Introduction: The ‘impressionists’ and other landscapists did paint at several places in the Brittany penninsula, namely along the coast. We will mention the most important locations, starting north-east in Saint-Anne, following the coastline and ending south-east in Pénestin. So now and then we will go more land inward. Note: At some places the ‘impressionists’ and others made so many paintings that you will be directed to a seperate page.
Saint-Anne: Saint-Anne lies 250km south(-west) of Le Havre and 325km west of Paris.
Saint-Malo: Saint-Malo lies 28km west of Saint-Anne. Paul Signac painted here in 1931.
Paul Signac: 1931, CR595, Trois-mâts terre-neuvas, voiles au sec, Saint-Malo, 73×92, MuMa Le Havre (iR10;M15;R106,no595) =PP1934-41 =47SdI-1936-3061
Dinard: Dinard lies lies at the opposite (west) site of the estuary of La Rance.
Paul Signac: 8IE-1886-186, Le moulin de Pierre Hâlé, Saint-Briac =1885, CR92, opus 100, Saint-Briac, Pierre Hâle’s windmill, 60×92, private (iR10;iR135;R2,p446+470;R106,no92;R90II,p253+277) =2SdI-1886-372.
Émile Bernard (1868-1941): 1887, SDbr, Après-midi à Saint-Briac, oil + petrol, 46×55, Kunsthaus Aarau (iR155;iR10;iR6) Expo: Volpini-1889-87, Ludovic Némo, Après-midi à Saint-Briac, peinture pétrole (1887), appartient à Émile Schuffenecker.
Saint-Brieuc: Saint-Brieuc (iR3) lies 95km west of Saint-Anne. It is the capital of the department Côtes d’Armor (formerly Côtes du Nord) (iR3; iR9). At a regional exhibition in 1891 two paintings of Monet were exhibited here.
Claude Monet: 1886, CR1112, Belle-Île, Rain Effect, 60×73, BMA Tokyo (iR6;iR10;R22,no1112;M125) =Saint-Brieuc-1891
Claude Monet: 1872, CR198, The Seine at Argenteuil, 50×61, Orsay (iR51;iR7;iR23;R22IV,p1017+CR198;M1) =Saint-Brieuc-1891. Provenance: Durand-Ruel (1872), Clapisson (1882/07), Durand-Ruel (1891)
Morlaix: Morlaix lies 178km west of Saint-Anne and 85km west of Saint-Brieuc. Morlaix has a Musée des Beaux-Arts, which helds works of Boudin and J.F. Raffaëlli. It is also called Musée des Jacobins and also contains works from the collection of the art-critic Gustave Geffroy (see collection).
Eugène Boudin: 1886, SDbr, Un grain (a squall), 117×160, MBA Morlaix (iR6;R161,p79;R51,p237;R318,p208;iR1) =SdAF-1886-302, Un Grain (-> bought by the state).
Brest: Brest lies 237km west of Saint-Anne. Brest (iR3) is the largest city in the department Finistère (iR3). Brest has a Musée des Beaux-Arts (M213).
Émile Bernard (1868-1941): 1888, SDbl, Bord de mer en Bretagne, Saint-Briac, 70×91, MBA Brest (iR10;iR94;iR23;iR6;R285,p200;M213) Expo: =?? SdI-1892-105, La mer sauvage, St-Briac (1891).
Émile Bernard: 1887, SDbr, Two woman at the Asnière footbridge, 38×47, MBA Brest (iR6;iR23;R181II,p359;M213)
Camaret-sur-Mer: Camaret-sur-Mer lies south of Brest at the southern bank of the Rade de Brest (iR3). Boudin painted here in 1872 using a more pre-impressionist style with sub-dued colours. Luce painted here in 1894 using bright colours and a neo-impressionist painting style.
Eugène Boudin: 1872, CR803, SDbr, Camaret harbour, 56×90, Orsay (R17,p281=no113;iR23;R122,no803;M1) Expos: =?? S1873-153, Port de Camaret (Finistère); =?? EU-1900-C-55, Le port de Camaret (à Mme. Georges Feydeau); =SdA1931-2219.
Eugène Boudin, 1IE-1874-17, Le Toulinguet, côtes de Camaret (Finistère). Probably: 1872, Camaret, le Toulinguet, 54×90, private (iR2;R87,p230;R2,p119;R90II,p3)
Maximilien Luce (1858-1941): 1894, SDbr, Quay at Camaret, Finistère, 89×117, MFA Springfield (iRx;R306,no17;M164) =? Paris-1894-1 =LE-1895-383 =Bing-1896-126bis
Douarnenez: Douarnenez lies 70km south of Brest. Boudin painted here his painting ‘Pardon de Sainte-Anne-la-Palud’ which was exhibited at the Salon (=S) of 1859. Redon once depicted a street in Douarnenez.
