Introduction:
In 1877 the ‘3e exposition de peinture‘ was held in Paris. This exposition is now mostly called the 3rd ‘impressionist’ exposition. There were 18 partakers. The catalogue rendered the numbers 1-241, but in reality there were about 246 art-works exhibited. On this page you will find 210 pictures of these exhibited art-works. See the accounts of the partaking artists and the clarification at the bottom of this page. If you double click on the first picture and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Gustave Caillebotte, 3IE-1877-1, Rue de Paris, temps de pluie. Now: 1877, CR52+57, Paris street, a rainy day, 212×276, AI Chicago (iR5;iR2;R2,p208;R101,no52;R102,no57+p282;R90II,p69+85).
Gustave Caillebotte, 3IE-1877-2, Le pont de l’Europe. Now: 1876, CR44+49, Le pont de l’Europe, 125×181, PP Geneva (iR2;R2,p210;R101,no44;R102,no49+p282;R90II,p69+85;R41,p97).
Gustave Caillebotte, 3IE-1877-3, Portraits à la campagne. Now: 1876, CR31+40, Portraits in the Countryside, 95×111, MBG Bayeux (iR2;iR3;R2,p203;R101,no31;R102,no40+p282;R90II,p69+85;R41,p99).
Gustave Caillebotte, 3IE-1877-4, Portrait de Madame C… Now: 1877, CR53+58, Portrait of Mme. Martial Caillebotte (The Artist’s Mother), 83×72, private (iR2;R101,no53;R102,no58+p282;R90II,p69+85;R2,p203).
Gustave Caillebotte, 3IE-1877-5, Portraits. Now: 1877, CR, Portraits in an interior, 46×56, private NY (R2,p211;R101,no54;R102,no62+p282;R90II,p69+85).
Gustave Caillebotte, 3IE-1877-6, Peintres en bâtiments. Now: 1877, CR48+53, The House Painters, 89×116, private Paris (iR2;R2,p203;R101,no48;R102,no53+p282;R90II,p69+85;R41,p93). =HD18770528; =DR1894-50; =SdA1921-2710
Adolphe-Félix Cals, 3IE-1877-7, La Cour Saint-Siméon, à Honfleur. Maybe: 1876-79, Honfleur Saint-Siméon, Grand Cour (la grande ferme à Honfleur), 35×54, private Caen (HW;iR6;iR35;R2,p203;R177,p36+95).
Adolphe-Félix Cals, 3IE-1877-8, Paysage à Saint-Siméon. Probably: 1876, Landscape with figures (at Saint-Siméon), 37×63, Philadelphia MA (iRx;iR59;R2,p212;R90II,p70+86;R175,no9)
Adolphe-Félix Cals, 3IE-1877-9, Jeune Mère. Very uncertain: 18xx, Mère avec son enfant et un chat, 19×19, A2007/06/20 (iR11;R2,p203;R90II,p70). Compare S1850-440.
Adolphe-Félix Cals, 3IE-1877-10, La Rue Varin à Honfleur. Probably: 1877, A street scene in Honfleur, 64×43, A1978/10/18 (R90II,p86+70;R2,p203;iR14)
Adolphe-Félix Cals, 3IE-1877-11, femmes effilant de l’étoupe. Now: 1877, Women Fraying Linen (effilleuses d’étoupe), Honfleur, 51×62, Orsay (iR39;iR23;iRx;R90II,p70+86;R2,p204;R16,p19;aR2,p210)
Adolphe-Félix Cals, 3IE-1877-12, Le coin du feu. Uncertain: 1859, A Peasant in Front of a Hearth, 28×36, Cherbourg MATH (iR39;iR10;R2,p203;R90II,p70). Compare: IE-1879-44, Le coin du feu (dessin).
Adolphe-Félix Cals, 3IE-1877-13, La mère Doudoux. Now: 1876, La mère Boudoux à sa fenêtre, 61×49, DGG Memphis (iR10;iR98;R2,p21;R90II,p70+86). Compare: 4IE-1879-45, La mère Doudoux (dessin).
Adolphe-Félix Cals, 3IE-1877-14, Femme couchée, étude = 1876, Nu couché, 34×60, xx (R90II,p86+70;R2,p204)
Adolphe-Félix Cals, 3IE-1877-15, Paysage, soleil levant. Maybe?: 18xx, Le Matin au village, 30×40, MNM Dijon (iRx;iR23;R2,p204;R90II,p70)
Adolphe-Félix Cals, 3IE-1877-16, Jeune femme, le matin. Maybe?: 18xx, Buste de jeune femme, bras pliés sur la poitrine, 34×28, A2010/03/18 (iR13;R2,p204;R90II,p70)
Paul Cézanne, 3IE-1877-17, Nature morte. Option: 1873-77ca, CR196+FWN744, pommes et gâteaux, 46×55, A2005/11/01 (iR11;iR189,no744;R189,no196;R90II,p186+70;R2,p203;R48,no195)
Paul Cézanne, 3IE-1877-18, Nature morte. Option: 1873-9, CR197+FWN745, The desert (still life with bottle glass fruit and dessert), 59×73, Philadelphia MA (iR10;iR94;iR6;iR59;iR194,no745;R189,no197;R90II,p87;R2,p194;R48,no196)
Paul Cézanne, 3IE-1877-19, Nature morte. Option: 1875-7ca, CR207+FWN742, Dish of Apples, 46×55, Metropolitan (iR2;iR59;iR194,no742;R189,no207;R90II,p87;R2,p203;R48,no206)
Paul Cézanne, 3IE-1877-20, Étude de fleurs. Probably: 1873-77, CR182+FWN732, Flowers in a Blue Vase, 55×46, Hermitage (iR10;iR114;iR2;iR59;iR194,no732;R90II,p187;R2,p203;R48,no215)
Paul Cézanne, 3IE-1877-21, Étude de fleurs. Option: 1874 (or1873-77), CR181, Vase of flowers (on a flower rug), 61×50, private (iR10;iR247;R189,no181;R48,no217;R90II,p87;R2,p203)
Paul Cézanne, 3IE-1877-22, Paysage; Étude d’après nature. Probably: 1875-6, CR158+FWN102, (La Route) Le mur d’enceinte, 50×65, private (iR59;iR194,no102;R189,no158;R90II,p70+87;R2,p203;R48,no159)
Paul Cézanne, 3IE-1877-23, Paysage, Etude d’après nature. Probably: 1876ca, CR168+FWN96, The Sea at L’Estaque, 42×59, private Zurich (iR2;iR59;iR194,no96;R189,no168;R90II,p71+87;R2,p214;R48,no172;R163,p67)
Paul Cézanne, 3IE-1877-24, Paysage, Etude d’après nature. Probably: 1875-77, CR171+FWN99, View on the surroundings of Auvers-sur-Oise, 60×50, private (iR2;iR194,no99;R189,no171;R90II,p88;R2,p203;R48,no175)
Paul Cézanne, 3IE-1877-25, Paysage; Étude d’après nature. Maybe: 1875-77, CR173, La Côte des Boeufs, Pontoise, 65×54, private (iR2;R189,no173;R90II,p88+71;R2,p203;R48,no176)
