Introduction: At the 8 ‘impressionist’ expositions held from 1874-1886 in Paris there were also some drawings exhibited, by various artists. At the bottom of this page you will find a short account per year.
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Félix Bracquemond, 1IE-1874-23, Portrait (dessin). Maybe??: 1860ca, Croquis de Bracquemond, Portrait de l’auteur, dr, 10×17, A2015/11/26 (iR239;iR10)
Edouard Brandon, 1IE-1874-30, Portrait de M. A.Z. (dessin) =? S1867-1657, Portrait de M. A. Z.; dessin. Compare: 1858, William Eden Nesfield, dr+gouach, 22×14, NPG London (M180;iR1;R2,p119).
Adolphe-Félix Cals, 2IE-1876-33, Portrait de Mme X… (dessin). Maybe: 1876, Portrait de femme, de trois quarts vers la gauche, dr, 36×28, Louvre (iR23;R2,p161)
Adolphe-Félix Cals, 2IE-1876-34, Les enfants du pêcheur (dessin). Compare: 18xx, Portrait de jeune garçon, dr, 62×25, A2011/10/10 (iR11;R2,p161)
Adolphe-Félix Cals, 2IE-1876-35, le repas frugal (dessin). Probably: 1875, repas frugal à Saint-Siméon (meager meal at Saint-Siméon), dr, 19×24, A2012/12/16 (iR13;R2,p161)
Edgar Degas, 1869ca, CR1984supp62, La Repasseuse, dr+pastel, 74×61, Orsay (iR6;iR8;iR10;iR23;R2,p161+120;R90II,p7+22;R206,no62;R87,p237) =?? 2IE-1876-59, Blanchisseuse (dessin) =?? 1IE-1874-61, Une blanchisseuse, pastel; appartient à M. Brandon
Henri Rouart, 18xx, La Busardière (property of general Mélodion), near Mans, wc, xx, private (R92,p6). Compare: 2IE-1876-235, Dans un parc (sépia); 2IE-1876-234, Manoir de Graffard (Encre de Chine); 4IE-1879-214, Château de Tour-Noël, (dessin); 4IE-1879-217, Château de Chateldon, (dessin).
Berthe Morisot, 3IE-1877-130, dessin. Compare: 1885, CR167, Portrait of Berthe Morisot and Her Daughter (Self-Portrait with Julie; detail), 72×91, private (iR2;iR6)
Marie Bracquemond: 4IE-1879-1-1, Les Muses des Arts (Carton ayant servi pour une peinture sur faïence); appartient à M. Haviland =1878, La Comédie, carton peinture sur faïence, 300h, private (R90II,p121+105;R90I;R168,p235)
Marie Bracquemond: 4IE-1879-1-2a, Les Muses des Arts (Carton ayant servi pour une peinture sur faïence); appartient à M. Haviland =1878, La Sculpture + L’Architecture + La Peinture, carton peinture sur faïence, 300h, private (R168,p235;R90II,p121+105;R90I)
Marie Bracquemond: 4IE-1879-1-2b, Les Muses des Arts (Carton ayant servi pour une peinture sur faïence); appartient à M. Haviland =1878, La Poésie + La musique, carton peinture sur faïence, 300h, private (R168,p235=no.7;R90II,p121+105;R90I)
Marie Bracquemond: 4IE-1879-1-3, Les Muses des Arts (Carton ayant servi pour une peinture sur faïence); appartient à M. Haviland =1878, La Danse, carton peinture sur faïence, 300h, private (R168,p235;R90II,p121+105;R90I)
Adolphe-Félix Cals, 4IE-1879-41, Portrait de Mme A.R…, dessin. Very uncertain: 1870/07/16 (?), portrait of a woman, dr pastel, 40×29, A2013/06/08 (iR11;iR13;iR17;R2,p287)
Adolphe-Félix Cals, 4IE-1879-43, La mère et les enfants (dessin). Uncertain: 1880(?), L’heureuse mère (The happy mother), dr, 30×25, A1999/10/27 (iR13;R2,p267)
Adolphe-Félix Cals, 4IE-1879-44, Le coin du feu (dessin). Maybe?: 18xx, unknown title (woman sitting by the fire), xx, xx (iR101;iR10;R2,p267;R90II,p108). Compare: 3IE-1877-12, Le coin du feu.
