 1925/01/21.
Alfred Sisley: 7IE-1882-164, Au bord du Loing =!? 1881ca, Sbr, CR410=CCPP473, River banks at Veneux-Nadon, 60×81, Johannesburg AG (iR6;R2,p395;R90II,p212;R219,no410;R396,no473;M136) Provenance: Durand-Ruel 1882/02/27 – 1910/04/14. Expos: DR1899-140; DR1902-5; London-GG-1905-309.
Alfred Sisley: 7IE-1882-165, Le chemin de By. Two uncertain options: CCPP451 +450.
Alfred Sisley: 7IE-1882-166, Les Laveuses. Two (very) uncertain options: CCPP359 +512.
Alfred Sisley: 7IE-1882-167, Pâle soleil d’automne =1879ca, Sbl, CR335=CCPP363, Autumn sun (morning), 72×53, A2010/03/19 (R396,no363;R129,no335;iR13;iR10;iR59;iR2;R90,p212+233) Provenance: 1881/12/11 Durand-Ruel.
Alfred Sisley: 1896, SDbl, CR855=CCPP961, Cabanes au bord du Loing, le matin par temps couvert (near Moret-sur-Loing), 46×55, A2011/06/21 (iR155;iR10;iR15;R129,no855;R396,no961;R2,p395;R166,p52,note50) Provenance: Georges Petit. Expo: GP1897-126. Compare: 7IE-1882-168, Cabane au bord de l’eau +DR1883-solo expo, Waterside hut (sold by Durand-Ruel 1883/08/09 to Georges Petit).
Alfred Sisley: 7IE-1882-169, Saint-Mammès, temps gris =1880ca, CR374=CCPP421, Overcast day on the Seine, Saint-Mammès, 55×74, MFA Boston (iR6;iR2;R2,p418;R90,p234;R129,no374;R396,no421;M22) Provenance: Durand-Ruel 1880/10/28 till 1920ca.
Alfred Sisley: 7IE-1882-170, La prairie, le matin = 1881ca, Sbr, CR429=CCPP476, Willows in a field, a morning in May (surroundings of Veneux-Nadon), 50×60, A1983/05/18 (iR2;iR14;R90,p213+234;R129,no429;R396,no476). Provenance: 1881/05/25 Durand-Ruel; 1893/01/17 Vever; Camentron; 1899/01/12 Durand-Ruel. Expos: =? NY-AAG-1886-257, Willow trees at Veneux; DR1925-41.
Alfred Sisley: 1880ca, Sbl, CR389=CCPP443, Le soir au bord de l’eau, septembre, 54×73, A2024/03/06 (iR10;iR14;R129,no389;R396,no443) Expos: =? 7IE-1882-171, Effet du soir; =GP1897-108, Le Soir, en septembre; PR1904-32; GP1917-67. Provenance: 1897-1904ca Mme Pierson.
Alfred Sisley: 7IE-1882-172, Paysage, temps orageuse =!? 1880-81ca, Sbr, CR405=CCPP397, Le chemin de Petits-Prés à By, temps d’orage, 55×73, MAH Meudon (loan Musée d’Orsay) (iR6;iR10;R90,p213+234;R129,no405;R396,no397) Provenance: 1881/04/20 Durand-Ruel. Expo: DR1902-172; DR1914-50.
Alfred Sisley: 7IE-1882-173, Les petits prés à By =? 1881ca, Sbr, CR428=CCPP458, Les Petits-Prés à By, 60×73, ACBA Bergamo (or: AMBR Remagen) (iR172;iR10;iR2;R129,no428;R396,no458;R90II,p234;R2,p395) Provenance: Jules Feder; 1892/06/25 Durand-Ruel. Expos: DR1902-34; DR1914-55.
Alfred Sisley: 1880, SDbl, CR376=CCPP416, Sunrise on the Seine, Saint-Mammès, 50×65, A1987/11/10 (iR2;iR15;R166,p192;R129,no376;R396,no416) Provenance: Durand-Ruel 1880/10/12 till 1924/03/31. Expo: =?? 7IE-1882-174, St Mammès et les coteaux de la Celle; =NYDR-1921-8; =NYDR-1927-19.
Alfred Sisley: 7IE-1882-175, Un noyer à Veneux =CCPP463 (R2;R90;R396) =DR1902-32 (R396). Another (very) uncertain option: CCPP431 (HW).
