Introduction: In total the partakers of the ‘impressionist’ expositions did loan 46 art-works of there colleagues. 20 of them were works of Pissarro, 9 of Degas and 5 of Monet. The largest loaners were Caillebotte (19x) and Rouart (10x). On this page you first will find all the loans for the 8 ‘impressionist’ expositions that were owned by a ‘collegue’.
Apart from these loans, it is interesting to see if the ‘impressionists’ collected each others art-works. Again notably are the large collections of Gustave Caillebotte and Henri Rouart. Namely in the 1890s Edgar Degas would also gether a large collection. Others more incidentally bought each others works or exchanged them. Many of the other ‘impressionists’ became more wealthy at the end of their lifes. So at posthumous auctions there were several works in their collections. (Note: the information and pictures rendered are limited and will be extended later.)
This owning each others works is an indication of mutual connections and so an indirect indication of belonging to the same circle of friends and an indication of how involved they were in the impressionist art-movement. The information and the pictures will be rendered in an alphabetical order of the owner and than alphabetical of the artist.
Armand Guillaumin, 8IE-1886-74, Damiette, paysage du matin; appartient à M. Z. Astruc =?? 1884ca (or 1887ca), CR114, Chemin à Damiette (apple trees), 54×81 (or 61×100), Orsay (iR2;iR22;R3,p351;R124,no114;R2,p445;M1), former Personnaz collection.
Claude Monet: 1867, CR84, The Church of Saint-Germain-l’Auxerrois, 79×98, NG Berlin (iRx;R22,no84;M52) Provenance: Astruc; Durand-Ruel (1872/06); Hoschedé (sale 1878/06/05, 505fr); Faure (1889ca). =London-5SFA-1872-9 =GP1889-2
Brandon, loans and collection: Brandon, who had only joined the 1st ‘impressionist’ exposition, owned 3 works that Degas exhibited in 1874, including 2 of a laundress (nos.55+57+61). In 1882 Brandon bought a pastel of Morisot (see 1IE-1874-109) (R87;R88). The posthumous auction sale (1897/12/13+14) included also a drawing made by Legros: Portrait of a litte girl holding her doll (no.96), which was soled for 95fr (aR4); 1 etching by Bracquemond (no.122, The geese) and 7 by Legros (no.132bis) (aR4;iR3).
Edgar Degas: 1IE-1874-55, Classe de dance; appartient à M. Brandon = 1870-72ca, CR297, The Dancing Class (Le Foyer), 20×27, Metropolitan (iR2;iR59;aR23;R90II,p7+22;R2,p120;R90I,p29+37;R26,no296;R47,p50;M23) Provenance: Durand-Ruel 1872/01/12; Brandon 1872/02; expo Durand-Ruel London-1876-2; Henry Hill since 1875ca-1889.
Edgar Degas: 1870-73ca (1882-86ca), CR276, The Laundress Ironing (La Blanchisseuse Repassant), oil, 70×71, Reading PM (iR8;iR10;aR23;R26,no366;R2,p120;R114,no276) Compare: 1IE-1874-57, Une blanchisseuse; appartient à M. Brandon
Edgar Degas: 1898-1900ca (1870-86ca), CR277, Woman Ironing, pastel+drawing, 71×48, A2021/11/11 (iR2;iR15;iR10;iR13;aR23;R26,no365;R2,p120) Compare: 1IE-1874-61, Une blanchisseuse, pastel; appartient à M. Brandon. Provenance: Vollard.
Bureau, collection: There was a Dr. Bureau living in Paris that once owned CCP48 made in 1860 of Pissarro and first owned by his friend P. Lecreux in Lille (R116,CR48). It is unclear if this is our Pierre-Isidore Bureau. 1927/05/20: at Georges Petit there was an auction of the collection of a Paul Bureau, it included CR105 of Monet (R22,CR105). Is there a connection with the Pierre-Isidore Bureau, who had joined the 1st ‘impressionist’ exposition?
