Introduction: January and February 1905 there was a large exhibition held in London at the Grafton Galleries called “painting lent by Messrs. Durand-Ruel and Sons of Paris; pictures by Boudin, Cézanne, Degas, Manet, Monet, Morisot, Pissarro, Renoir, Sisley“.
On this page you will find an impression of these works. I render them by form and in an alphabetical order. At the bottom of this page you will find more info and an account.
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Paul Cézanne: 1877 (1879-82ca), V373=FWN439, Portrait of Victor Chocquet, seated, 46×38, Columbus MA (iR2;iR194,no439;R48,no501;R34,p35;R163,p60;R189,no373;M156) Expos: =Vienna-EdI-1903-59, Portrait des Herrn Chocquet (Durand-Ruel); 2SdA-1904-SPC-23, Portrait de M. Chocquet (à MM. Durand-Ruel et fils); London-GG-1905-42, Portrait of M. Chocquet (1879), lent by Galerie Durand-Ruel.
Paul Cézanne: 3IE-1877-25, Paysage; Étude d’après nature =? 1875-77, V173=FWN107, La Côte des Boeufs (Saint-Denis), Pontoise, 65×54, private (iR2;iR194,no107;R189,no173;R90II,p88+71;R2,p203;R48,no176) =London-GG-1905-44, In the woods (1883), lent by Galerie Durand-Ruel.
Paul Cézanne: 3IE-1877-21, Étude de fleurs. Option: 1874 (1873-77), V181=FWN733, Vase of flowers (on a flower rug), 61×50, private (iR10;iR247;iR194,no733;R189,no181;R48,no217;R90II,p87;R2,p203) =Vienna-1903-64; =? London-GG-1905-48, Flowers in a vase (1880) (iR194,no733).
Edgar Degas: 1875-76 (1882-86), CR686, Stl, Les Blanchisseuses, 79×73, private (iR10;aR23;R26,no595;R114,no686) Provenance: Fauré; Durand-Ruel 1893/01/03. Expos: =London-GG-1905-63; compare: 2IE-1876-41, Blanchisseuses;
Edgar Degas: 1876ca (1887ca), CR685, Woman Ironing, thinned oil, 81×66, NGA Washington (M21;iR2;iR8;R26,no597;R2,p161;R90I,p58) =London-GG-1905-68. Compare: 2IE-1876-49, Blanchisseuse (silhouette). Assigned by Faure 1874 and owned 1887-93.
Paul Gauguin: 1899, SDbr, W592, Still life with flowers and cats, 92×71, NCG Copenhagen (iR185;R128,no592;R36,no413;M90) Provenance: 1900/10ca de Monfreid; 1905-1916ca Ambroise Vollard; Expos: Vienna-1907/03/15-59; Budapest-1907/05-37; =? London-GG-1910/11-31; Saint-Petersbourg-XIX-1912-120; Copenhagen-XIX-1914-105.
Berthe Morisot: 3IE-1877-121, La Psyché =1876, 1=2CR64, Psyche, 65×54, TBC Lugano or MTB Madrid (iR4;iR2;iR59;R90II,p78;R186,no64;M100) Provenance: Doria; sale 1899/05/04-57; Durand-Ruel. Expos: DR1902-10; London-1905-GG-159.
Auguste Renoir: 1875, Sbr, 1F166, The Source, 131×78, Barnes (iR6;R108,no124;R30+R193,no166;R190,no162;R185,no369;M25) Provenance: HD1875/03/24-45, La source (130×77), withdrawn by bidding of 110fr; Duret; 1889/04/29 Durand-Ruel (first on deposit); 1906/02/03 Prince de Wagram; Expo: SdA1904-16; London-GG-1905-222.
Auguste Renoir: 1IE-1874-142, La Loge = 1874, 1CR116=1F125, SDbl, The theater box, 80x64cm, Courtauld London (iR2;R87,p251;R2,p107;R90II,p12+28;R1,p334; R108,no116;R30=R193,no125;R190,no120;R31,no26;R231-1+2;M60) Provenance: 1874 Père Martin (425fr); Louis Flornoy; 1899/02 Durand-Ruel till 1925. Expos: London-SFA-1874-12; Nantes-1886-893; DR1892-63; DR1899-74; = EU-1900-C-562, La loge (1874) (à Mme A.F. Aude); 11LE-1904-128; London-GG-1905-251.
