Introduction:
In 1880 the ‘5me exposition de peinture‘ was held in Paris. This exposition is now mostly called the 5th ‘impressionist’ exposition. There were 16 partakers. The catalogue rendered the numbers 1-232, but in reality there were much more art-works exhibibited, namely about 309. On this page you will find an accounted impression of these exhibited art-works, I render 272 pictures. See the accounts of the partaking artists and the clarification at the bottom of this page. If you double click on the first picture and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Marie Bracquemond: 5IE-1880-1, Portrait = 1880ca (HW: 1877-80ca), The Lady in white (La dame en blanc), 180×105, loan Orsay to Md Cambrai (aR6;iR2;iR22;R2,p316;R3,p198;R168,p255+302;R90I,p276;R2,p310+316;R90II,p145+159;R89,no27;M1;M251)
Marie Bracquemond: 5IE-1880-2, L’Hirondelle. Compare 1880ca (18xx), Boat on the Seine (Péniche sur la Seine) (study for L’Hirondelle), 23×30, A2013/11/15 (iR13;iR136;R310;R90II,p145+159;R168,p237) Note: wrongly attributed to Félix Bracquemond.
Marie Bracquemond: 5IE-1880-3, Étude d’après nature =1880ca (HW: 1877-80ca), Study from nature (Portrait), 42×55, private (R168,p236=no.9;R90I,p269+304;R2,p310)
Félix Bracquemond, 5IE-1880-4, Portrait de M. Ed. de Goncourt. Compare:1882, B54-1, Edmond de Goncourt, etch 1st, Cleveland MA (R84,p237;R85,no54;R90II,p159)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B530, Rousseau no.1, Pheasant and reed, etch, 27×42, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B531, Rousseau no.2 (or 5), Large flowers, butterfly, snail, etch, 43×27, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B532, Rousseau no.3, Fish, flowers, butterfly, etch, 27×42, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B533, Rousseau no.4, Water plants, butterfly, etch, 27×42, BNF Paris (iR40;R73,p13)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B534, Rousseau no.5 (or 2), Large rooster, hen, insects, lizard, plants, etch, 27×43, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B535, Rousseau no.6, Large duck, cricket, crab, plants, etch, 27×42, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B536, Rousseau no.7, Ducks and water leaves, etch, 28×42, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B537, Rousseau no.8, Swallow, rooster, flowers, etch, 28×42, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B538, Rousseau no.9, Rooster, pheasant, stingray, plants, etch, 28×43, BNF Paris (iR40;R73,p13)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B539, Rousseau no.10, Lobster, plants, birds and fishes, etch, 43×28, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B540, Rousseau no.11, Duck with extended wings, quails, butterfly, dragonfly, snail, grasshopper, flowers, etch, 42×28, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B541, Rousseau no.12, Ducks, cocks, fish, etch, 28×43, BNF Paris (iR40;R73,p13)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B547, Rousseau no.18, Pheasant, cock, sparrow, etch, 25×34, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B548, Rousseau no.19, Big fish (carp), etch, 25×35, BNF Paris (iR41;R73,p40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B549, Rousseau no.20, Roosters, ducks, goose, pheasant, etch, 25×35, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B550, Rousseau no.21, Lobster, etch, 25×35, BNF Paris (iR61;iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B551, Rousseau no.22 (or 15), flowers and insects, etch, 25×35, BNF Paris (iR40;R73,p40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B552, Rousseau no.23, flowers and insects, etch, 25×35, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B553, Rousseau no.24, Fish, crab, shrimp, shellfish, etch, 35×25, BNF Paris (iR40)
Félix Bracquemond, 5IE-1880-5, Eaux-fortes pour décoration… Probably: 1866, B554, Rousseau no.25, Rooster, bindweed, etch, 25×34, BNF Paris (iR40)
Gustave Caillebotte, 5IE-1880-6, Dans un café. Now: 1880, CR134+142, In a Café, 155×115, MBA Rouen (iR2;iR3;R101,no134;R102,no142+p283;R2,p292;R90II,p145+159;R41,p50)
Gustave Caillebotte, 5IE-1880-7, Portrait de M.J.R. Now: 1879, CR117+129, Portrait of Jules Richemont, 100×81, private (iR2;R101,no117;R102,no129+p283;R90II,p145+159;R2,p310).
Gustave Caillebotte, 5IE-1880-9, Intérieur. Now: 1880, CR130+140, Interior, woman at the balcony, 116×89, private Paris (iR2;R90II,p146+160;R90I,p306;R101,no130;R102,no140;R2,p319;R41,p62). Also option for DR1886-230.
Gustave Caillebotte, 5IE-1880-12, Vue prise à travers un balcon. Probably: 1880, CR138+147, View Seen Through a Balcony, 65×54, VGM Amsterdam (iR2;R101,no138;R102,no147+p283;R41,p42;M73)
Gustave Caillebotte, 5IE-1880-13, Vue de Paris, soleil. Now: 1878, CR97/105, Sunny view of Paris, 105×74, Josefowitz Lausanne (iR49;R101,no97;R102,no105+p283;R2,p310)
Gustave Caillebotte, 5IE-1880-14, portrait de M.C.D. (pastel). Now: 1877, CR71/70, Camille Daurelle in the Park at Yerres, pastel, 56×44, private (iR2;R2,p310;R90II,p146+160;R101,no71;R102,no70+p283). Probably: DR1886-146.
Gustave Caillebotte, 5IE-1880-15, Tête d’enfant (pastel). Now: 1877, CR70/69, Portrait of Camille Daurelle, pastel, 40×32, private (iR2;R2,p310;R90II,p146+160;R101,no70;R102,no69+p283)
Gustave Caillebotte, 5IE-1880-16, paysage; pastel. Probably: 1878-79ca, CR102/128, Vue de la plaine de Maillanne, 46×34, A1972/03/09 (aR8;iR85;R101,no102;R102,no128+p283;R90II,p146+160)
Gustave Caillebotte: 5IE-1880-16+hc, Portrait de Paul Hugot = 1878, 1CR81 + 2CR111, Portrait de monsieur Paul Hugot, 204×92, private (iR2;iR59;R90II,p145+159;R101,no81;R102,no111+p283)
Mary Cassatt, 5IE-1880-17, Portrait de Mme J… Maybe: 1879ca, CR71, A visitor in hat and coat holding a Maltese dog, 35×27, private (iR92;iR2;R2,p311;R90II,p146;R187,no71). Compare: 4IE-1879-51.
Mary Cassatt, 5IE-1880-18, Portrait de Mlle G. Uncertain: 1880, Lady with a Fan (Portrait of Anne Charlotte Gaillard) , 82×65, private (iR92;iR2;iR10;R2,p311)
Mary Cassatt, 5IE-1880-19, Portrait de Mlle H. Very uncertain: 1878, Portrait of an Italian Lady, 80×59, GM Tulsa (aR1;iR92;R2,p311)
Mary Cassatt, 5IE-1880-20, Sur le balcon. Probably: 1878-80, CR94, Woman reading in a garden (on a balcony), 89×65, AI Chicago (iR92;iR2;iR6;iR59;aR1;R2,p310/1;R90II,p146+161;R187,no94)
Mary Cassatt, 5IE-1880-21, Le thé. Now: 1880ca, CR78, 5 o’clock Tea, 65×93, MFA Boston (iR3;R2,p305;R90II,p146+161;R44,p17;R187,no78)
Mary Cassatt, 5IE-1880-22, Au théâtre. Now: 1879ca, CR63, Lydia Leaning on Her Arms, Seated in Loge (at the theatre), pastel, 55×46, NAMA Kansas (iR3;R2,p304;R44,p59;R90II,p161;R187,no63)
Mary Cassatt, 5IE-1880-23, Portrait de Mme C. Uncertain: 1880, CR97, Lydia Cassatt in a Green Bonnet and a Coat, 50×60, private (iR92;iR10;R2,p311;R187,p62)
Mary Cassatt, 5IE-1880-24, jeune femme Compare: 1881-82ca, CR105, Susan in a Toque Trimmed with Two Roses (la jeune femme), 53×46, private (iR92;iR10;R2,p311;R187,no105)
Mary Cassatt, 5IE-1880-25-1, Femme au théâtre, premier état. Compare: 1879-80, CR22, In the Opera Box (no.3), etch 2nd, 21×19, private (R84,p238;iR59;R90II,p147+161;R188,no22;R2,p311). Compare: 4IE-1879-49.
