General info: The central art-exhibition of the Exposition Universelle in 1900 in Paris was the international Decennial exhibition, the Exposition Décennale des Beaux-Arts 1889-1900, with more recent works of living artists, made between 1889-1900 (=EU-1900-D). On this page you will find more than 150 pictures, mostly of the exhibited paintings. You can discern a variaty of themes and of painting styles, including (elements of) the Impressionist painting style.
First you will find pictures of the artists that exhibited ‘hors concours‘. Than the French and foreign artists who were most awarded with a Grand Prix, including for engraving. (These works can be seen as the international standard of fine arts in 1900.) Than works of 8 partakers of the ‘impressionist’ expositions. Than some other works of French artists. Than some other works of foreign artists.
If you double click on the first picture and then click on full screen, you can create a (small) slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Hors concours: Several French and foreign artists joined ‘hors concours‘. They were (highly) awarded at an earlier Exposition Universelle and / or were part of the jury, see also the background info. Here below you will find some of the pictures exhibited by form and in an alphabetical order.
Louis-Émile Adan (1839-1937): 18xx, La Leçon De Catéchisme (iR341;iR10;R231-3+4+13) =EU-1900-D-3, Une petite histoire (à M. Armand Peugeot) (hors concours)
Jean Béraud (1848-1935): 1891, La Madeleine chez le Pharisien, 101×132, Orsay (M1;iR10;R231-3+4+13) =SdAF-1891-57; =EU-1900-D-124, La Madeleine chez le Pharisien (à Sir Campbell Clarke) (hors concours).
Léon Bonnat (1833-1922): 1898, Pays Basque, 140×195, Orsay (M1;iR10;iR1;R231-3+4+13) =SdAF-1899-232; =EU-1900-D-215, Pays Basque; paysage (hors concours) -> bought by the State.
Bouguereau (1825-1905): 1900, SDbr, Childhood Idyll, 102×130, Denver AM (iR6;iR460;iR10;R231-3;M158) =!? EU-1900-D-cl7-244, Idylle enfantine, appartient à M. Knoedler.
Jules Breton (1827-1906): 1895-96, The last gleanings, 93×140, Huntington Library San Marino (iR2;iR10;R231-3;R472,no227) =? EU-1900-D-295, Les dernières glanes; esquisse.
Émile-Charles Dameron (1848-1908): 18??, Sbr, Forteresse d’Angles-sur-l’Anglin, 38×55, A2025/07/06 (iR11;iR10;R231-3+4+13) Compare: EU-1900-D-543, La vallée et le château d’Angles-sur-l’Anglin (Vienne); effet du soir (à l’État) (hors concours)
Édouard Detaille (1848-1912): 1897, Funeral of Louis Pasteur at Notre-Dame de Paris (1895/10/05), 92×145, MNCh Versailles (iR155;iR23;iR139;iR1;R231-3+4+13;M195) =SdAF-1897-529 (Commandeur LdH); =EU-1900-D-656, Les funérailles de Louis Pasteur (hors concours); 1901 bought by the State.
Henri Gervex (1852-1929): 1897, Distribution des récompenses aux exposants par le président Sadi-Carnot (1889-09-29), 612×977, MNCh Versailles (iR291;iR127;iR10;R231-3+4+13;M195) =EU-1900-D-846, La Distribution des récompenses aux Palais de l’Industrie; Défilée des colonies françaises devant le président Carnot (à l’État) (hors concours)
J.-B.-Antoine Guillemet (1843-1918): 1891, La Seine à Conflans-Charenton, 128×196, H&A Galleries New York (iR10;iR1;R231-3+4+13) =SdAF-1892-823; =EU-1900-D-954, La Seine à Conflans-Charenton (hors concours).
Jean-Paul Laurens (1838-1921): 1893, La Petite de Bonchamps (Vive le Roi !), 138×184, Orsay (iR6;iR10;iR1;R231-34+13;M1) =SdAF-1893-1048; =EU-1900-D-1124, La Petite de Bonchamps (à M. Gallot) (hors concours)
Jean-Paul Laurens (1838-1921): 1893, Saint John Chrysostom and the Empress Eudoxia, 131×164, MdA Toulouse (iR6;iR23;iR1;iR10;R231-3+4+13) =SdAF-1893-1047; =EU-1900-D-1125, Jean Chrysosthome (à la Ville de Toulouse) (hors concours).
Léon Lhermitte (1844-1925): 1892, Friend of the humble (Supper at Emmaus), 156×223, MFA Boston (iR6;iR10;R231;R472,no24;M22) Expos: EU-1900-D-1243, L’Ami des humbles (Musée de Boston).
Léon Lhermitte (1844-1925): 1893, La mort et le bûcheron, 206×242, Orsay (iR155;iR10;iR1;R231-3+4+13;M1) =SdAF-1893-692 (bought by the State); =EU-1900-D-1244, La mort et le bûcheron (au Musée du Luxembourg et déposée au Musée d’Amiens) (hors concours).
Albert Maignan (1845-1908), 1895, Fortune passes, 74×100, MBA Reims (iR6;iR23;iR10;iR1;R231-3+4+13;M190) =SdAF-1895-1257; =EU-1900-D-1292, La Fortune passe (hors concours).
Jean-André Rixens (1846-1924): 1890, An opening day at the Palais of Champs Elysees, 110×170, NG Athens (iR10;iRx;R231-3+4+13;M291) =EU-1900-D-1624, Un jour de vernissage au palais des Champs-Élysées (à M. Eugenides) (hors concours).
José Júlio de Souza Pinto (1856-1939): 1891, A volta dos barcos (The return of the boats), ?cm, Museu da Horta (Faial, Azores) (aR7;iR6;iR10;R231-3+4+13) =EU-1900-D-PT-119, Le Retour des bâteaux (hors concours).
Bouguereau (1825-1905): 1895, Portrait of Madame la Comtesse de Cambacérès, 120×88, Seattle AM (M227;iR10;R231-3) =EU-1900-D-cl7-246, Portrait de Mme la comtesse de C.
Carolus-Duran (1837-1917): 1897, Madame Feydeau and her children, 190×125, Orsay (M1;iR10;iR1;R231-3+4+13) =SdAF-1897-241 -> bought by the State; =EU-1900-D-360, Portraits de Mme G. F. et de ses enfants (au Musée du Luxembourg) (hors concours).
Albert Edelfelt (1854-1905): 1890, Christ and Mary Magdalene (a Finnish Legend), 221×154, Ateneum Taidemuseo Helsinki (iR6;iR10;R231-3;R472,no244) =EU-1900-D-RU-49, Le Christ et la Madeleine, légende finnoise (jury; hors concours)
François Flameng (1856-1923): 1895, Portrait Of Madame Max Decougis (iR6;iR10;iR388;R231-3+4+13) =EU-1900-D-757, Portrait de Mlle F. (hors concours)
Henri Gervex (1852-1929): 1899, Portrait of Madame Gervex, (iR155;iR10;iR39;iR1;R231-3+4+13) =SdAF-1899; =EU-1900-D-849, Portrait de Mme G. (hors concours).