Auguste Renoir: 1IE-1874-141, Danseuse = 1874, 1CR110=1F126, SDbr, The Dancer, 142×94, NGA Washington (iRx;R87,p251;R2,p140;R90II,p12+27; R108,CR110;R30=R193,no126;R190,no121;R31,p197;M21,no1942.9.72) Provenance: Durand-Ruel; 1878 Deudon; 1899/03/08 Durand-Ruel. Expos: DR1883-36; DR1899-73; EU-1900-C-561, Une danseuse (1874) (à Mme J. Durand-Ruel); Vienna-EdI-1903-48; London-GG-1905-240; London-GH-1914-67; DR1920-25.
Alfred Sisley: 1880ca, Sbr, CR425=CCPP420, (Road along) the bank of the Seine at Saint-Mammès, 74×54, Dallas MA (iR10;iR174;iR166;iR2;iR11;R129,no425;R396,no420;M36) Bought by Durand-Ruel 1881/07/28. Expos: =?? 7IE-1882-179, Saint-Mammès; =London-GG-1905-292.
Paul Cézanne: 3IE-1877-18, Nature morte. Option: 1877-79 (1873-77), V197=FWN745, The desert (Still life with bottle glass fruit and dessert), 59×73, Philadelphia MA (iR10;iR94;iR6;iR59;iR194,no745;R189,no197;R90II,p87;R2,p194;R48,no196;M28) =London-GG-1905-39, Dessert (1878); =18SdI-1902-321, Nature morte.
Paul Cézanne: 3IE-1877-22, Paysage; Étude d’après nature =!? 1875-76, V158=FWN102, (La Route) Le mur d’enceinte, 50×65, private (iR59;iR194,no102;R189,no158;R90II,p70+87;R2,p203;R48,no159) =London-GG-1905-40, The road (1872), lent by Galerie Durand-Ruel.
Paul Cézanne: 3IE-1877-17, Nature morte. Option: 1873-79ca, V196=FWN744, Pommes et gâteaux, 46×55, A2005/11/01 (iR11;iR194,no744;R189,no196;R90II,p186+70;R2,p203;R48,no195) =2SdA-1904-SPC-20, Nature morte (loan by Durand-Ruel); =London-GG-1905-43, Apples and Cakes (1877).
Paul Cézanne: 3IE-1877-19, Nature morte. Option: 1873-77ca, V207=FWN742, Dish of apples (Le plat de pommes), 46×55, Metropolitan (iR2;iR59;iR194,no742;R189,no207;R90II,p87;R2,p203;R48,no206;M23) =2SdA-1904-SPC-21, Nature morte (loan by Durand-Ruel); =London-GG-1905-45, Apples (1877)
Claude Monet: 1882, CR751, SDbl, Edge of the cliffs at Pourville, 61×100, private (iR6;iR10;iR7;R22,no751) Provenance: 1882/10 Durand-Ruel; 1883 Clapisson; 1891 Durand-Ruel. Expos: DR1883-10; London-D&D-SdI-1883-1; =? GP1889-58; DR1899/04-20; London-GG-1905-141; DR1908-p-36.
Claude Monet: 1882, CR758, SDbr, Walk on the cliff at Pourville, 65×81, Chicago AI (M20;iR6;iR8;iR10;R22,no758) Provenance: 1882/10 Durand-Ruel. Expos: London-SdI-1883-32; DR1883-20; 11LE-1904-109; London-GG-1905-157; DR1914/03-30.
Claude Monet: 1882, CR734, SDbr, The fisherman’s house, overcast weather, 60×73, private (iR10;iR64;iR94;R22,no734) Provenance: 1882/04 Durand-Ruel. Expos: =? London-EI-1882-4; DR1883-3 or 27; DR1899/04-16; London-GG-1905-144.