Mary Cassatt: 5IE-1880-25-2, Femme au théâtre, dernier état =!? 1879-80, CR22, In the Opera Box (no.3), etch 4th, 21×19, Metropolitan (R84,p238;iR59;R90II,p147+161;R188,no22;R2,p311). Compare: 4IE-1879-49.
Mary Cassatt, 5IE-1880-27, Portrait d’enfant, Eau forte, second etat =1883, CR49, Mlle Luquet seated on a couch, etch soft aqua, 22×14, NYPL (R188,no49;iR6;iR61;R90II,p147+162;R2,p311)
Mary Cassatt, 5IE-1880-28, Enfant en chapeau, eau-forte =1883, CR48, Mlle Luguet in Coat and Hat, etch, 22×13 (or19), NYPL (R188,no48;iR61;iR10;iR48;R90II,p162;R2,p311). Also exhibited at Durand-Ruel in 1893, no.74.
Mary Cassatt, 5IE-1880-29, Au coin de feu, eau-forte Option 2: 1883, CR65, Before the fireplace (no.2), etch, 16×21, NYPL (R188,no65;R90II,p147+162;R2,p311)
Mary Cassatt, 5IE-1880-30, Homme lisant, eau forte =1883, CR74, Mr. Cassatt reading, etch, 16×12, private (R188,no74;R90II,p147+162;R2,p311)
Mary Cassatt, 5IE-1880-31, Le Soir, eau forte Probably: 1882ca, CR71, Under the lamp, etch, 19×22, A2010/10/26 + NYPL (R188,no71;iR11;iR61;R90II,p147+162;R2,p311)
Mary Cassatt, 5IE-1880-32, Portrait de femme, eau-forte Perhaps: 1879, CR5, The Umbrella, etch, 27×18, Philadelphia MA (R188,no5;R90II,p147;R2,p311)
Edgar Degas, 1878-79, CR499, At the Stock Exchange (with Ernest May in the middle), 100×81, Orsay (iR2;iR23;iR8;R26,no454;R2,p267+278+311;R90II,p110+128+148+163;R90I,p227;R114,no526;M1) = 4IE-1879-61, Portraits, à la bourse = 5IE-1880-35, Portraits à la bourse; appartient à M. E. M. (uncertain if it was exhibited)
Edgar Degas, 1877ca, CR441, Mll Malo, 81×65 NGA Washington (iR2;iR10;R26,no419;R2,p311;R90II,p148;M21) =?? 5IE-1880-36, Portrait. (maybe not exhibited)
Edgar Degas, 1876-80, CR415, Portrait of a woman, 46×38, NGV Melbourne (iR10;R26,no443;R2,p311;M122) =?? 5IE-1880-37, Portrait (Maybe not exhibited)
Edgar Degas, 5IE-1880-38, Etude de loge au théâtre, pastel = 1880, CR584, Study of a lodge at the theatre, pastel, 66×53, A2005/05/04 (iR53;iR15;iR11;iR10;iR174;R26,no762;R311;R90I,p291;R90II,p148+163)
Edgar Degas, 5IE-1880-39, Toilette; pastel =!? 1883ca, CR749, Le Coucher (La Toilette; pastel), 65×50, private (iR10;iR114;R90II,p148+163;R26,no884;R114,no749)
Edgar Degas, 5IE-1880-40, Exame de danse; pastel = 1880ca, CR576, The Dancing Examination, pastel, 62×47, Denver AM (iR2;iR59;R26,no761;R90II,p148+163;R2,p323;R90I,p283+291+292;M158)
Edgar Degas, 5IE-1880-41, Danseuses = 1879, CR559, Two Ballet Dancers, pastel, 45×65, Shelburne M. (iR2;iR59;R26,no738;R114,no559;R90II,p148+163;R2,303;M153)
Edgar Degas, 1873ca, Seated Dancer in Profile (turned to the right; study), essence drawing, 23×30, Louvre (iR2;M5a;R90I,p290+274;R2,p311) =?? 5IE-1880-42-1, Dessins
Edgar Degas, 1880-85, CR620, Tête de femme, pastel, 36×31, A2007/11/08 (iR11;R26,no600;R2,p311;R90I,p266+278+290) =?? 5IE-1880-43-1, Dessins
Edgar Degas, 1880ca, CR605, Study for the torso of a (Spanish) dancer, pastel, 58×44, Orsay (iR23;R26,no755;R2,p311;R90I,p274+278) Caillebotte collection. =?? 5IE-1880-43-2, Dessins
Edgar Degas: 1876-80, Delteil 29, Mary Cassatt at the Louvre, the painting gallery, etch+ps+aquatint 1of20, 30×13, NGA Washington (R138,no29;M21;iR15;R90II,p148;R2,p311) =? 5IE-1880-44-1-1, Eaux-fortes, Essais et états de planches
Edgar Degas: 1876-80, Delteil 29, Mary Cassatt at the Louvre, the painting gallery, etch+ps+aquatint 7of20, 30×13, Cleveland MA (M27;R138,no29;iR15;R90II,p148;R2,p311) =? 5IE-1880-44-1-2, Eaux-fortes, Essais et états de planches
Edgar Degas: 1876-80, Delteil 29, Mary Cassatt at the Louvre, the painting gallery, etch+ps+aquatint 15of20, 30×13, Cleveland MA (M27;R138,no29;iR15;R90II,p148;R2,p311) =? 5IE-1880-44-1-3, Eaux-fortes, Essais et états de planches
Edgar Degas: 1879-80, Delteil 29, Mary Cassatt at the Louvre, the painting gallery, etch+ps+aquatint ?of20, 30×13, NGA Washington (M21;iR15;R90II,p148;R2,p311) =? 5IE-1880-44-1-4, Eaux-fortes, Essais et états de planches
Edgar Degas: 1879ca, Study for Mary Cassatt at the Louvre, wax transfer, 32×24, NGA Washington (iR136;iR59;R90II,p148+164;R2,p311;M21) =? 5IE-1880-44-2-1, Eaux-fortes, Essais et états de planches
Edgar Degas: 1876-80, Delteil 30, Mary Cassatt at the Louvre, The Etruscan Gallery, etch+aquatint 1of6, 27×23, NGA Washington (M21;R138,no30;R90II,p148+164;R2,p311) =? 5IE-1880-44-2-2, Eaux-fortes, Essais et états de planches
Edgar Degas: 1876-80, Delteil 30, Mary Cassatt at the Louvre, The Etruscan Gallery, etch+aquatint 5of6, 27×23, NGA Washington (M21;iR11;iR23;R138,no30;R90II,p148+164;R2,p311) =? 5IE-1880-44-2-3, Eaux-fortes, Essais et états de planches
Edgar Degas: 1876-80ca, Delteil 30, Mary Cassatt au Louvre, Musée des antiques, ps 6?of6, 27×24, xx (iR10;iR11;iR23;R138,no30;R90II,p148+164;R2,p311) =? 5IE-1880-44-2-4, Eaux-fortes, Essais et états de planches
Edgar Degas: 5IE-1880-44+hc1, La leçon de danse =!? 1879-85ca, CR625, The Dance Lesson, 38×88, NGA Washington (M21;iR6;iR2;R90I,p291+298;R90II,p148+164;R2,p324;R26,no786)
Edgar Degas, 1879, CR517, Edmond Duranty, pastel+tempera, 100×100, Glasgow AGM (iR10;iR6;R2,p36+267+311;R90II,p109+128+148+164;R26,no568;R90I,p290+308) = 4IE-1879-58, Portrait de M. Duranty (détrempe) =!? 5IE-1880-44+hc2, Portrait de M. Duranty. Note: the surroundings represent the character.