Adolphe-Félix Cals, 4IE-1879-45, La mère Doudoux, dessin =1878, La Mère Boudoux à sa fenêtre, dr, 21×18, xx (R90II,p126+108;R2,p267;R194,no62) Compare: 3IE-1877-13, La mère Doudoux.
Jean-Louis Forain, 4IE-1879-107, dessin. Maybe??: 18xx, Young woman standing in a bleu dress, ink+wc, 20×10, DAG Louvre (iR23;M5a,RF10808,R;R2,p268)
Albert Lebourg: 4IE-1879-128, Portrait de femme (dessin) =? 1xxx, Sbl, 1CR2068, Portrait of Mme B. Guilloux, fusain, 64×42, xx (R390,no2068;R2,p268)
Albert Lebourg: 4IE-1879-129, Portrait d’homme (dessin) =?? 1xxx, Str, 1CR2078, Portrait of his father, fusain, 43×29, xx (R390,no2078;R2,p268) =GP1918-264
Albert Lebourg: 4IE-1879-130, La lecture (le soir); (dessin) =!? 1879ca, Sbl, 1CR2085, Portrait of the artist’s wife and mother-in-law; seen in candlelight, reading, charcoal, 44×28, BM London (R89,p32;M147;R90II,p114+132;R2,p268;R390,no2085) Compare: S1878-3289, Femme lisant; fusain.
Albert Lebourg: 4IE-1879-131, La Veillée (dessin) =!? 1879ca, Sbr, 1CR2062, Evening (La Veillée), charcoal, 32×49, Cleveland MA (iR155;M27;R90I,p313;R90II,p114+132;R390,no2062) =expo GP1918-220 =2nd Roger Marx sale HD1914/06/12-179. 5IE-1880-97, Dessin (Fusain), (Brodeuses dans un effet de lampe; (R90I,p313)
Albert Lebourg: 1xxx, Sbl, 1CR2084, Portrait of Mme Lebourg, fusain, 41×28, xx (R390,no2084;R90I,p313;R2,p268) =?? 4IE-1879-132, La Ménagère (dessin).
Albert Lebourg: 4IE-1879-133, Jeune fille (dessin). Compare: 1xxx, Sbr, 1CR2074, Petite Italien, assise, fusain, 44×29, xx (R390,no2074;R2,p268) =GP1918-224
Albert Lebourg: 1879, SDbl (Paris 1879), 1CR2063, Portraits de la mère et de la femme de l’artiste travaillant à la lumière d’une lampe, fusain, 31×44, xx (R90II,p132+114;R390,no2063) Compare: 4IE-1879-134, Femme jouant aux échecs (dessin).
Albert Lebourg: 4IE-1879-135, Jeune femme (dessin) =!? 1880ca, 1CR2083!?, Portrait of the artist’s wife asleep (Marie Guilloux), charcoal, 49×32, AI Chicago (M20;aR6;iR10;R2,p268;R390,no2083)
Albert Lebourg: 1880, SDbl, 1CR2075?, Femme lisant une lettre (woman reading a letter by candlelight), fusain, 43×29, VGM Amsterdam? (iR10;iR64;M73;R2,p268;R390,no2075) =?? 4IE-1879-136, Jeune femme (dessin) or: 4IE-1879-130, La lecture (le soir); (dessin) Compare: S1878-3289, Femme lisant; fusain
Albert Lebourg: 1878ca, La lecture à la bougie, dr, 19×13, Axx (iR10;iR13;R2,p268) =? 1xxx, Sbl, 1CR2077, Portrait de jeune fille (De profil à gauche et lisant un livre qu’elle tient entre ses mains, fusain, 43×29 (R390,no2077) =?? 4IE-1879-133, Jeune fille (dessin) or: 4IE-1879-130, La lecture (le soir); (dessin) or: =?? 4IE-1879-137, Jeune femme (dessin) =?? S1878-3289, Femme lisant; fusain.
Henri Rouart, 1880ca, Mme Rouart reading in the garden, La Queue-en-Brie, 50×61, xx (iR64). Compare: 4IE-1879-220, sous les Frênes, (dessin) + 224, Sous les châtaigniers (dessin).
Henri Rouart, 1880ca, Sbr, Figures overlooking a river, 35×28, A2018/06/10 (aR26;aR20;iR42;iR253). Compare: 4IE-1879-221, Port de Melun, (dessin).
