Introduction: In 1892 the 9th exhibition of Les XX (les vingts) was held in Brussels. On this page you will first find some of the art-works that were exhibited by Les Vingtistes and the invited artists, namely also the partakers of the ‘impressionist’ expositions. At the bottom of this page you will find short information. Note: This page needs further development. Additional info and pictures will be added.
Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Paul Signac: 1891, CR220, opus 221, Concerneau, Sardine fishing (adagio), 65×81, MoMa New York (iRx;R39no56;R106,no220;M41) =9XX-1892-2a =8SdI-1892-1131 =Anvers-ApA-1892 =3LE-1896-391 =Brussels-1922-35
Georges Seurat: 8IE-1886-178, La rade de Grand-Camp =1885, DR154, La rade de Grandcamp, 64×80, A2018/05/08 (iR11;iR15;iR6;R183,no154;R207,p122-6;R90II,p252+275;R2,p446+465) =2SdI-1886-355 =4XX-1887-3 =RI1888/01 =9XX-1892-3 =8SdI-1892-1092 =RB1900-18 =EU-C-1900-610 =1LE-1904-144
Paul Signac: 1891, CR217, opus 220, Concarneau, Evening calm (Allegro Maestoso), 65×81, Metropolitan (iR10;iR6;R39,no55;M23) =9XX-1892-3b =8SdI-1892-1129 =EIS-1892-117 =SdI-R-1926-2366
Paul Signac: 1891, CR215, opus 219, Concarneau, morning calm, 66×82, private (iR10;iR114;R39,no54;R106,no215) =9XX-1892-4c =8SdI-1892-1128 =Anvers-ApA-1892
Georges Seurat: 8IE-1886-176, Le bec du Hoc (Grand-Camp) =1885, DR153 dH159, Le Bec du Hoc, Grandcamp, 66×82, Tate London (iR2;iR6;iR11;R3,p271;R183,no153;R2,p446;R90II,p252+275;R207,p122-7;M62) =2SdI-1886-354 =4XX-1887-2 =RI1888/02 =9XX-1892-4 =1LE-1904-145
Paul Signac: 1891, CR219, Opus 222, Concarneau, Rentrée des Chaloupes (presto finale), 66×82, private (iR10;iR6;R39,p165;R6,p319;R106,no219) =9XX-1892-6e =8SdI-1892-1130 =Anvers-ApA-1892
Georges Seurat: 1886, DR168 dH173, The Hospice and Lighthouse of Honfleur, 65×82, NGA Washington (iR2;iR6;R3,p272;R2,p468;R183,no168;R207,p124/5;M21) =Nantes-1886-968 =4XX-1887-5 =3SdI-1887-439 =Anvers-ApA-1892-2 =9XX-1892-6 =8SdI-1892-1095 =11LE-1904-146 =21SdI-1905-37 =Saint-Petersbourg-1912-593
Georges Seurat: 1886, DR162, Entrance to the Port of Honfleur, 54×64, Barnes Philadelphia (iR2;R207,p125;R183,no162;M25) =3SdI-1887-443 =9XX-1892-7 =8SdI-1892-1096
Georges Seurat: 1886, DR171, Embouchure de la Seine à Honfleur, soir, 78×94, MoMa New York (iR6;iR8;R183,no171;R207,p124-7;M41) =4XX-1887-7 =3SdI-1887-441 =RI1888/01 =Anvers-ApA-1892-3 =9XX-1892-8 =Brussels-1935-75 =EU-New York-1940-367
Georges Seurat: 1886, DR169 dH164, La Maria, Honfleur, 53×64, NG Prague (iR6;R3,p273;R207,p444;R183,no169;M140) =3SdI-1887-444 =9XX-1892-9 =8SdI-1892-1097 =? Saint-Petersbourg-1912-592
Georges Seurat: 1887-88, DR181 dH187, La Parade de cirque (Circus Sideshow), 100×150, Metropolitan (iR6;R3,p300;R183,no181;R207,p87+126;M23) =4SdI-1888-614 =9XX-1892-10 =8SdI-1892-1084 =RB1900-32 =EU-New York-1940-366
Georges Seurat: 1886-88, DR178, The models (Poseuses), 200×250, Barnes Merion (iR6;R174,p175;R3,p301;R183,no178;M25) =4SdI-1888-163 =6XX-1889-1 =Anvers-ApA-1892-4 =9XX-1892-11
