Alfred Sisley: 1895, SDbr, CR841=CCPP956, Fields around the Forest, the old walnut tree, 54×65, MNTB Madrid (iR2;iR11;R38;R129,no841;R396,no956;M100) SNBA-1896-1153, Autour de la forêt, le vieux noyer. Provenance: Stumpf; sale GP1906/05/07-75.
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Exhibited art-works by the ‘impressionist’: 7* of the 57 partakers of the ‘impressionist’ expositions showed about 44* art-works at the Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1896. Including Colin (7x); Desboutin (?3+2hc engravings); Lebourg (7x); Meyer (1 enamel + 6 objets d’art); J.F. Raffaëlli (6x); Sisley (7x); Vidal (3x +2p).
The art-works will be rendered by form and alphabettically; first the paintings, than the other art-works. Note: several suggestions are uncertain or just to compare; sometimes I render more than one option; sometimes I only have a black-and-white picture; for many works I don’t have a suggestion. Note*: I still have to do a double check. I count the number of exhibited art-works, not the amount of catalogue numbers. See also the accounts of these artists (in the left or bottom sub-menus).
Gustave Colin, 18xx, Basque fisherman, on panel 28×34, A2019/12/13 (aR19;iR1) Compare: S1879-695, Lamaneurs du golfe de Gascogne + SNBA-1896-313, Pilotes basques.
Gustave Colin, 1877ca, High Tide, Saint-Jean de Luz, ?cm, xx (iR10;iR1) Maybe?: SNBA-1892-248, La Digue de Socoa + SNBA-1896-315, Digue de mer.
Gustave Colin, 18xx, Animated riverside (HW: the passageway in Pasajes), ?cm, xx (iR10;iR41;iR1) Maybe?: SNBA-1896-316, Port de Pasages.
Gustave Colin, 18xx, Pyrenean Landscape, 27×42, A2016/05/18 (iR13;iR11;iR1;aR9) Maybe?: SNBA-1896-318, Paysage de montagnes + HD1909-16, Les Abords du Mont-Piméné (Hautes-Pyrénées), 65×54 +HD1909-15, Environs de Bagnères-de-Bigorre, 63×54.
Gustave Colin, 18xx, Pyrenean landscape with a stream and a village woman, 65×81, A2021/03/12 (aR20) Maybe?: SNBA-1896-318, Paysage de montagnes + Compare: SdAF-1880-829, La Nive, au Pas-de-Roland (Basses-Pyrénées), en octobre
Albert Lebourg: 1898ca, Sbr, Rouen, La Côte Sainte Catherine vue de la Rive Gauche, 46×85, private (iR2;iR1) =?? SNBA-1896-778, La côte Sainte-Catherine à Rouen, par la neige
Jean-François Raffaëlli: 1895, Sbl, Les Invalides, Napoleon’s Tomb, 71×81, MPP Paris (iR2;aR7;R88I,p706;iR1;R231-3;M4) Expos: =!? SNBA-1896-1040, Les Invalides, tombeau de Napoléon; =!? EU-1900-D-cl7-1563, Les Invalides (à la Ville de Paris).
Jean-François Raffaëlli: 1892-96ca, Sbl, Notre Dame de Paris, 70×80, Orsay (M1;iR6;iR1;R231-3) Expos: SNBA-1896-1041, Nôtre-Dame de Paris (bought by the State). Compare: EU-1900-D-cl7-1565, Notre-Dame de Paris.
Alfred Sisley: 1894, SDbr, CR835=CCPP934, The church at Moret-sur-Loing, evening, 81×100, private (iR2;iR1;R129,no835;R396,no934) Expo: SNBA1896-1149, Eglise de Moret (le soir). Provenance: sale atelier Sisley GP1899/05/01-13 -> Viau; sale HD1908/02/20-37.
Alfred Sisley: 1893, SDbr, CCPP931, The Church at Moret-sur-Loing, rainy day, morning, 66×81, HAG Glasgow (iR155;iR10;iR173;iR2;R5,p189;R38;R396,no931;M186) Provenance: Viau; Expos: SNBA1896-1150, Eglise de Moret (temps de pluie), appartient à M. le Dr Viau.
Alfred Sisley: 1892, SDbr, CR798=CCPP925, June sun along the Loing (in the distance the viaduct of Saint-Mammès), 60×93, MNAC Barcelona (iR2;R38;R129,no798;R396,no925;M104) Provenance: Decap; sale HD1901/04/15-29. Expo: SNBA-1896-1151, A Saint-Mammès (soleil de juin), appartient à M. Décap; Barcelona-1917-1453.