Edgar Degas, 1885ca, CR828, Ballerina (seen from the Opera box; Lady with a Fan), pastel, 66×51, Philadelphia MA (iR53;iR380;iR10;R26,no816;R2,p311;M28) Option for: 5IE-1880-44+hc3, (no title).
Jean-Louis Forain, 5IE-1880-45, Actrice allant rentrer en scène. Maybe: 1877-79ca, The Admirer, on wood, 15×20, MFA Houston (iR2;iR8;R2,p311;R90I,p276;M163)
Jean-Louis Forain: 5IE-1880-46, étude d’homme. Compare: 18xx, Homme barbu, dr, 29×22, DAG Louvre (iR23;R2,p311;M5a,RF10806)
Jean-Louis Forain: 1880-52a, dessin =18xx, the walk (Verlaine), wc+ink, 28×20, Kh Bremen (R90II,p164;R2,p311;M58)
Jean-Louis Forain: 5IE-1880-52b, dessin =18xx, At the parc café (Verlaine), wc+dr, 28×19, A1981/12/01 (R90II,p149+164;R2,p311;iR15)
Jean-Louis Forain: 5IE-1880-52c, dessin =18xx, Afternoon in the parc (Verlaine), wc+dr, 28×19, A1981/12/01 (R90II,p165+149;R2,p311;iR15)
Jean-Louis Forain, 5IE-1880-53, eau-forte. Maybe?: 1876ca, CR7, Dancers in a dressing room (Getting dressed), drypoint, 16×12, NGA Washington (iR1;iR8;aR9,no7;R2,p311)
Jean-Louis Forain, 5IE-1880-54, eau forte. Maybe?: 1876 (1876/11/05), CR4, The departure of the star, etch, 18×12, A2015/11/16 (iR11;aR9,no4;R2,p311)
Paul Gauguin: 5IE-1880-55, Les Pommiers de l’Hermitage (Seine-et-Oise) =!? 1879, CR52, SDbr, Apple trees at l’Hermitage III, 88×115, Philadelphia MA (iR10;iR64;iR2;R37,p41;R181,no52;R128,no31;R2,p311;R90II,p149+165;M28)
Paul Gauguin: 5IE-1880-56, Les Maraîchers de Vaugirard =!? 1879, CR55, SDbl, The Market Gardens of Vaugirard, 66×100, SCMA Northhampton (iR2;iR59;iR10;R31,no8;R49,p5;R181,no55;R128,no36;R2,p311+325;R90II,p149+165)
Paul Gauguin: 5IE-1880-57, Effet de neige =? 1879, CR57, SDbr, Snow at Vaugirard, 61×81, SM Budapest (iR2;iR59;R181,no57;R128,no37;R2,p311;R90II,p149+165;M142)
Paul Gauguin: 5IE-1880-58, Nature morte =? 1880, CR60, SDbl, Le pot de terre et le pot de fer (Clay jug and iron mug), 54×65, Chicago AI (iR10;iR2;iR59;R37,p43;R2,p311;R90II,p149+165;R181,no60;R128,no47).
Paul Gauguin: 5IE-1880-59, La sente du Père Dupin, (Seine-et-Oise) =? 1879, CR53, SDbl, Chemin de village, 31×47, A2017/11/15 (iR11;iR2;R1,p410;R181,no53;R128,no35;R2,p311;R90II,p150+165)
Paul Gauguin: 1879, CR54, SDbl, Riverside (the Oise near Pontoise?), 31×47, private (iR2;iR54;R181,no54;R128,no38bis;R2,p311;R90II,p150) =?? 5IE-1880-60, étude
Paul Gauguin: 5IE-1880-61, Ferme Pontoise =? 1879, CR47, SDbl, Geese on the farm, 60×100, private (iR54;iR2;R181,no47;R2,p311;R90II,p150)
Paul Gauguin: 5IE-1880-62, Buste marbre = 1877, Portrait of Mette Gauguin, white marble, 35x19x27, Courtauld London (iR10;M60;iR59;iR6;iR173;R2,p311+307;R90II,p150+166;R90I,p313)
Armand Guillaumin, 5IE-1880-63, Bords de la Marne =?? 1882ca, CR107, Banks of the Marne, 59×72, A2006/09/14 (iR2;iR11;R2,p311) = Bernheim-Jeune expo in 1902
Armand Guillaumin, 1877ca, CR53, le Quai d’Austerlitz, 40×62, Indianapolis MA (iR6;iR8;iR22;R2,p311;R90II,p150;R124,no53;M165) =!? 5IE-1880-64, Port d’Austerlitz =!? 6IE-1881-44, Quai d’Austerlitz = former Durand-Ruel collection =? Viau sale DR1907/03/19-37, Le Quai d’Austerlitz, Mars.
Armand Guillaumin, 5IE-1880-65, Port d’Austerlitz, effet de neige =?? 1875ca, CR-, Paris, quai de la Seine, 54×73, A2020/02/05 (iR14;iR2;iR11;R2,p311)
Armand Guillaumin, 5IE-1880-66, Port d’Austerlitz, effet de neige =!? 1871-73ca, CR43, Place Valhubert, 65×81, Orsay (iR2;iR23;iR59;iR35;iR6;R2,p311;R90II,p150+166;R179,p20;R124,no43;M1) =? SdR-1873-333, Effet de neige par un beau temps
Armand Guillaumin, 5IE-1880-67, Quai de la Gare, effet de neige =? 1873-75ca, CR29, Quai de la Gare (de Bercy), effet de neige, 51×61, Orsay (iR23;iR22;iR59;iR2;R90II,p150+166;R2,p311;R3,p154;R124,no29;M1)
Armand Guillaumin, 5IE-1880-68, Rue des écoles à Fontenay-aux-Roses =?? 1875ca, Landscape with Figures, xx, Phoenix AM (iR6;R2,p311)
Armand Guillaumin, 5IE-1880-70, La Marne à Ivry =? 1880ca, Ivry, the pointe, 55×66, A2006/02/08 (iR2;iR11;R2,p311)
Armand Guillaumin, 5IE-1880-71, Portrait de M. A. Compare: 1880ca, Portrait of a woman, 60×50, xx (iR10;iR207;R2,p312)
Armand Guillaumin, 5IE-1880-72, Portrait de M. G. = 1878, CR55, SDbl, Selfportrait with palet, 60×50, VGM Amsterdam (iR77;iR2;iR6;R90II,p150+166;R1,p363;R8,p37;R179,G11;R2,p312)
Armand Guillaumin, 5IE-1880-74, Paysage à Fontenay-aux-Roses =??? 1878, Arbres en Île-de-France, 53×65, A2011/05/04 (iR2;iR11;R2,p212)
Armand Guillaumin, 5IE-1880-75, Fosse basin à Fontenay. Compare: 1876ca, Paysage d’Île-de-France, la Marne, 41×55, A2016/05/13 (iR11;R2,p312)
Armand Guillaumin, 5IE-1880-76, Collégien =18xx, CR-, The schoolboy, 54×45, Detroit IA (iR10;iR64;R90II,p150+167;R2,p312;M151)
Armand Guillaumin, 5IE-1880-77, Plaine de Châtillon =?? 1874, CR-, SDbr, The Plains of Bagneux, South of Paris, xx, private (iR10;aR1;iR2;R2,p312)
Armand Guillaumin, 5IE-1880-78, Plaine de Châtillon, automne =?? 1876-77ca, Landscape, Île-de-France, xx, NAM Kansas City (iR10;iR94;R2,p312;M42)
Armand Guillaumin, 5IE-1880-79, Carrière abandonnée =?? 18xx, The outskirts of Paris, 48×59, A2005/05/04 (iR2;iR11;iR10;R2,p312)
Armand Guillaumin, 5IE-1880-80, Pont-Marie =!? 1880ca, CR85, Le Pont Marie, Paris, 54×66, xx (R124,no85;R2,p312)
Armand Guillaumin, 5IE-1880-81, Mlle B; pastel =?? 1875, SDtl, Portrait of a young woman, pastel, 37×29, A2012/02/09 (iR2;iR11;iR14;R2,p312)
Armand Guillaumin, 5IE-1880-82 M. Martinez; pastel =1880ca, Portrait de M Martinez, pastel, 44×34, A2007/05/23 (iR11;R90II,p150;R2,p312) =6IE-1881-52.