Gustave Caillebotte, loans and collection: Gustave Caillebotte was an important collector. He owned 19 works that were exhibited at the ‘impressionist’ expositions, namely in 1877 + 1879. He owned 3 works that Degas exhibited in 1877 (nos.37+45+47). He owned 4 works exhibited by Monet (3IE-1877-115; 4IE-1879-143+144; 7IE-1882-69). He owned 11! works of Pissarro; 3 exhibited in 1877 (nos.163+180+181); 8! exhibited in 1879 (nos.181+182+183+184+185+186+192+204). He also owned 1 work that Renoir exhibited in 1877 (no.185).
Caillebotte would collect much more art-works. In his bequest he left his collection to the state, but just a part, that is now in the Musée d’Orsay, was excepted.
Edgar Degas, 3IE-1877-37, Femmes devant un café, le soir; appartient à M. C. = 1877, CR419, Women on a Café Terrace in the Evening, pastel over monotype, 41×60, Orsay (iR2;iR59;R26,no430;R90I,p181;R90II,p72+89;R27,p42;R2,p204+197;M1) Caillebotte bequest.
Edgar Degas: 3IE-1877-45, Femme sortant du bain; appartient à M. C. =!? 1877ca, CR422, Woman Leaving Her Bath, pastel on monotype (lithograph), 16×22 (23×31), Orsay (iR2;aR23=MS1240;R205,no175;R26,no427;R90II,p73+90;R2,p204+195;R114,no422;M1) Caillebotte bequest.
Edgar Degas, 3IE-1877-47, Choristes; appartient à M. C. = 1877, CR420, The Chorus (Les Figurants), pastel over monotype, 27×31, Orsay (iR2;iR59;R90II,p73+91;R26,no416;R114,no420;R2,p204;M1) Caillebotte bequest.
Auguste Renoir: 3IE-1877-185, La Balançoire (app. à M. C…) =1876, CR202, The swing, 92×73, Orsay (iR52;R90II,p81+100;R2,p206+234;R108,no202;R8,p320;R32,p37;R30,no242;R31,no39;M1) Caillebotte bequest.
Claude Monet: 3IE-1877-115, Intérieur d’appartement; appartient à M.G.C. = CR365, 1875, Appartement Interieur (or: A Corner of the Apartment), 80×60, Orsay (iR2;R22+R127,CR365;R2,p228;R90II,p96;M1,RF2776) Provenance: HD1875/03/24-14; bought back by Monet for 325fr; 1876 Caillebotte; 1896 Musée du Luxembourg
Claude Monet: 7IE-1882-69, Chrysanthèmes; appartient à M. C. =1880, CR635, Red Chrysanthemums, 82×65, private (iR10;iR94;R22,no635;R90II,p205+220;R2,p395) Provenance: ca1882 Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet: 4IE-1879-144, Effet de neige à Vétheuil; appartient à M.C. = CR506, 1878-79, the church at Vétheuil, winter, 53×71, Orsay (iR2;R22+R127,CR506;R2,p284;R90II,p133;M1,RF3755) Provenance: 1879/01 Caillebotte; 1896 Musée du Luxembourg
Claude Monet: 4IE-1879-143, Pommiers; appartient à M.C. =CR490, 1878, Apple trees, Vétheuil, 55×60, private (iR10;R90II,p133;R2,p269;R22+R127,CR490) Provenance: 1879/04ca Gustave Caillebotte; 1896 Martial Caillebotte
Camille Pissarro: 3IE-1877-163, Côte Saint-Denise à Pontoise, appartient à M. C. = 1877, CCP489, Red roofs, côte Saint-Denis, Pontoise, winter effect, 55×66, Orsay (iR2;iR59;R2,p199;R116,CCP489;R90II,p80+98;M1) Caillebotte bequest.
Camille Pissarro: 3IE-1877-180, La moisson; appartient à M. C… = CCP465, 1876, Harvest at Montfoucault, 65×93, Orsay (iR10;iR2;iR59;R2,p233;R116,CCP465;R90II,p81+100;R17,p253;M1) Caillebotte bequest.