Eugène Boudin: S1859-330, Le Pardon de Sainte-Anne-la-Palud au fond de la baie de Douarnenez (Finistère) = 1858, CR185, SDbl, The Pilgrimage at Sainte-Anne-la-Palud, 78×155, MuMa Le Havre (HW18;R161,p23;R51,p217;R122,no185;R318,no18;M15,B1) Expo: =ENBA-1899-104
Odilon Redon: 1875-90ca, CR1830, Rue à Douarnenez, 34×26, Orsay (M1;iR10;iR23;R182IV,p337-347+no1830) =retrospectives 1917-12 + 1923-179 + 1926-73
Quimper: Quimper lies 22km east of Douarnenez. Quimper is the capital of the department Finistère (iR3). Quimper has a Musée des Beaux-Arts (M208). Boudin painted the harbour, so did (quite identical) Maureau and later Signac, all depicting the river Odet and the towers of the cathedral of Saint-Corentin. Auguste Ottin made for this cathedral a statue. Later his son, Léon Ottin was involved in the restauration of the stained-glass windows.
Eugène Boudin, 1857, Le port de Quimper, 27×35, MBA Quimper (iR6;M208). Compare Alphonse Maureau.
Alphonse Maureau, 1878, SDbr (9 ?? 1871 AM), View of the Port of Quimper, 27×41, xx (iR6;iR10). Compare Boudin.
Paul Signac: 1929, CR590, L’Odet à Quimper, 43×56, A2007/06/20 (iR11;R106,no590) =41SdI-1930-3953 =47SdI-1936-3064
Auguste-Louis-Marie Ottin: 1846, la Vierge à l’Enfant, sc marbre, xx, Cathédrale Saint-Corentin de Quimper (iR6;iR10) Bought by the State for 8000fr. Maybe exhibited at the Salon as: La vierge enseigne à son fils à bénir le monde (M5).
Léon Auguste Ottin, SdAF-1903-3641, Vitraux de la Cathédrale de Quimper, XVe siècle; dessin. Compare: 15th century, fenêtre central du coeur, vitrail, h115, Cathédrale de Quimper (iR10;aR7,p43;iR1)
Léon Auguste Ottin, 1896-, 15th century, fenêtre central du coeur, vitraux, h115, Cathédrale de Quimper (aR7,p43;iR1) =? SdAF-1903-3641, Vitraux de la Cathédrale de Quimper, XVe siècle; dessin
Concarneau: Concarneau lies 22km east-south of Quimper. In 1887 Émile Schuffenecker painted here. Signac made several pictures here in 1891, partly exhibited at the 9th exposition of Les XX in 1892.
Paul Signac: 1891, CR217, opus 220, Concarneau, Evening calm (Allegro Maestoso), 65×81, Metropolitan (iR10;iR6;R39,no55;M23) =9XX-1892-3b =8SdI-1892-1129 =EIS-1892-117 =SdI-R-1926-2366
Émile Schuffenecker: 1887, SDbl, Coucher de soleil à Concarneau (Goémon), 38×55, private (iR10;iR381;iR6;iR19;R54,no172) =!? V1889-60, Coucher de soleil à Concarneau
Pont-Aven: Pont-Aven lies more land inward, 35km south-east of Quimper and 14km east of Concarneau. Pont-Aven is famous for the School of Pont-Aven, in which Paul Gauguin had a leading role. Around 1888/08/13 Émile Bernard arrived in Pont-Aven and he and Gauguin spent all there time together. Meanwhile they had an intense correspondence with Vincent van Gogh. In this exchange of ideas Emile Bernard and Gauguin developed the ‘synthetic symbolism’, in short Synthetism, in which they absorbed the principles of Cloisonnism. Renoir did recommend Pont-Aven and it’s surroudings to Murer in an undated letter (R218,no81). Another letter he wrote from Pont-Aven (R218,no.78/72). Pont-Aven has a Musée des Beaux-Arts (M216).
