Félix Bracquemond: 1IE-1874-25-1, La Locomotive = 1873, B336, Rain steam and speed (after Turner), etch, 22×26, Metropolitan (iR6;iR19;R2,p119;R90II,p17;R85III,no336;M23) =? SNBA-1907-171-111, Étude d’après un tableau de Turner “La Locomotive”, appartient à M. Jacquin
Félix Bracquemond showed the most art-works in 1874 !
On this page you will find an accounted impression of the 33 art-works Félix Bracquemond exhibited at the 1st ‘impressionist’ exposition of 1874. In 1874 Félix Bracquemond showed 32 etchings and 1 drawing, what made him in number of exhibited works the most important artist of the 1st ‘impressionist’ exposition in 1874. Several works he had exhibited earlier at the Salon. The etchings were presented within frames (catalogue numbers 23-28), number 24 depicted 12 portraits, number 25 five copies of paintings of other artists. Here below you will find impressions of those frames and the seperate pictures, that were (probably) exhibited. See account. Of the copies he made, several original pictures are also shown.
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Félix Bracquemond: 1853, SDtl, Self-Portrait as an etcher, drawing enhanced with pastel and gold-toned paint, 93×68, Harvard Cambridge (iR10;iR135;iR1;R73,p7;R52,p8;R85III,no1;R52,p8;M32) =S1853-169, Portrait de l’auteur, dessin; = EU-1855-2619, Portrait de l’auteur, dessin; =?? 1IE-1874-23, Portrait (dessin)
Félix Bracquemond: 1860, Portrait du Docteur Horace de Montègre, pastel, 59×45, Orsay (iR10;iR127;iR1;R231;R88;M1) =S1861-402, Portrait de M. le docteur H. de M…, dessin au pastel; =EU-C-1889-II-63, Portrait du Dr. H. de Montègre, pastel (app. à M. Michel Colombari); =!? EU-C-1900-744+hc, Portrait du Docteur Horace de Montègre; =SNBA-1907-171-14, Portrait du Docteur Horace de Montègre (appartient à Mme. Ferrari); =??? 1IE-1874-23, Portrait (dessin).
Félix Bracquemond: 1860ca, Croquis de Bracquemond, Portrait de l’auteur, dr, 10×17, A2015/11/26 (iR239;iR10) =??? 1IE-1874-23, Portrait (dessin)
Félix Bracquemond: 1IE-1874-74-24, Cadre d’eaux-fortes: Portraits de MM.
Félix Bracquemond: 1IE-1874-24-1, Portrait de M. Robert = 1873, SDbl, B94-4, Portrait of Louis Robert, administrateur de Sèvres, etch, 34×24, Metropolitan (iR6;iR284;R2,p119;R90II,p15;R85III,no94;M23) =!? SNBA-1907-171-81, Portrait de Louis Robert, adminstrateur de la Manufacture de Sèvres.
Félix Bracquemond: 1IE-1874-24-2, Portrait de M. Meyer Heine = 1872, B80-2, Meyer-Heine, chef émailleur de la manufacture de Sèvres, etch, 35×26, New York PL (iR61;R2,p119;R90II,p15+3;R85III,no80;R2,p119)
Félix Bracquemond: 1IE-1874-24-3, Portrait de M. Hoschedé =1871, B63-2, Hoschedé, d’après nature, etch 2of2, 30×20, New York PL (iR61;iR10;iR284;R90II,p15;R2,p119;R85III,no63) =SNBA-1907-171-91b.
Félix Bracquemond: 1IE-1874-24-4, Portrait de M Edwards = 1872, B38, Edwin Edwards, etch, 16×15, BNF Paris (iR6;iR284;R73,p45;R2,p119;R90II,p15;R85III,no38) =!? SNBA-1907-93c.
Félix Bracquemond: 1IE-1874-24-5, Portrait de M Aug Comte =!? 1851, B22, Portrait of Auguste Comte, founder of the religion of humanity (1798-1857), etch, 19×14, New York PL (iR10;iR19;R52,p138-9;R85III,no22;R90II,p16+3;R2,p19) =SNBA-1907-171-85
Félix Bracquemond: 1IE-1874-24-5, Portrait de M Aug Comte. Option 2: 1855, B23, portrait d’Auguste Comte, etch, 16×13, BNF Paris (iR61;R52,p156;R85III,no23;R2,p119)
Félix Bracquemond: 1IE-1874-24-6, Portrait de M. Ch. Kean = 1871, B66, Charles Kean, etch, 23×17, in Gazette des Beaux-Arts (1884) + L’Artiste (1891/04) (iR6;iR48;iR284;R2,p119;R90II,p16;R85III,no66) =!? SNBA-1907-171, 94a, Portrait de Charles Keen.