Claude Monet: 1886, CR1088, SDbl, The Pyramids at Port-Coton, effet de soleil, 64×64, private (iR6;iR10) Provenance: 1890 Durand-Ruel. Expos: London-GG-1905-103; Vienna-FI-1911-4.
Claude Monet: 2IE-1876-159, Les Dahlias =? CR286, 1873, Monet’s Garden at Argenteuil (The Dahlias), 61×83, NGA Washington (iR10;iR6;R22+R127,CR286;M21,no1991.27.1) Provenance: Durand-Ruel (1873/12). Expo: =DR-1899-2; London-Grafton-1905-149.
Claude Monet: 4IE-1879-158, Les Charbonniers (1875), appartient à M. Hayem = CR364, 1875ca, Sbr, The Coal-Dockers, 55×66, Orsay (iR2;iR23;R22+R127,CR364;R2,p269;R90II,p135;M1,RF1993.21) Provenance: HD1875/03/24-16, Les Charbonniers (55×65) -> Hecht (255fr); Hayem (1879ca); …; Victor Desfossés (1894), sale DR1899/04/26-47; Durand-Ruel. Expo: =London-Grafton-1905-138. Location: Asnières road bridge with view on the Clichy bridge.
Claude Monet: 2IE-1876-149, La Seine à Argenteuil =!? CR373, 1875, SDbr, The Seine at Argenteuil, 60×80, A2014/06/23 (former FAM San Francisco) (iR2;iR14;R2,p179;R90II,p56;R22+R127,CR373;M30) Provenance: Faure (1875/09); Durand-Ruel (1893/01); Expos: =DR1883-13; =GP1889-28; =DR1899-5; London-GG-1905-126; New York-DR1926-12.
Berthe Morisot: 1874, Sbl, 1CR36=2CR36, La Chasse aux Papillons (Chasing butterflies), 47×56, Orsay (iR6;R3,p123;R46,p23;R100,p26+no36;R186,no36;R88II,p451;R186,no32;M1) Provenance: HD1875/03/24-23, Les papillons (47×56) -> Duez (245fr); Durand-Ruel . Expos: DR1896-74; DR1902-47; London-GG-1905-166; MAD-1907-84.
Berthe Morisot: 1875, 1=2CR55, The Jetty (On the beach; Isle of Wight), 24×51, VMFA Richmond (iR2;iR6;R2,p169;R90II,p42;R100,no55;R186,no55;M220) Provenance: sale 1879/03/29-76; Chocquet; sale 1899/07/01-86; Pridoneff?. Expos: =BVc-1892-14; =DR1902-53; =London-1905-GG-164. Suggested for 2IE-1876-171, West Cowes, Île de Wight (R2,p169), but probably this doesn’t fit.
Auguste Renoir: 1873, Sbl, 1F160, Monet painting in his garden (in Argenteuil), 61×50, WA Hartford (iR51;M162;R31,no23;R108,no131;R30+R193,no160;R190,no156;R1,p285) Provenance: Decap; HD1896/04/17-87 -> Durand-Ruel (800fr); Georges Feydeau; sale 1902/06/14-17 -> Durand-Ruel (4.700fr); Expo: London-GG-1905-258; DR1910-36; DR1916/06-29.
Alfred Sisley: 1881ca, Sbl, CR450=CCPP449, Boatyard of Matrat, a February morning near Moret-sur-Loing, 50×65, A1999/06/29 (iR2;iR15;iR11;iR10;R129,no450;R396,no449) Provenance: 1881/03/03 Durand-Ruel. Expos: =? 7IE-1882-168, Cabane au bord de l’eau; =DR1899-143; London-GG-1905-282.