Émile Bernard (1868-1941): 1888, Apple Pickers at Pont-Aven, 76×62, private (iR2)
Émile Schuffenecker: 1890, Portrait Mme Champsaur (=Jeanne Marie Chazotte), 68×76, MBA Pont-Aven (iR10;iR94;iR6;R54,no182;M216)
Émile Bernard (1868-1941): 1892, Pink Street in Pont-Aven, 115×83, A2013/12/04 (iR10;iR14;iR2)
Paul Gauguin (1848-1903): 1888, CR296, SDbr, Round dance of the Breton Girls, Pont-Aven, 73×93, NGA Washington (iR2;R181,no296;R128,no251;M21) =B&V1888-11 = V1889-36, Ronde dans les foins
Paul Gauguin: 1888, CR313, SDbr, Autumn at Pont-Aven, 72×93, private (iR2;iR19;R181,no313;R128,no253) =? Volpini 1889-33, Conversation = Bretagne
Ros-Bras: Ros-Bras is a harbour at the Aven, an estuary. It lies south of Pont-Aven and is now part of Riec-sur-Bélon. In 1866 Berthe Morisot painted here.
Berthe Morisot, S1868-1819, Ros-Bras (Finistère) =1866, CR12, Rivière de Pont-Aven à Rosbras, 55×73, A2006/05/04 (iR2;iR13;iR6;iR1;R100,p23)
Quimperlé: Quimperlé lies more land inward, 47km east of Quimper.
Vannes: Vannes (iR3) lies 115km east-south of Quimper. It is the capital of the department Morbihan (iR3; iR9)
Belle-Île: Belle-Île-en-Mer is an island south-west of Vannes. Claude Monet stayed here in 1886 from the 15th of September till the 25th of November. Gustave Geffroy held him company (R22,no1084+1085).
Claude Monet: 1886, CR1090, Rocky coast and the Lion rock at Belle-Île, 66×81, MAC Des Moines (Iowa) (iR10;iR326;R22IV,p1017+no1090) =? Nantes-1891-111
Claude Monet: 1886, CR1093, SDbr, Entrée de Port-Goulphar, Belle-Île, 65×81, A1977/06/27 (iR386;iR10;iR14;R22,no1093) =?GP-EIP-1887-83 =GP-1889-79 =Reims-1901
Claude Monet: 1886, CR1112, Belle-Île, Rain Effect, 60×73, BMA Tokyo (iR6;iR10;R22,no1112;M125) =Saint-Brieuc-1891
Pénestin: Pénestin lies in the outer south-east coast of Brittany, 162km east-south of Quimper.
Ploërmel: Ploërmel (iR3) lies 64km north of Pénestin and 94km south of Saint-Malo (iR9). Léon Ottin was involved in the restauration of the stained-glass windows of the Saint-Armel church in Ploërmel (iR9).
Léon Auguste Ottin, 1896-, 16th centruy, Arbre de Jesse (upper side), 240×650, église Saint-Armel Ploërmel (aR7,p136+;iR1) =?! SdAF-1902-3248, Dessin d’un vitrail ancien représentant l’arbre de Jessé, de l’église de Ploërmel
Léon Auguste Ottin, 1896-, 16th centruy, Arbre de Jesse, 240×650, église Saint-Armel Ploërmel (aR7,p136+;iR1) =?! SdAF-1902-3248, Dessin d’un vitrail ancien représentant l’arbre de Jessé, de l’église de Ploërmel
Léon-Auguste Ottin, SdAF-1902-3248, Dessin d’un vitrail ancien représentant l’arbre de Jessé, de l’église de Ploërmel. Compare: 1552, L’arbe de Jessé (detail bottom left), vitrail, 240×650, église Saint-Armel, Ploërmel (iR10;iR1).
Rennes: Rennes is the capital of the department Ille-et-Vilaine (iR3). It lies 62km east(-north) of Ploërmel and 61km south of Saint-Anne. Rennes has a Musée des Beaux-Arts (M210).
Paul Gauguin: 7IE-1882-23, A la fenêtre, nature morte =!? 1881, CR80, Vase of Flowers and Window, 19×27, MBA Rennes (iR2;iR59;R31,no11;R181,no80;R128,no63;R2,p394+399;R90II,p203+217;M210)
Antoine-Ferdinand Attendu: 1870-88, Still-life with armour, 37×47, MBA Rennes (iR23;iR35;iR1;M210) =AAG-1888/02/21-20, Collection of Armor (aR14). Compare: SdAF-1885-77, Les armures + Toulouse-1885-12, Armures.
Ludovic Piette, 1873, Le château de Vitré, gouache, 17×37, A2007/07/12 (iR11;iR2;iR13;iR93;iR10) =!? HD1873/04/03-43, Château de Vitré, Aquarelle (aR9=iR40)
Recommanded citation: “Impressionism, locations where the ‘impressionists’ did paint: Brittany. Last modified 2025/02/16. https://www.impressionism.nl/brittany/”