Paul Cézanne: 3IE-1877-26, Les baigneurs, étude, projet de tableau. Option 1: 1875-77ca, V276=FWN926, Bathers at Rest, 82×101, Barnes Philadelphia (iR6;M25,BF906;aR11,p413;iR2;iR194,no926;R48,no287;R189,no276;R90II,p71;R2,p204;R48,no287;R174,p102-105+301) =!? Caillebotte bequest =Vollard-1895 =SdA-1905-320
Paul Cézanne, 3IE-1877-28, Figure de femme, étude d’après nature. Maybe: 1877ca, CR228+FWN441, Portrait of Mme Cézanne with bowed head, 26×30, xx (iR246;iR248;iR194,no441;R189,no228;R2,p204;R48,no229)
Paul Cézanne, 3IE-1877-29, Tête d’homme, étude. Now: 1876-77, CR283+FWN437, Portrait of Victor Chocquet, 46×37, private NY (iR3;iR2;iR59;iR194,no437;R189,no283;R90II,p29;R2,p215;R48,no243;R163,p67)
Paul Cézanne, 3IE-1877-30, Aquarelle, impression d’après nature. Probably: 1867-70, FWN1013, Rocks, wc, 23×35, Städel Frankfurt aM (iR194,no1013;iR10;iR132;R90II,p71+88;R2,p204)
Paul Cézanne, 3IE-1877-31, Aquarelle, impression d’après nature. Probably: 1867, FWN1014, La Route Montante, wc, 21×35, EBM Tokyo (iR194,no1014;R90II,p71+89;R2,p204)
Paul Cézanne, 3IE-1877-32, Aquarelle, fleurs =1865-79, FWN1900, Flowers and fruit, wc, 18×14, private (iR194,no1900;R90II,p71+89;R2,p204)
Paul Cézanne, 3IE-1877-32+hc, Scène Fantastique, Les pêcheurs. Now: 1873-75ca, CR243+FWN634, The Fishermen (Fantasy Scene; a day in July), 54×81, Metropolitan (iR2;iR194,no634;R189,no243;R2,p213;R90II,p72+89;R48,no261)
Edgar Degas, 3IE-1877-37, Femmes devant un café, le soir; appartient à M. C. = 1877, CR419, Women on a Café Terrace in the Evening, pastel over monotype, 41×60, Orsay (iR2;iR59;R26,no430;R90I,p181;R90II,p72+89;R27,p42;R2,p204+197;M1) Caillebotte bequest.
Edgar Degas, 1873ca, CR398, The Dance Class, 48×62, NGA Washington (M21;iR377;iR2;R26,no490;R47,p63;R114,no398;R2,p204;R90II,p72) = expo London 1876,no.131 =!? 3IE-1877-38, École de danse; Appartient à M. H.H.
Edgar Degas: 3IE-1877-39, Ballet =? 1878, CR491, The star (dancer on a stage), pastel over monotype, 58×42, Orsay (iRx;R26,no520;R90II,p72+89;R90I,p163;R2,p204;M1) Caillebotte bequest.
Edgar Degas, 3IE-1877-40, Danseuse, un bouquet à la main = 1877, CR418, Dancer With Bouquet, pastel + gouache + thinned oil (tempera), 67×38, Orsay (iR53;iR59;R26,no499;R90I,p186;R2,p204;R90II,p72+90;M1)
Edgar Degas, 3IE-1877-41, Danseuse à la barre. Option 2: 1876-77, CR408, Dancers Practicing at the Barre, thinned oil, 75×80, Metropolitan (iR2;iR59;R90II,p72+90;R2,p204+217;R26,no497;R114,no408;M23). Rouart collection (R45).
Edgar Degas: 1876-77, CR404, The Cafe Concert, pastel on monotype, 24×43, NGA Washington (M21;iR2;R26,no411;R2,p204+354+360;R90II,p72+90) =!? 3IE-1877-43, Café-concert =? 6IE-1881-19+hc3-2, (Drawings and sketches: Chanteuses en scène)
Edgar Degas: 3IE-1877-44, Café-concert =!? 1875-77ca, CR405, Café Concert at ´Les Ambassadeurs´, pastel over monotype, 37×27, MBA Lyon (iR2;iR59;R26,no413;R2,p204+354;R90II,p73+90) =? 6IE-1881-19+hc3-1, (Drawings and sketches: Chanteuses en scène). Note the effect of light and the low perspective.
Edgar Degas, 3IE-1877-45, Femme sortant du bain; appartient à M. C. =!? 1877ca, CR422, Woman Leaving Her Bath, pastel on monotype (lithograph), 16×22 (23×31), Orsay (iR2;R26,no427;R90II,p73+90;R2,p204+195;R114,no422;M1) Caillebotte bequest.
Edgar Degas: 1876-77, CR890, Woman drying herself after the bath (Woman at her toilette), pastel over monotype, 46×60, NSM Pasadena (iR2;R90II,p73+91;R26,no932;R114,no890;M43) =? 3IE-1877-46, Femme prenant son tub le soir =?? 2IE-1876-55, Femme se lavant le soir
Edgar Degas, 3IE-1877-47, Choristes; appartient à M. C. = 1877, CR420, The Chorus (Les Figurants), pastel over monotype, 27×31, Orsay (iR2;iR59;R90II,p73+91;R26,no416;R114,no420;R2,p204;M1) Caillebotte bequest.
Edgar Degas, 1873-76ca, CR341, The ballet class, 85×75, Orsay (iR2;R26,no479;R114,no341;R2,p204;R90II,p7;M1)=?? 3IE-1877-48, Classe de danse. Not 1IE-1874-55, Classe de danse; appartient à M. Brandon.
Edgar Degas, 3IE-1877-49, Portrait de monsieur H.R… = 1875, CR373, Henri Rouart in front of His Factory, 65×50, Carnegie Institute Pittsburgh (iR2;R26,no392;R27,p53;R2,p218;R90II,p73+91)
Edgar Degas, 3IE-1877-50, Bains de mer, petite fille peignée par sa bonne = 1870-77ca, CR406, Beach Scene, thinned oil, 46×81, NG London (iR2;iR59;R26,no410;R90II,p73+91;R2,p204+201;M61)
Edgar Degas: 1875-76 (+1880s), CR377, Peasant Girls Bathing in the Sea at Dusk, 65×81, NG London (iR2;R26,no396;R114,no377;R90II,p36+50;73+91;R2,p204+161+176;M61) =2IE-1876-56, Petites paysannes se baignant à la mer vers le soir (probably not exhibited) = 3IE-1877-51, Petites filles du pays se baignant dans la mer à la nuit tombante (maybe not exhibited)
Edgar Degas, 1877-78ca, CR448, Two Dancers Entering the Stage, pastel over monotype, 32×29, Harvard Cambridge (iR2;R26,no506;R2,p204;R90II,p73;R90I,p181;M32) Compare: 3IE-1877-52, Coulisses de théâtre
Edgar Degas: 1867, CR165, Josephine Gaujean, 59×44, ISGM Boston (iR2;iR10;iR8;iR1;R26,no224;R47,p8+34;R27,p93;R90II,p73/74+91;R90I,p167+181) = S1869-661, Portrait de Mme G… =!? 3IE-1877-53, Portrait
Edgar Degas: CR163, 1867, Portrait of a young woman (Rose Adelaide Aurore de Gas, Ducess Morbelli de Sancto Angelo), 27×22, Orsay (iR2;R2,p219;R90II,p73/74;R26,no223;M1). =?? 3IE-1877-54, Portrait (Maybe not exhibited). Note the rendering of the character.
