Meta-Impressionism/ other exhibitions:

Salon

de la Société Nationale des Beaux-Arts

1892

Introduction:
On this page you will find short information and some of the pictures exhibited at the Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1892. First you will find some paintings and than some other art-works. Extra attention is given to the partakers of the ‘impressionist’ expositions and related artists.

Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!

The Salon SNBA of 1892, short info:
The Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1892 started the 7th of May at the Champ-de-Mars in the Palais des Beaux-Arts in Paris. The catalogue mentions 727 partakers and 1774 numbers (iR1). This Salon had a jury, but awarded no medals.
10 partakers of the ‘impressionist’ expositions did show art-works↓, including Sisley.
Pre-impressionists that joined were namely:
Para-impressionists that joined were namely:
Neo-impressionists that joined were namely:
Post-impressionists that joined were namely: Osbert.
Meta-impressionists that joined were namely:
Note: additional info will follow.

Exhibited art-works by the ‘impressionist’:
10* of the 57 partakers of the ‘impressionist’ expositions showed about 102* art-works at the Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1892. Including Boudin (8x); Bracquemond (1 engraving); Brandon (11x +25dr); Colin (9x); Desboutin (6x); Lebourg (8x); Meyer (8 enamels); J.F. Raffaëlli (9x +4p +2sc); Sisley (7x); Vidal (2x +2p).
The art-works will be rendered by form and alphabettically; first the paintings, than the other art-works. Note: several suggestions are uncertain or just to compare; for many works I don’t have a suggestion.
Note*: I still have to do a double check. I count the number of exhibited art-works, not the amount of catalogue numbers. See also the accounts of these artists (in the left or bottom sub-menus).

Eugène Boudin: 1892, CR2885, SDbl, Beaulieu, La baie de Fourmis, 55x90, Metropolitan (iR6;iR35;iR1;R122,no2885;M23) =SNBA1892-141, Beaulieur, La Baie des Fourmis. Provenance: 1892/05/10 Durand-Ruel. — Eugène Boudin: 1892, CR2885, SDbl, Beaulieu, La baie de Fourmis, 55×90, Metropolitan (iR6;iR35;iR1;R122,no2885;M23) =SNBA1892-141, Beaulieur, La Baie des Fourmis. Provenance: 1892/05/10 Durand-Ruel.

Eugène Boudin: 1892, CR2895, SDbr, La Rade de Villefranche, 56x90, MBA Nice (iR6;iR127;iR10;iR1;R318,no139;R122,no2895;M206) =SNBA-1892-143, Villefranche; La Rade (-> bought by the State; 2.500fr) — Eugène Boudin: 1892, CR2895, SDbr, La Rade de Villefranche, 56×90, MBA Nice (iR6;iR127;iR10;iR1;R318,no139;R122,no2895;M206) =SNBA-1892-143, Villefranche; La Rade (-> bought by the State; 2.500fr)

Gustave Colin, 18xx, A Game of Pelota under the Walls of Hondarribia (Fontarabie), 33x43, A2020/06/22 (iR10;iR11;iR23;iR1) Maybe?: SNBA-1892-246, Pelotaria basque. Compare: SdR1863-hc, Joueurs de Pelote. — Gustave Colin, 18xx, A Game of Pelota under the Walls of Hondarribia (Fontarabie), 33×43, A2020/06/22 (iR10;iR11;iR23;iR1) Maybe?: SNBA-1892-246, Pelotaria basque. Compare: SdR1863-hc, Joueurs de Pelote.

Gustave Colin, 18xx, Fortress at dusk, on panel, 27x35, A2019/12/13 (aR19;iR1;aR5) Maybe: SNBA-1892-248, La Digue de Socoa + HD1882-7, Le Fort de Socoa à l’entrée de la rade de Saint-Jean-de-Luz. Soir. 28×41 — Gustave Colin, 18xx, Fortress at dusk, on panel, 27×35, A2019/12/13 (aR19;iR1;aR5) Maybe: SNBA-1892-248, La Digue de Socoa + HD1882-7, Le Fort de Socoa à l’entrée de la rade de Saint-Jean-de-Luz. Soir. 28×41

Gustave Colin, 1877ca, High Tide, Saint-Jean de Luz, ?cm, xx (iR10;iR1) Maybe?: SNBA-1892-248, La Digue de Socoa + SNBA-1896-315, Digue de mer.