Henri Rouart, 18??, unknown (road, farm), dr, ?cm, xx (aR20). Maybe: 4IE-1879-222, Cour de ferme, (dessin). Compare: no.214-227, dessins.
Henri Rouart, 18??, A girl with her petdog in a meadow (Enjoying the first days of spring), on panel, 25×35, A1999/02/09 + A2015/11/04 (aR19;aR13). Compare: 4IE-1879-223, Plaine de Brie, (dessin).
Henry Somm: 4IE-1879-230-1, (Promenade) dessin à la plume pour servir à l’illustration du Livre des Baisers, de V. Billaud =? 1879, Promenade, dr, (R90II,p141+119;R90I,p243)
Henry Somm: 4IE-1879-230-2, (Morte) dessin à la plume pour servir à l’illustration du Livre des Baisers, de V. Billaud =? 1879, Morte, dr, (R90II,p141+119;R90I,p243)
Henry Somm: 4IE-1879-230-3, (Lune de miel) dessin à la plume pour servir à l’illustration du Livre des Baisers, de V. Billaud =? 1879, Lune de miel, dr, (R90II,p142+119;R90I,p243)
Henry Somm: 4IE-1879-230-4, (Le Délire continue) dessin à la plume pour servir à l’illustration du Livre des Baisers, de V. Billaud =? 1879, Le Délire continue, dr, xx (R90II,p142+119;R90I,p243)
Henry Somm: 4IE-1879-230-5, dessin à la plume pour servir à l’illustration du Livre des Baisers, de V. Billaud Compare: 1879, Beraldi 10, Le Livre des baisers, front page, etch (aR9=iR387;iR10;iR40;aR8;R90I,p243;R2,p270;R85XII,no10)
Henry Somm: 4IE-1879-230-6, (Propos féminins) dessin à la plume pour servir à l’illustration du Livre des Baisers, de V. Billaud =? 1879, Le Livre des baisers, Propos féminins, dr (aR9;iR10;R90I,p243;R2,p270)
Edgar Degas, 1873ca, Seated Dancer in Profile (turned to the right; study), essence drawing, 23×30, Louvre (iR2;M5a;R90I,p290+274;R2,p311) =?? 5IE-1880-42-1, Dessins
Edgar Degas, 1880-85, CR620, Tête de femme, pastel, 36×31, A2007/11/08 (iR11;R26,no600;R2,p311;R90I,p266+278+290) =?? 5IE-1880-43-1, Dessins
Edgar Degas, 1880ca, CR605, Study for the torso of a (Spanish) dancer, pastel, 58×44, Orsay (iR23;R26,no755;R2,p311;R90I,p274+278) Caillebotte collection. =?? 5IE-1880-43-2, Dessins
Albert Lebourg: 1xxx, Sbl, Portrait du docteur, fusain, xx, A2012/03/19 (iR17;iR10;iR415;iR1;R2,p268+312;R90I,p276) =?? 4IE-1879-129, Portrait d’homme; (dessin) or: 5IE-1880-95, Dessin (Fusain), (Anglo-Américan) =?? S1878-3288, Portrait de M. L…; fusain
Albert Lebourg: 1880, SDbl, 1CR2066, La femme et la belle-mère de l’artiste travaillant à la lumière d’une lampe (The mother and wife of the artist sewing by lamplight), fusain, 29×44, PGM Los Angeles (M31;iR10;iR8;R2,p312;R90I,p313;R90II,p114+132;R390,no2066) Compare: 5IE-1880-96, Dessin (Fusain), (Brodeuses dans un effet de lampe)
Albert Lebourg: 4IE-1879-131, La Veillée (dessin) =!? 1879ca, Sbr, 1CR2062, Evening (La Veillée; detail), charcoal, 32×49, Cleveland MA (iR155;M27;R90I,p313;R90II,p114+132;R390,no2062) =expo GP1918-220 =2nd Roger Marx sale HD1914/06/12-179. Compare: 5IE-1880-97, Dessin (Fusain), (Brodeuses dans un effet de lampe; (R90I,p313)
Albert Lebourg: 1867-70ca, Sbl, Still Life with Candle, charcoal, 31×23, PGM Los Angeles (M31;iR6;iR8;iR72;iR155;R2,p312) =?? 5IE-1880-98, Dessin (Fusain)
Albert Lebourg: 1867-70ca, Sbl, A brush, jug and other objects in a candlelit interior, charcoal, 31×24, A2014/07/10 (iR11;iR15;iR78;R2,p312) =?? 5IE-1880-99, Dessin (Fusain)
Albert Lebourg: 1875, SDbl, Barque de pécheurs en mer, Alger, fusain, 46×30, A2017/06/02 (iR17;R2,p312) =?? 5IE-1880-100, Dessin (Fusain)
Albert Lebourg: 1878, SDbl, Intérieur de forêt (Montfort), fusain, 48×31, MPP Paris (iR195;M4;R2,p312) =?? 5IE-1880-101, Dessin (Fusain)
Albert Lebourg: 1872-77, The kasbash (Alger), fusain, 45×29, A2013/06/20 (iR11;iR10;R2,p312) =?? 5IE-1880-102, Dessin (Fusain)
Albert Lebourg: 1873, SDbr, Algerian landscape, chalk + charcoal, 30×45, AI Chicago (M20;iR155;aR6;R2,p312) =?? 5IE-1880-103, Dessin (Fusain).
