Alfred Sisley: 1894, SDbr, CR838=CCPP940, La vieille église de Moret-sur-Loing, le matin au soleil, 66×82, A2018/02/28 (iR11;iR14;iR1;R129,no838;R396,no940) Expo: SNBA-1894-1063, Une vieille église; le matin au soleil; =?? GP1897-36, Église de Moret, le matin, 1894; GP1917-13. Provenance: Montaignac; sale GP1917/12/03-84.
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Exhibited art-works by the ‘impressionist’: 8* of the 57 partakers of the ‘impressionist’ expositions showed about 44* art-works at the Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1894. Including ; Boudin (8x); Colin (8x); Desboutin (5x); Lebourg (7x); Meyer (4 objets d’art); J.F. Raffaëlli (6 engravings); Sisley (8x); Vidal (2x +2p?).
The art-works will be rendered by form and alphabettically. Note: several suggestions are uncertain or just to compare; for many works I don’t have a suggestion. Note*: I still have to do a double check. I count the number of exhibited art-works, not the amount of catalogue numbers. See also the accounts of these artists (in the left or bottom sub-menus).
Gustave Colin, 18xx, Boat on the ocean, 26×33, A2010/02/19 (iR13;iR11;iRx;iR1) Maybe?: SNBA-1894-263, Pleine mer.
Albert Lebourg: 1xxx, Sbr, La Seine à Croisset, près de Rouen en été, 42×58, Gallery The Hague (iR10;iRx;aR1;R390,p297) =?? SNBA-1894-698, Rouen; après-midi d’été
Albert Lebourg: 1893, SDbl, Sur le port de Honfleur, 47×66, A2009/02/04 (iR11;iR17;iR2;iR1) =? SNBA-1894-699, Honfleur; après-midi d’été
Jean-François Raffaëlli, SNBA1894-231, Bords de la Seine. Maybe: 1894, D9, La Seine, à Asnières, colour etch, 12×16, Cleveland MA (iR6;aR7;R138XVI,no9;iR1;aR7)
Jean-François Raffaëlli: 1894, D8, Terrain vague (waste land; types de petite gens), colour etch 2nd state, 19×22, BNF Paris (iR40;iR11;R138XVI,no8;R2,p355;R90II,p186). =!? SNBA1894-232, Terrain vague. Compare: 6IE-1881-121, Le tas de verres cassés, aquarelle.
Jean-François Raffaëlli: 1894, D17, La route aux grands arbres (The road with tall trees), colour dry point, 16×20, A2015/12/15 (iR40;iR11;iR17;iR1;aR7;R88I,p706;R138XVI;R231-3+13) Expos: =!? , SNBA-1894-234, La route aux grands arbres; =!? EU-1900-D-cl8-400, La route aux grands arbres; pointe sèche originale en couleur (golden medal, gravure).
Jean-François Raffaëlli: 1894 (or 1911), D21, (The square before) Les invalides, colour etch ps, 16×19, A2018/05/13 (iR11;iR1;aR7;R88I,p706;R138XVI,no21) Expos: =!? SNBA-1894-235, Les Invalides; =!? EU-1900-D-cl8-401, Les Invalides, pointe sèche originale en couleur (golden medal, gravure).
Alfred Sisley: 1894, SDbr, CR838=CCPP940, La vieille église de Moret-sur-Loing, le matin au soleil, 66×82, A2018/02/28 (iR11;iR14;iR1;R129,no838;R396,no940) Expo: SNBA-1894-1063, Une vieille église; le matin au soleil; =?? GP1897-36, Église de Moret, le matin, 1894; GP1917-13. Provenance: Montaignac; sale GP1917/12/03-84.
Alfred Sisley: 1891, SDbl, CR763=CCPP866, The Loing at Moret in Summer, 71×91, A2017/03/01 (iR11;iR14;iR2;iR40;R129,no763;R396,no866) Provenance: Depeaux; sale GP1906/05/31-49 -> comte Camondo. Expos: GP1897-61; DR1922-35; Compare: SNBA-1891-860, Le Loing en été + SNBA-1894-1068, En été au bord de l’eau.
