Meta-Impressionism/ other exhibitions:

Salon

de la Société des Artistes Français

1882

Introduction:
On this page you will find short information and some of the pictures exhibited at the Salon (de la Société des Artistes Français) of 1882. First you will find highly awarded paintings, that can be seen as the standard of art. Than you will find art-works of the partakers of the ‘impressionist’ expositions. Than some pictures of some related artists. At last you will find some rejected pictures.

Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!

The Salon SdAF of 1882, short info:
The Salon (de la Société des Artistes Français) of 1882 (the 99th) started the 1st of May in the Palais des Champs-Elysées in Paris (iR4;iR3). The catalogue mentions 4386 partakers and 5655 numbers (iR1).
Several partakers of the ‘impressionist’ expositions did show art-works↓. Cézanne for the first and only time was accepted.
Pre-impressionists that joined were namely:
Para-impressionists that joined were namely: Dagnan-Bouveret; Manet;
Neo-impressionists that joined were namely:
Post-impressionists that joined were namely:
Meta-impressionists that joined were namely:
Note: additional info will follow.

Highly awarded art-works:
(In the future) you will find some paintings that were highly rewarded at the Salon de la Société des Artistes Français (=SdAF) of 1882, that can be seen as the standard of art.
X received a Medaille d’Honneur: .
The following highly awarded artists received a golden medal: .
Several works were (assigned and) purchased by the State, namely: Lhermitte.
The following most awarded artists were appointed in the Légion d’Honneur as Commandeur:
The following highly awarded artists were appointed in the Légion d’Honneur as Officier:

Léon Lhermitte (1844-1925): 1882, The Harvesters' Pay, 214x272, Orsay (iR6;iR10;iR1;R231;M1) Expos: SdAF-1882-1676, La Paye des moissonneurs -> bought by the State; EU-1889-OdA-941+3, La Paye des moissonneurs (Md Luxembourg) — Léon Lhermitte (1844-1925): 1882, The Harvesters’ Pay, 214×272, Orsay (iR6;iR10;iR1;R231;M1) Expos: SdAF-1882-1676, La Paye des moissonneurs -> bought by the State; EU-1889-OdA-941+3, La Paye des moissonneurs (Md Luxembourg)

Exhibited art-works by the ‘impressionist’:
19 of the 57 partakers of the ‘impressionist’ expositions showed about 52 art-works at the Salon de la Société des Artistes Français (=SdAF) of 1882. Including Astruc (12sc); Attendu (1x); Boudin (1x); Bracquemond (3 engravings); Cézanne (1x); Debras (1x); Desboutin (1x +4 engravings); Latouche (1x); Legros (4 engravings +9 medals); Lepic (2x); Lépine (2x); Meyer (1 enamel); Mulot-Durivage (1x); Auguste Ottin (1=6sc); Léon Ottin (2 vitrails); Renoir (1x); Robert (1x); Somm (1 engraving); Vidal (2x).
First the paintings will be shown; they will be rendered by form and than alphabettically. Than the other art-works will be shown alphabettically. Note: several suggestions are uncertain; for many works I don’t have a suggestion.
See also the accounts of these artists (in the left or bottom sub-menus).

Paintings by the ‘impressionists’:

Antoine-Ferdinand Attendu: 1905, Sbl, Nature morte à l'armure, 112x194, Md Angoulême (iR126;iR1) Compare: SdAF-1882-61, chez l'armurier. — Antoine-Ferdinand Attendu: 1905, Sbl, Nature morte à l’armure, 112×194, Md Angoulême (iR126;iR1) Compare: SdAF-1882-61, chez l’armurier.

Antoine-Ferdinand Attendu: 18xx, Chez l'armurier (At the armourer's), drawing after his painting (=SdAF-1882-61, chez l'armurier), xx, Axx (iR42;iR1). — Antoine-Ferdinand Attendu: 18xx, Chez l’armurier (At the armourer’s), drawing after his painting (=SdAF-1882-61, chez l’armurier), xx, Axx (iR42;iR1).

Ludovic Lepic (1839-89): 1880, SDbl, Effet de brouillard, ?cm, MdF Berck (iR?;iR1;R2,p162;M202) Uncertain option for: SdAF-1882-1651, Effet de brouillard dans les mers du Nord. Compare: 2IE-1876-103, Effet de brouillard en mer.