Jean-François Raffaëlli, 5IE-1880-175, Dessin de mon tableau, Maire et Conseiller municipal. Compare: 1879ca, Mayor and town counselor, dr?, 54×73, xx (iRx;R2,p313;R90II,p154) Maybe?: se1884-150 (aR14,p17).
Jean-Louis Forain, 6IE-1881-26, dessin. Very uncertain: 18xx, Femme debout, de trois quarts à gauche, portant un chapeau plat, dr, 40×26, DAG Louvre (M5a,RF24304,R;R2,p354)
Jean-Louis Forain, 6IE-1881-27, dessin. Very uncertain: 18xx, Homme en habit noir conversant avec une femme en robe de soirée, dr, 28×22, DAG Louvre (M5a,RF23411,R;R2,p354)
Jean-Louis Forain, 6IE-1881-28, dessin. Very uncertain: 18xx, La visite, pencil, 35×28, A2008/11/19 (iR11;iR14;aR17=iR40)
Jean-Louis Forain, 6IE-1881-29, dessin. Very uncertain: 18xx, visiting the artist in his studio, ink, 37×32, A2009/03/10 (iR11;iR15;R2,p354)
Jean-François Raffaëlli, 6IE-1881-120, Dessin à la plume. Maybe???: 1876ca, An old woman, seated, in Breton dress (study for S1877-1755), dr, 19×12 (or48x31), A2006/01/24 (iR15;iR11;aR7,p54;R2,p355)
Victor Vignon, 7IE-1882-203, Étude, quatre crayons. Compare: 1880ca, Sbl, Self Portrait (the artist in a garden; study), wc, 15×10, Leighton Gallery (iR317;R2,p394;iR1;R90I,p377)
Marie Bracquemond: 8IE-1886-1, Jeune filles (carton fusain). Compare: 1880ca, Etudes d’une femme debout, d’une tête de femme, de mains et de pieds, dr, 31×39, DAG Louvre (iR10;aR14;iR127;iR2;R2,p443;R90II,p239;M5)
Jean-Louis Forain: 8IE-1886-40, Un coin à l’Opéra (dessin à l’encre de Chine) =? 18xx, Entrée dans le monde, encre de Chine+gouache+wc, 37×21, DAG Louvre (M5a,RF10752R;iR23;R2,p444)
Berthe Morisot, 8IE-1886-92-1, Série de dessins. Maybe(??): 1886, Barque au Bois de Boulogne, dr, 30×22, A1998/03/24 (iR13)
Berthe Morisot, 8IE-1886-92-2, Série de dessins. Maybe(??) 18xx, Portrait de Paule Gobillard, dr, 31×24, A2007/05/10 (iR11) Compare CR653=1881 (R100,p64)
Berthe Morisot, 8IE-1886-92-3, Serie de dessins. Maybe(??): 1885ca, Portrait de Louise Riesener, dr, 62×48, A2001/02/08 (iR15;iR11)
Berthe Morisot, 8IE-1886-92-4, Série de dessins. Maybe(??): 1886ca, Nu, dr, 31×25, A2008/12/02 (iR11;iR13;iR15)
Berthe Morisot, 8IE-1886-92-5, Série de dessins. Maybe(??): 1880-85, deux filles assises près d’une table, dr, 20×27, A2012/05/24 (iR11;iR13)
Berthe Morisot, 8IE-1886-92-6, Série de dessins. Maybe(??): 1880, Paysanne allongée, dr, 15×21, A2013/11/08 (iR11;iR13)
Odilon Redon: 8IE-1886-124, Tête laurée =? 1xxx, CR398, La Gloire, fusain, 53×37, A1987/11/12 (R182I,p160+no398+IV,p330;iR14) =? 3XX-1886-1, Tête laurée.