Félix Bracquemond: 1IE-1874-24-7, Portrait de M A Legros. Option 2: 1861, B73-1, Alphonse Legros, etch, 32×22, NSW Sydney (iR61;iR6;iR10;R85,no73;R90II,p16;R2,p119;R85III,no73;M121)
Félix Bracquemond: 1IE-1874-24-7, Portrait de M A Legros. Option 1: 1861, B73-2, Alphonse Legros, etch, 17×12, Metropolitan (iR10;M23;iR61;iR284;R2,p119;R85,no73;R90II,p16) =!? SNBA-1907-171-91a.
Félix Bracquemond: 1853, B77, Charles Meryon, graveur, etch, 20×15, BNF Paris (iR61;iR1;iR26;R52,p35;R2,p119;R90II,p16;R85III,no77) Option 1 for: 1IE-1874-24-8, Portrait de M Meryon; EU-C-1889-VII-60, Portrait de Méryon, d’après nature, eau-forte.
Félix Bracquemond: 1854, B78, Portrait of Charles Meryon, etch, ?cm, Metropolitan (iR6;iR1;R52,p36-38;R85III,no78;M23) Option 2 for: 1IE-1874-24-8, Portrait de M Meryon; EU-C-1889-VII-60, Portrait de Méryon, d’après nature, eau-forte.
Félix Bracquemond: 1857, B49, Théophile Gautier (after Nadar), etch, 16×12, BM London (iR6;iR61;iR1;R52,p171;R2,p119;R90II,p16;R87,p231;R85III,no49;M147) =S1859-3529, Portrait de M. Th. Gauthier; eau-forte; =1IE-1874-24-9, portrait de Th. Gautier; =SNBA-1907-171-90.
Félix Bracquemond: 1IE-1874-24-10, Portrait de M. Th. Gautier (le Tombeau) =1873, B50, Le tombeau de Théophile Gautier, etch 4of4, 35×26, New York PL (iR61;iR10;R85III,no50;R90II,p16+4;R2,p119)
Félix Bracquemond: 1IE-1874-24-11, Portrait de M Baudelaire =!? 1861, B10, Charles Baudelaire (after his own drawing), etch, 35×26, New York PL (iR61;R87,p232;R2,p119;R90II,p17+4;R85III,no10)
Félix Bracquemond: 1869, Portrait of Charles Baudelaire, after his own design of 1848, etch, 28×18, Metropolitan (M23;R85III,no13;R2,p119;R90II,p4) =? 1IE-1874-24-11, Portrait de M Baudelaire
Félix Bracquemond: 1869, B11, Baudelaire (after Emil de Roy, 1844), etch, 30×21, Cleveland MA (iR6;M27;iR10;R85III,no11;R90II,p4;R2,p119) =?? 1IE-1874-24-11, Portrait de M Baudelaire.
Félix Bracquemond: 1869, B13, Baudelaire after Courbet, etch, xx, New York PL (iR10;iR61;R85III,no13) =??? 1IE-1874-24-11, Portrait de M Baudelaire
Félix Bracquemond: 1IE-1874-25-1, La Locomotive = 1873, B336, Rain steam and speed (after Turner), etch, 22×26, Metropolitan (iR6;iR19;R2,p119;R90II,p17;R85III,no336;M23) =? SNBA-1907-171-111, Étude d’après un tableau de Turner “La Locomotive”, appartient à M. Jacquin
William Turner (1875-1851): 1844ca, Rail, Steam and Speed (the Great Western Railway), 91×122, National Gallery London (iRx;M61)
Félix Bracquemond: 1IE-1874-25-3, Le Divan = 1863, B279, Young woman reclining, in Spanish costume (as a transvestite) (after Manet), etch, 30×42, New York PL (iR61;iR10;iR284;R88;R2,p119;R90II,p17;R87,p232;R85III,no279) =!? SNBA-1907-171-109, Jeune femme en costume espagnol, d’après Manet.