Armand Guillaumin, 5IE-1880-83, Mme M.; pastel =1880, SbrDbl, Portrait of Mme Martinez, pastel, 43×35, private (iR2;R90II,p151+167;R2,p312)
Armand Guillaumin, 5IE-1880-84, Mme G., pastel. Compare: 1888ca, Portrait of the Artist’s Wife, pastel, 46×39, A2011/05/04 (iR2;iR14;R90II,p151;R2,p312)
Armand Guillaumin, 5IE-1880-84+hc1, Vue d’un bras de la Seine, à Paris, au soleil couchant =?? 1882ca, CR102, Le Pont-Marie, 60×81, A2007/11/08 (iR11;iR14;iR2;iR59;R90I,p314) Former Durand-Ruel collection.
Armand Guillaumin, 5IE-1880-84+hc2, Rue d’Auteuil =??? 1873 (08), CR-, SDbl, Near Paris, 116×90, MF Montpellier?? (iR2;iR22;R90I,p314;M14)
Armand Guillaumin, 5IE-1880-84hc3, Environs de Paris =?? 1870ca, CR9, Cueillette des cerises à Auvers (Cherry picking in Auvers), 73×60, A2021/12/13 (iR14;R124,no9;R90I,p314)
Armand Guillaumin, 5IE-1880-84+hc4, Bords de la Seine =?? 1880ca, Barqes on the Seine, 44×79, A2017 (iR2;iR6;iR14;R90I,p314)
Albert Lebourg: 5IE-1880-85, Marine, Rouen=?? 1xxx, Sbl, View on Rouen, 36×60, MBH Bayonne (iR10;iR108;iR127;R90I,p313;R2,p268;M191) =Personnaz sale no.31
Albert Lebourg: 5IE-1880-86, Paysage, Normandie =??? 1xxx, Sbl, Chemin de campagne, on panel, 15×24, A2010-10-29 (iR15;R2,p312)
Albert Lebourg: 5IE-1880-87, Paysage, Normandie =??? 1xxx, Sbr, View on Dieppe, 36×65, CM Dieppe (iR23;iR10;iR6;R2,p312)
Albert Lebourg: 5IE-1880-88, Vue de Paris =? 1879, SDbl (Paris Dec. 79), Notre Dame, vue prise du Pont de la Tournelle, 64×92, A2021/11/26 (iR11;iR420;iR10;R2,p312)
Albert Lebourg: 5IE-1880-89, Vue de Paris =? 1878, Sbr, Notre-Dame de Paris, view of the Île de la Cité, xx, xx (iR333;iR10;iR326;iR99;iR78;R2,p312)
Albert Lebourg: 5IE-1880-90, Tente arabe =?? 1872-77, Sbr, Algérie, Les tentes à Boghari, on carton, 34×26, A2013/05/29 (iR17;R2,p312;aR7) Compare: R390,no26+53.
Albert Lebourg: 5IE-1880-91, Intérieur d’une mosquée =? 1872-77, Sbr, Intérieur de palais, 47×31, A2012/06/29 (iR17;R2,p312;aR7;R390,no52) =? 1CR52, 1876, SDbr (76), 1CR52, Intérieur de la Grande Mosquée, Alger, 47×31 =GP1918-132.
Albert Lebourg: 5IE-1880-92, Une cour de mosquée =? 1875, SDbl (1875 Alger Grande Mosquée), 1CR10, Fontaine dans la grande mosquée, Alger, 31×47 (R390,no10;aR7;R2,p312) =GP1918-56
Albert Lebourg: 1875?, SDbl (Alger 1875?), Café Maure du Jardin d’Essai, xx (iR10;iR65;R2,p312;R90II,p151) =? 5IE-1880-93, Café maure =? 1877, SDbr (Alger 1877), 1CR12, Le Café maure du Jardin d’Essai à Alger, 31×47 =GP1918-137.
Albert Lebourg: 5IE-1880-94, L’Amirauté, Alger =? 1876, SDbl, 1CR15, The Port Of Algiers, 31×47, Orsay (iR78;iR2;iR23;iR10;R89,no30;iR40;iR261;aR7;R390,no15;R2,p312;R90I,p294;M1) =1876, SDbl (Alger 76), 1CR15, Le Port d’Alger, 31×47 =GMJ-1914/05/11-48, Le Port d’Alger =GP1918-110.
Albert Lebourg: 1xxx, Sbl, Portrait du docteur, fusain, xx, A2012/03/19 (iR17;iR10;iR415;iR1;R2,p268+312;R90I,p276) =?? 4IE-1879-129, Portrait d’homme; (dessin) or: 5IE-1880-95, Dessin (Fusain), (Anglo-Américan) =?? S1878-3288, Portrait de M. L…; fusain
Albert Lebourg: 1880, SDbl, 1CR2066, La femme et la belle-mère de l’artiste travaillant à la lumière d’une lampe (The mother and wife of the artist sewing by lamplight), fusain, 29×44, PGM Los Angeles (M31;iR10;iR8;R2,p312;R90I,p313;R90II,p114+132;R390,no2066) Compare: 5IE-1880-96, Dessin (Fusain), (Brodeuses dans un effet de lampe)
Albert Lebourg: 4IE-1879-131, La Veillée (dessin) =!? 1879ca, Sbr, 1CR2062, Evening (La Veillée), charcoal, 32×49, Cleveland MA (iR155;M27;R90I,p313;R90II,p114+132;R390,no2062) =expo GP1918-220 =2nd Roger Marx sale HD1914/06/12-179. 5IE-1880-97, Dessin (Fusain), (Brodeuses dans un effet de lampe; (R90I,p313)
Albert Lebourg: 1867-70ca, Sbl, Still Life with Candle, charcoal, 31×23, PGM Los Angeles (M31;iR6;iR8;iR72;iR155;R2,p312) =?? 5IE-1880-98, Dessin (Fusain)
Albert Lebourg: 1867-70ca, Sbl, A brush, jug and other objects in a candlelit interior, charcoal, 31×24, A2014/07/10 (iR11;iR15;iR78;R2,p312) =?? 5IE-1880-99, Dessin (Fusain)
Albert Lebourg: 1875, SDbl, Barque de pécheurs en mer, Alger, fusain, 46×30, A2017/06/02 (iR17;R2,p312) =?? 5IE-1880-100, Dessin (Fusain)
Albert Lebourg: 1878, SDbl, Intérieur de forêt (Montfort), fusain, 48×31, MPP Paris (iR195;M4;R2,p312) =?? 5IE-1880-101, Dessin (Fusain)
Albert Lebourg: 1872-77, The kasbash (Alger), fusain, 45×29, A2013/06/20 (iR11;iR10;R2,p312) =?? 5IE-1880-102, Dessin (Fusain)
Albert Lebourg: 1873, SDbr, Algerian landscape, chalk + charcoal, 30×45, AI Chicago (M20;iR155;aR6;R2,p312) =?? 5IE-1880-103, Dessin (Fusain).
Léopold Levert: 18xx, Paysage, drawing (etch?), 14×18, A2017/03/25 (iR10;aR3;aR2;R2,p162) =? HD1883/02/26-100, Chemin de Noiseau. Compare: 2IE-1876-101, Le chemin vert à Noiseau. Compare: 5IE-1880-112, Cadre d’eaux-fortes.