Jean-Paul Laurens (1838-1921): 18??, Allegory of the death of Simon de Montfort, ?cm, Ceiling of the Town Hall of Toulouse (iR155;iR10;R231-3+13) =!? EU-1900-D-1123, Toulouse contre Monfort (au Musée de Toulouse) (hors concours).
Jules-Joseph Lefebvre (1834-1912): 1890, Lady Godiva, 63×39, MdP Amiens (iR6;iR10;R231-3+4+13;M243) =SdAF-1890-1437; =EU-1900-D-1165, Lady Godiva (hors concours).
Jules-Joseph Lefebvre (1834-1912): 1889, Portrait of M. Fitzgerald, 142×104, Orsay (M1;iR10;iR1;R231-3+13) =SdAF-1890-1438; =? EU-1900-D-1166, Portrait de A. Fitz-Gerald (hors concours).
Albert Maignan (1845-1908): 1895, The green Muse, 74×100, MBA Reims (iR6;M243;iR1;R231-3+4+13) =? SdAF-1895; =EU-1900-D-1294, La Muse verte (hors concours).
Most awarded paintings of French artists: 27 artists received a Grand Prix for painting. Among them were the following 10 French artists: Jean-Joseph Benjamin-Constant; Jean-Charles Cazin; Dagnan-Bouveret; Henri Harpignies; Antoine-Auguste-Ernest Hébert; Jean-Jacques Henner; Henri-Jean-Guillaume Martin; Aimé Morot; Alfred-Philippe Roll; Antoine Vollon. Here below you will find some pictures they showed, that can be seen as the French standard of fine art in 1900.
Jean-Joseph Benjamin-Constant (1845-1902): 1899, Portrait de ses deux fils (André et Emmanuel), 109×124, MdA Toulouse (iR6;iR10;iR23;R481,p139) =EU-1900-D-115, Mes deux fils
Jean-Charles Cazin (1840-1901): 1894ca, Mesnilval, 88×107, MPP Paris (iR6;iR10;R231-3+4+13;M4) =!? EU-1900-D-392, Mesnilval (à la Ville de Paris) -> Grand Prix.
Jean-Charles Cazin (1840-1901): 1876, Sbr, L’Orage (The storm), 90×117, Orsay (M1;iR10;R231-iR3+4+6+13) =!? EU-1889-OdA-276 (à M. H. Adam) -> Officier LdH; =? EU-1900-C-84, (1874) (à Mme Bartet); =?? EU-1900-D-398 (à Mme Bartet) -> Grand Prix.
Dagnan-Bouveret (1852-1929): 1887, Breton women at a Pardon, 125×141, CGM Lisbon (iR6;iR1;R231;R337;M103) =SdAF-1887-641, Le pardon, Bretagne; =EU-OdA-1889-370, Le Pardon (Grand Prix); =EU-D-1900-533, Bretonnes au Pardon (Grand Prix)
Dagnan-Bouveret (1852-1929): 1895, SDbl, The last supper, 322×525, MBA Arras (iR3;iR10;iR127;iR1;R231;R377;M1) =SNBA-1896-365, La Cène =EU-D-1900=535, La Cène (Grand Prix)
Henri-Joseph Harpignies (1819-1916): 1897, SDbl, The Lake, 27×41, FM Cambridge (M184;iR10;R231-3+4+13) =EU-1900-D980, La Loire (à M. Paul Yver) -> Grand Prix.
Jean-Jacques Henner (1829-1905): 1898ca, The Levite of Ephraim and his dead wife, 60×92, PUAM Princeton (M44;iR6;cpR472, no21;R231-3+4+13) Compare: EU-1900-D-1004, Le Lévite d’Ephraïm et sa femme morte (Grand Prix)
Henri Martin (1860-1943), 1891, To each his own fantasy, 380×647, MBA Bordeaux (M11;iR10;iR1;R231-3+4+13;R473,p29) SdAF-1891-1128 (bought by the State); EU-1900-D-1321, Chacun sa chimère (à l’État) (Grand Prix).
Henri Martin (1860-1943), 1899, Serenity (Le Bois Sacré), 367×544, MBA Lyon (M1;iR6;iR1;R231-3+4+13;M217) =SdAF-1899-1343 (bought by the State); =EU-1900-D-1324, Sérénité (à l’État) (Grand Prix).
Antoine Vollon (1833-1900): 18??, Pumpkin still life, 88×114, A2022/06/01 (iR17;iR10;R231-3+13) =!? EU-1889-1356; =!? EU-1900-D-1897, Le Potiron (à M. Norbert Pain) (Grand Prix).
Antoine Vollon (1833-1900): 18??, Still life with a map of the world, books and parchments, 46×55, Axx (iR10;iR11;iR155;R231-3+13) =? EU-1900-D-1900, Mappemonde (Grand Prix)
Jean-Joseph Benjamin-Constant (1845-1902): 1900, The entrance to Toulouse of Pope Urban II in 1096, ?cm, Salle des Illustres Toulouse (iR6;iR10;R231-3+4+13) =EU-1900-D-113, Urbain II (L’an 1095, le pape Urbain II entre dans Toulouse pour y prèche la première croisade; il y est reçu triomphalement, par le comte de Toulouse Raymond de Saint-Gilles, le clergé et le peuple) -> Grand Prix
Jean-Charles Cazin (1840-1901): 1888, La journée faite (Des voyageurs fatigués), 196×167, Orsay (iR155;iR10;iR1;R231-3+4+13;M1) =SdAF-1888-525 -> bought by the State; compare: EU-1900-D-396, Les voyageurs (à M. Montaignac) -> Grand Prix.
Dagnan-Bouveret (1852-1929): 1889-90, SDbr, Les Conscrits, 170×150, MBA Rennes (iR10;iRx;iR461;iR1;R231;M210) =? SNBA-1891-233 (iR461); =EU-D-1900-534, Les Constrits (R231/iR40).
Dagnan-Bouveret (1852-1929): 1884, Horses at the watering trough, 225×175, Orsay (iR2;iR6;iR1;R231;R337;M1) =SdAF-1885-667, Chevaux à l’abreuvoir (Médaille d’Honneur? + Chevalier LdH; bought by the State); =EU-OdA-1889-373+3 (Grand Prix); compare: EU-D-1900-537, Lavoir en Bretagne.
Dagnan-Bouveret (1852-1929): 1893ca, Mrs. Dagnan-Bouveret and her son, 98×67, MBA Valenciennes (iR6;M1;M201) =? EU-D-1900-538, Portrait de Mme D. et son fils.
Henri Martin (1860-1943): 1898, The appearance of Clémence Isaure to the troubadours (iR10;iRx;iR6;R231-3+4+13) =EU-1900-D-1323, Apparition de Clémence Isaure aux troubadours (à l’État) (Grand Prix).
Gravure after Aimé Morot (1850-1913): 1897, Portrait of Jean-Léon Gérôme (iR6;iR10;R231-3+4+13) =EU-1900-D-1435, Portrait de J.-L. Gérôme (Grand Prix).
Gravure after Aimé Morot (1850-1913): 1899, Portrait of Edouard Detaille (iR6;iR10;R231-3+4+13) =EU-1900-D-1439, Portrait d’Édouard Detaille (Grand Prix).
