Théo van Rysselberghe (1862-1926): 1890, July before noon (family-in-the-orchard), 115×163, KMM Otterlo (iRx;R68,p110/1+120;R229,p1523;M72) =7XX-1890 =7SdI-1891-1211
Introduction: In 1890 the 7th exhibition of Les XX (les vingts) was held in Brussels. On this page you will find some of the art-works that were exhibited by Les Vingtistes and the invited artists, namely also the partakers of the ‘impressionist’ expositions. At the bottom you will find short information.
Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Exhibited art-works:
Paul Cézanne: 1IE-1874-42, La maison du Pendu, à Auvers-sur-Oise =1872-73, V133=FWN81, Sbl, Auvers-sur-Oise, house of the hanged man, 55×66, Orsay (iR2;iR59;iR194,no81;R189,no133;R90II,p21;R87,p235;R2,p120;R410,no170;R48,no136;R1,p334;R163,p46;R231-5;M1) Provenance: 1874 Count Doria (for 300fr); Chocquet. Expo: =EU-1889-C-124, La maison du pendu (à M. Choquet); =7XX-1890-2, Chaumière à Auvers-sur-Oise (lent by Chocquet).
Théo van Rysselberghe (1862-1926): 1890, July before noon (family-in-the-orchard), 115×163, KMM Otterlo (iRx;R68,p110/1+120;R229,p1523;M72) =7XX-1890 =7SdI-1891-1211
Paul Signac: 1888, CR164, opus 180, Portrieux, la jetée, temps gris, 46×65, KMM Otterlo (M72;iR10;R106,CR164) =SdI-1889-244 =XX-1890-1
Paul Signac: 1888, CR165, opus 181, Portrieux, Gouverlo, 46×55, Hiroshima MA (iR10;Mx;R106,no164) =7XX-1890-2 =6SdI-1890-744 =BJ1930-8 =PP1934-7
Paul Signac: 1888, CR166, opus 182, Portrieux, The masts, 46×55, private (iR10;iR6;R39,no29;R106,no166) =7XX-1890-3 =6SdI-1890-743
Paul Signac: 1888, CR167, opus 183, Portrieux, le phare, 46×65, KMM Otterlo (iRx;R106,no167;M72) =7XX-1890-4 =6SdI-1890-742b
Paul Signac: 1888, CR171, opus 189, La rade de Portrieux (the anchorage; Tertre Denis), 66×82, private (iR10,R39,no30;R17,p297;R106,no171) =7XX-1890-6
Paul Signac: 1888/09, CR172, opus 190, The swell, Portrieux, (the harbour), 61×92, Sg Stuttgart (iR10;iR6;R39,no31;R16,p318;R106,no172) =5SdI-1889-245 =7XX-1890-7
Paul Signac: 1889, CR182, opus 196, Cap Lambard, Cassis, 66×81, Km The Hague (iR2;R39,no34;R106,no182;M71) =7XX-1890-9 =6SdI-1890-739
Paul Signac: 1889/05, CR184, opus198, The jetty at Cassis (bouches du Rhône), 46×65, Metropolitan (iR10;iR114;R39,pno35;R14,p228;R106,no184;M23) =5SdI-1889-246 =7XX-1890-11
Paul Signac: 1889, CR186, opus 200, Cassis, Cap Canaille, 66×82, A2007/11/06 (iR10;iR39;iR11;R39,no36;R106,no186) =7XX-1890-12 =6SdI-1890-737 =Anvers-ApA-1892
Marie Bracquemond: 18xx (1890ca), Woman’s head from the right (Louise Quivoron), dr, 41×34, private (iR204;iR2;aR6;R168,p258)
1890/01/17 – 03/? (=7XX-1890):
VIIe exposition annuelle des XX.
The following ‘impressionist’ partakers were present: Cézanne (3x, including Maison du pendu), Lucien Pissarro, Redon (iR3), Renoir (5x), Signac, Sisley (6 works). Renoir first rejected to participate, later sends in 5 works, but doesn’t visit the exhibition (R31,p304). Some claim Gauguin also exhibited (iR3), but this is not confirmed by other sources (R181;R49). Probably the works of Sisley were send in by Georges Petit, but this wasn’t done as promised (R53,p141).
Other participants were Neo-Impressionists like Hayet and Post-Impressionists like: Toulouse-Lautrec, Vincent van Gogh (6x). Van Gogh caused a scandal, Henry de Groux withdraw his works (R88II,p211).
(R88II,p211;R31,p315;R166,p274;R39,p325;R3,p653;R106,p419;R1,p556;R48,p13;R312,p50;iR3;iR5).
Recommanded citation: “Meta-Impressionism / other exhibitions: Les XX, 7th exhibition in Brussels in 1890. Last modified 2025/07/22. https://www.impressionism.nl/1890-les-xx/”