Alfred Sisley: 1874, SDbr, CR110=CCPP145, The Seine near Bougival, winter morning, 53×27, A2013/02/05 (iR10;iR6;iR14;iR11;R116II,p124;R2,p123;R129,no110;R396,no145) Provenance: Jules Feder; 1892/06/25 Durand-Ruel; Expos: compare: 1IE-1874-165, Port-Marly, soirée d’hiver; =DR1899-129; =London-GG-1905-283
Alfred Sisley: 1873, SDbl, CR74=CCPP103, The Seine at Port-Marly, 33×46, private (R396,no103;R129,no74;R88II,p451;iR40;iR19) (compare: HD1875/03/24-65, Bord de la Seine (33×46) (60fr) -> Durand-Ruel); 1880 Durand-Ruel (till 1933); Expos: =?? NY-AAG-1886-232, On the banks of the Seine; =London-GG-1905-285.
Alfred Sisley: 1874, CR113=CCPP147, SDbl, View of the Thames and Charing Cross Bridge, 33×46, NG London (iR10;iR335;iR135;iR2;R38;R166,p48;R129,no113;R396,no147;R88II,p451;M61) Provenance: =? HD1875/03/24-53, Vue de la Tamise (33×46) -> Durand-Ruel (120fr); 1876 Durand-Ruel; Expos: DR1899-116; GPR1904-14; London-GG-1905-286.
Alfred Sisley: 1IE-1874-161, Route de Saint-Germain; appartient à M. Durand-Ruel =? 1872, SDbl, CR55=CCPP59, Effet de neige à Bougival, route de Saint-Germain, 46×61, private (R355,p180+;R396,CCPP59;R129,CR55) Bought by Durand-Ruel 1873/02/27; =London-GG-1905-289.
Alfred Sisley: 1IE-1874-164, Verger =? 1873, SDbr, CR62=CCPP88, Apple trees in bloom, Spring morning (Pommiers en fleurs, Louveciennes), 50×73, A2013/05/08 (iR2;iR11;R2,p123;R90I,p25;R410,p176+272;R129,CR62;R396,CCPP88) Provenance: 1891 Durand-Ruel till 1936/10/19. Expos: =DR1899-128; =London-GG-1905-290.
Alfred Sisley: 1873, SDbr, CR72=CCPP101, The Seine at Port-Marly, 50×65, private (iR10;iR155;iR94;R116II,p189;R166,p48;R2,p123;R129,CR72;R396,CCPP101) Bought by Durand-Ruel in 1874. Expos: =!? 1IE-1874-163, La Seine à Port-Marly (sold for 1000fr); =London-GG-1905-293.
Alfred Sisley: 1872ca, Sbl, CR39=CCPP48, The Seine at Bougival, 51×66, Yale New Haven (iR2;R53,p60;R38;R166,p36+263;R129,no39;R396,no48;M33) Provenance: 1872 till 1939 Durand-Ruel. Expos: =? Reims-1873-?, Saint-Ouen (sent in by Durand Ruel); =London-GG-1905-294.
Alfred Sisley: 1884, SDbl, CR512=CCPP566, Les coteaux de la Celle-sous-Moret, vus de Saint-Mammès, 54×73, A2012/02/08 (iR10;iRx;iR14;R129,no512;R396,no566) Provenance: Faure; 1900/03/01 Durand-Ruel. Expos: GP1897-8; London-GG-1905-297; Manchester-1907-178.
Alfred Sisley: 1872, SDbl, CR41=CCPP47, Banks of the Seine at Bougival, 55×73, private (R166,p37+42+52,note39+50+58+61;R129,no41;R396,no47) Provenance: 1873/02 Durand-Ruel. Expos: =??? Vienna-EU-1873, The great avenue (R166,p51,note 9); =?? Tours-1882-311, Banks of the Seine (loan by Durand-Ruel); =?? DR1883-solo-?, Banks of the Seine; =?? Berlin-Gurlitt-PI-1883-?; =?? London-DG-EtI-1884-?5, Banks of the Seine; =London-GG-1905-299.
Alfred Sisley: 1876, SDbr, CR213=CCPP224, At the foot of the Aqueduct at Louveciennes, 46×55, SOR Winterthur (iR2;R53,p62;R90II,p45;R129,no213;R396,no224;M87) Provenance: 1876 Durand-Ruel; Chevallier; sale HD1903/05/04-112; Durand-Ruel. Expos: =!? 2IE-1876-242, Le Chemin des Aqueducs, appartient à M. Durand; =London-GG-1905-301; DR1910-79.