Berthe Morisot, 5IE-1880-113, Été Compare: 1878, CR75, Summer (Young woman by a window), 76×61, MF Montpellier (iR2;iR59;R2,p326;R90II,p151)
Berthe Morisot, 5IE-1880-114, Hiver =1880, CR86, Winter (Woman with a Muff), 74×59, Dallas MA (iR2;iR59;R90II,p151)
Berthe Morisot, 5IE-1880-115, Femme à sa toilette. Probably: 1875-80ca, CR84, Young Woman at the Mirror (at her toilette), 60×80, AI Chicago (iR2;iR59;iR8;R2,p327;R90II,p151)
Berthe Morisot, 5IE-1880-116, Le lac du bois de Boulogne =1879, CR79, Summer’s day, 46×75, NG London (iR2;iR59;R2,p300;R90II,p151;R100,p28)
Berthe Morisot, 5IE-1880-117, Paysage. Maybe(?): 1880, CR92, Bridge on the Seine, 38×46, private (iR6;R100,p29)
Berthe Morisot, 5IE-1880-118, L’Avenue du bois, effet de neige =1880, CR85, neige (avenue de bois or Foch), 33×41, xx (iR10;iR64;iR6;R100,p29;R90II,p152)
Berthe Morisot: 1879, CR80, Woman Picking Flowers (In the Bois de Boulogne), 61×75, Nm Stockholm (iR8;iR2;iR59;R90II,p152;R2,p312;M91) =5IE-1880-119, Jardin. Compare: 3IE-1877-131+hc, pastel (R90I,p157).
Berthe Morisot, 5IE-1880-120, Portrait, 1879, CR81, Young Woman Dressed for the Ball, 71×54, Orsay (iR2;iR59;iR23;iR8;R2,p328;R90II,p152)
Berthe Morisot, 5IE-1880-121, Tête de jeune fille. Maybe(???): 1870-80, Portrait of a Young Girl, xx, private (iR2;iR10;iR7;R100,p60). Compare: 1895, CR608, pastel
Berthe Morisot, 5IE-1880-122, Paysage. Maybe(?): 1880, CR92cp, 1879, Boats on the Seine (Villeneuve-la-Garenne), 26×50, WRM Cologne (iR2;iR6)
Berthe Morisot, 5IE-1880-123, Aquarelle. Maybe(??): 1879, CR642, Luncheon in the countryside (Meudon), wc, 14×22, A2015/03/25 (iR2;iR11;iR13;R100,p63)
Berthe Morisot, 5IE-1880-124, Aquarelle. Maybe(??): 1879, CR640, By the Water, wc, 21×28, private (iR2;iR6;R100,p63)
Berthe Morisot, 5IE-1880-125, Aquarelle. Maybe(??): 1879, CR644, Julie in her cradle, wc, 18×18, xx (iR10;iR135;iR6;R100,p63)
Berthe Morisot, 5IE-1880-127, Éventail. Maybe(?): 1880, CR646, Young Woman in a Rowboat, fan wc, d47, private, (iR2;iR10;R100,p63)
Camille Pissarro: 5IE-1880-128, Le scieur de bois; appartient à M. Gauguin =1879, CCP610, Père Melon Sawing Wood, 89×116, private (iR2;iR59;R2,p312+329;R116,CCP610;R90II,p152+168+289)
Camille Pissarro, 5IE-1880-129, Jardin. Maybe?: CCP622, 1880, The gardens at Le Valhermeil, Auvers-sur-Oise, 54×66, NG Prague (iR10;iR6;R116,CCP622;R2,p312;M140)
Camille Pissarro: 5IE-1880-130, Récolte des petits pois = 1880, CCP627, Harvesting peas, 60×73, private (iR59;R116,CCP627;R2,p312;R90II,p152+169) =London-SdI-1883-28 =DR1904-59. Provenance: Durand-Ruel (1881/01/14), Georges Petit (1883/04/24), Gérin (1904ca).
Camille Pissarro: 5IE-1880-131, Automne, chemin sous bois = 1878, CCP575, (A path) in the woods in Autumn, Pontoise, 81×66, A2001/02/05 (iR2;iR14;R116,CCP575;R2,p312;R90II,p152+169) Provenance: 1880 Caillebotte
Camille Pissarro, 5IE-1880-132, Paysage, route d’Ennery. Now: 1875, CCP408, View of the Maison des Mathurins (The Saint-Antoine Road at l’Hermitage), 52×81, Km Basel (iR2;R116,CCP408;R2,p312;M145)
Camille Pissarro, 5IE-1880-133, Récureuse de casserole. Now: 1879, CCP590, Woman Washing a Saucepan, 73×60, private (iR2;R116,CCP590;R2,p312;R90II,p152+169)
Camille Pissarro, 5IE-1880-135, Printemps. Maybe?: CCP443, 1876ca, Plum trees in bloom, Pontoise, 46×55, A2010/11/04 (iR10;iR114;iR11;R116,CCP443;R2,p312)
Camille Pissarro, 5IE-1880-136, Gardeuse d’oies (Mayenne), peinture sur ciment. Now: 1880, CCP628, Young gril carding wool, on cement, 56×46, Tate London (iR10;R116,CCP628;R2,p312;R90II,p152+169;M62)
Camille Pissarro, 5IE-1880-138, Éventail = 1882-83ca, Le pont de chemin de fer à Pontoise, fan, gouache on silk, 30×57, A2010/06/23 (iR11;iR35;iR6;iR10;R90II,p152+169;R2,p313)
Camille Pissarro, 5IE-1880-139-1, Paysage. Probably: 1879, D16+B18?, Wooded Landscape at l’Hermitage, Pontoise, etch 1st, 22×27, MFA Boston (R84,p242;R138XVII,no16;R85XI,p13;M22)
Camille Pissarro, 5IE-1880-139-2, Un cadré, Quatre états du paysage (le jour et la nuit). Perhaps: 1879, D16+B18?, Wooded landscape at L’Hermitage, Pontoise, etch, 22×27, MFA Boston (iR59;R46,p125;R138XVII,no16;R85XI,p13;R90II,p169;M22)
Camille Pissarro, 5IE-1880-139-3, Un cadré, Quatre états du paysage (le jour et la nuit). Probably: 1879, D16+B18?, Wooded Landscape at l’Hermitage, Pontoise, etch 6th, 22×27, MFA Boston (R84,p242;R46,p125;R138XVII,no16;R85XI,p13;R90II,p169;M22)
Camille Pissarro, 5IE-1880-139-4, Un cadré, Quatre états du paysage (le jour et la nuit). Probably: 1879, D16+B18?, Paysage sous bois à l’Hermitage, aquatint, 22×27, A2017/03/29 (iR11;R46,p125;
R90II,p169)
Camille Pissarro, 5IE-1880-140-1, Un cadre: Trois états de la foire de la Saint-Martin. =!? 1879, D21+B11, Foire de Saint-Martin à Pontoise, ps 1st state, 12×16, A2016/11/03 (R138XVII,no21;R90II,p153+170;R2,p312)
Camille Pissarro, 5IE-1880-140-3, Un cadre: Trois états de la foire de la Saint-Martin. =!? 1879, D21+B11, Foire de Saint-Martin à Pontoise, effet de pluie, etch ps, 12×16, A2016/11/03 (iR11;R2,p313;R138XVII,no21;R85XI,p13;R90II,p170)
Camille Pissarro, 5IE-1880-140-4, Un état, pointe sèche. Marchande des marrons. = 1878, D15+B7, Marchande des marrons (foire de la St.-Martin), etch, 21×16, Metropolitan (iR59;R138XVII,no15;R85XI,no7;R2,p313;R90II,p170;M23)
Camille Pissarro, 5IE-1880-141-1, Un cadre: Un état, Paysage, route et côteaux près Laroche-Guyon. Maybe: 1866ca, D5, La Roche-Guyon, etch, 27×22, xx (R138XVII,no5;R90II,p153;R2,p312)
Camile Pissarro, 5IE-1880-141-2, Un état, Effet de pluie. Probably: 1879, D24+B14, Effet de pluie (Rain Effect), dry point, 35×26, Ashmolean Oxford (aR2;iR11;R2,p313;R90II,p153+170;M66)
Camille Pissarro, 5IE-1880-141-3, Un état, vache et figure. Maybe: 1880, D27, Château de la Roche Guyon, 17×24, etch ps, A2016/11/03 (iR11;iR59;R2,p313;R90II,p153+170;R138XVII,no27). Also option for 5IE-1880-141-1.