Ludovic Lepic (1839-89): 18??, Sbl, Effet de brouillard à Berck, ?cm, ChM Boulogne-sur-Mer (iR127;iR1;R2,p162;R90I,p99;M203) Uncertain option for: 2IE-1876-103, Effet de brouillard en mer. Compare: SdAF-1882-1651, Effet de brouillard dans les mers du Nord.

Stanislas Lépine: 1876-82, The Ourcq Canal, Towpath, Moonlight, 38x55, A2007/12/11 (iR2;iR11;iR1) =?? SdAF-1882-1653, Le canal à Paris; effet de lune — Stanislas Lépine: 1876-82, The Ourcq Canal, Towpath, Moonlight, 38×55, A2007/12/11 (iR2;iR11;iR1) =?? SdAF-1882-1653, Le canal à Paris; effet de lune

Stanislas Lépine: 1876-77ca, CR63, La Seine au Pont Marie, 29x48, A2021/07/14 (iR14;iR1;R208,no63) =?? SdAF-1882-1654, Le pont Marie, à Paris — Stanislas Lépine: 1876-77ca, CR63, La Seine au Pont Marie, 29×48, A2021/07/14 (iR14;iR1;R208,no63) =?? SdAF-1882-1654, Le pont Marie, à Paris

Louis(?) Joseph Robert: 1874 (or 1879), Ballet scene, on panel, 48x74, private (aR5). Compare Paul-Joseph Robert: SdAF-1882-2308, Avant la leçon; or: SdAF-1883-2071, La leçon de danse. — Louis(?) Joseph Robert: 1874 (or 1879), Ballet scene, on panel, 48×74, private (aR5). Compare Paul-Joseph Robert: SdAF-1882-2308, Avant la leçon; or: SdAF-1883-2071, La leçon de danse.

Paul Cézanne: 1866, V91=FWN402, S-, Louis-Auguste Cézanne, father of the artist, reading l'Evenement, 200x120, NGA Washington (iR10;M21;R48,no67;R189,no91;iR194,no402;iR1) =?? SdAF-1882-520, Portrait de M. L. A… — Paul Cézanne: 1866, V91=FWN402, S-, Louis-Auguste Cézanne, father of the artist, reading l’Evenement, 200×120, NGA Washington (iR10;M21;R48,no67;R189,no91;iR194,no402;iR1) =?? SdAF-1882-520, Portrait de M. L. A…

Auguste Renoir: SdAF-1882-2268, portrait de Mlle Y.G. = 1880, Mademoiselle Yvonne Grimprel in a Blue Ribbon, 45x35, private (iRx;R30,no425) — Auguste Renoir: SdAF-1882-2268, portrait de Mlle Y.G. = 1880, Mademoiselle Yvonne Grimprel in a Blue Ribbon, 45×35, private (iRx;R30,no425)

Eugène Vidal, SdAF-1882- 2619, Portrait de Mlle N. H… Compare: 1895-1908ca, Portrait of a young girl, 36x25, A2017/12/12 (iR11;iR10;iR1) — Eugène Vidal, SdAF-1882- 2619, Portrait de Mlle N. H… Compare: 1895-1908ca, Portrait of a young girl, 36×25, A2017/12/12 (iR11;iR10;iR1)

Other art-works by the ‘impressionists’:

Zacharie Astruc, 1882, Mask of Honoré de Balzac, plaster, 23cm, MBA Angers (iR23;iR1) =SdAF-1882-4069-2, Le marchand de masques; statue, plâtre: Balzac.

Zacharie Astruc: 1882, Mask of Théodore de Banville, plaster, 25cm, Md'Angers (iR23;iR1;M18) = SdAF-1882-4069-3, Le marchand de masques; statue, plâtre: De Banville. — Zacharie Astruc: 1882, Mask of Théodore de Banville, plaster, 25cm, Md’Angers (iR23;iR1;M18) = SdAF-1882-4069-3, Le marchand de masques; statue, plâtre: De Banville.

