Introduction: In 1892 the 9th exhibition of Les XX (les vingts) was held in Brussels. On this page you will find short information and some of the art-works that were exhibited by Les Vingtistes and the invited artists, namely also the partakers of the ‘impressionist’ expositions.
Note: If you double click on the first (of a cluster of) pictures and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
1892/02/? (=9XX-1892):
1892, February: 9e Exposition des XX.
The following ‘impressionist’ partakers were present: Cassatt, Lucien Pissarro, Signac (R106,p419;R5,p184;iR3;R312,p64). Some claim Camille Pissarro also exhibited (R5,p184;R88II,p211), this is not confirmed by other sources (R116I,p363). There also was a retrospective with 18 paintings of Seurat (iR3).
Other participants were Neo-Impressionists like: Luce; and Post-Impressionists like: Denis, Toulouse-Lautrec. And from England: Wilson Steer, Ford Madox-Brown (a Pre-Raphaellite); and from Holland: Thorn-Prikker (a Symbolist) (R5,p184;iR3;R306,p139).
Paul Signac: 1891, CR220, opus 221, Concerneau, Sardine fishing (adagio), 65×81, MoMa New York (iRx;R39no56;R106,no220;M41) =9XX-1892-2a =8SdI-1892-1131 =Anvers-ApA-1892 =3LE-1896-391 =Brussels-1922-35
Georges Seurat: 8IE-1886-178, La rade de Grand-Camp =1885, DR154, La rade de Grandcamp, 64×80, A2018/05/08 (iR11;iR15;iR6;R183,no154;R207,p122-6;R90II,p252+275;R2,p446+465) =2SdI-1886-355 =4XX-1887-3 =RI1888/01 =9XX-1892-3 =8SdI-1892-1092 =RB1900-18 =EU-C-1900-610 =1LE-1904-144
Paul Signac: 1891, CR217, opus 220, Concarneau, Evening calm (Allegro Maestoso), 65×81, Metropolitan (iR10;iR6;R39,no55;M23) =9XX-1892-3b =8SdI-1892-1129 =EIS-1892-117 =SdI-R-1926-2366
Paul Signac: 1891, CR215, opus 219, Concarneau, morning calm, 66×82, private (iR10;iR114;R39,no54;R106,no215) =9XX-1892-4c =8SdI-1892-1128 =Anvers-ApA-1892
Georges Seurat: 8IE-1886-176, Le bec du Hoc (Grand-Camp) =1885, DR153 dH159, Le Bec du Hoc, Grandcamp, 66×82, Tate London (iR2;iR6;iR11;R3,p271;R183,no153;R2,p446;R90II,p252+275;R207,p122-7;M62) =2SdI-1886-354 =4XX-1887-2 =RI1888/02 =9XX-1892-4 =1LE-1904-145
Paul Signac: 1891, CR219, Opus 222, Concarneau, Rentrée des Chaloupes (presto finale), 66×82, private (iR10;iR6;R39,p165;R6,p319;R106,no219) =9XX-1892-6e =8SdI-1892-1130 =Anvers-ApA-1892
Georges Seurat: 1886, DR168 dH173, The Hospice and Lighthouse of Honfleur, 65×82, NGA Washington (iR2;iR6;R3,p272;R2,p468;R183,no168;R207,p124/5;M21) =Nantes-1886-968 =4XX-1887-5 =3SdI-1887-439 =Anvers-ApA-1892-2 =9XX-1892-6 =8SdI-1892-1095 =11LE-1904-146 =21SdI-1905-37 =Saint-Petersbourg-1912-593
Georges Seurat: 1886, DR162, Entrance to the Port of Honfleur, 54×64, Barnes Philadelphia (iR2;R207,p125;R183,no162;M25) =3SdI-1887-443 =9XX-1892-7 =8SdI-1892-1096
Georges Seurat: 1886, DR171, Embouchure de la Seine à Honfleur, soir, 78×94, MoMa New York (iR6;iR8;R183,no171;R207,p124-7;M41) =4XX-1887-7 =3SdI-1887-441 =RI1888/01 =Anvers-ApA-1892-3 =9XX-1892-8 =Brussels-1935-75 =EU-New York-1940-367