Camille Pissarro, 5IE-1880-141-4, Un état, pointe sèche, côteaux de l’Hermitage, Pontoise. Probably: 1880, D28, Paysage à l’Hermitage, Pontoise, dry point, 11×12, A2017/09/19 (iR11;R2,p313;R90II,p153+170;R138XVII,no28)
Camille Pissarro, 5IE-1880-142-1, Un cadre: Trois états, paysage, masure. Probably: 1879, D20+B12, La Masure, etch, 3rd state, 16×17, A2016/11/03 (iR11;R2,p313;R90II,p153+171;R138XVII,no20;R85XI,no12)
Camille Pissarro, 5IE-1880-142-2, Un cadre: Trois états, paysage, masure. Probably: 1879, D20+B12, La Masure (The Old Cottage), etch 6th state, 16×17, Ashmolean Oxford (aR2;R2,p313;R90II,p153+171;R138XVII,no20;R85XI,no12;M66)
Camille Pissarro, 5IE-1880-142-3, Trois états, paysage, masure. Probably: 1879, D20+B12, The old cottage, coloured etch, 17×17, Josefowitz collection (R84,p131;R2,p313;R90II,p153+171;R138XVII,no20;R85XI,no12)
Camille Pissarro, 5IE-1880-142-4, Deux états, paysage, arbres et coteaux. Probably: 1879, D19, Chemin sous-bois à Pontoise, etch, 16×21, BM London (R90II,p171+153;R2,p312;R138XVII,no19;M181)
Camille Pissarro, 5IE-1880-143, Un cadre: Un état, petit bois à L’Hermitage, Pontoise. Probably: 1879, D17, Paysage en long, etch, 11×38, A2013/09/12 (iR11;R2,p313;R90II,p153+171;R138XVII,no17)
Jean-François Raffaëlli, 5IE-1880-144, Deux vieux = 1880ca, Deux anciens, oil, xx, xx (R90II,p171;R2,p313)
Jean-François Raffaëlli, 5IE-1880-145, Profil d’enfant. Maybe??: 18xx, La petite fille, 45×45, A2020/03/13 (aR10;iR85;iR10;R2,p313;R90II,p154)
Jean-François Raffaëlli, 5IE-1880-146, Terrains remblayés de démolitions. Maybe?: 1880-90, faubourgs parisiens (The outskirts of Paris), xx, NLm Hannover (iR204;aR11;iR35;iR6;R2,p313). Compare 6IE-1881-95.
Jean-François Raffaëlli, 5IE-1880-147, Rôdeur de barrières, aquarelle. Compare: 1881ca, A stroller and his dog, on panel, 54×37, A2016/12/04 (iR10;iR13;R2,p313;R90II,p154). Compare 6IE-1881-96.
Jean-François Raffaëlli: 5IE-1880-148, Salon d’attente d’un dentiste; appartient à M. Levallois =1878, At the dentist, on panel, 14×22, CM Utrecht (iR6;Mx;iR10;R90II,p171;R2,p313;M75) =se1884-38bis
Jean-François Raffaëlli, 5IE-1880-149, Jeune femme pensive après la lecture d’une lettre. Maybe??: 1880ca, Woman in a White Dressing Gown (La Toilette), xx, Frick Pittsburgh (iR8;iR10;iR114;R2,p313;R90II,p154)
Jean-François Raffaëlli: 5IE-1880-150, Maire et conseiller municipal; appartient à M. Salomon =1879ca, Mayor and town counselor, 54×73, private (R2,p331;R90II,p172) Compare: 5IE-1880-175.
Jean-François Raffaëlli, 5IE-1880-151, Jeune femme hésitant avant d’entrer dans le bain. Maybe?: 18xx, Femme à sa toilette (young woman about to do her washing), bâtonnet, 47×31, A2012/11/08 (iR11;iR14;iR2;iR204;R2,p313;R90II,p154)
Jean-François Raffaëlli, 5IE-1880-152, Homme tenant un sac à charbon; aquarelle. Compare: 1879, le chiffonnier, ink+wc on panel, 82×60, A2001/11/01 (iR204;iR11;iR6;iR10;R2,p313;R90II,p154). Compare S1879-4444 and 5IE-1880-161.
Jean-François Raffaëlli, 5IE-1880-153, Le mouvement, dans la route d’Argenteuil; pastel. Maybe??: 18xx, landscape with a peasant on the road, pastel, 42×58, A2007/06/19 (iR204;iR14;iR11;R2,p313)
Jean-François Raffaëlli, 5IE-1880-154, La route, hors les murs des fortifications, par la neige. Compare: 1xxx, Snowy landscape, 80×64, A2016/06/15 (iR13;iR11;R2,p313;R90II,p155) Compare 5IE-1880-168.
Jean-François Raffaëlli, 5IE-1880-155, Tête d’Auvergnat ; aquarelle et pastel. Compare: 1872, Portrait d’homme, pastel, 44×37, A2009/06/24 (iR13;iR17;R2,p313;R90II,p154)
Jean-François Raffaëlli: 5IE-1880-156, Balayeur, paysage des environs de Nice; appartient à M. Taigny =? 1879ca, The sweeper, on panel, 26×35, Axx (iRx;iR10;iR13;R2,p313;R90II,p154)
Jean-François Raffaëlli, 5IE-1880-157, Marchand d’habits sur la route d’Argenteuil (aquarelle et pastel). Maybe: 18xx, Le marchand des habits (Le Chiffonnier), on panel, 24×10, A2012/04/23 (iR15;iR11;R138XVI,no24;R2,p313;R90II,p154). Compare Delteil 24, se1884-9 and SNBA-1893-860.
Jean-François Raffaëlli, 5IE-1880-159, Tête de vieille femme; pastel. Compare: 1882-85ca, La Goulue (Louise Weber), 35×26, MBA Dijon (iR6;iR10;iR224;Mx;R2,p313;R90II,p154)
Jean-François Raffaëlli, 5IE-1880-160, Bonhomme tirant une brouette. Compare: 1xxx, Cityscape street scene, 45×53, A2019/08/18 (iR17;iR10;R2,p313;R90II,p154)
Jean-François Raffaëlli: 5IE-1880-161, Chiffonnier hors les murs; aquarelle. Compare: 1879, (The vagebond) On the road, 56×38, GM Beverly Hills (iR155;iR10;R90II,p172;R2,p313). Compare 6IE-1881-100.
Jean-François Raffaëlli, 5IE-1880-162, Type de balayeur. Compare: Balayeur (after Raffaëlli) dr, 20×9?, La Vie Moderne 1880/04/24 (R90I,p321;R2,p313)
Jean-François Raffaëlli, 5IE-1880-163, Type de chiffonnier. Probably: 1879, The Rag Picker, 21×9, MBA Reims (iR2;iR10;R90I,p321;R2,p313)
Jean-François Raffaëlli, 5IE-1880-164-1, Eaux-fortes et pointe sèche. Compare: 1882ca, D4, Tête de fille (Femme de Maison), etch, 15×11, Delteil (R138XVI,no4;R85XI,p58;aR7;R2,p313) Part of the painting: La forte chanteuse.
Jean-François Raffaëlli: 5IE-1880-164-2, Eaux-fortes et pointe sèche =?? 1876, D1-2, Mme J.F. Raffaëlli (tête de femme), etch, 12×9, Delteil (R138XVI,no1;R85XI,p58)
Jean-François Raffaëlli: 5IE-1880-164-3, Eaux-fortes et pointe sèche. Compare: 1884, D5, Head of a Ragpicker, ps, 12×9, CAI Williamstown (M26;iR10;iR40;R138XVI,no5;R85XI,p58)
Jean-François Raffaëlli, 5IE-1880-166-1, le marchand de marrons, eau-forte =1880, D137-2, the chestnut merchant, ps, 15×10, A2018/07/26 (iR10;iR94;iR42;iR11;R90II,p172;R138XVI,no137;R85XI,58;aR7) =se-1884-22 (aR14,p8).