Edgar Degas, 3IE-1877-55, Billard. Compare: 1892, CR1114, The Billiard Room at Menil-Hubert, 51×65, Sg Stuttgart (iR2;R26,no1157;R2,p204)
Edgar Degas, 3IE-1877-56, Cabinet de toilette =!? 1879ca, CR547, Woman squatting, pastel over monotype, 18×13, Orsay (iR2;iR10;iR23;R26,no868;R90I,p173;R90II,p73+92;R2,p204;M1) =Caillebotte bequest
Edgar Degas, 1878ca, CR490, Dancer with a bouquet of flowers (The Star of the ballet), p+g, 81×66, JPGM Los Angeles (iR53;R26,no519;R2,p204;R90I,p164;M31) =?? 3IE-1877-57, Ballet
Edgar Degas, 3IE-1877-58, Dessins faits à l’encre grasse et imprimés =?? 1876-77ca, Ludovic Halevy Speaking with Madame Cardinal, pastel on monotype, 27×18, private (iR2;R2,p204;R90II,p74)
Edgar Degas, 3IE-1877-59, Dessins faits à l’encre grasse et imprimés =?? 1876-77ca, Virginie Being Admired While the Marquis Cavalcanti Looks On, monotype, 16×12, NGA Washington (M21;iR8;R2,p204;R90II,p74)
Edgar Degas, 3IE-1877-60, Dessins faits à l’encre grasse et imprimés =?? 1876-77ca, Pauline and Virginie Cardinal conversing with admirers, monotype, 21×16, Harvard Cambridge (iR10;iR91;iR11;R2,p204;R90II,p74;M32)
Edgar Degas, 1875ca, CR365, Ballet Rehearsal, 55×68 , NAMA Kansas City (iR2;iR26,no485;R114,no365;R90I,p157;R90II,p74+92;R2,p204;M42) =!? 3IE-1877-61, Répétition de ballet
Edgar Degas, 1876, CR393, In a café (The Absinthe drinker; Ellen André + Desboutin), 92×68, Orsay (iR2;R26,no399;R90II,p35+74+92;R2,p147+161+204;R8,p22;M1) =3IE-1877-61+hc, L’Absinthe = 2IE-1876-52, Dans un café (maybe not exhibited in 1876)
Armand Guillaumin, 3IE-1877-62, Le parc d’Issy en automne =?? 1876ca, CR48, Vallee de Chevreuse, en automne, 73×60, private (R124,no48;R2,p204). Also option for: 3IE-1877-67+72, Le parc d’Issy
Armand Guillaumin, 3IE-1877-63, Route de Clamart à Issy =!? 1873-75ca, CR32, Environs de Paris (Surroundings of Paris), 61×100, Birmingham CMAG (iR10;iR173;iR2;iR8;R17,162;R2,p204;R90II,p74+92;R124,no32)
Armand Guillaumin, 3IE-1877-64, Viaduc de Fleury =? 1874 (04), CR34, SDbr, The Arcueil aqueduct at Sceaux railroad crossing, 52×65, AI Chicago (iR10;iR6;iR30;R90II,p74;R2,p204;R179,G7;R124,no34;M20)
Armand Guillaumin, 3IE-1877-65, Rue de Saint-Cloud, à Clamart + 70, Rue de Trosy, à Clamart + 73, Rue, à Clamart = ?? 1875ca, CR-, Promenade (une rue), Île-de-France, 65×81, private (iR10;iR338;R2,p204)
Armand Guillaumin, 3IE-1877-66, Lavoir, à Billancourt. Compare: 1880ca, Lavoir à Charenton (laundry boat at Charenton), 46×55, A2005/02/09 (iR11;iR22;R2,p204)
Armand Guillaumin, 3IE-1877-67+72, Le parc d’Issy =?? 1875ca, CR40, Paysage de la Vallee de Chevreuse, 100×60, xx (R124,no40;R2,p204) = former Durand-Ruel collection. Also an option for 3IE-1877-62, Le parc d’Issy en automne.
Armand Guillaumin, 3IE-1877-68, Le coteau de Meudon =?? 1877, CR-, SDbr, Valley near Issy-les-Moulineaux, 46×55, MBH Bayonne (iR22;iR10;R179,G10;R2,p204;M191)
Armand Guillaumin, 3IE-1877-69, Le Val Fleury =? 18xx, Viaduct at Val-Fleury, Meudon (Hauts-de-Seine), xx, xx (iR155;iR10;R2,p204)
Armand Guillaumin, 3IE-1877-65, Rue de Saint-Cloud, à Clamart + 70, Rue de Trosy, à Clamart + 73, Rue, à Clamart = ?? 1877ca (or 1892ca), CR256, Turning road, 47×55, A2011/06/23 (iR2;iR14;iR11;R1,p359;R2,p204)
Armand Guillaumin, 3IE-1877-62, Le parc d’Issy en automne =?? 1876ca, CR49, Tall trees in autumn, 180×123, Ng Oslo (iR10;iR64;R2,p400;R90II,p203;R179,G9;M92) = former Gauguin collection. Also option for: 3IE-1877-67+72, Le parc d’Issy.
Armand Guillaumin, 3IE-1877-65, Rue de Saint-Cloud, à Clamart + 70, Rue de Trosy, à Clamart + 73, Rue, à Clamart = ?? 1870, CR-, SDbl, A street in Île-de-France, 73×59, A2016/05/13 (HW;iR15;iR11;iR2;R2,p204)
Alphonse Maureau, 3IE-1877-87+88, Bords de la Seine =!? 1871, SDbr (LAIM71 (?), The Seine at Neuilly, 27×41, private (iR2;iR6;R2,p205). =!? Pau1879-237, ‘La Seine à Neuilly’. Compare Daubigny.
Alphonse Maureau, 3IE-1877-87+88, Bords de la Seine =!? 1877ca, Banks of the Seine, 15×24, Florence GAM (R2,p220+205;iR6;iR2;iR11;R90II,p75+93;R89,no31;R3,p289) Note: The signature is written vertically in the sail of the boat.