Georges Seurat: 1888, DR188, Port-en-Bessin, The outer harbour, high tide, 65×81, Orsay (iR2;iR6;R183,no188;R207,p129;M1) =6XX-1889-6 =6SdI-1890-730 =9XX-1892-12 =8SdI-1892-1100 RB1900-30
Georges Seurat: 1888, DR184, Port-en-Bessin, The Outer Harbor (Low Tide), 54×66, Saint Louis AM (iR6;iR11;R356;R183,no184;R207,p128/9;M157) =6XX-1889-7 =6SdI-1890-729 =9XX-1892-13 =8SdI-1892-1101 =21SdI-1905-38 =SdI-R-1926-3219
Georges Seurat: 1888, DR183, The Seine at La Grande-Jatte, Spring, 65×82, MRBA Brussels (iR6;R183,no183;R207,p128M80) =6SdI-1890-734 =9XX-1892-15 =11LE-1904-147 =17LE-1910-168
Georges Seurat: 1889, DR192, Le Crotoy, Downstream (morning), 71×86, private (iR6;iR2;R207,p129;R183,no192) =5SdI-1889-241 =8XX-1891-3 =Anvers-ApA-1892-5 =9XX-1892-16 =8SdI-1892-1103 =Grafton-1910-54 =Brussels-1935-76
Georges Seurat: 1890, DR203, The Channel at Gravelines, Evening, 65×82, MuMa Le Havre (iR6;iR8;R183,no203;M15) =8XX-1891-7 =7SdI-1891-1106 =Anvers-ApA-1892-6 =9XX-1892-17 =8SdI-1892-1107 =11LE-1904-150 -21SdI-1905-3
Georges Seurat: 1890, DR207, The canal of Gravelines, in the direction of the sea, 73×93, KMM Otterlo (iR6;R183,no207;R207,p129+130;M72) =8XX-1891-5 =7SdI-1891-1104 =9XX-1892-18 =11LE-1904-149 =21SdI-1905-40
Paul Signac: 1890, CR211, opus 217, Portrait of Félix Fénéon (Sur l’émail d’un fond rythmique de mesures et d’angles, de tons et de teintes), 74×93, MoMa New York (iR2;R39,no51;R106,no211;R3,p321;M41) =7SdI-1891-1107 =8XX-1892-1 =GP1893-347 =PP1934-11
Jan Toorop (1858-1928): 1892, The young generation, 97×110, MBB Rotterdam (iR6;iR10;R298,no243;M70) Expos: 9XX-1892-?; 1SRC-1892-?
Georges Seurat: 1886, DR166 dH163, Corner of the Harbour of Honfleur, 80×63, KMM Otterlo (iR2;iR6;R3,p273;R207,p125R183,no166;M72) =2SdI-1886-357 =4XX-1887-4 =Anvers-ApA-1892-1 =9XX-1892-5 =8SdI-1892-1094 =RB1900-27 =21SdI-1905-36 =? 17LE-1910-167
Georges Seurat: 1888-90, DR195 dH200, Young woman powdering herself, 95×79, Courtauld London (iR6;R3,p319;R183,p195;M60) =6SdI-1890-727 =9XX-1892-14 =8SdI-1892-1085 =RB1900-35
Georges Seurat: 1890-91, DR211 dH213, Le Cirque (The Circus), 186×151, Orsay (iR6;R3,p329;R207,p94+130;R183,no211;M1) =7SdI-1891-1102 =9XX-1892-19 =8SdI-1892-1087 =RB1900-39 =21SdI-1905-1087 =Venice-1920-53 =Brussels-1935-74
1892/02/? (=9XX-1892):
1892, February: 9e Exposition des XX.
The following ‘impressionist’ partakers were present: Cassatt, Lucien Pissarro, Signac (R106,p419;R5,p184;iR3;R312,p64). Some claim Camille Pissarro also exhibited (R5,p184;R88II,p211), this is not confirmed by other sources (R116I,p363). There also was a retrospective with 18 paintings of Seurat (iR3).
Other participants were Neo-Impressionists like: Luce;
and Post-Impressionists like: Denis, Toulouse-Lautrec.
And from England: Wilson Steer, Ford Madox-Brown (a Pre-Raphaellite);
and from Holland: Thorn-Prikker (a Symbolist)
Sources: R5,p184; iR3; R306,p139.
Recommanded citation: “Meta-Impressionism / other exhibitions: Les XX, 9th exhibition in Brussels in 1892. Last modified 2026/05/15. https://www.impressionism.nl/1892-les-xx/”