Alfred-Philippe Roll (1846-1919): 1899, Pose de la première pierre du Pont Alexandre III, à Paris, par le Tsar Nicolas II, l’Impératrice et le Président de la République Félix Faure, 497×320, MNCh Versailles (iR10;iR291;R231-3+4+13;M195) =EU-1900-D-1648, Souvenir commémoratif de la pose de la première pierre du Pont Alexandre-III (à l’État) (Grand Prix).
Alfred-Philippe Roll (1846-1919): 1890, Les ouvriers de la terre (iR482;iR10;R231-3+4+13) =? (study for) SNBA-1894 (bought by the State) =EU-1900-D-1655, Exode (à la Ville de Paris); Compare: EU-1900-D1650, Ouvriers de la terre (Grand Prix).
Most awarded paintings of foreign artists: 27 artists received a Grand Prix for painting. Among them were the following 17 foreign artists: Alma Tadema; de Benczur; Boldini; Israëls; Klimt; Kröyer; von Lenbach; Orchardson; (Singer) Sargent; Sérov; Sorolla (y Bastida); Stevens; (Alexandre) Struys; (Fritz) Thaulow; von Uhde; Whistler; Zorn. See link for additional info.
Here below you will find some of these most awarded paintings, that can be seen as the international standard of fine art in 1900.
The paintings will be shown be form and alphabetical.
Lawrence Alma-Tadema (1836-1912): 1891, A kiss, op, 46×63, private (iR6;iR10;iR15;R231-3+13;R472,no10) =EU-1900-D-GB-10, Le Baiser (-> Grand Prix).
Jozef Israëls (1824-1911): 1868-69, Huiswaarts (The parting day), 42×84, A2013/10/28 (iR10;iR15;iR13;R416,no22+p38;R231-3+13;R481,p203) Provenance: Verloren; Goupil; 1887-1907 Hopkinson; Secor; Toledo Museum. Expos: =EU-1873-Vienna-73; compare: EU-1900-D-NL-36, Retour des champs (-> Grand Prix)
Jozef Israëls (1824-1911): 1868ca (1884), Huiswaarts (Homeward bound), 100×160, KM The Hague (iR492;iR10;R416,p170;R231-3+13;R481,p203;M71) Provenance: Crone. Expo: compare: EU-1900-D-NL-36, Retour des champs (-> Grand Prix)
Gustav Klimt (1862-1918): 1898, Pallas Athene, 75×75, HMC Vienna (iR6;iR10;R472,no63;R231-3+13) EU-1900-D-AT-73, Pallas Athéné (-> Grand Prix)
P.S. Kroyer (1851-1909): 1897, Une réunion à l’Academie Royale Danoise des Sciences et des lettres, 267×519, NCG Copenhagen (iR6;iR10;R231-3+13;M90) =EU-1900-D-DK-68, Une Séance de l’Académie Royale des Sciences (-> Grand Prix).
P.S. Kroyer (1851-1909): 1898, Edvard and Nina Grieg at the piano, op, 59×73, Nm Stockholm (iR155;iR10;iR60;iR6;R472,no110;R231-3+13;M91) =EU-1900-D-DK-72, Edvard et Nina Grieg (-> Grand Prix).
Joaquín Sorolla y Bastida (1863-1923): 1899, Sad legacy!, 212×288, Bancaja coll. Valencia (iR6;iR10;R231-3+13;R472,no122) =EU-1900-D-ES-93, Triste Héritage (-> Grand Prix)
Joaquín Sorolla y Bastida (1863-1923): 1896, Sewing the sail, 220×302, Gallery Venice (iR6;iR8;iR10;iR19;R322,p519;R321-3+13) =EU-1900-D-ES-91, Cousant la voile (-> Grand Prix)
Alfred Stevens (1823-1906): 1883, The widow and her children,115×161, MRBA Brussels (iR10;M80;R231-3+13) =EU-1900-D-BE-84, La veuve et ses enfants (Musée de Bruxelles) (-> Grand Prix)
Alexander Struys (1852-1941): 1894-96, Desperation, 150×175, MBA Ghent (M84;iR6;iR10;R231-3+4+13) =EU-1900-D-BE-94, Désespéré (à Musée de Gand) (-> Grand Prix)
Fritz von Uhde (1848-1911): 1888-89, The holy night (center panel of triptych), 135×215, SK Dresden (iR155;iR10;iR6;R231-3+13;R472,no284;M278) =EU-1900-D-DE-157, Naissance du Christ (-> Grand Prix)
Lawrence Alma-Tadema (1836-1912): 1894, Spring, 178×80, PGM Los Angeles (iR6;iR10;R231-3+13;M31) =EU-1900-D-GB-9, Le Printemps (-> Grand Prix).
Giovanni Boldini (1842-1931): 1897, Portrait of James Abbott McNeill Whistler (detail), 171×94, BMA New York (iR10;iRx;R231-3+13;R472,no6;M161) =EU-1900-D-IT-10, Jean Boldini: Portrait de M. Whistler (-> Grand Prix).
Jozef Israëls (1824-1911): 1889, Zoon van het Oude Volk (Son of the Ancient People), 180×138, SM Amsterdam (M273;iR10;R416,no47;R231-3+13) Expos: EU-1900-D-NL-35, Marchand de bric à brac (-> Grand Prix); EU-1910-Brussels-58.
Valentin Serov (1865-1911): 1887, SDbr, Girl with peaches (Portrait of V.S. Mamontova), 91×85, Tretyakov Gallery Moscov (iR6;iR10;R231-3+13) =EU-1900-D-RU-222, Portrait de Mlle W.S. Mamontow (-> Grand Prix)
Valentin Serov (1865-1911): 1897, Portrait of grand duke Paul Alexandrovich, 168×151, Tretyakov Gallery Moscov (iR10;iR335;iR7;iR64;R419,no7;R231-3+13) =EU-1900-D-RU-223, Portrait de S.A. de Grand due Paul Alexandrovitch (-> Grand Prix)
John Singer Sargent (1856-1925): 1895-96, Mrs Carl Meyer and her children, 202×136, Tate (M62;iR10;iR94;R472,no99;R231-3) =EU-1900-D-USA-270?, Portrait (-> Grand Prix).
Alfred Stevens (1823-1906): 1880, La bête à Bon Dieu, 93×66, MRBA Brussels (M80;iR10;R231-3+13) =!? EU-1900-D-BE-83, La bête à bon Dieu (-> Grand Prix)
Anders Zorn (1860-1920): 1900, SDtr, Mother and child (Madonna), 100×81, MFA Budapest (M143;iR6;iR10;R231-3+13) =EU-1900-D-SE-83, Mère (-> Grand Prix)
Anders Zorn (1860-1920): 1897, Midsummer dance, 140×98, Nm Stockholm (iR6;iR10;R472,no231;M91) =EU-1900-C-SE-84, Nuit du 24 Juin (Mora) (-> Grand Prix)
Félix Bracquemond: 1893, The Gallic Cock (Long live the Czar!), etch+ps, 31×22, Minneapolis IA (M155;iR10;R231-3) =!? EU-D-1900-cl8-58, Souvenirs de la Semaine russe, 1893; eau-forte; =!? SNBA-1907-171-157, La Semaine russe; pour l’Estampe originale (André Marty, éditeur); appartient à M. Jacquin.