Camille Pissarro: 3IE-1877-181, Allée sous-bois à Montfoucault; appartient à M. C… =1874, CCP383, Landscape with Rocks, Montfoucault, 66×93, A2000/11/09 (iR2;iR14;R116,CCP383;R90II,p81+100;R2,p206) Caillebotte bequest.
Camille Pissarro: 4IE-1879-181, L’Hermitage, vue de ma fenêtre; appartient à M. G. C… =1877, CCP489, The red roofs, Côte Saint-Denis, Pontoise, winter effect, 55×66, Orsay (iR2;R116,CCP489;R2,p270;M1) Caillebotte bequest.
Camille Pissarro: 4IE-1879-182, Vue de L’Hermitage; appartient à M. G.C… =1876, CCP449, Jardin en fleurs, L’Hermitage, vu depuis la côte Saint-Denis, 39×56, private (iR10;iR94;R116,CCP449;R2,p270) Caillebotte bequest.
Camille Pissarro: 4IE-1879-183, Printemps, Pruniers en fleurs; appartient à M. G. C… =CCP494, 1877, Jardin de Maubuisson, Pontoise, Spring, 65×81, Orsay (iR10;iR64;iR2;R116;R17,p255;R116,CCP494;R2,p270;R90II,p118+138;M1) Caillebotte bequest.
Camille Pissarro: 4IE-1879-184, Petit bois de peupliers en plein été; appartient à M. G. C… =? CCP564, 1878, Lisière de bois (edge of the wood), 63×83, A2008/06/24 (iR10;iR11;R116,CCP564;R90II,p117+137;R2,p270) Caillebotte bequest. Option for no.168 + 173.
Camille Pissarro: 4IE-1879-185, Planteurs de choux; appartient à M. G.C… =1875, CCP399, The cabbage harvest, L’Hermitage, 54×65, Cincinnati AM (iR10;iR94;R116,CCP399;M166) Caillebotte bequest.
Camille Pissarro: 4IE-1879-186, Port-Marly 1872; appartient à M. G. C… =CCP229, La Seine à Port-Marly, le lavoir, 47×56, Orsay (iR10;iR64;R116,CCP229;R2,p270;M1) Caillebotte bequest.
Camille Pissarro: 4IE-1879-192, Soleil couchant (éventail); appartient à M. G. C… = 18xx, CR1625, Travailleurs dans les champs, fan, 15×54, private (R90II,p139+118;R2,p270;R126,no1625;R116,CCP229) Caillebotte bequest; first accepted, at the request of Pissarro exchanged for CCP229
Camille Pissarro: 4IE-1879-204, Intérieur campagnard (pastel); appartient à M. C… =? 1878ca, Shoemakers, pastel, xx, private (iR2;R2,p270;R90II,p286) Provenance: Caillebotte
Mary Cassatt, loans and collection: Mary Cassatt did loan 3 works of Pissarro (4IE-1879-200; 6IE-1881-75+77). Cassatt once owned 8 works of Monet (R22IV,p1046+CR73+77a+157+?174+194+205+328+360). Cassatt once owned 7 works of Pissarro (R116III,p939+CCP396+555+613+?685+?756+758+972). Note: several works Mary Cassatt purchased for her family, so they were just shortly in her posession.
Camille Pissarro, 4IE-1879-200, Cueillette de petit pois (éventail), appartient à Mlle C… (=Cassatt) =1878ca, CR-, Cueillette de petit pois, (Pea picking) (les vendanges, the grape harvest), gouache on vellum, 28×57, A2014/05/08 (IR14;iR10;iR59;iR11;R2,p270;R90II,p119+140+287)
Camille Pissarro, 6IE-1881-75, Village de la Mayenne, gouache; appartient à Mlle Cassatt. Compare: 1881, Paysage à Melleray, femme donnant à boire à des chevaux, gouache, 35×46, A2015/11/05 (iR11;R2,p355;R90II,p287)
Camille Pissarro, 6IE-1881-77, La Récolte des pommes de terre, gouache; appartient à Mlle Cassatt =1880, CR1338, The Potato Harvest, gouache, 27×49, xx (R90II,p193+183+287;R126,CR1338)
Claude Monet: 4IE-1879-140, Marine (1875), appartient à M. Duret =!? CR73, 1865, The Green Wave, 49×65, Metropolitan (iR2;R2,p265;R90II,p133;R22+R127,no73;M23,no.29.100.111) In 1882 shortly owned by Mary Cassatt.