Edouard Manet (1832-83): 1862-63, RW59, Reclining Young Woman in Spanish Costume, 95×114, Yale New Haven (iR6;aR1;R71,no52;R213,no67;R120,no59;M33) =Martinet-1863-130; =ENBA-1884-20, Jeune femme couchée, en costume espagnol (appartient à M. Nadar)
Félix Bracquemond: 1IE-1874-25-4 Le Tournoi, d’après Rubens = 1862-64, B274, A tournament (after Rubens), etch, 34×44, BM London (iR10;iR105;iR1;iR19;R2,p119;R90II,p17;R85III,no274;M147) =SdR-1863-658, Le tournoi d’après Rubens (eau-forte); S1864-2850, Le Tournoi, d’après le tableau de Rubens, du Musée du Louvre; eau-forte; =!? SNBA-1907-171-114, Un Tournoi, d’après Rubens.
Peter Paul Rubens (1577-1640): 1635-40, Tournoi médiéval près des fossés d’un château, ow, 72×106, Louvre (iR127;M5)
Félix Bracquemond: 1IE-1874-25-6, La Servante, d’après Leys =1868, B280-3, The servant (after Leys), etch, 14×23, New York PL (iR10;iR61;iR284;R90II,p18+4;R2,p119;iR10;R85III,no280) =!? SNBA-1907-171-110.
Félix Bracquemond: 1IE-1874-25-2, Le Lièvre = 1872, B277, The Hare a Misty Morning (after A. de Balleroy), etch, 16×25, BNF Paris (iR10;iR19;R73,p39;R2,p119;R90II,p17;R85III,no277) = SNBA-1907-171-113, Le lièvre, d’après Balleroy, (appartient à M. Jacquin).
Félix Bracquemond: 1IE-1874-25-6, La Servante, d’après Leys =? 1868, B280-4-1, The servant (after Leys), etch, 25×15, BM London (iR10;iR61;iR19;R2,p119;R85III,no280;M147) =SNBA-1907-171-110, La Servante, d’après Leys.
Félix Bracquemond: 1IE-1874-25-5, La Source, d’après Ingres = 1849-70ca, B275, The source (after Ingres), etch, 31×35, NYPL (iR61;iR19;R2,p119;R90II,p18;R85III,no275) =!? SNBA-1907-171-105, La Source, d’après Ingres, appartient à M. Ch. Jacquin.
Ingres (Jean-Auguste-Dominique; 1780-1867): 1856, La Source, 163×80, Orsay (M1)
Félix Bracquemond: 1IE-1874-26-1, Les Saules =!? 1852-82, B190, The willows of Mottiaux, etch 2of3, 20×30, New York PL (iR61=aR1;R90II,p18+4;R2,p119;R85III,no190)
Félix Bracquemond: 1854-56ca, B122, Les Saules, etch, 9×10, BNF Paris (HW;R52,noAb10;R90II,p18+4;R2,p119;R85III,no122) =? 1IE-1874-26-1, Les Saules
Félix Bracquemond: 1IE-1874-26-2, Les arbres de la manufacture à Sèvres =!? 1873, B209, Étude de paysage (Study of a landscape), etch 2of3, 14×32, New York PL (iR61;iR10;R73,p46;R90II,p18+4;R2,p119;R85III,no209)
Félix Bracquemond: 1IE-1874-26-2, Les arbres de la manufacture à Sèvres =?? 1856ca, B123, Arbres dans le parc de Saint-Cloud (Trees in the Saint-Cloud park), etch, 16×21, xx (iR10;R52,p61;R2,p119;R90II,p4)
Félix Bracquemond: 1853, B131, Deux gros troncs de charme devant un mur (Two large hornbeam trunks in front of a wall), etch, 34×45, New York PL (iR61;iR10;iR6;R85III,no131;R52,p50;R2,p119) =?? 1IE-1874-26-3, Les Charmes.