Claude Monet, 3IE-1877-90, La prairie. Maybe??: CR378, 1875, Meadow with Poplars near Argenteuil, 55×66, MFA Boston (iRx;R22+R127,CR377;R90II,p75;M22,no.23.505)
Claude Monet, 3IE-1877-91, La mare à Montgeron. Probably: 1876, CR419, The Pond at Montgeron (study), 60×82, private (iR51;R2,p205;R90II,p93;R22+R127,CR419)
Claude Monet, 3IE-1877-92, Paysage d’automne= CR432, 1876, Wood lane, autumn, 72×60, xx (R22II,p175=CR432;R90II,p93;R2,p205)
Claude Monet, 3IE-1877-93, Les Dahlias, Montgeron. Probably: 1876, CR417, The Rose bushes in the Garden at Montgeron, 60×81, private (iR2;R22+R127,CR417;R90II,p93;R2,p205)
Claude Monet, 3IE-1877-94, Prairie = 1876, CR405, In the Meadow, 60×82, private (iR51;R22+R127,CR405;R2,p205;R90II,p93)
Claude Monet, 3IE-1877-95 Les Tuileries, app. M. Bellio = CR401, 1876, The Tuileries, 54×73, Marmottan (iR2;R22+R127,CR401;R2,p205;R90II,p93;M2,no.4016)
Claude Monet, 3IE-1877-96, Paysage, Le parc Monceau (app. à M. Bellio) = CR398, 1876, The Parc Monceau, Paris, 60×81, Metropolitan (iR2;R22+R127,CR398;R2,p221;R90II,p94;M23,no.59.206)
Claude Monet, 3IE-1877-97, Arrivée du train de Normandie, gare St-Lazare, appartient à M. H… Probably: CR439, 1876, Arrival at Saint-Lazare Station, 82×101, FAM Cambridge (iR2;M32,no.1951.53). Mostly suggested for no.100 (R22,CR439;R2,p222;R90II,p94)
Claude Monet, 3IE-1877-98, Le pont de Rome (Gare St-Lazare) = CR442, 1877, Le Pont de l’Europe, Saint-Lazare Station, 64×81, Marmottan (iR2;R22+R127,CR442;R2,p224;R90II,p94;M2,no.4015)
Claude Monet, 3IE-1877-99 portrait d’enfant (app. M. H.) = CR434, 1876-77, Germaine Hoschedé with her doll, 81×60, private (iR51;R22+R127,CR434;R2,p205;R90,p94)
Claude Monet, 3IE-1877-100, La gare St-Lazare, arrivée d’un train, app M. H… Probably: CR440, 1877, Saint-Lazare station, the Normandy train, 60×80, AI Chicago (iR2;R90I,p130+180;M20,no.1933.1158) Mostly suggested for no.97 (R22,CR440;R2,p222;R90II,p94)
Claude Monet: 3IE-1877-101 Les dindons (décoration non terminée) = CR416, 1877, Turkeys (at the Château de Rottembourg at Montgeron), 172×175, Orsay (iR2;R2,p225;R90II,p94;R22+R127,CR416;M1,RF1944.18) =GP1889-31 =17LE-1910-147
Claude Monet: 3IE-1877-102, Vue Intérieur de la Gare St-Lazare, à Paris = CR438, 1877, Saint-Lazare station (view of the interior), 75×100, Orsay (iR2;R90I,p169+181;R22+R127,CR438;R2,p227;R90II,p95;M1,RF2775) =NY-AAG+NAD-1886-203 Provenance: 1878 Caillebotte, 1894 bequest
Claude Monet, 3IE-1877-103, La maison du passeur à Argenteuil = CR329, 1874, River banks at Argenteuil (The ferryman’s house), 55×65, destroyed 1950ca (R22II,p138=CR329;R2,p329;R90II,p95)
Claude Monet: 3IE-1877-104, Marine, appartient à M. (Gustave) Manet. =? CR327, 1874, The Seine near Argenteuil, 55×66, private (iR2;R2,p205;R90II,p77+292;R22+R127,CR327)
Claude Monet: 3IE-1877-105 Tuileries, esquisse = CR403, 1875-76, The Tuileries (study), 50×74, Orsay (iR2;R22+R127,CR403;R2,p205;R90II,p95;M1,RF2705) Provenance: 1877/05 Caillebotte; 1896 Musée de Luxembourg
Claude Monet, 3IE-1877-106, Corbeille de fleurs. Compare: 1878, CR492a, Chrysanthemums, 54×61, private (iR2;R22,CR492a)
Claude Monet: 3IE-1877-107, La plaine de Gennevilliers = CR437, 1876-77, The plain at Gennevilliers, 50×61, private (iR2;R22+R127,CR437;R2,p205;R90II,p95) =Caillebotte bequest, rejected
Claude Monet: 3IE-1877-108, Effet d’Automne à Montgeron, appartient à M. H… = 1876, CR431, Sous-bois (Wood Lane), 73×54, private (iR51;R22;R90II,p95;R2,p205) Provenance: Hoschedé.
Claude Monet, 3IE-1877-109, Le châlet. Maybe: CR422, 1876, the house at Yerres, 80×61, private (iRx;R22+R127,CR422;R2,p205)
Claude Monet: 3IE-1877-110, Marine (Sainte-Adresse) =!? 1867, CR94, A hut at Sainte-Adresse, (the Cabin), 52×62, MAH Geneva (iR2;R22+R127,CR94;R2,p205;R90II,p95;M141,no.1990-45) =Le Havre-1868-852 =LVM-1880-15 =GP-1889-6.
Claude Monet, 3IE-1877-111, Le grand quai au Hâvre (esquisse) = 1872, CR295, The Grand Quai at Le Havre, 61×81, Hermitage (iR51;R22+R127,CR295;R2,p205;r90II,p96;M95,no.3KP523)
Claude Monet: 3IE-1877-112, Un jardin, appartient à M. H…. =? 1877, CR418, A Corner of the Garden at Montgeron, 172×193, Hermitage (iR51;R2,p205;R22+R127,CR418;M95,no.9152) Commissioned by Hoschedé.