Claude Monet: S1867-R2 =Le Havre-1868-854 -> medaille d’argent (=CR77). Compare: 1866-67, CR77a, Boats in the Port of Honfleur, 49×65, private (iRx;R22,no77a;R22IV,p1016+CR77a) Mary Cassatt purchased it for her family.
Claude Monet: 1871-72, CR194, Argenteuil, the bridge under repair, 60×81, private (iR6;R22IV,p1016+,no194) Provenance: Millot (1872); Fréret; Durand-Ruel (1882/05); Mary Cassatt (1884/07). =? London-7SFA-1873-130
Claude Monet, 2IE-1876-165+hc, Springtime = CR205, 1872, The reader (figure en rose), 50×65, WAG Baltimore (iR2;R2,p163;R90II,p59;R90I,p113;R22+R127,CR205;B48,no.37.11) Provenance: !?1872/11/23, Durand-Ruel; 1873/04/28, Ernest Hoschedé; sale HD1878/06/05+06-54; Lussac; 1889ca Mary Cassatt.
Camille Pissarro, 6IE-1881-80, La gardeuse de chèvres, gouache. Compare: CCP613, 1879, Peasant woman and goat in front of a house, Pontoise, oil, 58×70, Muskegon MA (iR10;iR94;R116,CCP613;R2,p355). Compare: 7IE-1882-120+135. Once owned by Mary Cassatt.
Paul Gauguin: 6IE-1881-34, Sur une chaise; appartient à M. Degas = 1880, CR63, SDcr, (Mandolin) on a chair, 47×31, A2018/11/13 (iR11;iR2;R181,no63;R128,no46;R2,p354;R90II,p181+191).
Gauguin, loans and collection: Gauguin owned 5 works that were exhibited by Pissarro, 3 of them being exhibited in 1879 (nos.178+179+189) and also 5IE-1880-128 + 6IE-1881-82. He also owned 6IE-1881-43 of Guillaumin. Gauguin once owned 9 paintings of Pissarro, 3 were exhibited at the ‘impressionist’ expositions↑, (R116,CCP574+579+610), the others were (R116,CCP423+561+605+651+700+739).
Camille Pissarro: 4IE-1879-178, paysage en février, femme revenant de la Fontaine; appartient à M. G… (=Gauguin) =1878, CCP579, Landscape with tall trees, 73×54, NCG Copenhagen (iR10;iR94;R116,CCP579;R90II,p118+138+289;R2,p270;M90) Gauguin collection.
Camille Pissarro: 4IE-1879-179, Les meules; appartient à M. G… =1878, CCP574, Peasants and haystacks in a field, 54×65, private (iR10;iR94;R116,CCP574;R2,p270;R90II,p289) Gauguin collection.
Camille Pissarro, 4IE-1879-180, Le potager. Probably: 1878, CCP577, Kitchen garden at the Jardin de Maubuisson, Pontoise, 55×46, Tokyo BMA (iR10;R116,CCP577;R2,p270;M125)
Camille Pissarro: 5IE-1880-128, Le scieur de bois; appartient à M. Gauguin =1879, CCP610, Père Melon Sawing Wood, 89×116, private (iR2;iR59;R2,p312+329;R116,CCP610;R90II,p152+168+289)
Camille Pissarro, 6IE-1881-82, Paysage, gouache; appartient à M. Gauguin = 1880ca, A Peasant Walking along a Wooded Path, gouache, xx, NCG Copenhagen (iR10;iR6;iR48;R90II,p184+194;R2,p355;M90)
Armand Guillaumin: 6IE-1881-43, Quai Sully, appartient à M. Gauguin = 1878ca, CR54, Pont Marie, Quai Sully, 59×71, PP Geneva (iR2;iR59;R90II,p182+192;R2,p354;R124,no54;M144) =former Gauguin collection
Louis Latouche, collection: Louis Latouche (together with his wife Lucia Joséphine Elisa Bompart) had an art-supply shop in Paris. Here they also exhibited paintings of the ‘impressionists’. Latouche who had only joined the 1st ‘impressionist’ exposition.