Alfred Sisley: 1880-81ca, Sbl, CR420=CCPP429, Banks of the Loing, Autumn Effect, 66×82, MdI Jerusalem (iR4;iR8;iR11;R166,p48;R90I,p407;R129,no420;R396,no429;M130) Expos: =?? 7IE-1882-176, Soleil d’hiver à Veneux; =DR1899-141; London-GG-1905-305. Provenance: Durand-Ruel 1891/08/25-1907/06/15.
Alfred Sisley: 7IE-1882-177, La confluent de la Seine et du Loing. Two (very) uncertain options: CCPP481 +478.
Alfred Sisley: 1872ca, Sbl, CR47=CCPP38, The Island of Saint-Denis, 51×65, Orsay (iR2;R129,no47;R396,no38;R166,p51,no7+10;M1) Provenance: Durand-Ruel (inventory 1873, pl.13); (?? 1883/08/07 Georges Petit; R166,p52,no50); Ernest May till 1923 (sale GP1890/06/04-67); Expo: =? 7SFA-1873-114, The Ile Saint-Denis; =?? 7IE-1882-178, La Seine à St-Denis; =?? DR1883-solo; =EU-C-1900-613.
Alfred Sisley: 7IE-1882-179, Saint-Mammès. Two uncertain options: CCPP362 +CCPP420.
Alfred Sisley: 7IE-1882-180, Le chemin des fontaines à By = 1881, SDbr, CR434=CCPP457, SDbr, Le chemin des Fontaines près de By, matin de mai, 65×50, private (R396,p190,no457;R129,no434;R90II,p213+235) Provenance: 1881/05/23 Durand-Ruel; 1893/01/17 Vever; Camentron; 1899/01/12 Durand-Ruel. Expo: GP1897-90
Alfred Sisley: 7IE-1882-181, La sente des roches =CCPP452; compare: CCPP444.
Alfred Sisley: 1880ca, Sbr, CR388=CCPP422, Riverbank at Saint-Mammès, 51×66, A2017/06/27 (iR2;iR15;iR11;R129,no388;R396,no422) Provenance: Durand-Ruel; Picq-Véron; Durand-Ruel 1892/06/25 till 1926/06/04. Expo: =?? 7IE-1882-182, La Vue du bord de l’eau à Saint-Mammès.
Alfred Sisley: 7IE-1882-183, La berge de la prairie de Veneux-Nadon =!? CCPP403 (R2;R90;R396) =DR1902-13; =London-GG-1905-302; =DR1910-70 (R396) =?? NY-AAG-1886-159, The beach (sic?) at Veneaux (sic) (iR40); =? 17LE-1910-174, La berge de la prairie de Veneux Nadon (1880) (R237/iR261); Second uncertain option: CCPP465.
Alfred Sisley: 7IE-1882-184, Vue de Moret. Two (very) uncertain options: CCPP387 +409.
Alfred Sisley: 1881ca, Sbr, CR422=CCPP480, View of Saint-Mammès, 54×74, CMA Pittsburgh (iR2;R166,p196;R129,no422;R396,no480;M35) Bought by Durand-Ruel 1881/07/23. Expo: =?? 7IE-1882-185, Saint-Mammès; =Pittsburgh-1898.
Alfred Sisley: 7IE-1882-186, Après-midi de Septembre en bateau =? 1882ca, Sbl, CR473=CCPP503, En canot à Veneux-Nadon, après-midi de september, 47×56, A2005/02/08 (iR11;iR14;R90II,p213+235;R219,no473;R396,no503) Provenance: 1882/10/03 Durand-Ruel.
Alfred Sisley: 1888ca, Sbl, CR668=CCPP781, Pond at Chevreuil, 54×65, A1997/11/13 (iR10;iR64;iR14;iR2;R129,no668;R396,no781) Compare: 7IE-1882-187, Le chemin de l’étang. Provenance: 1888/11/09 Durand-Ruel; 1899/02/06 François Depeaux; sale GP1906/06/01-44.
Alfred Sisley: 7IE-1882-188, Le chemin de l’étang. Compare: CCPP389 +959.
Victor Vignon: 7IE-1882-189, Une route au val Hermé, appartient à M. R. (=Henri Rouart) =? 1880, The Hamlet of Valhermeil near Auvers-sur-Oise, 54×65, MBH Bayonne (iR2;;R2,p394;iR1;R90I,p377;R90II,p294) =? HD1914/06/19-90, Hameau du Val Hermoy (iR40).