Félix Bracquemond: 1899, Sbl, Couple de faisans, etch, 35×29 (58×49), A2019/05/23 (iR116;iR241;iR10;iR19;R231-3) =? EU-D-1900-cl8-59, Un couple de faisans; eau-forte. =? SNBA-1907-171-123a, Le couple de Faisans.
Félix Bracquemond: 1900, Alidor Delzant, etch, 39×32, VMFA Richmond (M220;iR10;iR284;R231-3) =!? EU-D-1900-cl8-61, Portrait de M. A. Delzaut; eau-forte; =!? SNBA-1907-171-83, Portrait d’Alidor Delzant.
Marcellin Desboutin: 1899ca, La Marguerite, petite planche, etch, 18×13, BNF Paris (iR40,btv1b105248165;iR1;R158,no173) Expos: =?? SNBA-1895-1931, “Pas du tout” (étude); =!? SNBA-1898-1922, La marguerite; Pas du tout ! (pointe sèche) (=R158,no172); =? EU-1900-D-cl8-131, Marguerite (R231-3). Compare paintings: 1886+1892, La Marguerite (Pas du tout!) (R158,p271+274)
Marcellin Desboutin: 1888, CJ73, Self-portrait (man with the big hat), ps, 24×17, A2021/11/26 + BNF Paris (iR17;iR6;iR40;iR1;R85XIII,no29?;aR10,no69;R158,no73;R231-3) Expos: =SdAF-1888-5142, Une gravure (eau-forte et pointe sèche): Portrait de l’auteur; =?? EU-1900-D-132, Portrait de l’auteur.
Marcellin Desboutin: 1896, CJ84, Dumas fils, écrivain, ps, 37×29, Gallery Paris (aR10,no74;R158,no84;R231-3;iR1) Expos: =!? SNBA-1896-1684, Portrait de M. Alexandre Dumas fils (gravure en pointe sèche); EU-1900-D-133, Portrait d’Alexandre Dumas fils (gravure).
Félix Bracquemond: 1865ca, The question mark (Les canards dupes), etch, 27×40, Birmingham MA (USA) (iR155;iR10;iR241;iR116;iR19;R231-3) =!? EU-D-1900-cl8-60, Point d’interrogation; eau-forte; =? SNBA-1907-171-124, Le Point d’interrogation.
Félix Bracquemond: 1889, SDbr, B793, Lost game, etch, 36×46, NYPL (iR61;iR10;R231-3;R85,no793) =!? SNBA-1891-1373, Partie perdue, eau-forte d’après Meissonier; =!? EU-D-1900-cl8-62, Partie perdue, d’après Messonier; eau-forte.
‘Impressionists’ at the Decennial exhibition: 8 of the 57 partakers of the ‘impressionist’ expositions exhibited art-works at the Decennial exhibition. 7 of them were awarded with prices. Félix Bracquemond and Desboutin even received a Grande Prix for ‘Gravure et lithographie’↑. They showed (at least) 43 art-works. Astruc showed an aquarelle and a sculpture. Félix Bracquemond exhibited 5 etchings↑. Colin showed 3 paintings. Desboutin showed 3 oil portraits and 3 engravings↑. Franc Lamy showed 3 paintings. J.F. Raffaëlli showed 5 paintings, 3 pastels and 5 coloured etchings. Vidal showed 2 pastel studies. Albert Lebourg showed at least 9 paintings in a ‘série Algérienne’ as part of the entries from Alger (=EU-1900-D-Algérie).
4 artists received a medal for classe 7 (‘peinture, cartons + dessins’): Lebourg (silver); Desboutin, Franc Lamy and Vidal (bronze). See link for additional info. See also the accounts of the partakers (left or bottom menu).
The art-works will be rendered by form, first the paintings, then the other art-works and alphabetically. Note: additional and better sugggestions will be added in the future.
Note: Alfred Meyer showed enamels within Groupe XV, classe 94, number 69 (R231-19).
Paintings: Here below you will find some paintings shown by partakers of the ‘impressionist’ expositions at the Decennial exhibition of 1900.
Note: sometimes I render more than one uncertain options.
Gustave Colin: 18??, Procession of Notre-dame De Guadeloupe at Fontarabie, ?cm, unknown location (iR311;iR10;iR1;R231-3;R462,p42) Compare: 1890ca, Sbl, La Procession de N.-D. de Guadalupe sortant de la cathédrale de Fontarabie pour se rendre à l’ermitage, 173×133. Expos: SNBA-1894-262, La procession de Nuestra Senora de la Guadeloupe à Fontarabie. Le départ pour l’ermitage; EU-1900-D-473, La procession de Notre-Dame de Guadalupe sortant de la cathédrale de Fontarabie pour se rendre à l’Ermitage (Espagne); GP1901-solo-39; gCS-1912-solo-52; Arras-1967-73.
Marcellin Desboutin: 1892, Aristide Bruant, xx, MAB Moulins? (aR8;aR6;iR1;R158,p273+276;R231-1) Expos: =!? SNBA-1893-328, Portrait de M. Bruant; =!? EU-1900-D-630, Portrait d’Aristide Bruant. Compare: SNBA-1895-1939, Portrait d’Aristide Bruant (pointe sèche).
Marcellin Desboutin: 1895ca, Pierre Puvis de Chavannes, xx, Musée d’Amiens (iR64;iR6;iR40;iR1;R158,p273+276+163;R231-1;M243) Expos: SNBA-1895-1929, Portrait de M. Puvis de Chavannes; =!? EU-1900-D-632, Portrait de Puvis de Chavannes.
Albert Lebourg: 1875, SDbr (Alger 1875), Une rue à Alger, 46×37, MBA Rouen (HW;iR2;iR78;iR23;R2,p268;R90II,p113;R231-3;M12) Provenance: Depeaux collection catatalogue 1911, p177. Expos: =? 4IE-1879-111, Boutique Arabe; =? 4IE-1879-109+110, Une rue à Alger; Compare: EU-1900-Algérie-D-60, Rues d’Alger (=!? Viau sale DR1907/03/19-47, Une Rue à Alger; 1872; SDbr, 41×27); =?? EU-1900-Algérie-D-61, Boutiques arabes.
Albert Lebourg: 1872-77, Sbl, Etal de boucherie, à Alger, 41×27, A2019/12/20 (iR11;iR10) Compare: 1875, SDbl (Alger 75), 1CR79, Etal de boucherie, à Alger, 33×22 =EU-1900-Série algérienne (aR7;R390,no79); =?? EU-1900-Algérie-D-61, Boutiques arabes (R231-3).
Albert Lebourg: 1872-77, Sbr, Intérieur de palais, 47×31, A2012/06/29 (iR17;R2,p312;aR7;R390,no52) =? 1CR52, 1876, SDbr (76), 1CR52, Intérieur de la Grande Mosquée, Alger, 47×31; =GP1918-132. Expos: =?? 5IE-1880-91, Intérieur d’une mosquée; =?? EU-1900-Algérie-D-62, Intérieur de la mosquée de Sidi Abd-er-Rhaman.
Jean-François Raffaëlli: 18??, Portrait de ma fille (à ma chère femme; Germaine à 17 ans), ?cm, unknown location (aR7,p126;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R…); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille.