Jean-François Raffaëlli, 5IE-1880-166-2, Les remparts du nord de Paris, eau-forte =1880, D138-3, The fortifications in the north of Paris, etch, 15×10, NYPL (iR61;R90II,p172;R138XVI,no138;R85XI,p58)
Jean-François Raffaëlli, 5IE-1880-166-3, La Bièvre, eau-forte =1880, D139-3, La Bièvre, etch, 14×9, Berson (R90II,p172;R138XVI,no139;R85XI,p58)
Jean-François Raffaëlli, 5IE-1880-166-4, Les maigres repas, pointe sèche =1880, D140, Les maigres repas (Les restaurants a bon marché), etch ps, 15×10, A2008/03/06 (iR11;aR7;R90II,p173;R138XVI,no140;R85XI,p58)
Jean-François Raffaëlli, 5IE-1880-168, Par de la brume et du vent; étude à l’aquarelle. Compare: 1xxx, Paysanne avec chiens près d’une maison (Banlieu de Paris), 30×40, A2011/06/21 (iR11;R2,p313)
Jean-François Raffaëlli, 5IE-1880-170, Homme portant deux pains Probably: 1879, Man carrying bread, oil, 46×33, A2006/10/24 (iR11;R90II,p173;R2,p313). Compare: se1884-17 (aR14,p8).
Jean-François Raffaëlli, 5IE-1880-171, Chiffonnière; Aquarelle. Compare: 18xx, Woman in a wasteland (a Gypsy), xx, private (iR204;iR2;iR122;R2,p313;R90II,p155) Compare 6IE-1881-95.
Jean-François Raffaëlli, 5IE-1880-172, Balayeur souffrant du froid. Compare: 1879 (or1884), A ragman lighting his pipe, 77×59, MBA Nantes (Orsay) (iR204;iR23;iR6;iR2;iR10;iR22;R2,p313;R90II,p155). Compare: 5IE-1880-179+hc1.
Jean-François Raffaëlli, 5IE-1880-173, La plaine de Gennevilliers. Compare: 1xxx, la plaine Saint-Denis, 66×87, A2011/06/21 (iR11;R2,p313;R90II,p155). Compare: se1884-128 (aR14,p16).
Jean-François Raffaëlli, 5IE-1880-174, Type de cantonnier. Maybe?: 1xxx, Le coq du cantonnier, xx, A2002/04/24 (iR11;R2,p313;R90II,p185)
Jean-François Raffaëlli, 5IE-1880-175, Dessin de mon tableau, Maire et Conseiller municipal. Compare: 1879ca, Mayor and town counselor, dr?, 54×73, xx (iRx;R2,p313;R90II,p154) Maybe?: se1884-150 (aR14,p17).
Jean-François Raffaëlli, 5IE-1880-176, Du soleil sur la grande route. Probably: 18xx, la route ensoleillée (bank of the Seine), on board, 65×83, A2015/12/15 (iR11;iR204;iR15;iR2;R2,p313;R90II,p156) Compare: Delteil 9.
Jean-François Raffaëlli, 5IE-1880-177, Un commissionnaire de Paris. Compare: Unknown artist, 18xx, Le commissionnaire, etch, xx, MC Paris (iR195;iR10;R2,p313;R90II,p156)
Jean-François Raffaëlli, 5IE-1880-178, Portrait. Maybe??: 18xx, Un ancien ministre, on panel, 24×16, A2002/03/21 (iR13;R2,p313)
Jean-François Raffaëlli, 5IE-1880-179, Anes et poules dans l’herbe; aquarelle. Compare: 1906, Les petits anes, colour etch, 45×56, A2016/06/22 (iR11;R138XVI,no69;R90II,p173;R2,p313)
Jean-François Raffaëlli, 5IE-1880-179+hc1, Jardinier allumant sa pipe. Maybe: 18xx, The woodcutter (lumberjack) and his dog, 226×106, MNBA Buenos Aires (iR6;iR22;R90II,p156;aR7,p232;aR14,p7;iR1) Compare: se1884-1 + SNBA1908-967.
Jean-François Raffaëlli, 5IE-1880-179+hc2, L’Homme en blouse. Compare: 1895, B14, L’homme à la canne (man with a staff), litho, 62×47, A2014/12/04 (iR11;R85XI,p58;R90I,p280)
Jean-François Raffaëlli, 5IE-1880-179+hc3, Chiffonnier et sa hotte. Compare: 1880, Chiffonnier et sa hotte (after T.F. Raffaëlli), dr, xx, L’Art93 (R90I,p322) =se1884-13, ragpicker mending his basket (aR14,p8).
Jean-Marius Raffaëlli, 5IE-1880-180-2, Six eaux-fortes. Maybe: 1880ca, Man playings billiards, etch, xx, Delteil 1923 (iR40;R138XVI,p201;R90II,p173)
Jean-Marius Raffaëlli, 5IE-1880-180-3, Six eaux fortes. Maybe: 1880ca, actor (or singer) on a stage), etch, xx, Delteil 1923 (iR40;R138XVI,p201;R90II,p174). Note: his older brother Jean-François was also a singer and actor.
Jean-Marius Raffaëlli, 5IE-1880-180-4, Six eaux fortes. Maybe: 1880ca, seated man drinking, etch, xx, Delteil 1923 (iR40;R138XVI,p201;R90II,p174)
Jean-Marius Raffaëlli, 5IE-1880-180-5, Six eaux fortes. Maybe: 1880ca, two man on a bench, etch, xx, Delteil 1923 (iR40;R138XVI,p202;R90II,p174)
Jean-Marius Raffaëlli, 5IE-1880-180-6, Six eaux-fortes. Maybe: 1880ca, two man carrying a stretcher (coffin) in the snow (St. Ouen), etch, xx, Delteil 1923 (iR40;R138XVI,p202;R90II,p174+156)
Henri Rouart, 1895-1912ca, Sbr, unknown title (baigneuses), 66×82, ?? (aR20). Compare: 5IE-1880-181, paysage.
Henri Rouart, 1874-80ca, Terrace on the Banks of the Seine at Melun, 47×66, Orsay (aR2;iR23;R2,p352;R90II,p156+174;R89,no63;R87,p253;R92,no12;M1). Option for: 5IE-1880-182, Melun and maybe 1IE-1874-150, Vue de Melun.
Henri Rouart, 18xx, S-, Allee arboree (Road with trees), 30×45, xx (aR17). Compare: 5IE-1880-183, étude + 8IE-1886-141, étude.
Henri Rouart, 1883, The Canal at Venice, wc, 16×26, DAG Louvre (M5a;iR23). Maybe: 5IE-1880-185-192, Venise (Aquarelle).
Henri Rouart, 18xx, Sbr, Pont St. Zanni et Paolo (Venise), wc, xx, private (R90II,p274). Probably: 8IE-1886-161, Pont St-Zanni et Paolo, Venise (aquarelle). Compare: 5IE-1880-185-192.
Henri Rouart, 1879 or 83ca, View on Venice, dr, xx, DAG Louvre (iR127;iR64;M5a). Compare: 5IE-1880-185-192, Venise (Aquarelle).
Henri Rouart, 1880ca, The church of San Michele in Isola, near Venice, 73×92, private (iR10;iR132;aR20;R92,no39). Compare: 5IE-1880-185-192, Venise (Aquarelle).
Henri Rouart, 1883ca, The church of San Michele, near Venice, 51×61, Orsay (iR6;iR23;aR20;M1;cpR92,no39). Compare: 5IE-1880-185-192, Venise (Aquarelle).