Félix Bracquemond: 1IE-1874-26-4, Les Bouleaux =!? 18xx, B170, Les Bouleaux (Birch trees), etch, 21×15, New York PL (R90II,p18+4;R185III,no170;R2,p119)
Félix Bracquemond: 1IE-1874-26-4, Les Bouleaux =? 1853, B128, Trois bouleaux avec un enfant (three birch trees with a child), etch, 13×9, private (iR61;R52,p49;R2,p119;R90II,p4;R85III,no128)
Félix Bracquemond: 1IE-1874-26-5, La Montée de Bellevue =!? 1873, B210, Le chemin de Bellevue et deux maisons de la rue Brongniar, à Sèvres (The Bellevue road and two houses in the rue Brongniar, in Sèvres), etch, 10×32, Virginia MFA Richmond (iR10;R2,p119;R90II,p18+4;R2,p119;R85III,no210;M220)
Félix Bracquemond: 1868, B188, La scierie du Bas Meudon (the sawmill), etch, xx, xx (iR10;iR241;iR6;iR1;R90II,p4;R2,p119;R185,no188) =S1870-5105 or 5106, Vues prises au Bas-Meudon; =? 1IE-1874-26-5, La Montée de Bellevue.
Félix Bracquemond: 1IE-1874-26-6, Le Mur = 1868, CR183, La Seine près de Passy, etch ps, 24×31, New York PL (iR61;R73,p43;R2,p119;R90II,p19+4;R85III,no183)
Félix Bracquemond: 1IE-1874-26-7, Les Bachots = 1858ca, B161, Bachots au bord de la Seine (Boats on the banks of the Seine), drypoint etch, 25×35, BNF Paris (iR61;R52,p73;R73,p37;R2,p119;R90II,p18)
Félix Bracquemond: 1IE-1874-27-1, Le Chemin du parc = 18xx, B208, The road in the parc, etch, 22×23, BNF Paris (R90II,p19+5;R85III,no208;R2,p119)
Félix Bracquemond: 1IE-1874-27-2, Frontispice pour les ‘Fleurs du mal’ = 1857, B378-1, frontispiece for Baudelaire’s Les Fleurs du Mal, etch, xx, BNF Paris (R87,p231;iR6;R73,p37;R90II,p19;R2,p119;R85III,no378)
Félix Bracquemond: 1IE-1874-27-2, Frontispice pour les Fleurs du mal =!? 1861, B378-2, Unpublished frontispiece for Baudelaire’s Les Fleurs du Mal, etch 2/2, 18×12, Metropolitan (iR6;iR19;R73,p37;R2,p119;R90II,p19;R85III,no378;M23) =!? SNBA-1907-171-166b, Les “Fleurs du mal”du Baudelaire; (Frontispice non publié).
Félix Bracquemond: 1IE-1874-27-3, Margot la critique = 1854, B113, Margot la Critique, etch 1/3, 22×19, Metropolitan (iR6;iR10;iR1;R52,p86-8;R2,p119;R90II,p19;R85III,no113;M23) =EU-1855-4602, Margot la critique; eau-forte; =Lyon-1863-87; =EU-C-1889-VII-64, Margot la critique, eau-forte originale; =SNBA-1907-171-145a, Margot le critique.
Félix Bracquemond: 1857, B158, Le Bois de Boulogne (les cascades), etch, 16×12 or 55×35, Metropolitan (iR6;iR19;R52,p65;R90II,p19+5;R2,p119;R85III,no158;M23) =!? 1IE-1874-27-4, Bois de Boulogne; SNBA-1907-171-120, Le Rond des chênes, Bois de Boulogne.
Félix Bracquemond: 1858ca, B157, Le Lac du Bois de Boulogne, etch, 15×20, Metropolitan (iR6,R52,p70;R85,no157;R90II,p5;R2,p119;M23) =? 1IE-1874-27-4, Bois de Boulogne
Félix Bracquemond: 1857, B159, Extrémité du lac du Bois de Boulogne avec la cascade, etch, xx, xx (iR61;R85III,no159;R2,p119;R90II,p5) =? 1IE-1874-27-4, Bois de Boulogne
Félix Bracquemond: 1IE-1874-27-5, La mort de matamore (Capitaine Fracasse) = 1852-82, B177, The death of Matamore (topic taken from Capitaine Fracasse), etch, 16×23, BNF Paris (iR61;iR26;R2,p119;R90II,p20)
Holbein II (1497-1543): Erasme, 43×33, Louvre (M5;iR10)
Clarification:
Many suggestions are quite certain, though mostly it is not clear which state of an etching Bracquemond showed. Sometimes I render two or more uncertain options. See my account and identification of paintings. The frames are compositions of my own phantasy using the accounted suggestions. My main sources for the pictures are the NYPL digital collection (=aR1=iR61), commons.wikimedia (=iR6) and Google images (iR10). See for the other sources at the bottom of the main page on Félix Bracquemond. See link for explanation of the subscriptions.