Jean-François Raffaëlli: 18xx, Portrait of Mlle Raffaëlli, 55×32, A1994/03/16 (iR13;aR14,p14;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R…); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille.
Jean-François Raffaëlli: 1885-95, Sbl, Le Reveil, 78×67, Birmingham MT (iR6;iR173;iR2;iR1;aR7;M182) Expos: =? SNBA-1899-1200, La jeune fille aux bleuets; =? EU-1900-Dcl7-1566, La Jeune Fille aux bleuets.
Jean-François Raffaëlli, SNBA-1899-1200, La jeune fille aux bleuets. Maybe?: 18xx, Jeune fille aux bleuets assise sur son lit, on panel, 70×54, A2008/12/05 (iR13;iR1;aR7)
Eugène Vidal: 18??, Jeune fille au chapeau, pastel, 73×52, Axx (iR10;iR93;iR140;R2,p314;R231-3) Expos: Compare: 5IE-1880-213, Tête de fillette; =?? EU-1900-D-1881, Petite fille coiffée d’un chapeau; étude au pastel (appartient au docteur Brocq).
Gustave Colin: 1898ca, Sbl, Basque country, 152×220, LJS Paris RMN Grand Palais (iR35;iR127;iR1;R340,1898,p98;R462,p85) Expos: =SNBA-1898-301, Au pays basque (panneau décoratif); =? EU-1900-D-472, Au pays basque (Vallée d’Urugne).
P. Franc-Lamy: EU-1900-D-1101, Octobre (à l’État) (bronze medal), compare gravure after painting (R231-4+3+13) =!? =!? SdAF-1898-1166, Octobre (iR1).
Franc Lamy (1855-1919): 1xxx, Sbl, Forest lake with autumn trees, 46×62, A1982/10/20 Bern (iR24) =?? EU-1900-D-1102, Souffles d’automne (bronze medal) =!? SdAF-1899-1104, Souffles d’automne (R231-3;iR1)
Albert Lebourg: 1872-77, Sbl, Alger, L’Amirauté, 33×41, A2019/06/28 (iR11;iR10;R2,p268;R231-3) =? 4IE-1879-118, L’Amirauté, port d’Alger; =?? EU-1900-Algérie-D-64, L’Amirauté.
Albert Lebourg: 1876, SDbl (Alger 76), 1CR15, The Port Of Algiers, 31×47, Orsay (iR78;iR2;iR23;iR10;R89,no30;iR40;iR261;aR7;R390,no15;R2,p312;R90I,p294;R231-1;M1) Expos: =? 5IE-1880-94, L’Amirauté, Alger; =? EU-1900-Algérie-D-65, Le port d’Alger; =gMJ-1914/05/11-48, Le Port d’Alger; =GP1918-110.
Albert Lebourg: 1875?, SDbl, Moorish House in Algiers, 22×41, A2016/08/16 (iR2;iR11) =!? 1875, SDbr (1875), 1CR30, Maison mauresque, à Alger, 22×41; =EU-1900-Série algérienne (aR7;R390,no30) =?? EU-1900-Algérie-D-66, Mosquée de Mustapha inférieur (R231-3).
Albert Lebourg: 1875, SDbl (1875 Alger Grande Mosquée), 1CR10, Fontaine dans la grande mosquée, Alger, 31×47 (R390,no10;aR7;R2,p312;R321-3) =?? 5IE-1880-92, Une cour de mosquée =?? EU-1900-Algérie-D-67, Fontaine arabe; =GP1918-56, Fontaine dans la grande mosquée; Alger, 1875, 31×47; collection de M. Émile Daudré (iR19).
Jean-François Raffaëlli: 1895, Sbl, Les Invalides, Napoleon’s Tomb, 71×81, MPP Paris (iR2;aR7;R88I,p706;iR1;R231-3;M4) Expos: =!? SNBA-1896-1040, Les Invalides, tombeau de Napoléon; =!? EU-1900-D-cl7-1563, Les Invalides (à la Ville de Paris).
Jean-François Raffaëlli: 1897, Sbr, The Institute, 59×80, MC Paris (iR2;aR7;iR155;iR1;R231-3;M8) Expos: =!? SNBA-1898-1016, L’Institut; =!? EU-1900-D-cl7-1564, L’Institut (appartient à la Ville de Paris)
Jean-François Raffaëlli: 1900ca, Sbl, Notre-Dame, Paris, 63×76, Og Copenhagen (iR10;M93;iR1;R231-3) Expos: =? =? SNBA-1899-1197, Notre-Dame de Paris; =? EU-1900-D-cl7-1565, Notre-Dame de Paris.
Jean-François Raffaëlli: 1897-1902ca, Sbr, Notre-Dame Seen from the Quai de la Tournelle, 65×81, Cleveland MA (iR6;aR11;iR35;iR1;R231-3;M27) Expos: =? SNBA-1897-1041 , Notre-Dame de Paris; =? SNBA-1899-119, Notre-Dame de Paris; =? EU-1900-D-cl7-1565, Notre-Dame de Paris.
Jean-François Raffaëlli: 1892+ (HW), Sbr, Place Saint-Germain des Pres, oil + pastel, 71×81, A2013/05/23 (iR14;iR2;aR7;iR1;R231-3) Expos: =Compare: SNBA-1897-1043, L’église de Saint-Germain-des-Prés; =? EU-1900-D-cl7-1567, Saint-Germain des Prés; pastel (appartient à M. G. G.)
Other art-works: Some partakers of the ‘impressionist’ expositions also exhibited other art-works than paintings at the Decennial exhibition. Félix Bracquemond and Marcelin Desboutin received a Grand Prix for ‘Gravure et lithographie’ (Classe 8)↑ and J.F. Raffaëlli received a médaille d’or↓, for the 5 couloured dry points he showed (R231-13). Astruc received a médaille de bronze for sculpture (classe 9).
Zacharie Astruc: 1890-1900, Pivoines (Peonies, decorative panel for a suite of six), wc, 235x?, MBA Angers (aR4;iR1;R231-3;R420,fig.83;M18) Former Doria Isabelle collection =? SdAF-1898-2132, Pivoines dans un bambou du Japon; aquarelle; =? EU-1900-D-cl7-35, Pivoines rouges et blanches dans un bambou; aquarelle.
Zacharie Astruc: 1893, The monk (ecstasy in sleep), marble statue, ?cm, Md Laval (aR25;iR10;aR21;iR1;R231-3+13;R420,fig.113;iR19) =SdAF-1893-2513, Le moine “l’extase dans le sommeil”; statue, marbre; Compare: EU-D-1900-cl9-11, Le Moine, extase dans le sommeil, sculpture, statue plâtre -> bronze medal.
Jean-François Raffaëlli: 1898, D37, Two friends (Vieillard assis et son chien), colour etch, 21×13, A2015/09/25 (iR10;iR13;R138XVI,no37;R90II,p196;R2,p355;R231-3+13) Expos: compare: 6IE-1881-100, Cassant une croûte; =!? SNBA-1899-2246, Les deux-amis; =!? EU-1900-D-cl8-398, Les deux Amis, pointe sèche originale en couleur (golden medal, gravure).