Zacharie Astruc, SdAF-1882-4069-4, Le marchand de masques; statue, plâtre = 1882ca, Mask of Hector Berlioz, plaster, 25cm, MBA Angers (iR23;iR1)

Zacharie Astruc, SdAF-1882-4069-5, Le marchand de masques ; statue, plâtre = 1882ca, Mask of Carpeaux, plaster, 25cm, MBA Angers (iR23;iR1)

Zacharie Astruc, 1882, Mask of Camille Corot, plaster, 25x20x10, MBA Angers (aR4;aR5;iR23;iR1) =SdAF-1882-4069-6; Le marchand de masques; statue, plâtre; Corot

Zacharie Astruc, 1882, Masque de Delacroix, platre, xx, MdAngers (iR23;iR1) =SdAF-1882-4069-7, Le marchand de masques ; statue, plâtre; Delacroix.

Zacharie Astruc, SdAF-1882-4069-8 Le marchand de masques; statue, plâtre = 1882ca, Mask of Alexandre Dumas, plaster, 25cm, MBA Angers (iR23;iR1) Compare: SdAF-1889-3990 — Zacharie Astruc, S1882-4069-8 Le marchand de masques; statue, plâtre = 1882ca, Mask of Alexandre Dumas, plaster, 25cm, MBA Angers (iR23;iR1) Compare: SdAF-1889-3990

Zacharie Astruc, 1882, Masque de Jean-Baptiste Fauré, sc, 25x17x9, MBA Angers (aR4;aR5;iR23;iR1) = SdAF-1882-4069-9, Le marchand de masques ; statue, plâtre; Faure

Zacharie Astruc, 1882, Masque de Charles Gounod, platre, xx, MdAngers (iR23;iR1) = SdAF-1882-4069-11, Le marchand de masques ; statue, plâtre; Gounod.

Zacharie Astruc, SdAF-1882-4069-12, Le marchand de masques; statue, plâtre = 1882ca, Mask of Victor Hugot, plaster, 25cm, MBA Angers (iR23;iR1)

Félix Bracquemond: 1882, SDbl, B222, The Old Cock, etch 4/5, 48x36, NGA Washington (M21;iR10;iR1;R231/iR40;R85III,no222) =? SdAF-1882-5209a, Deux eaux-fortes: Le coq; 2XX-1885-4a; EU-OdA-1889-2376a, Le vieux coq. — Félix Bracquemond: 1882, SDbl, B222, The Old Cock, etch 4/5, 48×36, NGA Washington (M21;iR10;iR1;R231/iR40;R85III,no222) =? SdAF-1882-5209a, Deux eaux-fortes: Le coq; 2XX-1885-4a; EU-OdA-1889-2376a, Le vieux coq.

Félix Bracquemond: 18xx, B221, Ebats de canards (Flock of ducks), etch, 33x24, Metropolitan (M23;iR10;iR1;R231/iR40;R85III,no221) =? SdAF-1882-5209b, Deux eaux-fortes: Ebats de canards; 2XX-1885-4b; EU-OdA-1889-2376b. — Félix Bracquemond: 18xx, B221, Ebats de canards (Flock of ducks), etch, 33×24, Metropolitan (M23;iR10;iR1;R231/iR40;R85III,no221) =? SdAF-1882-5209b, Deux eaux-fortes: Ebats de canards; 2XX-1885-4b; EU-OdA-1889-2376b.

Félix Bracquemond: 1882, B342, The evening (after Rousseau), etch, 45x43, NYPL (iR61;iR1;R341-6;R85III,no342) =!? SdAF-1882-5210, Le soir, d’après Th. Rousseau; =EU-OdA-1889-cl.5-2375, Une gravure (eau-forte): Le soir, d’après Th. Rousseau (S.1882) — Félix Bracquemond: 1882, B342, The evening (after Rousseau), etch, 45×43, NYPL (iR61;iR1;R341-6;R85III,no342) =!? SdAF-1882-5210, Le soir, d’après Th. Rousseau; =EU-OdA-1889-cl.5-2375, Une gravure (eau-forte): Le soir, d’après Th. Rousseau (S.1882)

Marcellin Desboutin: 1882, Katzenstein, banquier à Francfort, etch ps, 24x16, BNF Paris (iR40,btv1b105248309;iR1;R85XIII,no56;R158,no144;aR10,no100) =!?SdAF-1882-5276-1. Portrait de M. Katzenstein, gravure — Marcellin Desboutin: 1882, Katzenstein, banquier à Francfort, etch ps, 24×16, BNF Paris (iR40,btv1b105248309;iR1;R85XIII,no56;R158,no144;aR10,no100) =!?SdAF-1882-5276-1. Portrait de M. Katzenstein, gravure