Claude Monet, 3IE-1877-113, Un jardin. Maybe?: 1872, CR204, Lilacs in the sun, 50×65, Pushkin (iR10;R2,p205;R22+R127,CR204;M96,no.3311)
Claude Monet, 3IE-1877-114, Portrait. Probably: 1877, CR436, Camille holding a Posy of Violets, 116×88, private (iR10;iR94;R22+R127,CR435;R2,p205;R90II,p96)
Claude Monet: 3IE-1877-115, Intérieur d’appartement; appartient à M.G.C. = CR365, 1875, Appartement Interieur (or: A Corner of the Apartment), 80×60, Orsay (iR2;R22+R127,CR365;R2,p228;R90II,p96;M1,RF2776) Provenance: HD1875/03/24-14; bought back by Monet for 325fr; 1876 Caillebotte; 1896 Musée du Luxembourg
Claude Monet, 3IE-1877-117, Intérieur de la gare St-Lazare, à Paris. Maybe: CR441, 1877, Saint-Lazare Station, 54×73, NG London (iR2;R22,CR441;R2,p205;M61,no.6479)
Claude Monet, 3IE-1877-119, Le jardin des Tuilleries = CR402, 1876, The Tuileries garden, 60×80, private (R22+R127,CR402;R2,p205;R90II,p96)
Claude Monet: 3IE-1877-119+hc1, La gare Saint-Lazare à l’exterieur =!? CR448, 1877, Exterior of Saint-Lazare Station (The Signal), 65×82, NLm Hanover (iR2;R90I,p139+187;R90II,p96;R2,p205;R22+R127,CR448;M56,no.PNM941) Provenance: 1878/03/10, Gustave Caillebotte; 1896 Martial Caillebotte
Claude Monet: CR449, 1877, The tracks at Batignolles, xx, xx (iR10;iR64;R22,CR449;R90I,p181) =? 3IE-1877-119+hc2, La gare Saint-Lazare à l’exterieur or =?? 3IE-1877-116, Intérieur de la gare St-Lazare, à Paris
Claude Monet: CR446, 1877, Exterior view of Saint-Lazare Station (the Western Region Goods Sheds), 60×80, private (iR2;R22,CR446;R90I,p181+187) =? 3IE-1877-119+hc3, La gare Saint-Lazare à l’exterieur or =?? 3IE-1877-118, Intérieur de la gare St-Lazare, à Paris
Berthe Morisot, 3IE-1877-120, Tête de jeune fille =1876, CR67, Woman with Fan (Head of a Girl), 62×52, A2013/05/07 (iR2;iR11;iR59;R2,p229;R90II,p96)
Berthe Morisot, 3IE-1877-125, Pastel, =1877, dreamer, pastel, 50×61, NAMA Kansas City (iR10;Mx;iR59;R90II,p97)
Berthe Morisot, 3IE-1877-126, Vue de la Tamise, pastel =1875, CR431, Bateaux sur La Tamise (Ships on the Thames), pastel, 31×48, xx (iR6;R100,p52;R90II,p78)
Berthe Morisot, 3IE-1877-127, Aquarelle. Maybe(?): 1876, CR636, Jeune femme en robe noir (young woman in a black dress), wc, 12×8, xx (iR6;R100,p63;R90II,p78)
Berthe Morisot: 1879, CR80, Woman Picking Flowers (In the Bois de Boulogne), 61×75, Nm Stockholm (iR8;iR2;iR59;R90II,p152;R2,p312;M91) =5IE-1880-119, Jardin. Compare: 3IE-1877-131+hc, pastel (R90I,p157).
Ludovic Ludovic Piette, 3IE-1877-132, Le marché de la place de l’Hôtel de Ville, à Pontoise. = 1876, The marketplace in front of the town hall at Pontoise, 111×186, MTD Pontoise (R89,p61;iR6;iR23;iR2;iR77;R2,p205+230;R90II,p79+97;M173).
Ludovic Ludovic Piette, 3IE-1877-133, Marché de Pontoise, place du Grand-Martroy =1876, Pontoise, le Marché, place du Grand Martroy, 34×46, MTD Pontoise (aR27;iR23;R2,p205;R90II,p79+98;M173)
Ludovic Piette, 3IE-1877-136, Cour de l’hôtel de Cluny, à Paris. Maybe?: 1876, Personnages dans la cour pavée du Hôtel (Musée) de Cluny, 54×38, A2005/04/29 (iR13;R2,p205;R90I,p156).
Ludovic Piette, 3IE-1877-137, Marché aux volailles, au Mans. Compare: 18xx, Place du marché à Mantes, 54×41, A2008/02/15 (iR10;iR255;iR13;iR11;R2,p205)
Ludovic Piette, 3IE-1877-138, Marché aux légumes, à Pontoise. Option 1: 1876, Pontoise, Le marché aux légumes, Place du Petit Martroy, 73×48, MTD Pontoise (aR27;iR6;iR23;R2,p205;M173)
Ludovic Piette, 3IE-1877-140, L’Arrivée au marché (effet de neige) = 1876, SDbr, L’arrivée au marché, ?cm, xx (R90II,p98;R2,p205)
Ludovic Piette, 3IE-1877-141, Fête de l’Hermitage à Pontoise. Compare: 1873, Rue de l’Hermitage à Pontoise, ?cm, xx (iR94;iR10;R2,p205)
Ludovic Piette, 3IE-1877-143, Fleurs. Maybe?: 1862, Bouquet de fleurs au chapeau de paille, 41×65, A2017/09/27 (iR42;iR10;R2,p205)
Ludovic Piette: 3IE-1877-144, Fleurs. Maybe?: 18xx, Flower basket at the riverbank, 83×72, A2010/11/12 (iR13;R2,p205) =? HD1882/04/14-14, Fleurs dans un pannier (aR15=iR40)
Ludovic Piette, 3IE-1877-145, Marché aux vaches, place des Jacobins, au Mans =18xx, Marché aux vaches place des Jacobins au Mans, ?cm, xx (iR10;R90II,p98;R2,p205)
Ludovic Piette, 3IE-1877-148, Fête des Fossés, à Pontoise (aquarelle). Compare: 1877, Fête, boulevard des Fossés, Pontoise, 85×125, MTD Pontoise (iR6;iR77;iR23;R2,p205;M173)
Ludovic Piette, 3IE-1877-149, Cirque forain (aquarelle). Maybe: 1875, SDbr, La Foire, Le Mans, 38×55, Axx (iR136;R2,p205). Compare: HD1877/03/24-11, Cirque Bazola (Foire de Mans), wc (R90II,p79/80;aR12=iR40)
Ludovic Piette, 3IE-1877-152, Vue de Pontoise (aquarelle). Maybe?: 1875, Vue prise en haut de la rue du Château, gouache, 63×43, MTD Pontoise (iR94;iR23;iR10;iR64;R2,p205;M173)
Ludovic Piette, 3IE-1877-153, Jardin de la Ville, au Mans (aquarelle). Maybe: 1875, SDbl, Figures in a Public Garden in Mans, g, 33×63, A1979/12/04 (iR136;iR15;iR2;iR13;iR6;iR11;iR17;R90II,p79/80;R2,p205) =S1876-2836, Vue du Mans; aquarelle (iR1); = HD1877/03/24-1, Vue de Mans, prise du jardin de la ville (Salon 1876) (aR12=iR40).