Charles Tillot, 18xx, The beach of Villers-sur-Mer (Calvados), on panel, 24×33, A2022/03/07 (iR11;iR18;R2) =? 2IE-1876-250 / 5IE-1880-195 / 6IE-1881-146, (Rochers et) plage à Villers
Charles Tillot, 18??, Fleurs, 98×77, A2015/04/15 (iR134;iR6;iR18;iR41;iR10) =? 4IE-1879-234 / 5IE-1880-200 / 8IE-1886-205, Pivoines et Iris (dans un vase de Delft)
Charles Tillot, 1877ca, Floral still life in blue vase, 81×67, A2008/11/20 (iR10=aR15;iR6;iR18;iR17;aR14=iR258;R89,p19) =? 5IE-1880-202, Chrysanthèmes; =? 8IE-1886-207, Chrysanthèmes
Eugène Vidal, 5IE-1880-207, Portrait de Georges Grand. Maybe: 1879, Portrait of a woman in Ermine, 85×54, A2019/11/20 (iR13;R2,p314;R90I,p308)
Eugène Vidal, 5IE-1880-210, Portrait de M. Gaston B. Maybe?: 1877, Man sitting with a cigarette, 36×27, Collection Frank Meissner Germany (aR1;iR11;R2,p314;R90I,p302). Compare also: 5IE-1880-215, Portrait de M. S.
Eugène Vidal, 5IE-1880-211, Femme en blanc. Maybe?: 18xx, The lady in white, 83×58, A2000/11/18 (iR13;R2,p314)
Eugène Vidal, 5IE-1880-212, Au café =18xx, L’attente (the waiting), ?cm, xx (iR10;iR94;iR64;R2,p314;R90I,p298+313)
Eugène Vidal, 5IE-1880-213, Tête de fillette = 18xx, Tête de fillette, pastel, 52×36, private New York (R90II,p174+157;R2,p314)
Eugène Vidal, 5IE-1880-214, étude de femme. Compare: 18xx, Portrait d’une élégante, 42×33, A2015/12/07 (iR13;R2,p314)
Victor Vignon, 5IE-1880-216, Effet de neige, Montesson. Maybe?: 1875-85ca, Sbr, Snow effect in a suburb, 25×33, CAI Williamstown (iR94;M26;R2,p314;iR1;R90I,p263;R90I,p308). =GP1919/12/01-223, Effet de neige dans un coin de banlieue, 25×33, Sbr (Former Hazard collection) (aR18=iR19;R232;R272,p30). Maybe?: BJ1921-35, Coin de village en hiver (R272,p31).
Victor Vignon, 5IE-1880-217, Rue à Clamart. Maybe?: 1875, Sbl, Entrance to a Village (La route bordée d’arbres), 46×55, A1996/06/25 (iR2;iR13;R2,p314;iR1;R90I,p263) =? DR1907/03/21-84, Sbl, Le chemin de Saint-Michel à Montbuisson, 46×55, Former Viau collection (R272,p30;aR7=iR261)
Victor Vignon, 5IE-1880-218, Chemin dans les vignes, étude. Compare: 18xx, Vast landscape with vines, 22×29, A2018/07/12 (iR13;iR11;R2,p314;iR1;R90I,p263;R90I,p308+313). Compare: GP1899/05/04-236, Le chemin des vignes, à Hédouville (Seine-et-Oise), 31×46, former Comte Armand Doria collection (aR14=iR40;R232;R154)
Victor Vignon, 5IE-1880-219, Chemin près Carrières Saint-Denis. Maybe??: 18xx, L’éclaircie (The clearing; Le sentier), 54×65, A1999/01/13 (iR13;R2,p314;iR1;R90I,p263)
Victor Vignon, 5IE-1880-220, Près les Gressets. Maybe??: 18xx, The Village Behind the Trees (village à travers les arbres), 33×40, A2010/03/25 (iR2;iR11;iR13;R2,p314;iR1;R90I,p263) =? H&S1938-30, Village vu à travers les arbres, 33×42 (R273)
Victor Vignon, 5IE-1880-221, La Seine, près la Grenouillère. Uncertain option: 18xx, Paysage, 21×35, Collection Frank Meissner Germany (aR8;R2,p314;iR1;R90I,p263). Maybe?: JC1927-20, Bord de l’eau (R272,p31).
Victor Vignon: 5IE-1880-222, Arbres fruitiers et maisons; appartiennent à M. Martin =? 18xx, Reed house in Cheneval, 33×46, A2019/12/05 (iR13;R2,p314;iR1;R90I,p263) =? GP1899/05/04-233, Chaumières à Chenival, 31×44, former Comte Armand Doria collection (aR14=iR40;R232;R154)
Victor Vignon, 5IE-1880-223, Chemin vert, près Chatou. Maybe??: 1878-85 (1880-85), Chemin des frileuses à Evecquemont, 46×65, Orsay (aR1;iR23;R272,no1;R2,p314;iR1;R90I,p263;M1)
Victor Vignon, 5IE-1880-224, Carrières, près Chatou. Compare: 1887-89, The Quarry, 26×35, A1987/10/21 (R272,no30;iR13;R2,p314;iR1;R90I,p263) =? BJ1894-9, 1888, Carrières à Nesles (aR9=iR19)
Federico Zandomeneghi, 5IE-1880-225, Mère et fille = 1879, CG73, SDbr, Mother and daughter, 62×52, IM Viareggio (R2,p333;R90II,p157+175;R203,no40;R204,no73) = solo expo Durand-Ruel 1893.
Federico Zandomeneghi, 5IE-1880-226, Portrait de M. Lanciani = 1880, CG75, SDbr, Le Dandy, 72×45, private (R90II,p175+158;R204,no75), former Durand-Ruel collection.
Federico Zandomeneghi, 5IE-1880-228, étude =?? 1879, CG72, SDbl, Mother and daughter (study for CG73), 67×52, private (iR167;R204,no72)
Federico Zandomeneghi, 5IE-1880-229-232, Eventails. Compare: 1885-94ca (or 1887ca), CG150, After the bath, fan pastel, 30×58, MC Pavia (iR10;iR167;R204,no150), former Durand-Ruel collection.
Federico Zandomeneghi, 5IE-1880-229-232, Eventails. Compare: 1905+, CG758, The nymph and the satyr, pastel fan, 19×60, private (R204,no758)
Clarification: On this page you find 272 suggestions for the about 309 art-works that were exhibited at the 5th ‘impressionist’ exposition in 1880. Probably no.8 of Caillebotte wasn’t exhibited, instead he exhibited a portrait outside the catalogue (=hc).
Note: the given suggestions vary from certain (=!), to almost certain (=?!), to uncertain (=?), to very uncertain (=??), to most uncertain (=???), to compare (=compare:) with another work of the artist, to compare with a similar work from another artist or even a photo. Sometimes (37x) I have no suggestion at all, namely for no. 27-1 (Cassatt); 108 + 109 + 111 (Levert); 137 + 140-2 + 142-5 (Pissarro); 158 + 167-1 + 169 (Jean-François Raffaëlli); 184 + 190 + 191 + 192 (Rouart); 193 + 194 + 196 + 197 + 198 + 199 + 201 + 203 + 204(1-4) + 205(1-4) + 206 (Tillot); 208 + 209 + 215 (Vidal); 227 + 231 + 232 (Zandomeneghi). Helas, of several options I could only find a picture in black and white, namely no.16 of Caillebotte; no.46 of Forain; no.80 of Guillaumin; no.92 of Lebourg; nos. 105 +106 +107 +110 of Levert; no.117 of Morisot; nos. 144 +162 +177 +hc2 +hc3 of J.F. Raffaëlli; no.213 of Vidal; no.226+230 of Zandomeneghi. The following suggestion given to compare are very weak: no.71 of Guillaumin and no.160 of J.F. Raffaëlli. See the accounts of the partaking artists. See link for an explanation of the subscriptions.
Recommanded citation: “Impressionism, a historical reconstruction: Slideshow of the 5th ‘impressionist’ exposition in 1880. Last modified 2023/09/27. https://www.impressionism.nl/1880-expo-slideshow/.”
Note: More accurate and extended suggestions will follow. Additional pictures will be added.