Marcellin Desboutin: 1882, Durand Ruel, marchand de tableaux (d), etch (after portrait), 20x15, BNF Paris (iR40,btv1b105245752;iR6;iR1;R85XIII,no86;R158,no87) =!?SdAF-1882-5276-2. Portrait de M. Durand-Ruel, gravure — Marcellin Desboutin: 1882, Durand Ruel, marchand de tableaux (d), etch (after portrait), 20×15, BNF Paris (iR40,btv1b105245752;iR6;iR1;R85XIII,no86;R158,no87) =!?SdAF-1882-5276-2. Portrait de M. Durand-Ruel, gravure

Marcellin Desboutin: 1882, Comte Henri d'Ideville, écrivain et diplomate (d), etch, 24x16, BNF Paris (iR40,btv1b10524828g;iR6;iR1;R85XIII,no53;R158,no125) =!? SdAF-1882-5276-3. Portrait de M. le comte d’Ideville, gravure — Marcellin Desboutin: 1882, Comte Henri d’Ideville, écrivain et diplomate (d), etch, 24×16, BNF Paris (iR40,btv1b10524828g;iR6;iR1;R85XIII,no53;R158,no125) =!? SdAF-1882-5276-3. Portrait de M. le comte d’Ideville, gravure

Alphonse Legros, SdAF-1882-5421-1, Quatre eaux-fortes. Portraits =? 1881, CR237, Auguste Rodin, etch, 39x23, Cleveland MA (iR19;M27,2014.299;iR6;iR1) — Alphonse Legros, SdAF-1882-5421-1, Quatre eaux-fortes. Portraits =? 1881, CR237, Auguste Rodin, etch, 39×23, Cleveland MA (iR19;M27,2014.299;iR6;iR1)

Alphonse Legros, SdAF-1882-5421-2, Quatre eaux-fortes. Portraits =? 1881, CR238, Sir Frances Seymour Haden, etch mezzotint, 25x18, Cleveland MA (iR19;M27,1944.401;iR40;R85IX,no238;iR1) — Alphonse Legros, SdAF-1882-5421-2, Quatre eaux-fortes. Portraits =? 1881, CR238, Sir Frances Seymour Haden, etch mezzotint, 25×18, Cleveland MA (iR19;M27,1944.401;iR40;R85IX,no238;iR1)

Alphonse Legros, SdAF-1882-5421-3, Quatre eaux-fortes. Portraits =?? 1879, CR198, G. F. Watts, etch, 31x24, Cleveland MA (iR6;iR2;iR40;R85IX,no198;iR1;M27) — Alphonse Legros, SdAF-1882-5421-3, Quatre eaux-fortes. Portraits =?? 1879, CR198, G. F. Watts, etch, 31×24, Cleveland MA (iR6;iR2;iR40;R85IX,no198;iR1;M27)

Alphonse Legros, SdAF-1882-5421-3, Quatre eaux-fortes. Portraits =?? 1878, CR188, Auguste Poulet-Malassis, etch, xx, Cleveland MA (iR19;M27,1944.511;iR40;R85IX,no188;iR1)

Alphonse Legros, SdAF-1882-4970-1, Neuf médailles; bronze =? 1882, W.E. Gladstone, bronze medal, xx, Axx (iR11;iR1)

Alphonse Legros, SdAF-1882-4970-2, Neuf médailles; bronze =? 1881-82, Don Juan Heredia, bronze medallion, d10, A2021/11/19 (iR17;iR1)

Alphonse Legros, SdAF-1882-4970-3, Neuf médailles; bronze =? 1881, Pierre Gregoire, bronze medallion, d11, A2019/02/27 (iR17;iR1)

Alphonse Legros, SdAF-1882-4970-4, Neuf médailles; bronze =? 1881, Orlando Martorelli, bronze medallion, d12, A2019/02/27 (iR17;iR1)

Alphonse Legros, SdAF-1882-4970-5, Neuf médailles; bronze =? 1881, Maria Valvona, medallion, d10, BM London (iR105;M147;iR195;M4;iR1)

Alphonse Legros, SdAF-1882-4970-6, Neuf médailles; bronze =? 1881, Charles Darwin, alloy medal, d12, BM London (iR105;M147;iR11;iR1)