Mme Latouche owned the work that Sisley exhibited as 2IE-1876-238.
Louis Latouche once owned 4 works of Monet (R22IV,p1050+CR?69+?83+190+210). Latouche once owned 3 paintings of Pissarro (R116,CCP186+205+244).
Alfred Sisley: 2IE-1876-238, Avenue de l’Abreuvoir, effet de givre, appartient à Mme Latouche =?? 1876, CR244, The watering place at Marly, hoarfrost, 38×55, Richmond VMFA (iR2;iR6info;R166,p172;M220)
Claude Monet, 1871, CR190, The Dam at Zaandam, Evening, 45×73, private (iR2;R22,no190). Probably bought by Latouche in 1872.
Auguste de Molins, collection: Auguste de Molins owned ‘La Grisette’ of Renoir; the meaning of ‘La Grisette’ is vague, maybe it means a gypsy or girl sewing. He also bought 2 more works of Renoir at the Hôtel Drouot auction 1875/03/24 under the name ‘M. de Molins’: ‘Grand vent paysage’ and ‘Femme en promenade’ (=portrait de Mme Henriot) (R87;R88;iR4;R9;R3;R31,p20+no.25;R30,no77+135?).
Monet, collection: Monet once owned 2 paintings of Pissarro (R116,CCP545+922).
Giuseppe de Nittis, collection: Giuseppe de Nittis had only joined the 1st ‘impressionist’ exposition.
There was a M. de Nittis who once owned 4 works of Monet, which he did purchase in 1876+78 (R22IV,p1052+CR261+?297+?361+416). It is not clear if this is Giuseppe de Nittis (1846-84), but CR416 switched in 1884 to the collection of Duret.
Piette, collection: Piette once owned 2 paintings of Pissarro (R116,CCP51+282). This is not much when you consider their friendship and the support Piette gave to Pissarro.
Camille Pissarro: CCP51, 1861, Portrait of the artist Ludovic Piette before his easel (detail), 52×36, private (iR116II,p69/CCP51;iR94;R10) Gift to Piette.
Paul Signac: 8IE-1886-197, Le port Hue, Saint-Briac, appartient à M. Pissarro =1885, CR98, opus 106, Le port de Saint-Briac, 45×65, MBB Rotterdam (iR10;iR94;iR6;R90II,p253+278;R106,no98;R2,p447;M70).
Georges Seurat: 1884-85, DR120 PC119, Sections du centre et de gauche (la fillette blanc), ow, 15×25, Barnes Merion (iR6;R183,no120;R207,p48+122;M25) =? NY-AAG-1886-133, 12 studies. Former collection of Camille Pissarro.
Lucien Pissarro, collection: Of course Lucien Pissarro once owned many paintings of his father Camille (R116III,p948).
Auguste Renoir, collection: Renoir once owned 2 works of Monet (R22,p1053+CR67+125).
Claude Monet: S1867-R1 = CR67, 1866, Women in the garden, 256×208, Orsay (iR2;iR1;R22,no67;M1) =1867, Latouche expo. Bought by Bazille. In 1876 Renoir did exchange this painting with Manet.
Adolphe-Félix Cals: 4IE-1879-38, La Grand’mère; appartient à M. R… (=Henri Rouart) =? 18xx, Portrait d’une femme âgée, 21×17, A1995/03/19 (iR12;iR10;R2,p267;R90II,p108+294)
Adolphe-Félix Cals: 4IE-1879-39, Jeune femme avec son petit enfant; appartient à M. R… (=Henri Rouart) =? 18xx, xx (Mère et enfant), xx, xx (iR24;iR10;R2,p267;R90II,p108+295). Compare: 1871, Paysanne et enfant, 35×27, Rouart auction 1912 (R454,p68).