Georges Seurat: 1886, DR169 dH164, La Maria, Honfleur, 53×64, NG Prague (iR6;R3,p273;R207,p444;R183,no169;M140) =3SdI-1887-444 =9XX-1892-9 =8SdI-1892-1097 =? Saint-Petersbourg-1912-592
Georges Seurat: 1887-88, DR181 dH187, La Parade de cirque (Circus Sideshow), 100×150, Metropolitan (iR6;R3,p300;R183,no181;R207,p87+126;M23) =4SdI-1888-614 =9XX-1892-10 =8SdI-1892-1084 =RB1900-32 =EU-New York-1940-366
Georges Seurat: 1886-88, DR178, The models (Poseuses), 200×250, Barnes Merion (iR6;R174,p175;R3,p301;R183,no178;M25) =4SdI-1888-163 =6XX-1889-1 =Anvers-ApA-1892-4 =9XX-1892-11
Georges Seurat: 1888, DR188, Port-en-Bessin, The outer harbour, high tide, 65×81, Orsay (iR2;iR6;R183,no188;R207,p129;M1) =6XX-1889-6 =6SdI-1890-730 =9XX-1892-12 =8SdI-1892-1100 RB1900-30
Georges Seurat: 1888, DR184, Port-en-Bessin, The Outer Harbor (Low Tide), 54×66, Saint Louis AM (iR6;iR11;R356;R183,no184;R207,p128/9;M157) =6XX-1889-7 =6SdI-1890-729 =9XX-1892-13 =8SdI-1892-1101 =21SdI-1905-38 =SdI-R-1926-3219
Georges Seurat: 1888, DR183, The Seine at La Grande-Jatte, Spring, 65×82, MRBA Brussels (iR6;R183,no183;R207,p128M80) =6SdI-1890-734 =9XX-1892-15 =11LE-1904-147 =17LE-1910-168
Georges Seurat: 1889, DR192, Le Crotoy, Downstream (morning), 71×86, private (iR6;iR2;R207,p129;R183,no192) =5SdI-1889-241 =8XX-1891-3 =Anvers-ApA-1892-5 =9XX-1892-16 =8SdI-1892-1103 =Grafton-1910-54 =Brussels-1935-76
Georges Seurat: 1890, DR203, The Channel at Gravelines, Evening, 65×82, MuMa Le Havre (iR6;iR8;R183,no203;M15) =8XX-1891-7 =7SdI-1891-1106 =Anvers-ApA-1892-6 =9XX-1892-17 =8SdI-1892-1107 =11LE-1904-150 -21SdI-1905-3
Georges Seurat: 1890, DR207, The canal of Gravelines, in the direction of the sea, 73×93, KMM Otterlo (iR6;R183,no207;R207,p129+130;M72) =8XX-1891-5 =7SdI-1891-1104 =9XX-1892-18 =11LE-1904-149 =21SdI-1905-40
Paul Signac: 1890, CR211, opus 217, Portrait of Félix Fénéon (Sur l’émail d’un fond rythmique de mesures et d’angles, de tons et de teintes), 74×93, MoMa New York (iR2;R39,no51;R106,no211;R3,p321;M41) =7SdI-1891-1107 =8XX-1892-1 =GP1893-347 =PP1934-11
Jan Toorop (1858-1928): 1892, The young generation, 97×110, MBB Rotterdam (iR6;iR10;R298,no243;M70) Expos: 9XX-1892-?; 1SRC-1892-?
Georges Seurat: 1886, DR166 dH163, Corner of the Harbour of Honfleur, 80×63, KMM Otterlo (iR2;iR6;R3,p273;R207,p125R183,no166;M72) =2SdI-1886-357 =4XX-1887-4 =Anvers-ApA-1892-1 =9XX-1892-5 =8SdI-1892-1094 =RB1900-27 =21SdI-1905-36 =? 17LE-1910-167
Georges Seurat: 1888-90, DR195 dH200, Young woman powdering herself, 95×79, Courtauld London (iR6;R3,p319;R183,p195;M60) =6SdI-1890-727 =9XX-1892-14 =8SdI-1892-1085 =RB1900-35
Georges Seurat: 1890-91, DR211 dH213, Le Cirque (The Circus), 186×151, Orsay (iR6;R3,p329;R207,p94+130;R183,no211;M1) =7SdI-1891-1102 =9XX-1892-19 =8SdI-1892-1087 =RB1900-39 =21SdI-1905-1087 =Venice-1920-53 =Brussels-1935-74
Recommanded citation: “Meta-Impressionism / other exhibitions: Les XX, 9th exhibition in Brussels in 1892. Last modified 2025/02/11. https://www.impressionism.nl/1892-les-xx/”