Alphonse Legros, SdAF-1882-4970-7, Neuf médailles; bronze =?? 18xx, Lord Alfred Tennyson, bronze medallion, d9, A2019/02/27 (iR17;iR1)

Alphonse Legros, SdAF-1882-4970-8, Neuf médailles; bronze =?? 18xx, Cardinal Manning, sc, xx, xx (iR6;iR1)

Alphonse Legros, SdAF-1882-4970-9, Neuf médailles; bronze =?? 18xx, Antonio Escovedo, bronze medallion, d9, A2019/02/27 (iR17;iR1)

Auguste-Louis-Marie Ottin: 1882ca, La Fraternité, projet d'un monument à la Revolution de 1848 (left), plaster, 123x143x15, Dépôt des sculptures de PP Paris (aR16;iR1;iR195;R231-6+12;M4) =!? SdAF-1882-4719, Triomphe de la République; bas-reliefs, plâtre: 1. Le peuple amené à la République par l’éducation; 2. La jeunesse sème des fleurs sur le chemin; =!? SdAF-1885-4067, Marche triomphale de la République; =EU-1889-OdA-cl3-2069, Marche triomphale de la République; bas-relief, plâtre (S.1885) -> bronze medal. — Auguste-Louis-Marie Ottin: 1882ca, La Fraternité, projet d’un monument à la Revolution de 1848 (left), plaster, 123x143x15, Dépôt des sculptures de PP Paris (aR16;iR1;iR195;R231-6+12;M4) =!? SdAF-1882-4719, Triomphe de la République; bas-reliefs, plâtre: 1. Le peuple amené à la République par l’éducation; 2. La jeunesse sème des fleurs sur le chemin; =!? SdAF-1885-4067, Marche triomphale de la République; =EU-1889-OdA-cl3-2069, Marche triomphale de la République; bas-relief, plâtre (S.1885) -> bronze medal.

Auguste-Louis-Marie Ottin: 1882ca, La Fraternité, projet d'un monument à la Revolution de 1848 (middle section), plaster, 123x139x15, Dépôt des sculptures de PP Paris(aR16;iR1;iR195;R231-6+12;M4) =!? SdAF-1882-4719, Triomphe de la République; bas-reliefs, plâtre: 3. Le travail humain; =!? SdAF-1885-4067, Marche triomphale de la République; =EU-1889-OdA-cl3-2069, Marche triomphale de la République; bas-relief, plâtre (S.1885) -> bronze medal. — Auguste-Louis-Marie Ottin: 1882ca, La Fraternité, projet d’un monument à la Revolution de 1848 (middle section), plaster, 123x139x15, Dépôt des sculptures de PP Paris (aR16;iR1;iR195;R231-6+12;M4) =!? SdAF-1882-4719, Triomphe de la République; bas-reliefs, plâtre: 3. Le travail humain; =!? SdAF-1885-4067, Marche triomphale de la République; =EU-1889-OdA-cl3-2069, Marche triomphale de la République; bas-relief, plâtre (S.1885) -> bronze medal.

Auguste-Louis-Marie Ottin: 1882ca, La Fraternité, projet d'un monument à la Revolution de 1848 (right section), plaster, 108x181x15, Dépôt des sculptures de PP Paris (aR16;iR1;iR195;R231-6+12;M4) =!? SdAF-1882-4719, Triomphe de la République; bas-reliefs, plâtre: 4. La République protectrice des faibles est consacrée par le suffrage universel; 5. La Liberté brûle les armes de guerre et la hache du bourreau; 6. Acclamations de tous les peuples à la République Universelle; =!? SdAF-1885-4067, Marche triomphale de la République; =EU-1889-OdA-cl3-2069, Marche triomphale de la République; bas-relief, plâtre (S.1885) -> bronze medal. — Auguste-Louis-Marie Ottin: 1882ca, La Fraternité, projet d’un monument à la Revolution de 1848 (right section), plaster, 108x181x15, Dépôt des sculptures de PP Paris (aR16;iR1;iR195;R231-6+12;M4) =!? SdAF-1882-4719, Triomphe de la République; bas-reliefs, plâtre: 4. La République protectrice des faibles est consacrée par le suffrage universel; 5. La Liberté brûle les armes de guerre et la hache du bourreau; 6. Acclamations de tous les peuples à la République Universelle; =!? SdAF-1885-4067, Marche triomphale de la République; =EU-1889-OdA-cl3-2069, Marche triomphale de la République; bas-relief, plâtre (S.1885) -> bronze medal.