Alfred Sisley: 1880-81ca, Sbl, CR420=CCPP429, Banks of the Loing, Autumn Effect, 66×82, MdI Jerusalem (iR4;iR8;iR11;R166,p48;R90I,p407;R129,no420;R396,no429;M130) Expos: =?? 7IE-1882-176, Soleil d’hiver à Veneux; =DR1899-141; London-GG-1905-305. Provenance: Durand-Ruel 1891/08/25-1907/06/15.
Alfred Sisley: 1888, SDbl, CR674=CCPP780, L’allée des paupliers à Moret-sur-loing, temps couvert le matin, 60×73, A1982/11/04 (iR10;iR14;R129,no674;R396,no780) Provenance: Decap; 1893/07/25 Durand-Ruel till 1929/06/04. Expos: DR1902-10; London-GG-1905-307; DR1910-76; NYDR-1917-12; NYDR-1921-2; NYDR-1927-27.
Alfred Sisley: 7IE-1882-164, Au bord du Loing =!? 1881ca, Sbr, CR410=CCPP473, River banks at Veneux-Nadon, 60×81, Johannesburg AG (iR6;R2,p395;R90II,p212;R219,no410;R396,no473;M136) Provenance: Durand-Ruel 1882/02/27 – 1910/04/14. Expos: DR1899-140; DR1902-5; London-GG-1905-309.
Account: On this page I render the suggestions done by my sources. I couldn’t find an online catalogue.
The following works of Boudin were (posthumously) shown:
The following works of Cézanne were shown:
The following works of Degas were shown: (no.68=CR685=MS585;no.63=CR686=MS586).
The following works of Manet were (posthumously) shown:
The following 55 works of Monet were shown; (catalogue no.103-157): CR184 +256 +286 +302 +364 +373 +443 +452 +533 +544 +549 +552 +566 +608 +642 +722 +727 +734 +751 +756 +758 +759 +826 +851 +877 +878 +888 +997 +1004 +1042 +1070 +1088 +1108 +1160 +1168 +1185 +1191 +1203 +1212 +1245 +1266 +1277 +1288 +1292 +1312 +1322 +1357 +1398 +1440 +1463 +1470 +1476 +1517 +1639 +1642 (R22IV,p1019)
The following works of Morisot were (posthumously) shown:
The following 59 works of Renoir were shown: 1F166 (R30,no166;R31,p316)
The following (at least) 40 works of Pissarro were (posthumously) shown : CCP188 +293 +347 +372 +485 +551 +586 +621 +629 +632 +647 +649 +653 +691 +708 +725 +728 +735 +779 +783 +788 +789 +812 +976 +1012 +1067 +1116 +1118 +1127 +1160 +1166 +1205 +1222 +1263 +1290 +1343 +1345 +1351 +1391 +1442 (R116I,p366). The numbers in the catalogue were between no.171 – 219.
The following works of Sisley were (posthumously) shown: CCPP 15 +29 +47 +48* +59* +79 +87 +88* +101* +103* +108 +110 +145* +147* +161 +224* +275 +333 +349 +355 +390 +402 +403 +412 +420* +428 +429* +449* +473* +545 +562 +566* +568 +577 +587 +589 +604 +780 +840 +843 (R396,p528;R166,p48).
Sources: My main sources are the Catalogue Raisonné on Monet (Wildenstein, 1996=R22IV,p1019); the 2nd Catalogue Raisonné on Morisot (Clairet, 1997=R186); catalogues on Renoir: Raeburn (1985=R31); Dony / Brown (R30=Fezzi, 1972=R193); Fezzi (1985=R190); Ehrlich White (1984=R430); Bailey (2007=R460*); catalogues on Pissarro: the critical catalogue (2005=R116I,p366); catalogues on Sisley: the Critical Catalogue** (2021=R396); Stevens (1992=R166).
Other sources are:
For other general references (=R) see. For other references to internet sites (=iR) see. For other additional references (=aR) see below. See links for practical hints and abbreviations and for the subscription of the paintings.