Albert Lebourg: SNBA-1892-643, Une Route couverte de neige; après-midi =?? 1888ca, Sbl, 1CR963, Road on the banks of the Seine at Neuilly in Winter, 50x73, Orsay (iRx;iR23;iR2;iR1;R3,p313;R390,no963;M1) =GP1918 — Albert Lebourg: SNBA-1892-643, Une Route couverte de neige; après-midi =?? 1888ca, Sbl, 1CR963, Road on the banks of the Seine at Neuilly in Winter, 50×73, Orsay (iRx;iR23;iR2;iR1;R3,p313;R390,no963;M1) =GP1918

Albert Lebourg: 1887ca, Sbl, Pont du Château, 62x102, A2016/07/24 (iR17;iR1) =?? SNBA-1892-644, Pont du Château (bords de l’Allier) — Albert Lebourg: 1887ca, Sbl, Pont du Château, 62×102, A2016/07/24 (iR17;iR1) =?? SNBA-1892-644, Pont du Château (bords de l’Allier)

Jean-François Raffaëlli, SNBA1892-827, la route au soleil. Maybe?: 18xx, la route ensoleillée (bank of the Seine), on board, 65x83, A2015/12/15 (iR11;iR204;iR15;iR2;iR1;aR7). Compare Delteil 99 + 5IE-1880-176. — Jean-François Raffaëlli, SNBA1892-827, la route au soleil. Maybe?: 18xx, la route ensoleillée (bank of the Seine), on board, 65×83, A2015/12/15 (iR11;iR204;iR15;iR2;iR1;aR7). Compare Delteil 99 + 5IE-1880-176.

Alfred Sisley: 1891, SDbl, CR772=CCPP873, Haystacks at Moret, morning light, 73x92, NGV Melbourne (iR2;R129,no772;R396,no873;R38;M122) Provenance: Depeaux; sale HD1901/04/25-57 + GP1906/05/31-233 -> Durand-Ruel. Expos: SNBA-1892-943, Meules de Paille, effet de matin; GP1897-81; Manchester-1907-185; DR1910-78. — Alfred Sisley: 1891, SDbl, CR772=CCPP873, Haystacks at Moret, morning light, 73×92, NGV Melbourne (iR2;R129,no772;R396,no873;R38;M122) Provenance: Depeaux; sale HD1901/04/25-57 + GP1906/05/31-233 -> Durand-Ruel. Expos: SNBA-1892-943, Meules de Paille, effet de matin; GP1897-81; Manchester-1907-185; DR1910-78.

Alfred Sisley: 1890, SDbl, CR739 (Lane of poplers at Moret) =CCPP838, Le chemin de Grez, near the banks of the Loing, 60x73, A2012/11/07 (iR11;iR15;iR2;iR1;R129,no739;R396,no838) Expo: =? SNBA-1892-947, Le vieux Chemin de Grez au soleil couchant. Provenance: sale HD1894/05/29-54. — Alfred Sisley: 1890, SDbl, CR739 (Lane of poplers at Moret) =CCPP838, Le chemin de Grez, near the banks of the Loing, 60×73, A2012/11/07 (iR11;iR15;iR2;iR1;R129,no739;R396,no838) Expo: =? SNBA-1892-947, Le vieux Chemin de Grez au soleil couchant. Provenance: sale HD1894/05/29-54.

Jean-François Raffaëlli, SNBA1899-2249, La promenade du dimanche. Probably: 1898, D35-1, La promenade du dimanche, colour etch, 16x17, xx (aR7,p56+;R138XVI,no35). Art-works: fltr: SNBA-1891-80; SNBA-1891-1357; unknown landscape with horse and man; unknown flower still-life; unknown (Paris?) scene; unknown chionnier (?); Les deux vieux (?S1879-2502; SNBA1892-1559; SNBA-1892-1560; 18xx, painting (street scene), 65x81, NMAAD Oslo (iR6) — Jean-François Raffaëlli, SNBA1899-2249, La promenade du dimanche. Probably: 1898, D35-1, La promenade du dimanche, colour etch, 16×17, xx (aR7,p56+;R138XVI,no35). Art-works: fltr: SNBA-1891-80; SNBA-1891-1357; unknown landscape with horse and man; unknown flower still-life; unknown (Paris?) scene; unknown chionnier (?); Les deux vieux (?S1879-2502; SNBA1892-1559; SNBA-1892-1560; 18xx, painting (street scene), 65×81, NMAAD Oslo (iR6)

Jean-François Raffaëlli, SNBA1892-1560, Tête de petits bourgeois (bronze), exemplaire unique fondu à cire perdue par Gruet. Maybe?: 18xx, Discussion de Politique, bronze, xx (aR7,p170;iR1)

Edouard Brandon: 18??, Sbl, Young choir-boys in the synagogue, on panel, 13x7, A2016/12/15 (iR14;iR11;iR1) Compare: SNBA-1892-155, SNBA-1892-155, Messe capitulaire. Compare: EU-1900-C-II-746, Deux chantres; dessin rehaussé de pastel (à M. Henri Rouart). — Edouard Brandon: 18??, Sbl, Young choir-boys in the synagogue, on panel, 13×7, A2016/12/15 (iR14;iR11;iR1) Compare: SNBA-1892-155, SNBA-1892-155, Messe capitulaire. Compare: EU-1900-C-II-746, Deux chantres; dessin rehaussé de pastel (à M. Henri Rouart).