Alfred Sisley: 1889, SDbr, CR711=CCPP810, Autour de la forêt, matinée de juillet, 60×73, private (iR10;iR326;iR261;iR40;R129,no711;R396,no810) Provenance: Camentron; 1892/06/08 Durand-Ruel. Expos: SNBA-1896-1152, Autour de la forêt (le matin); =? Saint-Petersbourg-1912-601, Le matin en Juillet (Morning in July); DR1914-58.
Alfred Sisley: 1895, SDbr, CR841=CCPP956, Fields around the Forest, the old walnut tree, 54×65, MNTB Madrid (iR2;iR11;R38;R129,no841;R396,no956;M100) SNBA-1896-1153, Autour de la forêt, le vieux noyer. Provenance: Stumpf; sale GP1906/05/07-75.
Alfred Sisley: 1895, SDbr, CR842=CCPP958, Le Vallon (The valley), 54×65, MAH Neuchâtel (iR2;iR1;R38;R129,no842;R396,no958) Expo: =? SNBA-1896-1154, Autour de la forêt; le vallon; GP1897-121. Provenance: Georges Petit.
Alfred Sisley: 1888, SDbl, CR683=CCPP759, Sunset at Moret-sur-Loing, 73×92, Cincinetti AM (iR2;R129,no683;R396,no759;M166) Provenance: Georges Petit?; 1896? Depeaux; sale 1906/05/31-48 + sale HD1921/06/30-62; Expos: SNBA-1896-1155, A Moret (le soir); (Appartient à M. Depeaux); GP1897-60.
Jean-François Raffaëlli: 18??, Portrait de ma fille (à ma chère femme; Germaine à 17 ans), ?cm, unknown location (aR7,p126;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R…); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille.
Jean-François Raffaëlli: 18xx, Portrait of Mlle Raffaëlli, 55×32, A1994/03/16 (iR13;aR14,p14;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R…); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille.
Alfred Sisley: 1894, SDbr, CR840=CCPP937, The Church at Moret-sur-Loing, 100×81, PP Paris (iR27;iR11;iR2;iR1;R38;R129,no840;R396,no937;M4) Expo: =?? SNBA-1896 -> bought by the state.
Marcellin Desboutin: 1896, CJ84, Dumas fils, écrivain, ps, 37×29, Gallery Paris (aR10,no74;R158,no84;R231-3;iR1) Expos: =!? SNBA-1896-1684, Portrait de M. Alexandre Dumas fils (gravure en pointe sèche); EU-1900-D-133, Portrait d’Alexandre Dumas fils (gravure) (Grand Prix).
Alfred Meyer: 1870ca, British neo-classic enameled brooch, with an enamel plaque in grisaille technique, xx, xx (iR10;iR1). Compare: SNBA-1896-330, Les quatre éléments (panneau décoratif); Compare: Emile Lévy: 18??, Allegorie de la Terre, dr, 31×7, DAG Louvre (iR357=M5a)
Alfred Meyer: In art of enamel 1895, plate 7: Le feu, emaille + grisaille, xx (aR12,pl7;iR1) Compare: SNBA-1896-330, Les quatre éléments (panneau décoratif)
Alfred Meyer: In art of enamel 1895, plate 6: L’eau, emaille + grisaille, xx (aR12,pl6;iR1) SNBA-1896-330, Les quatre éléments (panneau décoratif)
Exhibited art-works by other artists: Here below you will find some art-works (mainly paintings) of some other artists that were exhibited at the Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1896. You will find them by form and in an alphabetical order. This will not give you an overall impression (that is outside the scope of this website). Namely works of pre-impressionist, para-impressionist and other related artitsts will be shown. Namely the following artists showed paintings: Dagnan-Bouveret; Alexandre Séon. Note: additional info and pictures will follow.
Dagnan-Bouveret (1852-1929): 1895, SDbl, The last supper, 322×525, MBA Arras (iR3;iR10;iR127;iR1;R231;R377;M1) =SNBA-1896-365, La Cène =EU-D-1900=535, La Cène (Grand Prix)
Alexandre Séon (1855-1917): 1896ca, The Lamentation of Orpheus, 73×116, Orsay (iR10;iR155;R298,no218;M1) Expos: SNBA-1896-1139; 6SRC-1897-169; GP1901-3.
Sources: See at the bottom of the main page on the Salon.
See link for explanation of the subscription of the pictures.
Recommanded citation: “Meta-Impressionism / other exhibitions: Salon de la Société Nationale des Beaux-Arts of 1896; info and pictures. Last modified 2025/09/13. https://www.impressionism.nl/1896-salon-snba/”
Note: additional info and pictures will be added.
Please be reluctant, when you quote from this webpage, which is under construction. The information is incomplete and maybe partly incorrect.