Odilon Redon: 8IE-1886-125, Le secret =!? 1886, CR1065, Le prisonnier (L’accusé), charcoal, 53×37, MoMa New York (R2,p464+446;R90II,p250+274;R90I,p433;R182,no1065;M41) =? 3XX-1886-4, Le secret.
Odilon Redon: 8IE-1886-126, Homme primitif =1872, CR836, Primitive man (sitting in the shades), dr+p, 39×34, AI Chicago (M20;R182II,p51=no836;R2,p445) =3XX-1886-2, Homme primitif =? LVM-1881-3. Compare: SdAF-1885-4970, Une lithographie: L’Homme primitif; Gravure.
Odilon Redon: 8IE-1886-128, L’intelligence =1885, CR157, Head of a small girl (On waking, I saw the GODDESS of the INTELLIGIBLE with her severe and hard profile), fusain, 61×46, Carnegie Pittsburgh (M35;R182,no157+IV,p330)
Odilon Redon: 8IE-1886-129, Tentation; appartient à M. J.K. Huysmans =1xxx, CR946, La Tentation, fusain, 22×20, private (R182II,p99+no946)
Odilon Redon: 8IE-1886-130, Béatrix; appartient à M. Maurice Fabre =18xx, CR144, Béatrice, fusain, 42×37, private (R182I,p68;R90II,p274+251;R2,p446) =? Le Gaulois 1882/02-2 =Bordeaux 1883-426 =? SdA-1904-11.
Odilon Redon: 8IE-1886-131, Paysage =?? 1868, CR611, SDbl, Le Paysage au grand chêne, fusain, 54×76, AI Chicago (M20;R182I,p236+no611;R2,p445) =Bordeaux 1868-519
Odilon Redon: 8IE-1886-132, Salomé; appartient à M. Brethous-Lafargue =1xxx, CR1152, Salomé (et la tête de Saint-Jean-Baptiste posée sur un plat), fusain, 21×18, NAMA Kansas City (R182II,p200+IV,p330+no1152;M42)
Odilon Redon: 8IE-1886-133, La désespérance; appartient à M. Ch. Hayem =? 1xxx, CR189, Femme souffrant, fusain, 45×37, private (R182I,p83+IV330+no189;R2,p446)
Odilon Redon: 8IE-1886-134, La Veuve =!? 1875ca, CR247, Head of a woman (Femme de profil), fusain, 36×33, KMM Otterlo (M72;R182,no247+IV,p330)
Odilon Redon: 8IE-1886-135, Prodil d’enfant =??? 1xxx, CR341, La Landaise, fusain, 48×35, private (R182I,p139+no341;R2,p446) =4XX-1887-1, La LandaiseXX87 =DR1894-39 =retrospective 1920-165
Odilon Redon: 8IE-1886-136, Lune noir. Compare: 1884-85, CR1181, Fleur de marécage, dr, 49×33, KMM Otterlo (iR6;iR10;M72;R182,no1181;R2,p446). Compare litho for ‘Hommage à Goya’ 1885.