Jean-François Raffaëlli: 1898, D37, Two friends (Vieillard assis et son chien), colour etch, 47×22, BNF Paris (iR40;iR1;iR10;iR13;R138XVI,no37;R90II,p196;R2,p355;R231-3+13) Expos: compare: 6IE-1881-100, Cassant une croûte; =!? SNBA-1899-2246, Les deux-amis; =!? EU-1900-D-cl8-398, Les deux Amis, pointe sèche originale en couleur (golden medal, gravure).
Jean-François Raffaëlli: 1898, D43-2, The small road, colour etch ps, 39×27, BNF Paris (iR40;R138XVI,no43;iR1;R231-3+13) Expos: =!? SNBA1899-2247, La petite rue; =!? EU-1900-D-cl8-399, La petite Rue; pointe sèche originale en couleur (golden medal, gravure).
Jean-François Raffaëlli: 1894, D17, La route aux grands arbres (The road with tall trees), colour dry point, 16×20, A2015/12/15 (iR40;iR11;iR17;iR1;aR7;R88I,p706;R138XVI;R231-3+13) Expos: =!? , SNBA-1894-234, La route aux grands arbres; =!? EU-1900-D-cl8-400, La route aux grands arbres; pointe sèche originale en couleur (golden medal, gravure).
Jean-François Raffaëlli: 1894 (or 1911), D21, (The square before) Les invalides, colour etch ps, 16×19, A2018/05/13 (iR11;iR1;aR7;R88I,p706;R138XVI,no21) Expos: =!? SNBA-1894-235, Les Invalides; =!? EU-1900-D-cl8-401, Les Invalides, pointe sèche originale en couleur (golden medal, gravure).
Jean-François Raffaëlli: 1898, D51-2, L’actrice en scène (The actress on stage), colour etch, 32×25, BNF Paris (iR40;iR11;iR15;iR1;R138XVI,no.51;R231-3+13) Expos: SNBA1899-2241, L’actrice en scène; =!? EU-1900-D-cl8-402, L’actrice en scène pointe sèche originale en couleur (golden medal, gravure).
Art-works of other French artists at the Decennial exhibition:
45 French artists received a ‘médaille d’or’ for ‘Peintures, cartons et dessins’. Many French artists received a ‘médaille d’argent’, even more a ‘médaille de bronze’ and even more a ‘mention honorable’. Some works were bought by the French State. Here below you will find some art-works (namely paintings) of these French artists, that were shown at the Decenial exhibition of the Exposition Universelle in 1900 (=EU-1900-D). Namely works of pre-impressionist, para-impressionist and other related artitsts will be shown. They will be rendered by form and in an alphabetical order.
Jules Adler (1865-1952): 1897, The weary, 181×251, MC Avignon (iR10;iRx;R231-3+13;R472,no126;M172) =EU-1900-D-12, Les Las (appartient à l’État; -> silver medal).
Henri Biva (1848-1928): 1898, SDbr, Villeneuve-l’Etang, le matin (sic?), 95×155, Museum (iR10;R231-3+4;R337/1897+1898+1900) Expos: compare: SdAF-1897-177, Le matin à Villeneuve-l’Etang; =? SdAF-1898-214, Villeneuve-l’Etang; le soir; compare: SdAF-1898-215, Villeneuve-l’Etang; le matin (bought by the State?); compare: SdAF-1900-134, Dans le parc de Villeneuve-l’Etang, le soir; =EU-1900-D-191, Villeneuve-l’Etang, le soir (illustrated).
Jacques-Émile Blanche (1861-1942): 1895, The painter Fritz Thaulow and his children, 181×205, Orsay (M1;iR10;R231-3+4+13) =EU-1900-D-195, Le peintre Thaulow et ses enfants -> bought by the State.
Paul(-Émile) Chabas (1869-1937): 1899ca, Young women bathing, 74×116, MBA Nantes (iR155;iR10;iR6;iR3;R231-3+13;R472,no31;M16) =SdAF-1899 (Prix National); =EU-1900-D-420, Joyeux ébats (appartient à l’État) (-> golden medal)
Alfred Guillou (1844-1926): 1892, Adieu !, 170×245, MBA Quimper (iR6;M208;iR10;R231-3+4+13;R472,no18) =SdAF-1892-828; =EU-1900-D-961, Adieu (à l’État) -> silver medal.
Henri Lebasque (1865-1937): Expos: SNBA-1899-865; EU-1900-D-1153, Maternité; SNBA-1903-781. Compare compilation.
Henri le Sidaner (1862-1939): 1898, Sunday, 113×192, MC Douai (iR490;iR10;R298,no92;R470,p18;R473,p195;R472,no11;M176) =SNBA-1898-762; =EU-1900-D-1226, Dimanche (-> médaille de bronze).
Paul Madeline (1863-1920): 1898, Sbl, La Sédelle vue depuis la colline des ruines de Crozant, 115×146, gallerie Le Serbon Paris (iR10;iR1;R231-3+4+13) =SdAF-1899-1286; compare: EU-1900-D-1291, La Sedelle à Crozant (Creuse) (mention honorable).
Émile-René Ménard (1862-1930): 18??, Cattle grazing in a wooded landscape, 85×122, A2006/11/30 (iR17;iR15;R231-3+4+13) Compare: EU-1900-D-1347, Orage sur la forêt (à M. S.) (golden medal).
Émile-René Ménard (1862-1930), 1898-99, Terre Antique, Agrigente, ?cm, Orsay (iR108;M1;iR10;iR1;R231-3+4+13) =SNBA-1899 (bought by the state); =EU-1900-D-1350, Terre Antique (Agrigente) (à l’État, Musée du Luxembourg) (golden medal)
Émile-René Ménard (1862-1930): 18??, Baigneuse à l’étang au crépuscule (Harmonie de soir), 65×65, A2009/06/23 (iR17;iR15;iR64;R231-3+4+13;R297,p347) =EU-1900-D-1352, Le soir (à M. Swann) (golden medal); GP-(SN?)-1914-625
Fernand-Juste Quignon (1854-1941): 1889, Buckwheat, 172×241, MBA Nantes (iR10;iR489;iR4;iR1;R231-3+4+13;M16) =SdAF-1889-2218 (bought by the State); =EU-1900-D-1549, Le Blé noir (à l’État) (silver medal).
Albert Rigolot (1862-1932): 18??, Paysage d’Automne, 66×100, BADA (A2023/08/18?) (iR10;iR86) =!? EU-1900-D-1613, La mare aux fées (Fontainebleau) (silver medal).
Albert Rigolot (1862-1932): 1897, Route de Kadarda à Bou-Saada, 131×187, Orsay (iR10;M1;iR1;R231-3+4+13) =SdAF-1897-1437 (bought by the State); =EU-1900-D-1614, Sur la route de Kadarda à Bou-Saïda (Algérie) (à l’État) (silver medal).
Albert Rigolot (1862-1932): 18??, Fin d’un beau jour d’Octobre (Jura) (iR10;iR64;R231-3+4+13) =EU-1900-D1615, Fin d’un beau jour d’Octobre (Jura) (à la Ville de Paris) (silver medal).