Gustave Colin: 18??, Procession of Notre-dame De Guadeloupe at Fontarabie, ?cm, unknown location (iR311;iR10;iR1;R231-3;R462,p42) Compare: 1890ca, Sbl, La Procession de N.-D. de Guadalupe sortant de la cathédrale de Fontarabie pour se rendre à l’ermitage, 173×133. Expos: SNBA-1894-262, La procession de Nuestra Senora de la Guadeloupe à Fontarabie. Le départ pour l’ermitage; EU-1900-D-473, La procession de Notre-Dame de Guadalupe sortant de la cathédrale de Fontarabie pour se rendre à l’Ermitage (Espagne); GP1901-solo-39; gCS-1912-solo-52; Arras-1967-73.
Albert Lebourg: 1xxx, Sbl, Une rue au Pollet (le matin), 41×33, ChM Dieppe (iR23;iR1) =?? SNBA-1894-702, Chemin de village: soleil du matin
Jean-François Raffaëlli, SNBA1894-230, The old lady’s garden. Probably: 1894, D18-3, the old lady’s garden, colour etch ps, 31×23, BNF Paris (iR40;iR11;R138XVI,no.18;iR1;aR7)
Jean-François Raffaëlli, SNBA1894-233, Le laveur des chiens. Probably: 1894, D10-2, Le laveur (baigneur) des chiens (dog washer; types de petite gens), etch, 20×15, Delteil (R138XVI,no10;iR1;aR7)
Alfred Sisley: 1894, SDbl, CR834=CCPP939, The old church of Moret-sur-Loing in the rain (transept side), 73×60, Birmingham MAG (iR155;iR2;iR1;R38;R129,no834=CCPP939;M182) Expo: =SNBA-1894-1064, Une vieille église; par la pluie. Provenance: sale atelier Sisley GP1899/05/01-15 -> Bernheim-Jeune.
Alfred Sisley: 1894, SDbl, CR836=CCPP936, The Church at Moret-sur-Loing, after the rain, 73×60, Detroit IA (iR155;iR2;iR1;R129,no836;R396,no936;M151) Expo: SNBA1894-1065, Une vieille église; après la pluie; GP1897-40. Provenance: sale atelier Sisley GP1899/05/01-14 -> Payen; sale HD1916/06/29-107 -> Durand-Ruel.
Eugène Vidal, SNBA-1894- 1149, Portrait de Mme E. V… Maybe??: 18xx, Lady in a Pink Dress and a Green Hat with Plumes, on wood, 32×24, A2016/01/26 (iR13;iR17;iR10;iR1)
Exhibited art-works by other artists: Here below you will find some art-works (mainly paintings) of some other artists that were exhibited at the Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1894. You will find them by form and in an alphabetical order. This will not give you an overall impression (that is outside the scope of this website). Namely works of pre-impressionist, para-impressionist and other related artitsts will be shown. Namely the following artists showed paintings: Alfred Roll; . Note: additional info and pictures will follow.
Alfred-Philippe Roll (1846-1919): 1890, Les ouvriers de la terre (iR482;iR10;R231-3+4+13) =? (study for) SNBA-1894 (bought by the State) =EU-1900-D-1655, Exode (à la Ville de Paris); Compare: EU-1900-D1650, Ouvriers de la terre (Grand Prix).
Sources: See at the bottom of the main page on the Salon.
See link for explanation of the subscription of the pictures.
Recommanded citation: “Meta-Impressionism / other exhibitions: Salon de la Société Nationale des Beaux-Arts of 1894; info and pictures. Last modified 2025/09/12. https://www.impressionism.nl/1894-salon-snba/”
Note: additional info and pictures will be added.
Please be reluctant, when you quote from this webpage, which is under construction. The information is incomplete and maybe partly incorrect.