Odilon Redon: 8IE-1886-137, Profil de lumière = 1881ca, CR266, Profil de lumière, charcoal, 35×23, MPP Paris (iR2;iR59;R90,no266;R2,p446;M4)
Odilon Redon: 8IE-1886-138, Paysage (appartient à M. Ch. Hayem) =?? 1880ca, CR1669, Landscape, dr, 47×36, MBA Bordeaux (iR2;R182,no1669;R2,p446;M11)
Georges Seurat: 8IE-1886-181, Une parade, dessin =1883-84ca, Sidewalk Show (Une Parade: clowns et poney), dr, 32×24, Phillips collection (Metropolitan) (iR6;iR8;iR10;iR59;R90II,p252+276;R90I,p431+461;R207,p123;M23)
Georges Seurat: 8IE-1886-182, Condoléances; dessin; appartient à M. J.K. Huysmans =1886, dH655, Réunion de famille, conté dr, 24×32, private (iR59;iR10;R2,p466+252;R90II,p252+276;R207,p123)
Georges Seurat: 8IE-1886-183, La banquiste; dessin; appartient à Mme Robert-Caze =!? 18xx, La banquiste (study for La parade), dr, 32×24, private (iR10;iR402;iR132;R90II,p252+276;R207,p123)
Paul Signac: 8IE-1886-199, Au Café-concert, dessin. Compare: Georges Seurat: 1887-88, Café-concert, dr, 31×24, Cleveland MA (iR10;M27;R2,p446;R90II,p253)
Paul Signac: 8IE-1886-200, Aux Tuileries, dessin. Compare: 1911, Paris, le Jardin des Tuileries, wc, 22×30, A2020/10/15 (iR10;iR15;R2,p446;R90II,p253)
Paul Signac: 8IE-1886-201, L’Île des Ravageurs, appartient à M. Seurat =1885-86ca, Regattas on the Seine (at Argenteuil), dr, 20×30, Louvre (iR10;iR223;R39,no12;R90II,p253+278+294;R2,p446;M5)
Account: In 1874 the following partakers exhibited drawings: Bracquemond 1x (no.23); Brandon 2x (no.30+32); Debras 1x (no.52); Meyer 1x (no.91bis). The catalogue indicates that Degas showed 4 drawings, but probably he used mixed techniques. So in total there were probably 5 drawings exhibited, about 2% of the total amount of art-works.
In 1876 the following partakers exhibited drawings: Cals 3x (no.33+34+35); Degas 1x (no.59); Jean-Baptiste Millet probably showed 2 (sépia) drawings (nos 145+146); Rouart showed 2 drawings, 1 with chinese ink (no.234) and 1 with sépia (no.235). So in total there were probably 8 drawings exhibited, about 2% of the total amount of art-works.
In 1877 the following partakers exhibited drawings: Morisot 2x (no.130+131). So in total there were probably 2 drawings exhibited, about 1% of the total amount of art-works.
In 1879 the following partakers exhibited drawings: Marie Bracquemond showed 3 large panels (no.1), I render 4 pictures; Cals 5x (nos.41 +42 +43 +44 +45); Forain 1x (no.107); Lebourg 10x (nos.128-137); Rouart 14x (nos.214 +215 +216 +217 +218 +219 +220 +221 +222 +223 +224 +225 +226 +227); Somm maybe 6x (no.230). So in total there were maybe 39 drawings exhibited, about 14% of the total amount of art-works.
In 1880 the following partakers exhibited drawings: Lebourg 10x (nos.95-104); Jean-François Raffaëlli 1x (no.175); the drawings that Degas exhibited, probably were no pure drawings, but because it is very uncertain, I will still count them here (no.42+43), both works contained at least 2 drawings; probably the drawings of Forain were watercolours or gouaches so I won’t count them here (nos.47-52). So in total there were probably 15 drawings exhibited, less than 5% of the total amount of art-works.
In 1881 the following partakers exhibited drawings: Forain 4x (no.26-29); Raffaëlli 1x (no.120); Zandomeneghi 1x (no.169). So in total there were 6 drawings exhibited, about 3% of the total amount of art-works.
In 1882Vignon exhibited 1 study made with 4 pencils (no.203); this is less than 1% of the total.
In 1886 the following partakers exhibited drawings: Marie Bracquemond 1x (no.1); Forain 1x (no.40; but maybe he used mixed techniques); Morisot exhibited a serie of at least 2, but I assume 6 drawings (no.92); Redon 15x! (nos124-138) Seurat 3x (no.181-183); Signac 3x (no.199-201); no.217 of Tillot contained a collection of studies with Chinese ink; so at least 2, but I assume 4 drawings. So in total there were probably 33 drawings exhibited, about 11% of the total amount of art-works.
I don’t have no suggestions at all for the numbers indicated in red.
Sources:
Note: the given suggestions vary from certain (=!), to almost certain (=?!), to uncertain (=?), to very uncertain (=??), to most uncertain (=???), to compare (=compare:) another work of the artist, to compare with a similar work from another artist or even a photo. Sometimes I have no suggestion at all. See the accounts of the partaking artists in the left menu (or at the bottom).
My main sources are the catalogues of the 8 ‘impressionist’ expositions as rendered by Moffett (1986=R2), Berson (1996=R90I) and the Salon database (iR1). See the link for other general References (=Rx) and to the internet references (=iRx). See links for practical hints and abbreviations and for the subscription of the paintings.