Louis de Schryver (1862-1942): 1895, The merchant of the four seasons, xx, Md Cambrai (iR155;iR6;R231-3+4+13;M251) =EU-1900-D-1756, Le Marchand des quatre saisons (au Musée de Cambrai) (silver medal).
Francis Tattegrain (1852-1915): 18??, Village inferno (The village is burning) (iR114;iR253;iR48;iR10;R231-3+4+13) =EU-1900-D-1807, Incendie, Artois (au Comte Cogels de Gruben) (golden medal).
Francis Tattegrain (1852-1915): 18??, affiche after painting? (iR253;iR10;R231-3+4+13) EU-1900-D-1809, Sauvetage en mer (golden medal)
Francis Tattegrain (1852-1915): 18??, L’épave humaine (The human wreckage), 72×128, ChM Boulogne-sur-Mer (iR127;iR10;R231-3+4+13) =EU-1900-D-1810, L’Épave (à M. E. Carpentier) (golden medal).
Albert Wallet (1852-1918): 1896, Sbr, La Source sur les hauteurs de Dennemont (Sunset landscape at Follainville-Dennemont; Yvelines), 74×101, Antikeo.com (iR10;R231-3+4+13) Expos: =SdAF-1896-2029; Compare: EU-1900-D-1917, La Source (à M. Roty) (bronze medal)
Jean-Joseph Weerts (1846-1926): 1897, SDbr, The night of the 8th and 9th Thermidor, 27th to 28th July 1794, 80×100, Piscine Roubaix (iR155;iR6;iR10;R231-3+4+13) =EU-1900-D-1928, Nuit de 9 au 10 Thermidor
Marie-Augustin Zwiller (1850-1939): 1898ca, L’atelier de papier peint en Alsace, 183×201, A2016/09/14 (iR10;iR15;iR1;R231-3+4) Expos: SdAF-1898-2104, ‘L’industrie en Alsace – l’impression; EU-1900-D-1954, L’Industrie en Alsace, le Pliage (bronze medal).
Edmond Aman-Jean (1859-1936): 1895, Young girl with peacock, 150×104, MAD Paris (iR6;R298,p28;R231-3+13;M6) =SNBA-1895-26; =EU-1900-D-cl7-26, La femme au paon, appartient à M. Maciet.
Henri Royer (1869-1938): 1898, L’Ex-voto, 220×181, MBA Quimper (iR6;M208;R231-3+4) Expos: SdAF-1898-1777 (Prix Nationale); Venise-1899; Saint-Petersbourg-1900; EU-1900-D-1698, L’Ex-voto (à l’État).
Édouard Toudouze (1848-1907): 1890, Autumn flowers, 200×115, MAI AD Roubaix (iR10;iRx;iR489;iR64;iR1;R231-3+4+13) =SdAF-1890-2302 (bought by the State); =EU-1900-D-1838, Fleurs d’Automne (à l’État) (silver medal)
Jean-Joseph Weerts (1846-1926): 1895, SDbl, Pour l’Humanité! Pour la Patrie!, 385×240, MPP Paris (iR195;iR6;R472,p37;R231-3+4+13;M4) Expos: =SdAF-1895; =EU-1900-D-1927, Pour l’Humanité, pour la Patrie!
Joseph Wencker (1848-1919): 1889 Pierre Boulanger, ?cm, MOR Jargeau (iR6;iR19;iR10;R231-3+4+13) Expos: EU-Chicago-1893; EU-1900-D-1930, M. Boulanger, maître ferronnier.
Rejected pictures of French artists: Note: In the future I will render some pictures that were rejected for the Decennial exhibition of the Exposition Universelle in 1900.
Art-works of foreign artists: Many artists from many foreign countries also joined the Decennial exposition in 1900. 20 foreign artists joined ‘hors concours‘↑, which means they were highly awarded at an earlier Exposition Universelle. 17 foreign artists received a Grand Prix for painting↑. 65 foreign artists received a Médaille d’or for painting. Many foreign artists received a ‘medaille d’argent‘ for painting (or other media). Even more artists received a ‘médaille de bronze‘ for painting (or other media). And even more artists received a ‘mention honorable‘.
See link for background info (from the catalogue).
Here below you will find some pictures of exhibited art-works, that will be rendered by form and alphabetical.
Albert Baertsoen (1866-1922): 1897, Square in Flanders, 109×183, MRBA Antwerp (M81;iR6;iR10;R231-3+4+13) Expo: EU-1900-D-BE-7, Petite place, le soir (Flandre) (à Musée Royale d’Anvers) (-> golden medal);
Columbano Bordalo Pinheiro (1857-1929): 1898, A cup of tea, 27×35, MdChiado Lisbon (iR10;iRx;R231-3+13;R472,no171) =EU-1900-D-PT-29, La Tasse de Thé (-> golden medal)
Louise Catherine Breslau (1856-1927): 1898, La Chanson enfantine (The children’s song), 114×133, MBA Nice (iR293;iR10;R231-3+13;M206) =!? EU-1900-D-CH-32, La Chanson enfantine (-> golden medal)
Louise Catherine Breslau (1856-1927): 1890-93, Gamines (Teenagers; Deux jeunes filles), 120×120, MCD Carpentas (iR10;iR335;iR6;iR1;R231-3+4+13) Expos: SNBA-1893-157, Gamines; EU-1900-D-CH-33, Gamines (-> golden medal)
Louise Catherine Breslau (1856-1927): 1890, Portrait of Wilhelmina Carlson-Bredberg (Young Woman and Chrysanthemum), 95×92, Städel Frankfurt-aM (iR6;iR10;iR204;R231-3+13;M54) =? EU-1900-D-CH-34, La Dame aux chrysanthèmes (-> golden medal).
Émile Claus (1849-1924): 1899, Cows crossing the Lys River, 200×305, MRBA Brussels (iR6;iR10;R231-3+13;R472,p79;M80) =EU-1900-D-BE-19, Passage des vaches (-> médaille d’or).
Prince Eugène (1865-1947): 1895, A Summer Night at Tyresö, 78×144, Nm Stockholm (iR6;iR10;iR155;R472,no12;R231-3+4;M91) =EU-1900-D-SE-24, Nuit d’été (au Musée national)
Nils Forsberg (1842-1934): 1900, Gustaf II Adolf before the Battle of Lützen (1632), 325×609, Göteborg MA (iR6;R231-3+13;M94) =EU-1900-D-SE-30, Gustave-Adolphe, roi de Suède, exhortant son armée devant l’ennemi, commandé par Wallenstein, à Lutzen, le 6. Nov. 1632 (-> golden medal)
Ferdinand Hodler (1853-1918): 1889-90, CR1200, The night, 117×300, Km Bern (iR6;iR10;R231-3+13;M88) =!? EU-1900-D-CH-91, La nuit (-> golden medal)
Ferdinand Hodler (1853-1918): 1895, Eurythmy, ?cm, Km Bern (iR335;iR10;R231-3+13;M88) =!? EU-1900-D-CH-92, L’Eurythmie (-> golden medal)
Ferdinand Hodler (1853-1918): 1900, The day, 160×340, Km Bern (iR35;iR6;iR10;R231-3+13;M88) =!? EU-1900-D-CH-93, Le Jour (-> golden medal)
Edouard Kaiser (1855-1931): 1898, Les monteurs de boites, ?cm, MBA Chaux-de-Fonds (iR10;R231-3+4+13) =EU-1900-D-CH-101, Un atelier de monteur de boîtes (-> silver medal)
Kyriak Kostandi (1852-1921): 1900ca, Sbr, Le soir (iR10;R231-3+4+13) =!? EU-1900-D-RU-121, Le Soir (-> bronze medal).