Ludovic Piette, 3IE-1877-154, Fête de l’Hermitage à Pontoise (aquarelle). Compare: 1871/09/01, Jour de marché à Pontoise, gouache, 49×35, A2012/07/01 (aR4;iR10;R2,p205)
Ludovic Piette, 3IE-1877-156, Jardin (aquarelle). Maybe?: 18xx, Puits et dépendance d’un château sous la neige (le jardin sous la neige), gouache, 12×20, A2007/06/27 (iR13;iR10;R2,p205)
Ludovic Piette, 3IE-1877-157, Bois en automne (aquarelle) =? HD1875/03/23-53, Bois en automne, aquarelle. Maybe?: 1873, La marché dans la forêt (a walk in the forest), gouache, 12×29, A2006/03/23 (iR13;iR11;R2,p205;aR11=iR40)
Ludovic Piette, 3IE-1877-158, Chute des feuilles (aquarelle) =? HD1875/03/23-23 =? HD1879/02/20+21,no.57, La Chute des feuilles, wc. Maybe?: 1872, Paysage, mix, 24×34, A2014/02/26 (iR13;iR10;R2,p205;aR11=iR40;aR13=iR40)
Ludovic Piette, 3IE-1877-160, Battage du grain à la mécanique (aquarelle). =!? 18xx, La Batteuse (the threshing machine), gouache, 23×32, HD1914/01/01-54 (iR40;R2,p205) =? HD1875/03/23-19, Battage de blés à la mécanique (aR11=iR40) =? HD1877/03/24, no.41, Battage de blés à la mécanique (Mayenne); or no.48, Battage de blés à la mécanique (R90II,p80;aR12=iR40).
Ludovic Piette, 3IE-1877-162, Fauche des foins (aquarelle). Maybe: 1876ca, Haymakers at Montfoucault (La fauche des foins), 30×36, A2011/03/16 (iR2;iR11;iR6;R2,p206)
Camille Pissarro: 3IE-1877-163, Côte Saint-Denise à Pontoise, appartient à M. C. = 1877, CCP489, Red roofs, côte Saint-Denis, Pontoise, winter effect, 55×66, Orsay (iR2;iR59;R2,p199;R116,CCP489;R90II,p80+98;M1) Caillebotte bequest.
Camille Pissarro, 3IE-1877-164, Le verger, côte Saint-Denis. Now: 1877, CCP488, Côte des Boeufs, Pontoise, 115×88, NG London (iR2;iR59;R2,p193;R116,CCP488;R90II,p80+99;M61)
Camille Pissarro, 3IE-1877-165, Sous-bois, Côte Saint-Denis, à Pontoise. Perhaps: 1877, CCP490, L’Hermitage viewed from the Côte Saint-Denis, Pontoise (large detail), 66×54, MFA London (iR10;iR64;R116,CCP490;R2,p206)
Camille Pissarro: 3IE-1877-166, Jardin des Mathurins, à Pontoise. Now: CCP448, 1876, Garden at Les Mathurins, 113×165, NAMA Kansas City (iR10;iR6;iR59;iR2;R2,p231;R116,CCP448;R90II,p81+99;M42)
Camille Pissarro, 3IE-1877-167, Coin du Jardin des Mathurins, Pontoise. Probably: 1877, CCP503, In the Garden at Les Mathurins, 165×125, private (iR2;R116,CCP503;R2,p206;R90II,p80)
Camille Pissarro, 3IE-1877-168, Sentier près les Mathurins, Pontoise. Perhaps: 1875, CCP407, View of the Côte des Gratte-Coqs, Pontoise, 39×56, Km Basel (iR10;R116,CCP407;R2,p206;R90II,p81+99;M145)
Camille Pissarro, 3IE-1877-169, Verger de Montbuisson à Pontoise. Maybe: CCP440, 1876, The Jardin de Maubuisson, Pontoise, sunshine, 46×55, Barnes (iR10;iR6;R116,CCP440;R90II,p169;R2,p206;M25)
Camille Pissarro, 3IE-1877-170, Vue de Saint-Ouen-l’Aumône. Now: CCP441, 1876, Saint-Ouen-L’Aumône viewed from the Côte des Gratte-Coqs, 58×80, Yale New Haven (iR10;iR66;iR59;R116,CCP441;R90II,p81+99;R2,p206;M33)
Camille Pissarro, 3IE-1877-171, La plaine d’Epluches (Arc-en-ciel). Now: 1877, CCP495, The Rainbow, Pontoise, 53×82, KMM Otterlo (iR2;iR59;R2,p232;R116,CCP495;R90II,p81+99;R2,p206;M72)
Camille Pissarro, 3IE-1877-172, Bord de l’Oise en automne, appartient à M. Ch… Compare: CCP453, Rider on the banks of the Oise, Saint-Ouen-l’Aumône, overcast sky, 54×64, Boijmans Rotterdam (iR10;iR6;R116,CCP453;R2,p206;M70)
Camille Pissarro, 3IE-1877-173, Bord de l’Oise, route d’Auvers. Maybe?: CCP456, 1876, Le quai du Pothuis à Pontoise, 46×55, A2014/05/06 (iR11;R116,CCP456;R2,p206)
Camille Pissarro, 3IE-1877-174, Place de l’Hermitage à Pontoise. Maybe?: CCP436, 1876, A Crossroads at l’Hermitage, Pontoise, 38×46, MuMa Le Havre (HW18;R116,CCP436;R2,p206;M15)
Camille Pissarro: 3IE-1877-175, Grand Poirier, à Montbuisson =!? 1877, CCP492, Pear Trees in bloom, orchard at Pontoise, 61×72, private (iR10;iR94;R116,CCP492;R90II,p81+100) Hoschedé collection =!? sale HD1878/06/05-64, Les Poiriers, 60x72cm.
Camille Pissarro, 3IE-1877-176, Paysage avec ruine (automne). Maybe?: 1874, CCP335, Fog, Pontoise, 46×56, xx (iR94;iR10;R116,CCP335;R2,p206) Hoschedé collection.
Camille Pissarro, 3IE-1877-177, Bord de l’Oise, marine. Maybe?: CCP459, 1876, Tug-boat and berges on the Oise, Pontoise, 38×56, Chapel Hill AAM (iR6;iR10;R116,CCP459;R2,p206)
Camille Pissarro, 3IE-1877-178, Basse-cour, pluie. Maybe: 1877, CCP497, The hens, barnyard at the Red house, Pontoise, 33×41, private (iR10;iR94;R116,CCP497;R2,p206)
Camille Pissarro, 3IE-1877-179, Vue de l’Hermitage. Maybe?: CCP405, 1875, Chemin montant, Rue de la Côte-du-Jalet, Pontoise, 54×65, Brooklyn MA (iR10;M65;R2,p206;R116,CCP405)
Camille Pissarro: 3IE-1877-180, La moisson; appartient à M. C… = CCP465, 1876, Harvest at Montfoucault, 65×93, Orsay (iR10;iR2;iR59;R2,p233;R116,CCP465;R90II,p81+100;R17,p253;M1) Caillebotte bequest.
Camille Pissarro: 3IE-1877-181, Allée sous-bois à Montfoucault; appartient à M. C… =1874, CCP383, Landscape with Rocks, Montfoucault, 66×93, A2000/11/09 (iR2;iR14;R116,CCP383;R90II,p81+100;R2,p206) Caillebotte bequest.
