Note 1: the information on these regional exhibitions is limited and fragmented.
Note 2: sometimes works were sent in by the Durand-Ruel and other art-dealers or from private collections.
Note 3: I will render the works per location, than by form, than alphabetical on the artist name and than chronological when it was exhibited.
Note 4:If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Le Havre: Le Havre lies about 200km west at of Paris at the right bank of the estuary of the Seine (iR9). There had been various exhibitions, but namely organised by the ‘Société des amis des arts du Havre’.
Claude Monet: 1858, CR1, View from Rouelles (near Le Havre), 46×65, Marunuma AP (iR112;R22IV,p1016+no1;R51,p17) = Le Havre-1858-380
Claude Monet: 3IE-1877-110, Marine (Sainte-Adresse) =!? 1867, CR94, A hut at Sainte-Adresse, (the Cabin), 52×62, MAH Geneva (iR2;R22+R127,CR94;R2,p205;R90II,p95;M141,no.1990-45) =Le Havre-1868-852 =LVM-1880-15 =GP-1889-6.
Claude Monet: CR77, 1866, CR77, SDbr, Port of Honfleur, 148×226, destroyed WWII (iR10;iR94;R22,no77) Provenance: 1868/69 Gaudibert; 1874-89ca Faure; 1901 Cassirer; destroyed WWII. Expos: S1867-R2; 1867 Hagerman; Le Havre-1868-854 (-> medaille d’argent); GP1889-4; Berlin-3BS-183. Compare: compilation CR77 +CR77a +CR76.
Claude Monet: S1868-Refusé =CR109, 1868, La Jetée du Havre (The Jetty at Le Havre), 147×226, private (iRx;R22,no109) =Le Havre-1868-855
Camille Pissarro: S1868-2015, La côte de Jallais = CCP116, 1867, CCP116, Pontoise, la Côte des Jalais, 87×115, Metropolitan (iR10;iR2;R116,no116;M23) =? Le Havre-1868-794
Claude Monet: S1866-1386, Camille =1866, CR65, Camille (The woman with a green dress), 231×151, Kh Bremen (iR2;R22,no65;M58) =Le Havre-1868-856 -> médaille d’argent
Lille: 1866/07/22, exposition des Beaux-Arts with 1566 catalogues numbers, including several ‘impressionists’: Boudin (2x); Brandon (2x); Bureau (2x); Cals (1x); Colin (2x); Latouche (1x); Meyer (2x); Pissarro (2x); Redon (3x); Sisley (2x). (R248/iR40; see catalogue https://gallica.bnf.fr/ark:/12148/bpt6k97652613).
Alfred Sisley: 1866, SDbr, CR4=CCPP6, Village street at Marlotte (Women going to the woods), 65×92, Bridgestone MA Tokyo (iR2;iR1;R129,no4;R396,no6;M125) =S1866-1785, Femmes allant au bois; paysage; =!? Lille-1866-1405.
Alfred Sisley: 1866, SDbl, CR3=CCPP5, Village Street in Marlotte, 50×92, AKAA Buffalo (M34;iR10;iR2;iR1;R166,no4;R129,no3;R396,no5) Expos: =S1866-1786, Une rue de Marlotte; environs de Fontainebleau; =!? Lille-1866-1406.
Lyon:
Lyon lies almost 500km south-east of Paris and about 143 south-west of Geneva (iR9).
Félix Bracquemond: 1854, B134, The Moles, etch, 25×19, RM Amsterdam (iR2;iR19;R73,p30;R85,no134;R52,p93;M77) =Lyon-1863-86; SNBA-1907-171-160, Les Taupes, appartient à M. Béraldi.
Félix Bracquemond: 1IE-1874-27-3, Margot la critique = 1854, B113, Margot la Critique, etch 1/3, 22×19, Metropolitan (iR6;iR10;iR1;R52,p86-8;R2,p119;R90II,p19;R85III,no113;M23) =EU-1855-4602, Margot la critique; eau-forte; =Lyon-1863-87; =EU-C-1889-VII-64, Margot la critique, eau-forte originale; =SNBA-1907-171-145a, Margot le critique.
Félix Bracquemond: 1854, B115, The Raven, etch, 20×16, BNF Paris (iR2;iR19;R73,p31;R52,noAc6) =Lyon-1863-88, Un corbeau – Les gens de loi; =SNBA-1907-171-145b, Le Corbeau
Félix Bracquemond: 1856, Le Canard (Le Journal), 18×13, British Museum (R73;R52,noAc22;R85III,no116;iR19) =Lyon-1863-89, Un canard, Le Journalisme; SNBA-1907-171-159, Le Canard (journal), appartient à M. Béraldi.
Montauban: Montauban lies about 610km south of Paris and about 50km north of Toulouse (iR9).
Mulhouse: Mulhouse lies about 440km east / south-east of Paris, close to the German and Swiss border (iR9).
Nantes: Nantes lies about 375 km south-west of Paris (iR9).
Pau: Pau lies about 715km south of Paris and 170km west / south-west of Toulouse (iR9).
In Pau the ‘Société (béarnaise) des Amis des Beaux-Arts’ organised exhibitions in the Musée de la Ville (1876+77+78).
Reims: Reims lies about 150km north-east of Paris (iR9).Also written as Rheims. 1873/02/15 – 03/23: Société des Amis des (Beaux-)Arts in Le Cirque, Boulevard des Promenades: paintings lent by Durand-Ruel: Monet (1x), Pissarro (1x), Sisley (1x) (R22IV,p1016+CR149;R116I,p361;R166,p36+263+51,note8)
Alfred Sisley: 1872ca, Sbl, CR39=CCPP48, The Seine at Bougival, 51×66, Yale New Haven (iR2;R53,p60;R38;R166,p36+263;R129,no39;R396,no48;M33) Provenance: 1872 till 1939 Durand-Ruel. Expos: =? Reims-1873-?, Saint-Ouen (sent in by Durand Ruel); =London-GG-1905-294.
Rouen: Rouen lies about 125km north-west of Paris along the Seine (iR9).
Claude Monet: 1871, CR163, Meditation, Mme Monet sitting on a sofa, 48×75, Orsay (iRx;R22IV,p1016+CR163;M1) =South-Kensington-1871-1273, Repose (lent by Durand-Ruel) =Rouen-1872-163 (lent by Durand-Ruel?)
Camille Pissarro: CCP44, 1859, Prairies de la Roche-Guyon, 21×27, A2002/05/08 (iR15;iR11;R116,no44) =? Rouen-1862-804
Camille Pissarro: CCP222, 1872, A house in Louveciennes, 38×46, private (iR10;iR94;R116,no222) =Rouen-1872-304
Marie Bracquemond: 1869ca, Fauconnerie, 65×54, MBA Rouen (iR23;iR10;iR64;iR1;aR17;R168,p232;M12) =1869/08 expo in Rouen. Compare: S1875-287, La lecture.
Claude Monet: 1864, CR20, spring flowers, 91×116, Cleveland MA (iR51;R22,no20;M27) =? Rouen-1864-hc
Saint-Brieuc: Saint-Brieuc lies about 420km west / west-south of Paris; it lies on the northern coast of the Brittany pennisula (iR9).
Toulouse: Toulouse lies about 660km south of Paris and 120km north of the Pyrenean (iR9).
Tours: Tours lies about 220km south-west of Paris along the Loire (iR9).
Sources: See at the bottom of the main page on the regional exhibitions.
See link for explanation of the subscription of the pictures.