Kyriak Kostandi (1852-1921): 1900ca (1915), Sbl, Early spring, 45×54, xx (iR10;iR335;R231-3+4) =? EU-1900-D-RU-122, Le Printemps (-> bronze medal).
Kyriak Kostandi (1852-1921): 1913-15, Sbr, Early spring, 45×54, MFA Odessa (A2010/11/30) (iR10;iR6;iR17;iR14;iR335;R231-3+4+13) Compare: EU-1900-D-RU-122, Le Printemps (-> bronze medal).
Frantisek Kupka (1871-1957): 1897, The book lover I, 96×152, Castle Prague (iR10;iRx2;iR7;R231-3+13;R472,no5) =EU-1900-D-AT-82, Franz Küpka: Peinture à huile (-> médaille d’argent).
Eugène (-Jules-Joseph) Laermans (1864-1940): 1898, The blind one, 134×174 KMSA Antwerp (M81;iR10;iR155;iR84;R231-3+4+13;cpR472,no234) =EU-1900-D-BE-52, L’Aveugle; à Mme Wademon (-> silver medal).
Carl Larsson (1853-1919): 1899, Convalescence, wc, 52×66, Nm Stockholm (iR6;R231-3+4+13;M91) =?! EU-1900-D-SE-47, Convalescence (-> golden medal)
Ejnar Nielsen (1872-1956): 1896, The sick girl, 112×164, SMK Copenhagen (iR10;iR376;R472,no22) EU-1900-D-DK-90, Un malade (-> médaille bronze).
José-Vellozo Salgado (1864-1945): 1898, Vasco da Gama before the Samorim of Calicut, ?cm, Sociedade de Geografia de Lisbao (iR6;iR10;aR7;R231-3+13) =EU-1900-D-PT-96, Vasco da Gama rendant la lettre du roi dom Manumel de Portugal au Samorim de Calicut (-> golden medal).
Giovanni Segantini (1858-99): 1897-99, La nature (Le coucher du soleil dans la Haute-Engadine), 236×403, SM Saint-Moritz (iR10;iR6;R481,p215;R231-3) =EU-1900-D-It-95-1, Tryptique: la nature, la vie, la mort.
Giovanni Segantini (1858-99): 1898-99, La vie, 190×320, SM Saint-Moritz (iR10;iRx;iR6;R481,p223) =EU-1900-D-It-95-2, Tryptique: la nature, la vie, la mort.
Alfred Wahlberg (1834-1906): 18xx, Sbl, Summer landscape, 46×61, Axx (iR6;R231-3+4+13) EU-1900-D-SE-78, Au Clair de lune (R231-4) (??) (-> golden medal)
Anna Ancher (1859-1935): 1891, Sunlight in a blue room, 65×60, Skagen M. Denmark (iR6;iR10;R231-3+13;R472,no162) =EU-1900-D-DK-3, Effet de soleil dans une chambre bleue (-> silver medal)
Cecilia Beaux (1855-1942): 1896, Sbl, Mother and son, 145×102, ACM Fort Worth (iR10;iR19;R322,p518) =EU-1900-D-USA-22, Mère et fils (-> golden medal)
Louise Catherine Breslau (1856-1927): 1891, Portrait de Mlle Adeline Poznanska (La petite fille au chien blanc), pastel, 131×77, Orsay (iR10;iR108;R231-3+13;M1) Expos: SNBA-1892-1126; =!? EU-1900-D-CH-38, Portrait de petite fille au chien blanc; pastel (-> golden medal)
Elin Danielson-Gambogi (1861-1919): 1893, A mother, 95×57, AT Helsinki (M278;iR6;iR155;iR10;R231-3+13;R472,no252) =EU-1900-D-RU-39, Une Mère (-> bronze medal)
Stanhope Forbes (1857-1947): 1892, Forging the anchor, 215×173, Ipswich BCMG (iR193;iR10;iR94;iR132;R231-3+13;R472,no115) =EU-1900-D-GB-86, La Forge (->golden medal).
Carl Wilhelmson (1866-1928): 1899, Fishermen’s wives returning from church, 137×104, Nm Stockholm (M91;iR10;R231-3+13;R472,no242) EU-1900-D-SE-81, Femmes de pêcheurs au retour de l’église (-> silver medal)
Scuptures:
Here below you will find some sculptures shown by French and foreign artists.
William-Hamo Thornycroft (1850-1925): 1896, Joy of life, bronze, 39x23x12, Leeds CAG (iR358;iR10;R231-3+13;R472,no74;M67) =EU-1900-D-GB-cl9-58, La joie de vivre; statuette en bronze à la cire perdue (-> Grand Prix).
William-Hamo Thornycroft (1850-1925): 1896, Joy of life (back), bronze, 39x23x12, Leeds CAG (iR358;iR10;R231-3+13;R472,no74;M67) =EU-1900-D-GB-cl9-58, La joie de vivre; statuette en bronze à la cire perdue (-> Grand Prix).
Prince Paolo Troubetzkoj (1866-1938): 1899ca, Count Leo Tolstoj, bronze, 35x29x26, HG Newcastle-upon-Tyne (iR173;iR10;R472,no96) =EU-1900-D-Rus-cl9-105, Portrait du comte Tolstoï (-> Grande Prix)
Auguste Rodin (1840-1917): 1880-98, The kiss, marble, 181x112x117, Orsay (M1;iR10) Expos: SdAF-1898-151; EU-1900-D-cl.9-544, Le Baiser, groupe; marbre (à l’État).
André Allar (1845-1926): EU-1900-D-gr.9-2a, M. Paul Sédille; buste bronze. Compare photo. Maybe now in Domremy.
Antonin Mercié (1845-1916): 1898, Louis Vestrepain, statue, ?cm, Jardin du Grand Rond in Toulouse (iR6;iR10 +R481,p232;R231-3) =!? EU-1900-D-gr.9-454, Vestrepain (poète populaire), plâtre
Louis-Oscar Roty (1846-1911): 1890, In labore quies, gilt bronze, 30x32x3, A2024/02/29 (iR10;iRx;iR11;R231-3;R481,p254) =!? EU-1900-D-cl.9-552-17, Un cadre contenant des médailles et plaquettes frappées: In labore quies.
Louis-Oscar Roty (1846-1911): 1894, SDbr, Geneviève-Louise Taine, cast bronze plaque, 14×11, BNF Paris (iR10;iRx;iR26;R481,p287;R231-3) =EU-1900-D-cl.9-553c, Un cadre contenant des médailles et plaquette bronze coulé: Louise Taine.
Sources:
For the used sources see at the bottom of the general page on the Exposition Universelle in 1900.
Recommanded citation: “Meta-Impressionism / other expositions: Exposition Décennale des Beaux-Arts at the Exposition Universelle 1900 in Paris. Last modified 2025/10/11. https://www.impressionism.nl/1900-exposition-decennale/”