Edgar Degas, 1878ca, CR488, Dancer in green (in the wings), pastel, 46×30, New Orleans MA (iR377;R26,no522;R2,p120;R90II,p7) Compare: 1IE-1874-56, Intérieur de coulisse; appartient à M. Rouart
Edgar Degas, 3IE-1877-50, Bains de mer, petite fille peignée par sa bonne = 1870-77ca, CR406, Beach Scene, thinned oil, 46×81, NG London (iR2;iR59;R26,no410;R90II,p73+91;R2,p204+201;M61)
Edgar Degas: 4IE-1879-66, École de danse; appartient à M. H.R… =CR537, 1879ca, Rehearsal, 47×61, Frick New York (iR2;R90II,p110+129+294;R2,p268;R26,no727;R114,no537;M37) =Henri Rouart sale 1912-15.1
Mary Cassatt: 4IE-1879-50, Tête de jeune fille; appartient à M. R… =? 1875ca, CR40, young woman with red hair before a woods, 60×48, xx (R187,no40;R2,p267;R90II,p108+294) Henri Rouart collection.
Claude Monet: 4IE-1879-142 Fleurs (1869), appartient à M.R. (=Henri Rouart) =!? CR139, 1869, still life with flowers and Fruit, 100×81, PGM Malibu (iR2;R22+R127,CR139;R2,p283;R90II,p133+294;M31,no.83.PA.215)
Camille Pissarro: 6IE-1881-81, Une rue à Lower Norwood, environs de Londres, gouache; appartient à M. Rouart =1871ca, CR1312, All Saints church, gouache, 18×23, A2014/11/06 (iR11;iR2;R90II,p183+194;R126,CR1312;R2,p355;R116II,p160) Former Rouart collection.
Victor Vignon: 7IE-1882-189, Une route au val Hermé, appartient à M. R. (=Henri Rouart) =? 1880, The Hamlet of Valhermeil near Auvers-sur-Oise, 54×65, MBH Bayonne (iR2;;R2,p394;iR1;R90I,p377;R90II,p294) =? HD1914/06/19-90, Hameau du Val Hermoy (iR40).
Paul Signac: 8IE-1886-201, L’Île des Ravageurs, appartient à M. Seurat =1885-86ca, Regattas on the Seine (at Argenteuil), dr, 20×30, Louvre (iR10;iR223;R39,no12;R90II,p253+278+294;R2,p446;M5)
Signac, collection: Signac once owned 2 works of Monet (R22IV,p1054+CR501+585).
Georges Seurat: 1885, DR156, Fort Samson in Grandcamp (study), 15×24, private (iR6;R183,no156;R207,p47;R229,p1584) =? 21SdI-1905-24, Étude: Grandcamp (1885). Former Signac collection.
Sisley, collection: Sisley once owned 1 work of Monet (R22IV,p1054+CR1397). Signac once owned 3 paintings of Pissarro (R116,CCP652+860+1459).
Vignon, collection: Vignon once owned 1 work of Monet (R22IV,p1055+CR1470). Vignon once owned a painting of Pissarro (R116,CCP638), so did his wife (R116,no.612).
Camille Pissarro: 6IE-1881-67, Paysage d’été avec figures; appartient à M. P. Compare: CCP638, 1880, Peasant woman in a field, Pontoise, 47×65, private (iR10;iR6;R116,CCP638) 1891/04/22 Vignon sold this work to Durand-Ruel
Sources: My main sources are the overview rendered by Berson (R90II,p285-294), the Catalogues Raisonné on Monet (1996=R22) and Pissarro (R116), the catalogues of the ‘impressionist’ expositions (R2;R90I;iR1); other main sources are Berger (R207,p47+48). For other general references (=R) see. For other references to internet sites (=iR) see. For other additional references (=aR) see below. See links for practical hints and abbreviations and for the subscription of the paintings.