Alfred Meyer (!?): Tête de Négresse, Camée dit “habillé” in Henri Vever 1908,p320 (iR40;iR1) =? SdAF-1882-3610, Tête de négresse; émail

Henry Somm: 1881, Beraldi 35, Japonism, drypoint, 24x32, Metropolitan (iR10;iR6;iR8;iR40;iR195;R175,p194;M23) =? SdAF-1882-5562, Une gravure à la pointe sèche: Japonisme, composition de l’auteur — Henry Somm: 1881, Beraldi 35, Japonism, drypoint, 24×32, Metropolitan (iR10;iR6;iR8;iR40;iR195;R175,p194;M23) =? SdAF-1882-5562, Une gravure à la pointe sèche: Japonisme, composition de l’auteur

Exhibited art-works by other artists:
Here below you will find some art-works (mainly paintings) of some other artists that were exhibited at the Salon de la Société des Artistes Français (=SdAF) of 1882. You will find them by form and in an alphabetical order. This will not give you an overall impression (that is outside the scope of this website). Namely works of pre-impressionist, para-impressionist and other related artitsts will be shown. Namely the following artists showed paintings: Dagnan-Bouveret; Lhermitte; Manet; .
Note: additional info and pictures will follow.

Dagnan-Bouveret (1852-1929): 1880-81, Blessing of the young couple before marriage, 99x143, Pushkin (iR6;iR1;R231;R337;M96) =!? SdAF-1882-700, Bénédiction des jeunes époux avant le marriage; coutume de Franche-Comté; =EU-OdA-1889-369, La Bénédiction. (S.1882) (Grand Prix) — Dagnan-Bouveret (1852-1929): 1880-81, Blessing of the young couple before marriage, 99×143, Pushkin (iR6;iR1;R231;R337;M96) =!? SdAF-1882-700, Bénédiction des jeunes époux avant le marriage; coutume de Franche-Comté; =EU-OdA-1889-369, La Bénédiction. (S.1882) (Grand Prix)

Edouard Manet (1832-83): 1882, RW388, A Bar at the Folies-Bergère (Un Bar aux Folies-Bergère), 96x130, Courtauld London (iRx;iR1;aR1;R231/iR40;R213,no228;R120,no388;R71,no361AlM60) =SdAF-1882-1753; =ENBA-1884-112; =EU-C-1900-448 — Edouard Manet (1832-83): 1882, RW388, A Bar at the Folies-Bergère (Un Bar aux Folies-Bergère), 96×130, Courtauld London (iRx;iR1;aR1;R231/iR40;R213,no228;R120,no388;R71,no361AlM60) =SdAF-1882-1753; =ENBA-1884-112; =EU-C-1900-448

Edouard Manet (1832-83): 1881, RW372, Spring (Jeanne Demarsy), 74x52, Getty Los Angeles (iR2;iR1;aR1;R71,no352;R213,no229;R120,no372;M31) =SdAF-1882-1754, Jeanne; =ENBA-1884-105, Jeanne (le Printemps); =EU-C-1889-495, Le Printemps; Jeanne (app. à M. Antonin Proust) — Edouard Manet (1832-83): 1881, RW372, Spring (Jeanne Demarsy), 74×52, Getty Los Angeles (iR2;iR1;aR1;R71,no352;R213,no229;R120,no372;M31) =SdAF-1882-1754, Jeanne; =ENBA-1884-105, Jeanne (le Printemps); =EU-C-1889-495, Le Printemps; Jeanne (app. à M. Antonin Proust)

Rejected art-works:
Some art-works were rejected for the Salon de la Société des Artistes Français (=SdAF) of 1882. Namely works of Jean-François Raffaëlli were rejected.
Note: additional info and pictures will follow.

Sources:
See at the bottom of the main page on the Salon.
See link for info on the subscriptions of the images.

Recommanded citation: “Meta-Impressionism / other exhibitions: Salon de la Société des Artistes Français of 1882; info and pictures. Last modified 2025/09/08. https://www.impressionism.nl/1882-salon-sdaf/”

Note: additional info and pictures will be added.

Please be reluctant, when you quote from this webpage, which is under construction.
The information is incomplete and maybe partly incorrect.