impressionist painting style

under construction

The impressionist painting style

 

Introduction:

Were the impressionists impressionists? Did the artist paint in an impressionist painting-style? For an affirmatieve answer the most of the following questions have to be answered with yes. For selective questions if the artist was part of the impressionist art-movement see.

Selective questions:

  1. Did the artist use bright colours?
    1. Is there use of bright colours instead of brownish and greyish tones?
    2. Is there emphasis on colour, instead on line?
    3. Is there use of blues and violets instead of black for shades?
    4. Does the artist render bright colours which are perceivable in nature, but by emphasizing he makes them slightly unnatural? Such as oranges provokes by a setting sun, pinks in the twilight sky, lilacs in the sand.
  2. Did the artist use a vivid brush stroke?
    1. Is the brushstroke visibel?
    2. Is there use of juxtaposed brushstrokes?
    3. Does this brushstroke make the colours vibrate?
  3. Does the artist give an indication of time of day, season or weather?
    As well in the title as in the painting itself?
    1. Is there an indication of time?
      For example: sunrise; morning; midday; clear day; twilight / dusk; sunset; moonlight
    2. Is there an indication of season?
      For example: Effect of snow; autumn; springtime; end of the summer; the midst of June
    3. Is there an indication of weather conditions?
      For example: rough; stormy; calm; clear; grey weather; gust of wind; melting snow; frost effect; effect of sunlight; effect of rain; fog
  4. Does the artist try to render the ever changing moment?
    Especially the influence of (sun)light on the colours of the painted subject?
    1. Does the artist render the moment by a sketch-like way of painting, with a ‘lack of finish’?
    2. Does the artist render the leaves-filtered-sunlight?
    3. Are persons cut off at the edge of the painting as if they are seen in a glimpse
      (instead of carefully being composed in the middle of the painting)
    4. Is it a subjectieve rendering of a personal impression?
      (instead of a photographic rendering of the objective reality)
      (still the object is central and not the personal mood, ideas or symbolic meaning)
    5. Does the artist paint in series to show the influence of sunlight on the colours of the repeated subject?
  5. Does the artist give an indication of place?
    As well in the title as in the painting itself?
    1. Does it indicate painting outdoors (en-plein-air) in stead of painting an idealized landscape or a historical, mythological, biblical or patriotic scene?
    2. Is there a global indication of place?
      For example: At Pontoise; the Seine at Bougival
    3. Is there a more detailed indication of place?
      For example: Honfleur, Rue de la Bavolle; The railway bridge at Argenteuil; Étretat, the rock needle seen through the Port d’Aval (which can make it able to locate for example on google-maps).
  6. Does the artist make impressionist portraits?
    1. Does the model blend with the background?
    2. Is the model caught in the moment not aware of being painted?
  7. Did the artist paint what he saw?
    1. The landscape as it is?
    2. Every day life in the city
      (In this the Impressionists differed from the Barbizon-painters, R59, p209)

      1. as well the harsh realism of life
      2. as the leisure of the new bourgeois
        For example: sailing; café’s; restaurants; ballet; the opera; theatres

 

Postscript:

It’s not good to put a painter in a box by putting a label on him, for example: ‘Renoir is an impressionist’. It denies the uniqueness and the development of the painter. Still it’s good to see certain similarities and to discover a sort of movement or school. Maybe it’s good to see it this way: Like a cook a painter uses certain ingredients. And as you can say that by using certain ingredients something is Italian food, so we could say that the more a painter uses the ‘ingredients’ as mentioned above, the more he was painting in an impressionist style.