Victor Vignon, 7IE-1882-190, Les chaumières à Auvers. Maybe?: 1880-90, House at three wells (puits), Auvers-sur-Oise, 46×54, private (aR1;R272,no28;R2,p394;iR1;R90I,p377)
Victor Vignon, 7IE-1882-191, La Seine à Port-Marly. Maybe: H&S1938-25, R2,p394;iR1;R90I,p377) =? HD1905/04/10-47, Bords de la Seine, 27×40, Sl, bought by Stumpf (former M. Louis Flornoy collection) (iR40;R240).
Victor Vignon, 7IE-1882-192, Louveciennes. Maybe?: 18xx, Spring Landscape, 49×65, A2005/01/19 (iR2;iR14;iR13;R2,p394;iR1;R90I,p377;R90I,p407).
Victor Vignon, 7IE-1882-193, La Sente d’Auvers. Maybe?: 18xx, View of Auvers-sur-Oise, 32×41, A2017/05/19 (iR2;iR11;iR41;R2,p394;iR1;R90I,p377)
Victor Vignon, 7IE-1882-194, Pommes et raisins. Compare: 18xx, Pommes et pichet (Apples and a pitcher), 81×114, MuMa Le Havre (HW;iR2;M15;R2,p394;iR1;R90I,p377)
Victor Vignon: 18xx, Bords de la Seine, 32×56, A1990/02/26 (iR13;aR1;iR1;R2,p394;R90I,p377) =?? S1878-2243, La Seine à Bougival, un jour de printemps =?? 7IE-1882-195, La Seine à Bougival
Victor Vignon, 7IE-1882-196, Le chemin de la Princesse. Maybe??: 1882 (HW85), La route du village au printemps (~à Ricarda), 38×46, A2017/11/22 (iR11;iR2;iR13;R2,p394;iR1;R90I,p377) Compare: HD1893/03/20-141+142, former Ricada collection (iR40;R240)
Victor Vignon, 7IE-1882-197, Les champs aux grès. Maybe??: 18xx, Sbl, Village aux creux d’un vallon, xx, MGSm Saarbrücken (iR94;R2,p394;iR1;R90I,p377)
Victor Vignon, 7IE-1882-198, Nature morte. Maybe?: 1880-90, Still-life with a glass, 13×22, private (R272,no24;R2,p394;iR1;R90I,p377)
Victor Vignon, 7IE-1882-199, Plaine de Rueil. Maybe: 1878-85, Factories at Nanterre, 22×33, MF Aix-les-Bains (iR94;R272,p8;R2,p394;iR1;R90I,p377;M13)
Victor Vignon, 7IE-1882-200, La Seine à Port Marly. Maybe: GP1919-218, Sbl, Déchargement au bord d’un canel, 45×65, (Hazard collection) (aR18=iR19;R232;R272,p30;R2,p394;iR1;R90I,p377)
Victor Vignon, 7IE-1882-201, étude d’arbres (Île de Croissy). Maybe?: 18xx, L’isle de Croissy, peupliers, 44×33, A1999/06/28 (iR13;R2,p394;iR1;R90I,p377)
Victor Vignon, 7IE-1882-202, Les chaumières. Maybe?: 18xx, Sbr, La Vie Champêtre (La Maison de Guillaume et Danielle), 33×46, A2021/04/17 (iR17;R2,p394;iR1;R90I,p377)
Victor Vignon, 7IE-1882-203, Étude, quatre crayons. Compare: 1880ca, Sbl, Self Portrait (the artist in a garden; study), wc, 15×10, Leighton Gallery (iR317;R2,p394;iR1;R90I,p377)
Clarification: On this page you find 211 suggestions for the about 212 art-works that were exhibited at the 7th ‘impressionist’ expositionin 1882. The numbers 123 + 124 of Pissarro weren’t exhibited.
Note: the given suggestions vary from certain (=!), to almost certain (=?!), to uncertain (=?), to very uncertain (=??), to most uncertain (=???), to compare (=compare:) with another work of the artist, to compare with a similar work from another artist or even a photo. Sometimes (?x) I have no suggestion at all, namely catalogue no.38 (Guillaumin). Helas, of several options I could only find a picture in black and white, namely nos. 6 +7 +9 +13 of Caillebotte; no.28 of Gauguin; no.35 of Guillaumin; no.98 of Morisot; no.126+134 of Pissarro; no.180 of Sisley; nos. 191 +200 +201 of Vignon. The following sugggestions are compilations of two (uncertain) options (or to compare): nos. 165 +166 +175 +177 +179 +181 +183 +184 +188 of Sisley. The following suggestions to compare are very weak: no.hc1 (Caillebotte), no.35 (Guillaumin), no.203 (Vignon). See the accounts of the partakers. See link for an explanation of the subscriptions.