Marcellin Desboutin: 1892 (1886-96), Pierre-Joseph Ravel (father of Maurice) , xx, xx (iR6;iR3;R158,p273) =!? SNBA-1892-332, Portrait de l’ingénieur Ravel

Jean-François Raffaëlli, SNBA1892-824, Les vieux convalescents. Now: 1892, The recovering patients, 142x111, Orsay (iR204;iR23;iR2;aR7;iR1) — Jean-François Raffaëlli, SNBA1892-824, Les vieux convalescents. Now: 1892, The recovering patients, 142×111, Orsay (iR204;iR23;iR2;aR7;iR1)

Alfred Sisley: 1891, SDbl, CR786=CCPP882, The Orvanne and the Canal du Loing in Winter, 74x61, A2018/05/15 (iR2;iR14;R129,no786;R396,no882) Expo: =SNBA-1892-942, L'Orvanne et le Canal du Loing en hiver; BJ1907-7. Provenance: Jeanne Dietsch-Sisley sale HD1909/05/18-5. — Alfred Sisley: 1891, SDbl, CR786=CCPP882, The Orvanne and the Canal du Loing in Winter, 74×61, A2018/05/15 (iR2;iR14;R129,no786;R396,no882) Expo: =SNBA-1892-942, L’Orvanne et le Canal du Loing en hiver; BJ1907-7. Provenance: Jeanne Dietsch-Sisley sale HD1909/05/18-5.

Alfred Meyer: SNBA-1892-81-2, Thermomètre, email In: Revue des Arts Décoratifs 1892-1893, page 4 (iR40;iR1)

Jean-François Raffaëlli: 18??, Portrait de ma fille (à ma chère femme; Germaine à 17 ans), ?cm, unknown location (aR7,p126;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R...); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille. — Jean-François Raffaëlli: 18??, Portrait de ma fille (à ma chère femme; Germaine à 17 ans), ?cm, unknown location (aR7,p126;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R…); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille.

Jean-François Raffaëlli: 18xx, Portrait of Mlle Raffaëlli, 55x32, A1994/03/16 (iR13;aR14,p14;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R...); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille. — Jean-François Raffaëlli: 18xx, Portrait of Mlle Raffaëlli, 55×32, A1994/03/16 (iR13;aR14,p14;iR1;R231-3) Expos: =? =? SNBA-1892-1335, Portrait de Germaine, (Appartient à Mme R…); =? SNBA-1896-1042, Portrait de ma fille Germaine; =? EU-1900-D-cl7-1562, Portrait de ma fille.

Jean-François Raffaëlli, SNBA1892-1559, Bonhomme assis (plâtre). Maybe: 18xx, Bonhomme assis sur un banc, bronze, (aR7,p165;iR1)

Exhibited art-works by other artists:
Here below you will find some art-works (mainly paintings) of some other artists that were exhibited at the Salon de la Société Nationale des Beaux-Arts (=SNBA) of 1892. You will find them by form and in an alphabetical order. This will not give you an overall impression (that is outside the scope of this website). Namely works of pre-impressionist, para-impressionist and other related artitsts will be shown. Namely the following artists showed paintings: Breslau; Osbert.
Note: additional info and pictures will follow.

Louise Catherine Breslau (1856-1927): 1891, Portrait de Mlle Adeline Poznanska (La petite fille au chien blanc), pastel, 131x77, Orsay (iR10;iR108;R231-3+13;M1) Expos: SNBA-1892-1126; =!? EU-1900-D-CH-38, Portrait de petite fille au chien blanc; pastel (-> golden medal) — Louise Catherine Breslau (1856-1927): 1891, Portrait de Mlle Adeline Poznanska (La petite fille au chien blanc), pastel, 131×77, Orsay (iR10;iR108;R231-3+13;M1) Expos: SNBA-1892-1126; =!? EU-1900-D-CH-38, Portrait de petite fille au chien blanc; pastel (-> golden medal)

Alphonse Osbert (1857-1939): 1892, Vision of Saint Genevieve, 235x138, Orsay (M1;iR6;iR10;R298,no159) Expos: SNBA-1892-779; 2SRC-1893-167; GP1895-1. — Alphonse Osbert (1857-1939): 1892, Vision of Saint Genevieve, 235×138, Orsay (M1;iR6;iR10;R298,no159) Expos: SNBA-1892-779; 2SRC-1893-167; GP1895-1.

Sources:
See at the bottom of the main page on the Salon.
See link for explanation of the subscription of the pictures.

Recommanded citation: “Meta-Impressionism / other exhibitions: Salon de la Société Nationale des Beaux-Arts of 1892; info and pictures. Last modified 2025/09/12. https://www.impressionism.nl/1892-salon-snba/”

Note: additional info and pictures will be added.

Please be reluctant, when you quote from this webpage, which is under construction.
The information is incomplete and maybe partly incorrect.