Camille Pissarro, 3IE-1877-182, Un friche à Montfoucault. Maybe: 1874, CCP374, Piette’s Home on Montfoucault, 46×55, private (iR2;R116,CCP374;R2,p206)
Camille Pissarro, 3IE-1877-184, La plaine, à Pontoise. Maybe?: CCP484, 1877, Terre labourée en hiver, avec un homme portant un fagot, 38×46, A2015/02/04 (iR11;R116,CCP484;R2,p206)
Auguste Renoir: 3IE-1877-185, La Balançoire (app. à M. C…) =1876, CR202, The swing, 92×73, Orsay (iR52;R90II,p81+100;R2,p206+234;R108,no202;R8,p320;R32,p37;R30,no242;R31,no39;M1) Caillebotte bequest.
August Renoir, 3IE-1877-186, Bal du moulin de la Galette. Now: 1876, CR209, Bal du Moulin de la Galette, 131×175, Orsay (iR10;iR8;R30,no249;R31,no40;R90II,p81+100;R2,p188;R2,p206+236;R108,no209;M1). Caillebotte bequest.
August Renoir, 3IE-1877-187, Portrait de madame G.C. (appartient à M. G. Charpentier). Now: 1876-77ca, CR226, First Portrait of Madame Georges Charpentier,
46×38, Orsay (iRx;R30,no269;R90II,p81+100;R2,p206;R108,no226;M1)
August Renoir, 3IE-1877-188, Portrait de mademoiselle G. C. (app. à M.G. Charpentier). Now: 1876, CR178, Georgette Charpentier Seated, 98×73, private (iRx;R90II,p82+101;R2,p206;R108,no178;R30,no257)
August Renoir, 3IE-1877-189, Portrait de madame A. D. (app. à M. A. D.) =1876, CR163, Mme Alphonse Daudet, 47×37, Orsay (R30,p50=no255;R90II,p82+101;R2,p206;R108,no163;M1)
August Renoir, 3IE-1877-190, Portrait de M. Sisley =1876, CR117, Alfred Sisley, 66×55, AI Chicago (iR10;iR74;R90II,p82+101;R2,p206+237;R108,no117;R30,no138;M20)
August Renoir, 3IE-1877-191, portrait de Mademoiselle S. Now: CR229, 1877, portrait d’actrice Jeanne Samary,
56×47, Pushkin (iR7;iR2;iR22;iR52;R90II,p82+101;R2,p206;R108,no229;R30,no282;R31,p197;M96)
August Renoir, 3IE-1877-192, Portrait de M. S… =1877ca, CR71, Jacques-Eugène Spuller, 46×39, A2011/06/22 (iR11;iR15;R90II,p82+101;R2,p206;R108,no71;R30,no201)
August Renoir, 3IE-1877-193, Jeune fille. Maybe?: 1875ca, The Sewer, 65×54, A2010/11/02 (iRx;iR11;R30,no195;R2,p206;R90I,p129)
Auguste Renoir: 3IE-1877-194, femme assise =?? 1876ca, CR190, Mme Henriëtte Henriot in white, 66×50, NGA Washington (iRx;R30,no216;R2,p206;R108,no190;R15,no419;M21)
August Renoir, 3IE-1877-195, La Seine à Champrosay =1876, The Banks of the Seine at Champrosay, 55×66, Orsay (iR6;R30,no256;R90II,p82+101;R2,p106+238;R31,p207;M1). Caillebotte bequest.
August Renoir, 3IE-1877-196, La place Saint-George. Maybe: 1875ca, Place de la Trinite, Paris, 50×61, private (iRx;R30,no196;R2,p206;R90I,p180;R88I,p93) =? rejected Caillebotte bequest
August Renoir, 3IE-1877-197, coucher de soleil. Maybe: 18xx, view of Montmartre, xx, xx (iR10;iR64;iR2;R2,p206;R90I,p180;R88I,p93) =? rejected Caillebotte
August Renoir, 3IE-1877-198, Jardin. Uncertain option 3: 1876, the conversation (Spring), 61×50, Axx (iR10;iR6;iR13;R30,no239;R2,p206) Rue Cortot
August Renoir, 3IE-1877-199, Jardin. Uncertain option 1: 1875, Woman with a Parasol in a Garden, 54×65, MNTB Madrid (iR2;M100;R30,no199;R2,p206)
August Renoir, 3IE-1877-200, Tête de jeune fille. Uncertain option 3: 1876, Nini Lopez, 26×22, A2002/06/25 (iRx;iR11;R30,no260;R2,p206)
August Renoir, 3IE-1877-201, Bouquet de fleurs de champs. Uncertain option 3: 1876ca, Bouquet in front of a Mirror, 93×72, private (iRx;R30,no267;R2,p206)
Auguste Renoir: 3IE-1877-202, Deux têtes =? 1876ca, Young Man and Young Woman, 31×45, Orangerie (iRx;R30,no241;R2,p206;R90I,p176+180;M3)
Auguste Renoir: 3IE-1877-203, deux têtes. Compare: 1877ca, Two young maiden heads, 47×54, Marlborough London (R30,p103=no272;R2,p206;R90I,p176+180)
August Renoir, 3IE-1877-204, Dahlias. Compare 3: 18xx, Dahlias, xx, xx (iR10;iR114;R2,p206;R90I,p180)
August Renoir, 3IE-1877-205, Portrait d’enfant. Uncertain option 1: 1876ca, Child with an apple (Mlle de La Pommeray), 40×32, A2015/05/06 (iRx;iR11;R30,no227;R2,p206)
Henri Rouart, 1875-77ca, Sbr, Les bords de la Sédelle (moulin et ruines du château), 48×60, private (iR10;R92,no34). Maybe: 3IE-1877-206, Bords de la Sédelle.
Henri Rouart, 1885ca, Sbr, Landscape with Farm, Brittany, 66×92, private Gallery London (iR13). Compare: 1IE-1874-148, Ferme bretonne; 2IE-1876-229, Vieille ferme bretonne (étude); 3IE-1877-207, Ferme Bretonne; S1869-2069, Chaumière au milieu des arbres, en Bretagne; 6IE-1881-129, Chaumières bretonnes.
Henri Rouart, 1878-1880ca, Portrait of Hélène, daughter of the artist, 46×38, private (iR132;aR21;aR20;R92,no8;R90I,p130). Probably at the Rue de Lisbonne. Maybe: 3IE-1877-208, Portrait.
Henri Rouart, 18xx, Sbr, Sous-bois en Montagne, 60×75, private (R92,no40;R2,p206). Maybe?: 3IE-1877-209, Vallée de Cauterets.
Henri Rouart,1880-85ca, On the Fourneaux terrace at Melun, etch after painting, ?cm, A1912/12/09-hc (aR10,p136+;cpR92,no7). Option for: 3IE-1877-210, Quai des Fourneaux, à Melun.
Henri Rouart, 18xx, HR?, Paysage bucolique (rural landscape), 45×54, xx (aR18;aR20). Compare: 3IE-1877-207, Ferme Bretonne + 3IE-1877-210+hc, La ferme.
Alfred Sisley: 3IE-1877-211, Le Chalet, Gelée blanche =1876, CR208, View of Marly-le-Roi from House at Coeur-Volant, 65×92, Metropolitan (iR2;iR59;R3,p158;R38;R90II,p83+290) =!? Hoschedé sale: HD1878/06/05-88, Châlet dans un parc, 65x92cm
Alfred Sisley: 3IE-1877-212, Le Parc =? 1875, The Duck Pond, 46×55, A2013/11/06 (iR2;iR11;R90II,p290) =? Hoschedé sale: HD1878/06/05-91, Pelouse et pièce d’eau dans un parc
Alfred Sisley, 3IE-1877-213, Route, le soir. Maybe: 1876, CR201, A road in Marly, 38×56, A2010/11/03 (iR11; iR2)
Alfred Sisley: 3IE-1877-214, Scieurs de long; Appartient à M. de Bellio =1876, CR230, Pit (Wood) sawyers, 50×66, MPP Paris (iR10;iR6;iR2;R2,p239;R90II,p83;M4)
Alfred Sisley, 3IE-1877-215, rue de village. Maybe(??): 1876, CR199, Une Rue à Marly (Place du Marché), 50×65 , Kh Mannheim
(iR2;iR3+info;R3,p159)
Alfred Sisley, 3IE-1877-216, Les Gressets, village aux environs de Paris. Maybe(???): 1876, CR218, Hill Path, 38×55, MBA Lyon (iR2;iR10;iR8;R8,p68)
Alfred Sisley, 3IE-1877-217, La Seine au Pecq. Compare: 1875, CR164, The Terrace at Saint-Germain, Spring, 74×99, WAM Baltimore (iR3; iR8; iR2)
Alfred Sisley, 3IE-1877-218, Champs de foin. Compare: 1876, CR212, Fields at Saint Cloud, 54×73, private (iR2)
Alfred Sisley, 3IE-1877-219, La machine de Marly. Now: 1876, CR215, Barrage de la Machine de Marly, 38×61, private (iR10;R90,p84;
R166,p122)
Alfred Sisley, 3IE-1877-220, Le pont d’Argenteuil en 1872. Now: 1872, CR30, The Bridge at Argenteuil, 39×61, Memphis BMA (iR6;iR11;iR59;iR2;R2,p240;R166,104)
Alfred Sisley, 3IE-1877-221, Bords de la Seine, coup de vent. Perhaps: 1876, CR228, Bougival, 60×73, Cincinnati AM (iR2;R2,p207)
Alfred Sisley, 3IE-1877-222, L’Abreuvoir, à Marly. Maybe(??): 1875, CR169, The watering place at Marly-le-Roy, 40×56 AI Chicago (iR10;M;iR2;R17,p100;R166,p172)
Alfred Sisley, 3IE-1877-223, L’Auberge du Lion-d’Or. Maybe(?): 1876, Inn on Main Street, Marly, 50×65, private (iR2)
Alfred Sisley, 3IE-1877-224, Village de Marly, effet de neige. Maybe(??): 1875-6, CR153, La neige à Marly-le-Roi, 46×55, Orsay (iR10;iR94;iR2;R116II,p148;R166,p152)
Alfred Sisley, 3IE-1877-225, Le Lavoir, à Marly. Maybe(?): 1876, The Laundry, 38×55, AGO Toronto (iR2)
Alfred Sisley, 3IE-1877-226, Terrasse à Marly. Maybe(??): 1876, CR214, Spring in Saint-Germain-en-Laye, 38×56, private (iR2;R166,p156)
Alfred Sisley, 3IE-1877-227, Inondations. Maybe(?): 1876, CR235, Port Marly and the Flooding, 38×55, private (iR2)
Alfred Sisley, 3IE-1877-227+hc1, Inondations. Maybe(?): 1876, CR236, The Flood at Port-Marly, 50×61, MNTB Madrid (iR2; iR11;R166,p162)
JH Weissenbruch, 1900, The house of J.F. Millet, 24×33, private (iR375;iR10;R290,p91) Note: Tillot lived across the street. Compare: 3IE-1877-232, Maison et atelier de J-F Millet, à Barbizon + 3IE-1877-233, La rue de Barbizon
Claude Monet, 1865, CR55a, Grainstacks near Chailly, Sunrise, 30×60, San Diego MA (iR10;R22,no55a;R2) Compare: Charles Tillot, 3IE-1877-235, Meules dans la plaine + 3IE-1877-229, Le Bas-Bréan (sic) et la plaine de Chailly
Martinus Kuytenbrouwer, 1848, Rocks near the Gorges d’Apremont, 94×128, BBM Rotterdam (iR10;M70;R2) Compare: Charles Tillot, 3IE-1877-236, Vue prise des hauteurs des Forges (sic) d’Apremont
Charles Tillot, 18??, Bouquet de fleurs, 45×36, A2010/12/22 (iR10;iR89;iR18;R2,p207) =?? 3IE-1877-239, Fleurs
Clarification: On this page you find 210 suggestions for the about 246 art-works that were exhibited at the 3rd ‘impressionist’ exposition in 1877. No.42 of Degas probably wasn’t exhibited. Maybe nos.51+54 of Degas weren’t exhibited either, but this is more doubtfull, so I will render them and count them as being exhibited. Probably nos.116+118 of Monet (two interiors of the Gare Saint-Lazare) weren’t exhibited and instead 2 exteriors were exhibited outside the catalogue (=hc).
Note: the given suggestions vary from certain (=!), to almost certain (=?!), to uncertain (=?), to very uncertain (=??), to most uncertain (=???), to compare (=compare:) with another work of the artist, to compare with a similar work from another artist or even a photo. Sometimes (?x) I have no suggestion at all, namely nos. ), nos.34 +35 +36 (of Cordey); no.74+75 (of Jacques François); nos. 76 +77 +78 +79 (of Franc Lamy), nos. 80 +81 +82 +83 +84 +85 (Levert), no.86+89 (Maureau), nos. ), nos. ), nos. 134 +135 +139 +142 +146 +147 +150 +151 +159 (Piette), nos. 228 +229 +230 +231 +233 +234 +237 +238 +240 +241 (Tillot). Helas, of several options I could only find a picture in black and white, namely no.10+14 of Cals, no.62+67 of Guillaumin; no.92+103 of Monet; no.126+127 of Morisot; nos 140 +155 +160 of Piette; no.175+176 of Pissarro; no.203 of Renoir; no.210 of Rouart. The pictures I give to compare that are very weak are nos.124 +130 +131 of Morisot; nos.232 +235 +236 of Tillot. See the accounts of the partaking artists. See link for an explanation of the subscriptions.
Recommanded citation: “Impressionism, a historical reconstruction: Slideshow of the 3rd ‘impressionist’ exposition in 1877. Last modified 2023/09/27. https://www.impressionism.nl/1877-expo-slideshow/.”
Note: More accurate and extended suggestions will follow. Additional pictures will be added.
